Relevant bibliographies by topics / Theory of rasa

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Theory of rasa'

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Published: 24 April 2022

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Journal articles on the topic "Theory of rasa"

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G., E., and G. K. Bhat. "Rasa Theory and Allied Problems." Journal of the American Oriental Society 109, no. 1 (January 1989): 170. http://dx.doi.org/10.2307/604411.

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Budhathoki, Mahendra Kumar. "Rasa Theory Applied to William Shakespeare’s Twelfth Night." Literary Studies 33 (March 31, 2020): 46–60. http://dx.doi.org/10.3126/litstud.v33i0.38057.

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The primary purpose of the paper is to study Shakespeare’s plays Twelfth Night (Western literature) through rasa theory i.e. an Eastern literary theory. Rasa etymologically refers to liquid, flavour, taste, elixir, essence, pleasure, beauty. Literary meaning of rasa, as Bharata defines, is that which is relished or enjoyed. He describes rasa as the delight that the readers experience the generalized emotions presented in the dramatic art. Rasa is a study of universal human emotions. “Rasa is the […] study of emotions which deals with the delight, one takes in literature” (Poonam 5). The ultimate goal of rasa theory is to act as a catalyst to enhance aesthetic delight in literature. Rasa as the soul makes the literature alive. “The aim of performance [is] to evoke [sentiment] in the mind of audience” (Keith 314). Dramatic works appeal to human heart. “Rasa theory embraces humanism as a whole. It does not leave out any of the emotions, which could produce rasa. Rasa theory therefore is an all-pervasive humanistic theory” (Fernando 35). Readers appreciate and relish literature that provides aesthetic enjoyment.
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Zwierzyński, Jacek. "Rasa jako medium." Teksty Drugie 5 (2017): 195–208. http://dx.doi.org/10.18318/td.2017.5.13.

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James, Dr Siby. "The Aesthetics of Rupture: Deconstructing Rasa." SMART MOVES JOURNAL IJELLH 9, no. 3 (March 27, 2021): 105–13. http://dx.doi.org/10.24113/ijellh.v9i3.10953.

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Semantic fixity is a transcendental signified. One of the touted aims of literary theory was to topple it. The Indian semantic concept of Vyañjana attempted to do this millennia before. But canonical theories of Rasa established Rasananda as an attainment of absolute coherence and harmony. What this paper calls trans-epistemic praxis is a viable methodology to reclaim the long-lost rupturality (if structurality is resisted, rupturality must be embraced, at least as a neologism) inherent to aesthetics. This is done in a Post-theory context. “Bhanga” (rupturing) leads to “bhangi”, aesthetic charm. It is an aporetic textual disruption that leads to the most fertile indeterminacy of meaning. Modern literary theory set out on a debunking and destabilizing mission of liberal humanist tenets, but got hardened into “doxa”, crystallized structures and hierarchies. This necessitated a theorizing of theory itself. The chronotope of Post-theory gets foregrounded. A crossing of spatio-temporal boundaries gives us the freedom to site Rasa Theory and Indian Poetics as Post-theoretical. Inter-spaces and inter-times are engendered. Deconstruction and Rasa become heterodoxic knowledges to each other, subverting each other honouring the alterity of the other. This exercise liberates Theory from becoming sclerotic. Orthodoxics and monologisms get flouted. Theory is a story. Story is built on the figurality of language. The tropology of language is built on a never-ending desire for signification. This desire never meets with satiation. The concept of “Rati” can be seen as this interminable desire of language. Post-theory is a call to wake up from amnesia, the terrible oblivion regarding the fact that Deconstruction and Rasa are ceaseless streams of reading processes and not rigid and straitjacketed end products. This ruptural aesthetics leads to the rapture of poeisis, the indeterminate significatory process.
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Kamimura, Katsuhiko. "The Theory of rasa According to Bhatta Lollata." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 34, no. 1 (1985): 424–16. http://dx.doi.org/10.4259/ibk.34.424.

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Terauchi, Toru. "The Theory of Rasa and its Philosophical Background." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 34, no. 2 (1986): 952–49. http://dx.doi.org/10.4259/ibk.34.952.

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MASON, DAVID. "Rasa, ‘Rasaesthetics’ and Dramatic Theory as Performance Packaging." Theatre Research International 31, no. 1 (February 10, 2006): 69–83. http://dx.doi.org/10.1017/s0307883305001860.

