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G., E., and G. K. Bhat. "Rasa Theory and Allied Problems." Journal of the American Oriental Society 109, no. 1 (January 1989): 170. http://dx.doi.org/10.2307/604411.
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Budhathoki, Mahendra Kumar. "Rasa Theory Applied to William Shakespeare’s Twelfth Night." Literary Studies 33 (March 31, 2020): 46–60. http://dx.doi.org/10.3126/litstud.v33i0.38057.
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The primary purpose of the paper is to study Shakespeare’s plays Twelfth Night (Western literature) through rasa theory i.e. an Eastern literary theory. Rasa etymologically refers to liquid, flavour, taste, elixir, essence, pleasure, beauty. Literary meaning of rasa, as Bharata defines, is that which is relished or enjoyed. He describes rasa as the delight that the readers experience the generalized emotions presented in the dramatic art. Rasa is a study of universal human emotions. “Rasa is the […] study of emotions which deals with the delight, one takes in literature” (Poonam 5). The ultimate goal of rasa theory is to act as a catalyst to enhance aesthetic delight in literature. Rasa as the soul makes the literature alive. “The aim of performance [is] to evoke [sentiment] in the mind of audience” (Keith 314). Dramatic works appeal to human heart. “Rasa theory embraces humanism as a whole. It does not leave out any of the emotions, which could produce rasa. Rasa theory therefore is an all-pervasive humanistic theory” (Fernando 35). Readers appreciate and relish literature that provides aesthetic enjoyment.
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Zwierzyński, Jacek. "Rasa jako medium." Teksty Drugie 5 (2017): 195–208. http://dx.doi.org/10.18318/td.2017.5.13.
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James, Dr Siby. "The Aesthetics of Rupture: Deconstructing Rasa." SMART MOVES JOURNAL IJELLH 9, no. 3 (March 27, 2021): 105–13. http://dx.doi.org/10.24113/ijellh.v9i3.10953.
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Semantic fixity is a transcendental signified. One of the touted aims of literary theory was to topple it. The Indian semantic concept of Vyañjana attempted to do this millennia before. But canonical theories of Rasa established Rasananda as an attainment of absolute coherence and harmony. What this paper calls trans-epistemic praxis is a viable methodology to reclaim the long-lost rupturality (if structurality is resisted, rupturality must be embraced, at least as a neologism) inherent to aesthetics. This is done in a Post-theory context. “Bhanga” (rupturing) leads to “bhangi”, aesthetic charm. It is an aporetic textual disruption that leads to the most fertile indeterminacy of meaning. Modern literary theory set out on a debunking and destabilizing mission of liberal humanist tenets, but got hardened into “doxa”, crystallized structures and hierarchies. This necessitated a theorizing of theory itself. The chronotope of Post-theory gets foregrounded. A crossing of spatio-temporal boundaries gives us the freedom to site Rasa Theory and Indian Poetics as Post-theoretical. Inter-spaces and inter-times are engendered. Deconstruction and Rasa become heterodoxic knowledges to each other, subverting each other honouring the alterity of the other. This exercise liberates Theory from becoming sclerotic. Orthodoxics and monologisms get flouted. Theory is a story. Story is built on the figurality of language. The tropology of language is built on a never-ending desire for signification. This desire never meets with satiation. The concept of “Rati” can be seen as this interminable desire of language. Post-theory is a call to wake up from amnesia, the terrible oblivion regarding the fact that Deconstruction and Rasa are ceaseless streams of reading processes and not rigid and straitjacketed end products. This ruptural aesthetics leads to the rapture of poeisis, the indeterminate significatory process.
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Kamimura, Katsuhiko. "The Theory of rasa According to Bhatta Lollata." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 34, no. 1 (1985): 424–16. http://dx.doi.org/10.4259/ibk.34.424.
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Terauchi, Toru. "The Theory of Rasa and its Philosophical Background." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 34, no. 2 (1986): 952–49. http://dx.doi.org/10.4259/ibk.34.952.
