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Relevant bibliographies by topics / Theory of Comedy

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Academic literature on the topic 'Theory of Comedy'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Theory of Comedy"

1

Gelber, Michael Werth. "Dryden's Theory of Comedy." Eighteenth-Century Studies 26, no. 2 (1992): 261. http://dx.doi.org/10.2307/2739320.

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Putri, Maharani Widya, Erwin Oktoma, and Roni Nursyamsu. "FIGURATIVE LANGUAGE IN ENGLISH STAND-UP COMEDY." English Review: Journal of English Education 5, no. 1 (December 1, 2016): 115. http://dx.doi.org/10.25134/erjee.v5i1.396.

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This descriptive qualitative research was about the analysis of figurative language in English stand-up comedy. The purposes of this study were to identify the types of figurative language and to describe the functions of figurative language found in the selected video of stand-up comedy show. The data source was taken from one of selected videos of Russell Peters stand-up comedy show. Russell Peters’s speech contained about figurative language in the video is observed. The data were collected through content analysis technique by collecting the verbal language used by Russell Peters. The first research questions was analyzed by McArthur (1992) theory and supported by Crystal (1994) theory to find out the types of figurative language found in English stand-up comedy. To answer the second research questions about the functions of figurative language found in English stand-up comedy was analyzed by Chunqi (2014) theory and suppoted by Kokemuller (2001) theory and Turner (2016) theory. After analyzing data, it was found that Irony was the most dominant figurative language used by Russell Peters in “Russell Peters Comedy Now! Uncensored” with 29.94%. It was happened because the kind of topics used by Russell Peters in that show were about ethnics (canadian, white people, black people, brown people and asian), society case (beating child) and culture (accent and life style of various ethnics in the world, habitual of various ethnics in the world). Irony and Hyperbole were needed dominantly in the performance, to entertain the audiences in the stand-up comedy show. The function of eleven types of figurative language which were used by Russell were concluded. The functions were to amuse people in comedic situations, to expand meaning, to explain abstract emotions, to make sentence interesting represented and give creative additions. Keywords: Figurative Language, Stand-Up Comedy, English Stand-Up Comedy

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Snell, Julia. "Schema theory and the humour of Little Britain." English Today 22, no. 1 (January 2006): 59–64. http://dx.doi.org/10.1017/s0266078406001118.

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LITTLE BRITAIN is a television comedy show in the UK. Recurring characters appear in its episodes enacting situations that can be said to satirize British society. It was first aired by the BBC in February 2003. Little Britain has quickly amassed a loyal following and has grown significantly in popularity. It has won a number of prestigious comedy awards including ‘Best Comedy Performance’ and ‘Comedy Programme or Series Award’ at the BAFTAs (British Academy of Film and Television Arts awards, 2005). The humour in Little Britain has therefore been successful. Moreover, it is not based purely on visual comedy, being originally launched on BBC Radio 4 then transferred to television. Its humour originates in the language used. Schema theory, a useful tool for analysing much situational comedy, can shed light on the construction and interpretation of humour in Little Britain

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Hays, Michael. "Comedy as Being/Comedy as Idea." Studies in Romanticism 26, no. 2 (1987): 221. http://dx.doi.org/10.2307/25600648.

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Branfman, Jonathan. "“Plow Him Like a Queen!”: Jewish Female Masculinity, Queer Glamor, and Racial Commentary in Broad City." Television & New Media 21, no. 8 (June 27, 2019): 842–60. http://dx.doi.org/10.1177/1527476419855688.

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Starring raunchy Jewish women, Comedy Central’s Broad City (2014–2019) invites feminist comedy theory to better address race and ethnicity. Feminist comedy theory has long used Kathleen Rowe’s model of the unruly woman, which neglects racial/ethnic dimensions of unruliness. When discussing Jewish comedian Roseanne Barr, for instance, Rowe does not mention transgressive stereotypes about Jewish femininity like the “beautiful Jewess,” a historical stock figure depicting Jewish women as racially exotic and masculine-yet-seductive. Likewise, studies of the Jewess have not yet integrated Rowe’s lens of unruly womanhood. Broad City highlights these gaps: the series calls its stars “Jewesses,” and tropes of the beautiful Jewess fuel their comedic boundary violations between femininity/masculinity, whiteness/nonwhiteness, and racism/antiracism. By analyzing Broad City, I clarify how racial tropes of unruliness shape plotlines and social critiques in women’s comedy. This article also invites feminist studies more broadly to address Jewishness as a salient form of difference.