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In an attempt to distinguish themselves from the increasing proliferation of like projects, some theories, training programmes, productions, sub-disciplines and the like project a kinship with already authoritative voices. This artificial association characterizes the inevitably ‘intercultural’ product not simply as another element in the postmodern mix, but as a truth validated by tradition and transcending the limits of cultural fads. Richard Schechner's self-styled ‘rasaesthetics’ seeks to associate itself with the rasa concept of classical Sanskrit theory. But rasa and ‘rasaesthetics’ have little in common, and Schechner's attempt to project their kinship requires misunderstandings of theatre in India and in the West. Ultimately, ‘rasaesthetics’ is an example of a tendency in dramatic theory not to try to explain phenomena but to try to legitimize practices.
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Charan Sukla, Ananta. "Indian Intermedial Poetics: the Sanskrit Rasa-Dhvani Theory." Cultura 13, no. 2 (January 1, 2016): 13–18. http://dx.doi.org/10.3726/b10729_13.

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Budhathoki, Mahendra Kumar. "The Application of Hasya Rasa in Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress”." Outlook: Journal of English Studies 11 (July 1, 2020): 67–76. http://dx.doi.org/10.3126/ojes.v11i0.36361.

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Literature like poetry has aesthetic value along with social value. The expression of emotion is the power of literature that enthralls readers; readers enjoy texts experiencing rasa. This paper aims to analyze Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress” from the perspective of the rasa theory, i.e. an Eastern aesthetic theory. The poems randomly selected expose hasya rasa experience. The poets exploit hasya rasa to disseminate and propagate pleasure as well idea, thought, like erotic love, frivolous; the experience of hasya rasa is a uniqueness that enthralls readers to read the poems again. The expression and realization of rasa constitute the aesthetic value and power of the poems. The poems selected here demonstrate that the formal and serious poems can be amusing, chucklesome. Although the realization level of hasya rasa may vary from individual to individual as their academic, professional, social status, and age, there is hasya rasa experience in the poems.
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Tomić, Svetlana. "Fabula Rasa by Marija Knežević." World Literature Today 83, no. 5 (2009): 64–65. http://dx.doi.org/10.1353/wlt.2009.0008.

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Dissertations / Theses on the topic "Theory of rasa"

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Bedi, Indira. "Reading emotion : functional linguistics and the theory of Rasa." Thesis, University of East Anglia, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302182.

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Krishnamurthy, Thanmayee. "Sing Rāga, Embody Bhāva: The Way of Being Rasa." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505144/.

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The rasa theory of Indian aesthetics is concerned with the nature of the genesis of emotions and their corresponding experiences, as well as the condition of being in and experiencing the aesthetic world. According to the Indian aesthetic theory, rasa ("juice" or "essence," something that is savored, that is tasted) is an embodied aesthetic experienced through an artistic performance. In this thesis, I have investigated how the aesthetics of rasa philosophy account for creative presence and its experiences in Karnatik vocal performances. Beyond the facets of grammar, Karnatik rāga performance signifies a deeper ontological meaning as a way to experience rasa, idiomatically termed as rāga-rasa by South Indian rāga practitioners. A vocal performance of a rāga ideally depends on a singer's embodied experience of rāga and rāga-bhāva (emotive expression of rāga), as much as it does on his/her theoretical knowledge and skillset of a rāga's svaras (scale degrees), gamakas (ornamentation), lakṣhaṇās (emblematic phrases), and so on. Reflecting on my own experience of being a Karnatik student and performer for the last two decades, participant observation, interviews, and analysis of Indian aesthetic theory of rasa, I propose a way of understanding that to sing rāga is to embody bhāva opening the space that brings rasa into being. Reflecting on the epistemology of rāga theory, particularly its smaller entities of svaras and gamakas, and through a phenomenological description of the process through which a vocalist embodies rāga (including how a guru transmits this musical embodiment to his shishya [disciple]), I argue that the notion of rāga-rasa itself has agency in determining the nature of svaras and its gamakas in a rāga performance. Additionally, focusing on the relationship between performers and rasikas (drinkers of the juice), this thesis examines how the embodiment of rāga-bhāva and the experience of rasa open the possibility for musicians and audiences to live rāga-rasa in a performance.
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Theodor, Ithamar. "Rasa and personhood in the Bhāgavata Purāṇa : the integration of aesthetic theory with Vedānta." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:eb1244c5-adad-4435-abbc-82a6d4603d72.