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MASON, DAVID. "Rasa, ‘Rasaesthetics’ and Dramatic Theory as Performance Packaging." Theatre Research International 31, no. 1 (February 10, 2006): 69–83. http://dx.doi.org/10.1017/s0307883305001860.
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In an attempt to distinguish themselves from the increasing proliferation of like projects, some theories, training programmes, productions, sub-disciplines and the like project a kinship with already authoritative voices. This artificial association characterizes the inevitably ‘intercultural’ product not simply as another element in the postmodern mix, but as a truth validated by tradition and transcending the limits of cultural fads. Richard Schechner's self-styled ‘rasaesthetics’ seeks to associate itself with the rasa concept of classical Sanskrit theory. But rasa and ‘rasaesthetics’ have little in common, and Schechner's attempt to project their kinship requires misunderstandings of theatre in India and in the West. Ultimately, ‘rasaesthetics’ is an example of a tendency in dramatic theory not to try to explain phenomena but to try to legitimize practices.
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Charan Sukla, Ananta. "Indian Intermedial Poetics: the Sanskrit Rasa-Dhvani Theory." Cultura 13, no. 2 (January 1, 2016): 13–18. http://dx.doi.org/10.3726/b10729_13.
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Budhathoki, Mahendra Kumar. "The Application of Hasya Rasa in Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress”." Outlook: Journal of English Studies 11 (July 1, 2020): 67–76. http://dx.doi.org/10.3126/ojes.v11i0.36361.
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Literature like poetry has aesthetic value along with social value. The expression of emotion is the power of literature that enthralls readers; readers enjoy texts experiencing rasa. This paper aims to analyze Shakespeare’s “My Mistress’ Eyes are Nothing Like the Sun” and Marvell’s “To His Coy Mistress” from the perspective of the rasa theory, i.e. an Eastern aesthetic theory. The poems randomly selected expose hasya rasa experience. The poets exploit hasya rasa to disseminate and propagate pleasure as well idea, thought, like erotic love, frivolous; the experience of hasya rasa is a uniqueness that enthralls readers to read the poems again. The expression and realization of rasa constitute the aesthetic value and power of the poems. The poems selected here demonstrate that the formal and serious poems can be amusing, chucklesome. Although the realization level of hasya rasa may vary from individual to individual as their academic, professional, social status, and age, there is hasya rasa experience in the poems.
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Tomić, Svetlana. "Fabula Rasa by Marija Knežević." World Literature Today 83, no. 5 (2009): 64–65. http://dx.doi.org/10.1353/wlt.2009.0008.
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HONDA, Yoshichika. "An Aspect of Bhoja's rasa Theory in his Srngaraprakasa." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 50, no. 2 (2002): 965–62. http://dx.doi.org/10.4259/ibk.50.965.
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Patel, Deven M. "Kāvya’s Repeat Performances." Cracow Indological Studies 22, no. 2 (December 31, 2020): 43–62. http://dx.doi.org/10.12797/cis.22.2020.02.03.
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Largely left underexplored in rasa studies has been an implication made in the middle of the tenth century that śāntarasa eludes theorization with respect to the theater (nāṭya) but may function within an exclusive theory of poetry (kāvya). A discussion in the Daśarūpaka (“The Ten Dramatic Forms”) and its commentary cryptically imply in the fourth chapter of that work that if śāntarasa is viable at all as a genre of rasa theory, it is medium-specific to kāvya and not possible in nāṭya. Though śāntarasa is a dubious category for theater theory and pragmatics, they seem to argue, it may be acceptable in poetry through a synergy of two theoretical schemas: poetics and Yoga psychology. Reviewing these arguments opens up a larger conversation about the significance of medium to rasa theory and the inherent limitations for conceiving unified theories of art.
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Duschinsky, Robert. "Tabula Rasa and Human Nature." Philosophy 87, no. 4 (October 2012): 509–29. http://dx.doi.org/10.1017/s0031819112000393.