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Troost, Linda V., and Frank H. Ellis. "Sentimental Comedy: Theory and Practice." Eighteenth-Century Studies 26, no. 1 (1992): 118. http://dx.doi.org/10.2307/2739246.

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Ingram, Allan, and Frank H. Ellis. "Sentimental Comedy: Theory and Practice." Modern Language Review 88, no. 3 (July 1993): 729. http://dx.doi.org/10.2307/3734943.

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Rist, Thomas. "Topical Comedy." Ben Jonson Journal 7, no. 1 (January 2000): 65–87. http://dx.doi.org/10.3366/bjj.2000.7.1.5.

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Ligda, Kenneth. "Orwellian Comedy." Twentieth-Century Literature 60, no. 4 (2014): 513–37. http://dx.doi.org/10.1215/0041462x-2014-1005.

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Cartlidge, Ben. "JUVENAL 5.104: TEXT AND INTERTEXT." Classical Quarterly 69, no. 1 (May 2019): 370–77. http://dx.doi.org/10.1017/s0009838819000508.

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This paper draws on Juvenal's intertextual relationship with comedy to solve a textual crux involving fish-names. The monograph by Ferriss-Hill will no doubt warn scholarship away from the treatment of Roman satire's intertextuality with Old Comedy for a time. Yet, Greek comedy's influence on Roman satire is far from exhausted, and this paper will show that this influence goes more widely, and more deeply, than is usually seen. In time, one might hope for a renewed monographic treatment of the subject.

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Dissertations / Theses on the topic "Theory of Comedy"

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Cheung, Man-hon Michael, and 張文瀚. "Toward a theory of Chinese comedy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949393.

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Cheung, Man-hon Michael. "Toward a theory of Chinese comedy." [Hong Kong : University of Hong Kong], 1989. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12754493.

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Coleman, Jacob W. "An Aesthetic Experience of Comedy: Dewey and Incongruity Theory." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1618336603730402.

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Crumbo, Daniel Jedediah, and Daniel Jedediah Crumbo. "The Comedy of Trauma: Confidence, Complicity, and Coercion in Modern Romance." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626362.

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Stories engage a form of virtual play. Though they incorporate language and abstractions, stories engage many of the same biological systems and produce many of the same anatomical responses as simpler games. Like peek-a-boo or tickle play, stories stage dangerous or unpleasant scenarios in a controlled setting. In this way, they help develop cognitive strategies to tolerate, manage, and even enjoy uncertainty. One means is by inspiring confidence in difficult situations by tactical self-distraction. Another is to reframe negative or uncertain situations as learning opportunities, that is, to ascribe meaning to them. While both strategies are useful, each has limitations. In William Shakespeare’s The Winter’s Tale, a king succumbs to the desire to make meaning where there is none, and nearly ruins himself in a self-composed tragedy. His friend restores his confidence and enables a happy ending—but only by deceiving him. This deception is benign, but the heroine of Samuel Richardson’s Clarissa is nearly ruined by her abductor’s confidence game. Her “happy ending” is made possible only by reframing her rape and death as redemptive transfiguration—which, as many of her readers suggest, is a dubious affair. The hero of Herman Melville’s The Confidence-Man spends the first half of the novel eliciting his companions’ confidence in order to swindle them, and the second half trying to inspire himself with the same confidence. The novel ends with an ominous impasse: one must trust, but one ought not to. For Samuel Beckett, this impasse is productive. In his middle novels, thought itself emerges from the interplay of spontaneous bouts of irrational confidence and distortive, after-the-fact impositions of spurious meaning. Stories create (illusory) identities, elicit (dubious) hopes, and reinforce (false) assumptions in order to help us cope with the agonies of anticipation and loss, and to transform misfortune, accident, and misery into reward, retribution, and meaning—that is, in a comedy of trauma.