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The Bhāgavata Purāṇa is one of Hinduism's most outstanding texts composed around the 9th c. CE in south India; it is superbly written, with aesthetic sensitivity and metaphysical subtlety. In his book The Advaitic Theism of The Bhāgavata Purāṇa, Daniel Sheridan has examined the Bhāgavata Purāṇa in order to understand its religious structure, both implicit as well as explicit. This thesis aims at taking current research of the Bhāgavata Purāṇa a step forward in deciphering its doctrine, structure, and meaning. The work first raises the question, "What are the Bhāgavata Purāṇa's literary components", and argues that the Bhāgavata Purāṇa is composed of two such groups: "Knowledge" and "Aesthetics". Knowledge is associated with direct usage of language and the conception of Impersonal Brahman, whereas aesthetics are associated with indirect usage of language and the concept of Personal Brahman. The work proceeds to look closer at the status of emotions in Indian thought, and argues that in some Indian schools, emotions are taken to possess an ontological status, and therefore are considered to reveal reality rather than obscure it. The relations of Vaiṣṇavism and dramaturgy are examined, both historically as well as theologically, and it is argued that the Bhāgavata Purāṇa has clear dramatic elements. This thesis next proceeds to decipher the aesthetic theory underlying the Bhāgavata Purāṇa, and argues that it is Bharata's rasa theory. Two medieval positions on rasa are examined - Abhinavagupta's and Bhoja's - and it is argued that a position similar to Bhoja's underlies the text. As in Bhoja's theory it is śṛṅgāra rasa, (romantic emotions) which is considered the supreme rasa. The Bhāgavata Purāṇa's structure is highlighted, as presenting notions of personal divinity arranged in hierarchical order - from those evoking śānta rasa (tranquil emotion) to those evoking śṛṅgāra rasa. At last, four such notions are articulated; Impersonal Brahman, The Universal Person, The Person in the Heart, and the Avatāra.
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Roy, Piyush. "Aesthetics of emotional acting : an argument for a Rasa-based criticism of Indian cinema and television." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22910.

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The thesis explores elements of Sanskrit drama studies, its philosophy of aesthetics, Hindu theology and Indian cinema studies. It seeks to identify and appreciate the continual influence of a pioneering and influential idea from the Indian subcontinent’s cultural memory and history – the ‘theory of aesthetics’, also known as the ‘Rasa Theory’. The rasa theory is a seminal contribution of the ancient Indian Sanskrit drama textbook, the Natyashastra, whose postulates have provided a definitive template for appreciating and analysing all major fine arts in the Indian sub-continent for over two millennia. No criticism of an art form in India is more devastating than the allegation that it is devoid of rasa. Though ‘rasa’ has many literal meanings like taste, essence and ultimately bliss, in Natyashastra it is used to signify the “essence of emotion” or the final emotional state of ‘relish/reaction/aesthetic experience’ achieved by a spectator while watching a performing art. The thesis uses this fundamental aesthetic influence from India’s cultural memory and heritage to understand its working in the shaping of emotive performances, and the structuring of multiple genre mixing narrative styles in Indian cinema. It identifies and explains how the story telling attributes in Indian cinema, still preserve, transmit and represent, drama and performance aesthetics established 2000 years ago. The chapters are divided into two sections – evidence-led correlation confirming the direct influence of Natyashastra guidelines on Indian filmmaking practices, and arguments-driven proposals on how to use the rasa theory for appreciating cinematic aesthetics. Section One, comprising of the first three chapters, engages with direct evidence of the influence and use of Natyashastra prescriptions and rasa theory expectations in the early years of Indian cinema, when the movie industry was intimately tied to theatre for creative guidance. Section Two, comprising of chapters four to six, goes beyond these conscious engagements to explore the continuing relevance of the concepts of bhava and rasa for studies and methods in film appreciation, and their potential usage in discussing alternate modes of cinematic expression, like melodrama. In this section, recommendations are made on how to re-read and review influential and representative cinematic achievements from different eras, regions and genres of Indian on-screen entertainment, using the rasa theory for better understanding of foundational cinematic attributes like plot construction, performances and directorial achievement in non-realism prioritising on-screen narrations. The thesis shows how to appreciate expressive acting, song and dance performances and melodramatic narratives/ movies using the rasa theory’s prescriptions on good acting in a navarasa exploring drama. It calls for a greater engagement with the theory’s aesthetic appreciation ideas, beyond its current peripheral acknowledgement in academic scholarship as an exotic and ancient review model with doubtful contemporary relevance. My conclusions offer a valuable guide for a fair and better appreciation of dramatic, stylistic and stereotypical acting in cinema that Western models of film criticism privileging the realistic form have been inadequate in comprehending. These findings propose a mode of inclusive aesthetic criticism that enjoys broad application across a wide range of cinematic art genres and national cinema styles using non-Euro/American modes of storytelling, towards the establishment of a humanist film education.
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Costa, Ana Carolina Dias da. "O processamento sintático de frases contendo o pronome her em contexto de ambiguidade por brasileiros aprendizes de inglês como L2." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7714.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2016-01-12T13:44:01Z No. of bitstreams: 1 arquivototal.pdf: 1239269 bytes, checksum: 76dcf48851e0499880c281c58758b9e1 (MD5)
Made available in DSpace on 2016-01-12T13:44:01Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1239269 bytes, checksum: 76dcf48851e0499880c281c58758b9e1 (MD5) Previous issue date: 2014-03-26
This work aims to investigate how Brazilian learners of English use the structural information during the resolution of coreference in sentences containing the ambiguous pronoun her in a position of object (NP) or possessive pronoun (SPEC). In English, in an intrasentencial context the pronoun her can generate ambiguity during processing if its unavailable antecedent matches in number and gender, however, the same pronoun is blocked by the principle B of Binding Theory (Chomsky, 1981). We investigate this phenomenon considering aspects of the Shallow Structure Hypothesis (SSH) Clahsen and Felser (2006). According to this hypothesis, L2 learners have a shallower grammar which is able to only successfully process unambiguous structures with low complexity. Through an on-line experiment of self-paced reading we verified if English learners at different levels of proficiency, were sensitive to the syntactic ambiguity of sentences containing the pronoun her, even though according to SSH their processing is more superficial.
Este trabalho tem como objetivo investigar a maneira como brasileiros aprendizes de inglês utilizam a informação estrutural durante a resolução da correferência em frases ambíguas contendo o pronome her em condições de objeto (NP) ou de pronome possessivo (SPEC). Em inglês, em um contexto intrasentencial o pronome her pode gerar ambiguidade durante o processamento se seu antecedente indisponível coincidir em gênero e número, no entanto, o mesmo pronome encontra-se bloqueado pelo o princípio B da teoria da ligação (Chomsky, 1981). Investigaremos esse fenômeno considerando aspectos da Hipótese da Estrutura Rasa (SSH) Clahsen e Felser, (2006). Segundo esta hipótese, aprendizes de L2 dispõem de uma gramática superficial capaz de processar com sucesso apenas estruturas de pouca complexidade e sem ambiguidades. Através de experimento on line de leitura automonitorada, verificamos se aprendizes de inglês em níveis distintos de proficiência, foram sensíveis às restrições sintáticas de frases contendo a ambiguidade do pronome her, ainda que segundo a SSH, disponham de um processamento mais superficial.
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Troll, Clemens. "Kinetische Berechnung von Rast-in-Rast-Bewegungen für Mechanismen." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2018. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-230746.

