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Books on the topic 'Theory of Comedy'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

H, Ellis Frank. Sentimental comedy: Theory & practice. Cambridge: Cambridge University Press, 1991.

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2

Comedy: An critical introduction. Brighton: Sussex Academic Press, 2011.

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3

Molière: The theory and practice of comedy. London: Athlone Press, 1993.

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4

The idea of comedy : history, theory, critique. Madison, NJ: Fairleigh Dickinson University Press, 2006.

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5

Comedy, seriously: A philosophical study. New York, NY: Palgrave Macmillan, 2014.

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6

Evans, James E. Comedy, an annotated bibliography of theory and criticism. Metuchen, N.J: Scarecrow Press, 1987.

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7

Stand-up comedy in theory, or, Abjection in America. Durham, NC: Duke University Press, 2000.

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8

Weitz, Eric. The Cambridge introduction to comedy. Cambridge: Cambridge University Press, 2009.

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9

The catharsis of comedy. Lanham, Md: Rowman & Littlefield Publishers, 1994.

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10

Lundberg, Anna. Allt annat än allvar: Den komiska kvinnliga grotesken i svensk samtida skrattkultur. Göteborg: Makadam, 2008.

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11

Prescott, Richard Chambers. The resurrection of Quantum Joe: A surprising comedy. Louisville, KY: Aran Press, 2003.

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12

The origin of Attic comedy. Ann Arbor, MI: University of Michigan Press, 1993.

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13

Ramos, María José Vega. La formación de la teoría de la comedia: Francesco Robortello. Cáceres: Universidad de Extremadura, 1997.

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14

Historia de la teoría de la comedia. Madrid: Arco/Libros, 2007.

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15

Aristophanes and the definition of comedy. Oxford: Oxford University Press, 2000.

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16

Eupolis, poet of old comedy. Oxford: Oxford University Press, 2003.

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17

Playboys and killjoys: An essay on the theory and practice of comedy. New York: Oxford University Press, 1987.

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18

Plato. The tragedy and comedy of life: Plato's Philebus. Chicago: University of Chicago Press, 1993.

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19

Alcidamas, Aristophanes, and the beginnings of Greek stylistic theory. Stuttgart: F. Steiner, 1992.

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20

Classical comedy: Armoury of laughter, democracy's bastion of defence : introducing a law of opposites. Lanham, Md: University Press of America, 1999.

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21

Mimesis and the representation of experience: Dramatic theory and practice in pre-Shakespearean comedy (1560-1590). Frankfurt am Main: Peter Lang, 2012.

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22

Zhongguo xi ju guan nian de xian dai sheng cheng. Beijing Shi: Beijing da xue chu ban she, 2005.

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23

John Oxenford (1812-1877) as farceur and critic of comedy. Frankfurt am Main: Peter Lang, 1996.

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24

Weighing delight and dole: A study of comedy, tragedy, and anxiety. New York: P. Lang, 1989.

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25

Vadym, Denysenko, ed. Modern i͡ak pole eksperymentu: Komichne, frahment, hipertekstualʹnistʹ. Kyïv: [s.n.], 2002.

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26

Walsh, Jaquelyn W. The impact of Restoration critical theory on the adaptation of four Shakespearean comedies. Lewiston, N.Y: Edwin Mellen Press, 2000.

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27

Nature, culture, and the origins of Greek comedy: A study of animal choruses. Cambridge: Cambridge University Press, 2007.

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28

Maria de Fátima Sousa e. Silva. Crítica do teatro na comédia antiga. [Lisboa]: Fundação Calouste Gulbenkian, 1997.

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29

Silva, Maria de Fátima Sousa e. Crítica do teatro na comédia antiga. Coimbra: Instituto Nacional de Investigação Científica, 1987.

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30

Fulda, Daniel. Schau-Spiele des Geldes: Die Komödie und die Entstehung der Marktgesellschaft von Shakespeare bis Lessing. Tübingen: Niemeyer, 2005.

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31

Molière a l'Ecole républicaine: De la critique universitaire aux manuels scolaires (1870-1914). Saratoga, Calif: Anma Libri, 1992.

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32

Willis, Connie. Bellwether. New York: Bantam Books, 1997.

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33

Willis, Connie. Bellwether. New York: Bantam Books, 1996.

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34

Loopholes: Reading comically. New Brunswick, N.J: Transaction Publishers, 2009.

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35

Larson, Catherine. Language and the comedia: Theory and practice. Lewisburg: Bucknell University Press, 1991.

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36

Cometary theory in fifteenth-century Europe. Dordrecht [Netherlands]: D. Reidel, 1985.

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37

Adams, Barry B. Coming-to-know: Recognition and the complex plot in Shakespeare. New York: Peter Lang, 2000.

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38

Holtermann, Martin. Der deutsche Aristophanes: Die Rezeption eines politischen Dichters im 19. Jahrhundert. Göttingen: Vandenhoeck & Ruprecht, 2004.

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39

Andrew, Horton, ed. Comedy/cinema/theory. Berkeley: University of California Press, 1991.

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40

Horton, Andrew. Comedy/Cinema/Theory. University of California Press, 1991.

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41

Horton, Andrew, ed. Comedy/Cinema/Theory. University of California Press, 1991. http://dx.doi.org/10.1525/9780520910256.

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42

Women and Comedy: History, Theory, Practice. Fairleigh Dickinson University Press, 2014.

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43

Reader in Comedy: An Anthology of Theory and Criticism. Methuen Drama, 2016.

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44

Rhinehart, Brian. Acting comedy: In history, theory and practice. 2002.

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45

Purdie, Susan. Comedy: The Mastery of Discourse (Theory/Culture). University of Toronto Press, 1993.

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46

Calder, Andrew. Moliere: The Theory and Practice of Comedy. Athlone Press, 1993.

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47

Calder, Andrew. Moliere: The Theory And Practice of Comedy. Athlone Press, 2000.

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48

Purdie, Susan. Comedy: The Mastery of Discourse (Theory/Culture). University of Toronto Press, 1993.

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49

Andrew, Calder. Molière: The theory and practice of comedy. Athlone Press, 1996.

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50

Playboys and Killjoys: An Essay on the Theory and Practice of Comedy. Oxford University Press, USA, 1988.

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