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WEEKS, Mark. "Comic Theory and Perceptions of a Disappearing Self." 名古屋大学大学院国際言語文化研究科, 2012. http://hdl.handle.net/2237/17448.

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Jackson, Rhona. "Situation comedy and the female audience : a study of 'The Mistress'." Thesis, Sheffield Hallam University, 1993. http://shura.shu.ac.uk/19865/.

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This study examines the relationship between a television text and the women in the audience, using Carla Lane's situation comedy, The Mistress [BBC], broadcast in 1985, as a case study. The project is entirely directed by the audience point of view. An eclectic multi-disciplinary approach was taken to devise an 'open' conceptual model of the audience which located women as key actors in the viewing process. The concept of the Skilled Viewer was developed, incorporating elements from feminist film and television theory, reader response theory, and Uses and Gratifications theory. A feminist perspective, systematised by an ethnographic account and feminist sociological principles, guided the qualitative methods of data collection from 14 individual and nine groups of women viewers. Their discussions were recorded, transcribed, categorised, and analysed. Audience responses were classified into Uses and Gratifications categories. Viewers responded on emotional and/or intellectual levels, pointing up concerns relating to identification with stars/characters; aspects of realism; confirmation of personal values; and aesthetic criticism. Responses were defined within a framework of expectation, in terms of anticipations-expressed/fulfilled and/or hopes-expressed/ fulfilled. Viewers' 'interpretive strategies' and their source 'interpretive repertoires' via which they understood and enjoyed the text were explored. Reasons were posited for response. Major findings are as follows. A multi-disciplinary theoretical design supported by a reflexive, compatible methodological approach is effective. Application of the concept of the Skilled Viewer produces a number of findings not available via pre-existing theoretical models. Viewers are active, self-monitoring participants in the viewing process. The text/audience relationship is in constant negotiation. Viewers' enjoyment depends to a great extent on the priorities with which they approach it. Placing theoretical priority on the female viewer can prove methodologically effective. Legitimating their voice successfully empowers the women in the audience.

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Pinkham, Bryce Allen. "A Fool's Journey: An Exploration of Physical Comedy in Theory and Practice." Thesis, Boston College, 2005. http://hdl.handle.net/2345/576.

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Thesis advisor: Scott T. Cummings
My Senior Honors Thesis may be understood as a two-part investigation that addresses both theoretical and practical concerns of physical comedy and the language of gesture. I will first present some of my more general findings about comedy in order to more accurately zero in on the figure of 'the Fool.' I will thereafter investigate the function of the Fool in society and report on two of his most definitive iterations: Arlecchino, of the Italian Commedia dell'Arte and Bill Irwin of the contemporary stage. These theoretical components will eventually serve as a foundation for the practical side of my project- the creation of my own physical performance piece. In the final part of this document I will outline the process of conceiving and developing a physical comedy performance all my own, referring to my research whenever possible. My hope is that this paper will serve as both an informational document about some of the most important historical influences on physical comedy and the language of gesture, as well as relate how those influences affected me in the process of imagination and creation that is the joy of theatre
Thesis (BA) — Boston College, 2005
Submitted to: Boston College. College of Arts and Sciences
Discipline: Theater
Discipline: College Honors Program

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Michaud, Wild Nickie. "Political criticism and the power of satire| The transformation of "late-night" comedy on television in the United States, 1980-2008." Thesis, State University of New York at Albany, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3671783.

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How has political comedy on television in the United States changed over time? Earlier examples of political comedy on television were shows like Saturday Night Live and various late night talk shows, which focused primarily on political or personal scandals or personal characteristics, rather than policies or substantive issues. In other arenas of television and the public sphere in general, there was serious criticism of scandals, but not in political comedy. Shows that attempted to criticize politicians or serious public issues using satire, irony, or invective such as The Smothers Brothers Comedy Hour, were routinely censored by network executives. With the advent of cable, and the failures of traditional mainstream journalism after 9/11, a change occurred. The Daily Show with Jon Stewart almost immediately adopted a critical stance on the Bush administration that was widely discussed in "serious" public sphere outlets such as CNN, the New York Times and the Washington Post. This form of "critical comedy" has proved popular. This project examines commentary about such programs in the journalistic sphere from each presidential election cycle from 1980-2008. This includes data from newspapers as well as television news sources. Additionally, I conduct content analysis of sets of Saturday Night Live, The Colbert Report, and The Daily Show from each time period, if the show was being produced. I show that political comedy is increasingly influential in public sphere discussions of presidential politics.