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Gegenstand dieses Beitrags ist eine Methode zur kinetischen Berechnung antriebsentlastender Vorgaben für Rast-in-Rast-Bewegungen bei Mechanismen mit dem Laufgrad 1. Dabei werden die Vorteile der Vorgabe eines Antriebsmomentenprofils über dem Weg aufgezeigt und die numerischen Herausforderungen bei der Anwendung dieser Methode diskutiert. Anhand eines Praxisbeispiels wird diese Methode mit anderen aus dem Stand der Technik bekannten Verfahren verglichen und die entsprechenden Lösungen werden gegenübergestellt
The subject of this paper is a method for the kinetic calculation of drive relieving rise to dwell motions for mechanisms with the degree of freedom of 1. The advantages of specifying a drive torque profile over the path2 are pointed out. Furthermore the numerical challenges in the application of this approach are discussed. By means of a practical example, both the new method as well as known methods and their corresponding solutions are compared
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Troll, Clemens. "Kinetische Berechnung von Rast-in-Rast-Bewegungen für Mechanismen." TUDpress, 2017. https://tud.qucosa.de/id/qucosa%3A30649.

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Gegenstand dieses Beitrags ist eine Methode zur kinetischen Berechnung antriebsentlastender Vorgaben für Rast-in-Rast-Bewegungen bei Mechanismen mit dem Laufgrad 1. Dabei werden die Vorteile der Vorgabe eines Antriebsmomentenprofils über dem Weg aufgezeigt und die numerischen Herausforderungen bei der Anwendung dieser Methode diskutiert. Anhand eines Praxisbeispiels wird diese Methode mit anderen aus dem Stand der Technik bekannten Verfahren verglichen und die entsprechenden Lösungen werden gegenübergestellt.
The subject of this paper is a method for the kinetic calculation of drive relieving rise to dwell motions for mechanisms with the degree of freedom of 1. The advantages of specifying a drive torque profile over the path2 are pointed out. Furthermore the numerical challenges in the application of this approach are discussed. By means of a practical example, both the new method as well as known methods and their corresponding solutions are compared.
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Bosch, Naomi A. "Discovery Islands, Earth Islands: The Theory and Practice of Island Imagery in Environmental Thought." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/pomona_theses/127.