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Chapman, Patricia Ann. "Two Laureates and a Whore Debate Decorum and Delight: Dryden, Shadwell, and Behn in a Decade of Comedy A-la-Mode." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-11202006-050335/.

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Thesis (M.A.)--Georgia State University, 2006.
Title from title screen. Malinda Snow, committee chair; Tanya Caldwell, Paul Schmidt, committee members. Electronic text (81 p.) : digital, PDF file. Description based on contents viewed May 8, 2007. Includes bibliographical references (p. 79-81).

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Murray, Kristen A. School of Media Theatre &amp Film &amp School of Sociology UNSW. "???Bury, burn or dump???: black humour in the late twentieth century." Awarded by:University of New South Wales. School of Media, Theatre & Film and School of Sociology, 2007. http://handle.unsw.edu.au/1959.4/31475.

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In humour studies research, there have been few attempts to elucidate why black humour was such a prevalent, powerful force in late twentieth century culture and why it continues to make a profound impression in the new millennium. As Dana Polan (1991) laments: ???Rarely have there been attempts to offer material, historically specific explanations of particular manifestations of the comic???.1 This thesis offers an interdisciplinary analysis of black humour in the late twentieth century. I contend that the experience of black humour emerges from the intricacies of human beliefs and behaviours surrounding death and through the diverse rituals that shape experiences of loss. I suggest that black humour is an attempt to articulate the tension between the haunting absence and disturbing presence of death in contemporary society. Chapter 1 of this thesis offers an historical and etymological perspective on black humour. In Chapter 2, I argue that the increasing privatisation and medicalisation of death, along with the overt mediatisation of death, creates a problematic juxtaposition. I contend that these unique social conditions created, and continue to foster, an ideal environment for the creation and proliferation of black humour. In Chapters 3 and 4, I examine the structures and functions of black humour through three key theories of humour: incongruity, catharsis and superiority. Chapter 5 looks at ways in which the experience of black humour creates resolutions and forces dissonances for people entwined with loss. In this final chapter, I also consider how black humour may help people make meaning from issues surrounding death. Throughout this theoretical discussion, I interweave the analysis of a range of scenes from contemporary black comic texts (i.e. plays, screenplays and television scripts). On the whole, this thesis works towards a more complex, specific understanding of the phenomenon of black humour within a social context.

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Books on the topic "Theory of Comedy"

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H, Ellis Frank. Sentimental comedy: Theory & practice. Cambridge: Cambridge University Press, 1991.

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Comedy: An critical introduction. Brighton: Sussex Academic Press, 2011.

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Molière: The theory and practice of comedy. London: Athlone Press, 1993.

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The idea of comedy : history, theory, critique. Madison, NJ: Fairleigh Dickinson University Press, 2006.

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Comedy, seriously: A philosophical study. New York, NY: Palgrave Macmillan, 2014.

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Evans, James E. Comedy, an annotated bibliography of theory and criticism. Metuchen, N.J: Scarecrow Press, 1987.

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Stand-up comedy in theory, or, Abjection in America. Durham, NC: Duke University Press, 2000.

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Weitz, Eric. The Cambridge introduction to comedy. Cambridge: Cambridge University Press, 2009.

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The catharsis of comedy. Lanham, Md: Rowman & Littlefield Publishers, 1994.

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Lundberg, Anna. Allt annat än allvar: Den komiska kvinnliga grotesken i svensk samtida skrattkultur. Göteborg: Makadam, 2008.

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Book chapters on the topic "Theory of Comedy"

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Sienkiewicz, Matt. "Phrasing!: Archer, Taboo Humour, and Psychoanalytic Media Theory." In Taboo Comedy, 77–95. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59338-2_5.