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Earth Island is a core metaphor of activist thought often applied in Environmental Analysis and related fields as a tool for thinking about the planet’s limited resources. It puts forth the claim that if only we thought of the earth as more like an island, we would better understand our connectivity to other living things and be drawn to develop better and more extensive practices of environmental stewardship. This thesis uses personal accounts of environmental life philosophies and political practices collected from residents of the Discovery Islands in British Columbia as a site for analytical comparison between the theory and practice of "Earth Island." First providing an overview of the history of Earth Island and exploring existing Anthropology and Island Studies scholarship on island community dynamics and environmental perspectives, this thesis examines how the environmental relationships experienced by Discovery Islanders reflect or differ from the type of activist consciousness theoretically proposed by Earth Island. This creates a context for critically reflecting on the limits and applications of the Earth Island metaphor, and suggesting shifts in current approaches to the use of island imagery in environmental political and philosophical thought, promoting a focus on more community cooperation-oriented, less fatalistic themes.
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Amjad, Rana Ali [Verfasser], Gerhard [Akademischer Betreuer] Kramer, Halm [Gutachter] Permutter, and Gerhard [Gutachter] Kramer. "Applications of Information Theory and Factor Graphs for Machine Learning / Rana Ali Amjad ; Gutachter: Halm Permutter, Gerhard Kramer ; Betreuer: Gerhard Kramer." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1201819873/34.

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Loeb, Eric Peter. "Uses of statistical muscle models, including a test of an equilibrium point control theory of spinal cord function in Rana catesbiana." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/10891.

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Books on the topic "Theory of rasa"

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Acoustical perspective on raga-rasa theory. New Delhi: Munshiram Manoharlal Publishers, 2000.

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Rasa in aesthetics: An application of rasa theory to modern western literature. New Delhi: D.K. Printworld, 1997.

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Prasad, Gupteshwar. I.A. Richards and Indian theory of Rasa. New Delhi: Sarup & Sons, 1994.

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Some unexplored aspects of the Rasa theory. Delhi: Vidyanidhi Prakashan, 1996.

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"Rasa" Seminar (1982 Pātan, India). Some aspects of the Rasa theory: A collection of papers read at the "Rasa" Seminar. Delhi: B.L. Institute of Indology, 1986.

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El-ʻAshiy, Abdurrahman. Makrifat Jawa untuk semua: Menjelajah ruang rasa dan mengembangkan kecerdasan batin bersama Ki Ageng Suryomentaram. Jakarta: Serambi Ilmu Semesta, 2011.

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Āśraya rāgamr̥ta -: Aashraya ragamrit. Kathmandu]: Saṅgītāmr̥ta Prakāśana Samiti, 2011.

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Harīśa, Tivārī. Hindustānī saṅgīta meṃ Pūrvī-Thāṭa ke rāga. Naī Dillī: Rāja Pablikeśansa, 2010.

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Sandhi prakāśa rāga. Naī Dillī: Sañjaya Prakāśana, 2004.

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Harīśa, Tivārī. Hindustānī saṅgīta meṃ Pūrvī-Thāṭa ke rāga. Naī Dillī: Rāja Pablikeśansa, 2010.

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Book chapters on the topic "Theory of rasa"

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Aneja, Anu. "Rasa." In Feminist Theory and the Aesthetics Within, 63–90. London: Routledge India, 2021. http://dx.doi.org/10.4324/9780429286995-4.

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Gómez, Rosa Fernández. "The Rasa Theory: A Challenge for Intercultural Aesthetics." In Intercultural Aesthetics, 105–17. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-5780-9_8.

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Mullik, Gopalan. "Bharata’s Theory of Aesthetic Pleasure or Rasa: Classical Indian Theories of “Aesthetics” and Their Relation to Cinema." In Explorations in Cinema through Classical Indian Theories, 197–278. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45611-5_5.

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Segel, Lee A., Alan S. Perelson, James M. Hyman, and Sidney N. Klaus. "Rash Theory." In Theoretical and Experimental Insights into Immunology, 333–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-76977-1_22.

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Ludenhoff, Karel. "On Capital Accumulation, the Tendential Fall in the Rate of Profit, and Crisis Theory." In Raya Dunayevskaya's Intersectional Marxism, 209–31. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53717-3_11.

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Monzó, Lilia D. "The Dialectic in Marxism and Freedom for Today: The Unity of Theory and Practice and the Movement of Today’s Concrete Struggles." In Raya Dunayevskaya's Intersectional Marxism, 141–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53717-3_8.

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Cysouw, Michael, and Jan Wohlgemuth. "The other end of universals: theory and typology of rara." In Rethinking Universals, edited by Jan Wohlgemuth and Michael Cysouw, 1–10. Berlin, New York: De Gruyter Mouton, 2010. http://dx.doi.org/10.1515/9783110220933.1.

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Lipo, Carl P., Pamela Mischen, and Terry L. Hunt. "Lessons from Rapa Nui (Easter Island, Chile) for Governance in Conditions of Environmental Uncertainty." In Knowledge for Governance, 25–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47150-7_2.

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AbstractThe effectiveness of governance depends on the knowledge upon which decisions are based. Knowledge veracity is particularly significant when future conditions are uncertain. In the context of global climate change, communities around the world, including the residents of Rapa Nui (Easter Island, Chile), face tremendous uncertainty in resource availability. In the context of these looming challenges, prehistoric Rapa Nui is often treated as a warning about human-induced ecological catastrophe. With contemporary populations of the island wrestling about issues of governance, it is vital that researchers carefully validate their knowledge about the island’s past. Despite the claims of traditional narratives, new empirical research on Rapa Nui indicates that the traditional “collapse” narrative has no basis. Instead, the island is now known to have been sustainable from its prehistory until European contact. These findings point to the potential of alternative action models and new governance structures.
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Joyce, Alyssa, Mike Timmons, Simon Goddek, and Timea Pentz. "Bacterial Relationships in Aquaponics: New Research Directions." In Aquaponics Food Production Systems, 145–61. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15943-6_6.

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AbstractThe growth rates and welfare of fish and the quality of plant production in aquaponics system rely on the composition and health of the system’s microbiota. The overall productivity depends on technical specifications for water quality and its movement amongst components of the system, including a wide range of parameters including factors such as pH and flow rates which ensure that microbial components can act effectively in nitrification and remineralization processes. In this chapter, we explore current research examining the role of microbial communities in three units of an aquaponics system: (1) the recirculating aquaculture system (RAS) for fish production which includes biofiltration systems for denitrification; (2) the hydroponics units for plant production; and (3) biofilters and bioreactors, including sludge digester systems (SDS) involved in microbial decomposition and recovery/remineralization of solid wastes. In the various sub-disciplines related to each of these components, there is existing literature about microbial communities and their importance within each system (e.g. recirculating aquaculture systems (RAS), hydroponics, biofilters and digesters), but there is currently limited work examining interactions between these components in aquaponics system, thus making it an important area for further research.
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"The Concept of Rasa." In Theory of Value, 245–60. Routledge, 2013. http://dx.doi.org/10.4324/9781315053998-23.

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Conference papers on the topic "Theory of rasa"

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Dasgupta, Ritwik. "Affective design language for mobile screens inspired by Rasa Theory." In IHCI '16: India HCI 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3014362.3014384.

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Isniawan, Muhammad Ilham, and Susilo Pradoko. "Gending Samirah Vocal by Karawitan Among Rasa Malang: Semiotics Analysis Based on Roland Barthes’ Theory." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.012.

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Mrkonjić, Zrinka, and Diana Plantić Tadić. "Innovation rate as a quality indicator of economic development: case of the former Yugoslavian countries." In Kvaliteta-jučer, danas, sutra (Quality-yesterday, today, tomorrow), edited by Miroslav Drljača. Croatian Quality Managers Society, 2021. http://dx.doi.org/10.52730/cple9733.