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Colletta, Lisa. "Comedy Theory, the Social Novel, and Freud." In Dark Humor and Social Satire in the Modern British Novel, 17–35. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403981370_2.

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Marteinson, Peter. "Thoughts on the current state of humour theory (1:2)." In The Routledge Comedy Studies Reader, 11–17. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429057526-2.

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Mills, Brett. "‘A pleasure working with you’: Humour theory and Joan Rivers (2:2)." In The Routledge Comedy Studies Reader, 236–44. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429057526-27.

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Garofalo, Daniela. "Pride and Prejudice and the Comedy of the Universal." In Jane Austen and Critical Theory, 92–107. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003181309-5.

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Tierney-Hynes, Rebecca. "The Humour of Humours: Comedy Theory and Eighteenth-Century Histories of Emotions." In The Palgrave Handbook of Humour, History, and Methodology, 93–108. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_5.

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Milner Davis, Jessica. "Bergson’s Theory of the Comic and Its Applicability to Sixteenth-Century Japanese Comedy." In The Palgrave Handbook of Humour, History, and Methodology, 109–32. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56646-3_6.

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"Comedy." In Greek Aesthetic Theory (RLE: Plato), 146–58. Routledge, 2013. http://dx.doi.org/10.4324/9780203100509-13.

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Eitzen, Dirk. "Comedy and Classicism." In Film Theory and Philosophy, 394–409. Oxford University Press, 1997. http://dx.doi.org/10.1093/acprof:oso/9780198159216.003.0018.

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"Acknowledgments." In Comedy/Cinema/Theory, VII—VIII. University of California Press, 1991. http://dx.doi.org/10.1525/9780520910256-001.

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Conference papers on the topic "Theory of Comedy"

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Das, Monidipa, and Soumya K. Ghosh. "Analyzing Impact of Climate Variability on COVID-19 Outbreak: A Semantically-enhanced Theory-guided Data-driven Approach." In CODS COMAD 2021: 8th ACM IKDD CODS and 26th COMAD. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3430984.3431006.

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Zemlianskii, V. M., and F. J. Yanovsky. "Phase optical-microwave method for sizing droplets in air. Theory and numerical treatment." In Conference Proceedings Second Topical Symposium on Combined Optical-Microwave Earth and Atmosphere Sensing. IEEE, 1995. http://dx.doi.org/10.1109/comeas.1995.472373.

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Swaminathan, Janani, Jane Akintoye, Marlena R. Fraune, and Heather Knight. "Robots That Run their Own Human Experiments: Exploring Relational Humor with Multi-Robot Comedy." In 2021 30th IEEE International Conference on Robot & Human Interactive Communication (RO-MAN). IEEE, 2021. http://dx.doi.org/10.1109/ro-man50785.2021.9515324.

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Bodewits, D., R. Hoekstra, and A. G. G. M. Tielens. "Probing the interaction between comets and the solar wind." In X-RAY DIAGNOSTICS OF ASTROPHYSICAL PLASMAS: Theory, Experiment, and Observation. AIP, 2005. http://dx.doi.org/10.1063/1.1960937.

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Koltover, Vitaly K. "Mathematical Theory of Reliability and Aging: Teaching Comes from Kiev." In 2016 Second International Symposium on Stochastic Models in Reliability Engineering, Life Science and Operations Management (SMRLO). IEEE, 2016. http://dx.doi.org/10.1109/smrlo.2016.68.

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Dubey, Abhijeet, Aditya Joshi, and Pushpak Bhattacharyya. "Deep Models for Converting Sarcastic Utterances into their Non Sarcastic Interpretation." In CoDS-COMAD '19: 6th ACM IKDD CoDS and 24th COMAD. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3297001.3297043.

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Müller, Maximilian, Aris Alissandrakis, and Nuno Otero. "There is more to come." In PerDis '16: The International Symposium on Pervasive Displays. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2914920.2940341.

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Harrington, James. "Lightning Requirements: Where They Come From and How to Analyze Their Impact." In SAE 2012 Aerospace Electronics and Avionics Systems Conference. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2012. http://dx.doi.org/10.4271/2012-01-2149.

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Ehrenreich, T., K. Miller, P. Gee, Q. Kessel, E. Pollack, W. W. Smith, N. Djuric, J. Lozano, S. J. Smith, and A. Chutjian. "Soft X-ray and Optical Laboratory Spectra to Simulate the Solar Wind on Comets: O5+ + CO." In X-RAY DIAGNOSTICS OF ASTROPHYSICAL PLASMAS: Theory, Experiment, and Observation. AIP, 2005. http://dx.doi.org/10.1063/1.1960939.

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Akhmetshin, Elvir M., Valeriia V. Kulibanova, Irina A. Ilyina, and Tatiana R. Teor. "Innovative Internal Communications Tools and Their Role in Fostering Ethical Organization Behavior." In 2020 IEEE Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2020. http://dx.doi.org/10.1109/comsds49898.2020.9101245.

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Reports on the topic "Theory of Comedy"

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Fleetwood, Hannah. If you build it - they will come. University of Limerick, 2015. http://dx.doi.org/10.31880/10344/5868.

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Núñez Domínguez, T., MT Arenas-Molina, and ME Villar. How do they look? How come? Discriminate in the construction sector. Revista Latina de Comunicación Social, October 2016. http://dx.doi.org/10.4185/rlcs-2016-1130en.

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Gilmore, Thomas N. Gilmore, and Larry Hirschhorn Hirschhorn. Ideas in Philanthropic Field-Building: Where They Come From and How They Are Translated Into Actions. New York, NY United States: Foundation Center, March 2004. http://dx.doi.org/10.15868/socialsector.6478.

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Gilmore, Thomas N. Gilmore, and Larry Hirschhorn Hirschhorn. Ideas in Philanthropic Field Building: Where They Come from and How They Are Translated into Actions - Executive Summary. New York, NY United States: Foundation Center, March 2004. http://dx.doi.org/10.15868/socialsector.24959.

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Hirschhorn, Larry Hirschhorn, and Thomas North Gilmore Gilmore. Ideas in Philanthropic Field Building: Where They Come from and How They Are Translated into Actions - Discussion Guide. New York, NY United States: Foundation Center, March 2004. http://dx.doi.org/10.15868/socialsector.24960.

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Birch, John J. Ready or Not ... Here They Come: Are the Combatant Commanders Ready for Multinational Logistics. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada425947.

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Charnley, Susan. If you build it, they will come: ranching, riparian revegetation, and beaver colonization in Elko County, Nevada. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2019. http://dx.doi.org/10.2737/pnw-rp-614.

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Charnley, Susan. If you build it, they will come: ranching, riparian revegetation, and beaver colonization in Elko County, Nevada. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2019. http://dx.doi.org/10.2737/pnw-rp-614.

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Tyler, John. If You Build It Will They Come? Teacher Use of Student Performance Data on a Web-Based Tool. Cambridge, MA: National Bureau of Economic Research, October 2011. http://dx.doi.org/10.3386/w17486.

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Boettcher, Seth J., Courtney Gately, Alexandra L. Lizano, Alexis Long, and Alexis Yelvington. Part 3: Case Study Appendices to the Technical Reports. Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, May 2020. http://dx.doi.org/10.37419/eenrs.brackishgroundwater.p3.

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Abstract:

This Case Study Appendix to the Technical Reports expands on regulations in San Antonio and El Paso where these water alternatives are in place. The goal of this report is to provide insight into the legal and regulatory barriers, challenges, and opportunities for these technologies to go online. Each desalination and water recycling faciality implementation site must comply with various laws and regulations. The information in these Case Studies comes from the study of brackish groundwater desalination and water recycling facilities currently operating in Texas. While there is no updated “one-stop-shop” resource where a municipal leader can find a list of all the necessary permits to build, operate, and maintain such facilities, this Technical Report aims to compile the existing, available information in an organized and accessible fashion. The Desalination Technical report is the third in a series of three reports which make up the Project. These reports examine regulations surrounding desalination and water recycling. The companion reports generally highlight building, operating, and monitoring requirements for water recycling facilities in Texas.

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