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Abstract: When it comes to economic growth of modern day developed countries, it can be concluded that certain factors can be distinguished as definitive quality indicators of economic growth. Meaning that the rise of said factors will in most cases ensure sustainable economic growth. Considering the rise of capitalism and the growth of multinational companies, one challenge most modern day countries face is strengthening of a countries export rates and inspiring continuous entrepreneurial activity. One key indicator that has thus far been often overlooked is the innovation rate. The aim of this paper is to conclude whether or not the innovation rate can be used as a quality indicator of economic development. The focus in this paper has been put on the former Yugoslavian countries. The reason for this being that all of their economies started developing at the same time and under a very similar socio-political background and origin. This makes them a good subject for observation, seeing as how they all developed to different capacities and at various rates. Observing these countries and various influential factors can help discern the factors which impact the GDP rate the most. In particular, the innovation rate. Sažetak: Kad je riječ o ekonomskom rastu današnjih razvijenih zemalja, može se zaključiti da se određeni čimbenici mogu razlikovati kao konačni pokazatelji kvalitete gospodarskog rasta. Što znači da će porast navedenih čimbenika u većini slučajeva osigurati održivi gospodarski rast. Uzimajući u obzir rast kapitalizma i rast multinacionalnih tvrtki, jedan od izazova s kojima se suočava većina modernih zemalja je jačanje izvoza i poticanje kontinuirane poduzetničke aktivnosti. Jedan od ključnih pokazatelja koji se do sada često zanemarivao je stopa inovacija. Cilj je ovog rada istražiti može li se stopa inovacija koristiti kao pokazatelj kvalitete gospodarskog razvoja. Fokus u ovom radu je stavljen na zemlje nastale na prostoru bivše Jugoslavije. Razlog tome je taj što su se njihova gospodarstva počela razvijati u isto vrijeme i pod vrlo sličnom društveno-političkim okolnostima. To ih čini podobnim za istraživanje i zaključivanje o tome kako su se razvijali do različitih razina i različitom dinamikom. Istraživanje ovih zemalja i različitih čimbenika utjecaja može pomoći u prepoznavanju čimbenika koji najviše utječu na stopu BDP-a. Konkretno, stopa inovacija.
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Sam Garci´a, Luis R. Chiang, Jose´ Luis Mora Mendoza, Enrique Rodri´guez Betancourt, and Rene´ Pe´rez Polanco. "Spatial Analysis in PGPB’s Risk Administration System for Pipelines." In 2004 International Pipeline Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ipc2004-0173.

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All facilities related with petrochemical and gas transmission systems have something to do with geography and therefore Geographic Information Systems (GIS). Maintenance of pipelines; design, construction and operation of pumping and compression stations; as well as emergencies attention, are some examples of the cases in which Pemex Gas y Petroqui´mica Ba´sica (PGPB), one of biggest companies owned by Mexican government, use a GIS called “Facilities and Assets Information System” (FAIS). For risk administration PGPB has been using Bass Trigon’s Integrity Assessment Program (IAP), software based on Kent Muhlbauer’s methodology. From this software, PGPB has built a Risk Administration System for Pipelines (RASP), which is able to identify and evaluate risks that could affect the transportation capacity of the company’s petrochemical, lpg and natural gas transmission systems. Both systems worked separately through 1997–2003, even though, both were aiming the same transmission systems. GIS was used to give immediate response to regulation authorities, satisfying internal requirements related to the surrounding environment of the company’s pipelines and the pipelines themselves. RASP was used to obtain and evaluate risk factors that would support decisions on the resources that would be utilized in the daily maintenance jobs. During 2003, the FAIS’s software was upgraded to the latest version of ArcGis (8.3), including a change in the programming language to Visual Basic for applications, a database migration to Unix and a modification in the system to new user requirements, which included the integration of RAST results. Nowadays, analyzing risk data in a spatial context has been a common use in the Pipeline Division of PGPB, which has become a powerful tool to support critical decisions from managers and chief executives. In this work are presented some specific applications using the integrated FAIS and RASP systems to show risk assessment data analysis and their consequences.
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Weiss, Steven. "Teaching EM Theory with RF Applications." In 2019 URSI Asia-Pacific Radio Science Conference (AP-RASC). IEEE, 2019. http://dx.doi.org/10.23919/ursiap-rasc.2019.8738339.

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Urdarević, Bojan. "PRUŽANjE USLUGA PUTEM MASOVNOG RADA (CROWDWORK)." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujvcu, 2021. http://dx.doi.org/10.46793/uvp21.459u.

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Digitalization is transforming business and the world of work by redefining the boundaries of production, consumption, and distribution. This brings many advantages, but also disadvantages, both for workers and employers. At the same time, digitalization has resulted in the establishment of a new entity in the field of work – the digital platform. Although, they are most often presented as exclusively intermediary agencies that deal with bringing the job seeker and the client in touch, digital platforms have become much more than that over time. In the legal space given to them, which does not currently treat them as a visible party in the contractual relationship, digital platforms enjoy their legally undefined position, which results in creation of a new formation of workers, known as crowdworkers. The subject of this paper is crowdwork, a sa special form of digital work in which the client (service user) and digital worker usually are not in any form of contractual relationship. The very nature of related tasks in corwdwork is about performing a large number of simple, straightforward work operations, although it can also be about far more complex and creative work tasks. This type of work and provision of services, in addition po positively assessed flexibility, often contains negative sides which are reflected in low labour costs, lack of social protection, as well as complete exclusion of crowdworkers from any form of labour protection.
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Correas-Serrano, D., and J. S. Gomez-Diaz. "Nonreciprocal Graphene-Based Leaky-Wave Antennas: Theory and Applications." In 2018 2nd URSI Atlantic Radio Science Meeting (AT-RASC). IEEE, 2018. http://dx.doi.org/10.23919/ursi-at-rasc.2018.8471646.

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Mikki, Said, and Yahia Antar. "New perspectives on fundamental electromagnetic theory and applications." In 2015 1st URSI Atlantic Radio Science Conference (URSI AT-RASC). IEEE, 2015. http://dx.doi.org/10.1109/ursi-at-rasc.2015.7302928.

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Dutta, Shuvam. "Case Marking of Rava in Comparison with Bangla." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.8-2.

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Rava, also known as Kochakrew, is a Tibeto-Burmese language mainly spoken at the New Alipurduar and Jalpaiguri districts, West Bengal, India. Bangla/Bengali is an Indo-Aryan Language spoken primarily in India and Bangladesh. Here, language mixing occurs, and within which case beomes a salient phenomenon. Case marking i s traditionally referred as ‘‘a system of marking dependent nouns for the type of relationship they bear to their heads’’ (Blake 1994). The present paper aims to investigate how case is formed in both Rava and Bangla. It mainly undertakes a study of case as a nominal inflectional category in Rava and Bangla and accounts for the morphological and syntactic features of case and case marking with special emphasis on their semantic significance.
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Dutta, Koushik, and Debatosh Guha. "Fabry-Perot Resonant Cavity Antenna: New Theory and Design Opportunity." In 2019 URSI Asia-Pacific Radio Science Conference (AP-RASC). IEEE, 2019. http://dx.doi.org/10.23919/ursiap-rasc.2019.8738335.

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Reports on the topic "Theory of rasa"

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Tang, Jiqin, Gong Zhang, Jinxiao Xing, Ying Yu, and Tao Han. Network Meta-analysis of Heat-clearing and Detoxifying Oral Liquid of Chinese Medicines in Treatment of Children’s Hand-foot-mouth Disease：a protocol for systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, January 2022. http://dx.doi.org/10.37766/inplasy2022.1.0032.

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Review question / Objective: The type of study was clinical randomized controlled trial (RCT). The object of study is the patients with HFMD. There is no limit to gender and race. In the case of clear diagnosis standard, curative effect judgment standard and consistent baseline treatment, the experimental group was treated with pure oral liquid of traditional Chinese medicine(A: Fuganlin oral liquid, B: huangzhihua oral liquid, C: Lanqin oral liquid, D: antiviral oral liquid, E: Huangqin oral liquid, F: Pudilan oral liquid, G: Shuanghuanglian oral liquid.)and the control group was treated with ribavirin or any oral liquid of traditional Chinese medicine. The data were extracted by two researchers independently, cross checked and reviewed according to the pre-determined tables. The data extraction content is (1) Basic information (including the first author, published journal and year, research topic). (2) Relevant information (including number of cases, total number of cases, gender, age, intervention measures, course of treatment of the experimental group and the control group in the literature). (3) Design type and quality evaluation information of the included literature. (4) Outcome measures (effective rate, healing time of oral ulcer, regression time of hand and foot rash, regression time of fever, adverse reactions.). The seven traditional Chinese medicine oral liquids are comparable in clinical practice, but their actual clinical efficacy is lack of evidence-based basis. Therefore, the purpose of this study is to use the network meta-analysis method to integrate the clinical relevant evidence of direct and indirect comparative relationship, to make quantitative comprehensive statistical analysis and sequencing of different oral liquid of traditional Chinese medicine with the same evidence body for the treatment of the disease, and then to explore the advantages and disadvantages of the efficacy and safety of different oral liquid of traditional Chinese medicine to get the best treatment plan, so as to provide reference value and evidence-based medicine evidence for clinical optimization of drug selection. Condition being studied: Hand foot mouth disease (HFMD) is a common infectious disease in pediatrics caused by a variety of enteroviruses. Its clinical manifestations are mainly characterized by persistent fever, hand foot rash, oral herpes, ulcers, etc. Because it is often found in preschool children, its immune system development is not perfect, so it is very vulnerable to infection by pathogens and epidemic diseases, resulting in rapid progress of the disease. A few patients will also have neurogenic pulmonary edema Meningitis, myocarditis and other serious complications even lead to death, so effectively improve the cure rate, shorten the course of disease, prevent the deterioration of the disease as the focus of the study. In recent years, traditional Chinese medicine has played an important role in the research of antiviral treatment. Many clinical practices have confirmed that oral liquid of traditional Chinese medicine can effectively play the role of antiviral and improve the body's immunity.
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