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AbstractIt is widely believed that the philosophical concept of ‘tabula rasa’ originates with Locke's Essay Concerning Human Understanding and refers to a state in which a child is as formless as a blank slate. Given that both these beliefs are entirely false, this article will examine why they have endured from the eighteenth century to the present. Attending to the history of philosophy, psychology, psychiatry and feminist scholarship it will be shown how the image of the tabula rasa has been used to signify an originary state of formlessness, against which discourses on the true nature of the human being can differentiate their position. The tabula rasa has operated less as a substantive position than as a whipping post. However, it will be noted that innovations in psychological theory over the past decade have begun to undermine such narratives by rendering unintelligible the idea of an ‘originary’ state of human nature.
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Aminullah, Zakariya Pamuji. "READING SĪTĀ’S LETTER ON OLD JAVANESE RĀMĀYAṆA KAKAWIN ON THE BASIS OF CANDRAKIRAṆA AS PROSODIC TREATISE." Poetika 9, no. 2 (December 3, 2021): 117. http://dx.doi.org/10.22146/poetika.v9i2.60737.
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The study presented in this article focuses on the signification of the poetic metres and the theory of rasa expounded in Candrakiraṇa, a guide to the composition of kakawin that is preserved in the scriptoriums of mountains. The use of the poetic metres and theory of rasa was examined in the text of Sītā’s letter to Rāma that was taken from the Rāmāyaṇa Kakawin. It was carried out on the three manuscripts of Candrakiraṇa preserved by the National Library of Indonesia (PNRI). The findings show that the use of śārdūlawikriḍita metre in Sītā’s letters results in a form of signification for particular aesthetic experiences (rasa), namely karuṇa (sympathy), bhayānaka (concern), śānta (peace) and śṛṅgara (love). Tulisan ini berfokus pada metrum dan teori rasa sebagai sarana pemaknaan yang dimuat dalam Candrakiraṇa, sebuah pedoman penulisan kakawin yang diwariskan di skriptorium-skriptorium pegunungan. Metrum dan teori rasa tersebut dikaji penggunaannya dalam surat Sītā kepada Rāma yang terkandung dalam Kakawin Rāmāyaṇa. Kajian ini melibatkan tiga manuskrip yang merupakan koleksi Perpustakaan Nasional Republik Indonesia. Hasil analisis menunjukkan bahwa metrum śārdūlawikriḍita yang digunakan pada surat Sīta menunjukkan bentuk pemaknaan untuk pengalaman-pengalaman estetika (rasa) tertentu, yaitu karuṇa (belas kasihan), bhayānaka (kekhawatiran), śānta (damai) dan śṛṅgara (cinta).
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Chatterjee. "Applying Rasa Theory in David Williamson's The Removalists." Antipodes 33, no. 1 (2019): 41. http://dx.doi.org/10.13110/antipodes.33.1.0041.
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HOGAN, P. "Rasa Theory and Dharma Theory: From The Home and the World to Bandit Queen." Quarterly Review of Film and Video 20, no. 1 (January 2003): 37–52. http://dx.doi.org/10.1080/10509208.2003.10555039.
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Gozali, Gozali Gozali, and Miftahusururi Miftahusururi Miftahusururi. "APLIKASI THEORY HIERARKI MASLOW TERHADAP PRODUKTIVITAS KERJA KARYAWAN (Study Kasus PT. BINES RAYA Cabang Cirebon)." Value: Jurnal Manajemen dan Akuntansi 12, no. 2 (June 19, 2019): 131–48. http://dx.doi.org/10.32534/jv.v12i2.482.
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Tujuan yang ingin dicapai dengan dilakukannya penelitian ini adalah untuk melihat sejauh mana motivasi mempengaruhi produktivitas kerja karyawan serta untuk mengetahui variabel mana yang paling dominan mempengaruhi produktivitas kerja karyawan pada Perusahaan PT.BINES RAYA Cirebon. Dalam Penelitian Teori Motivasi yang digunakan adalah Teori Hierarki Maslow yang terbagi menjadi 5 kebutuhan diantaranya : Kebutuhan Fisiologis, Rasa aman, Sosial, Harga diri dan Aktualisasi diri.
Permasalahan yang dihadapi oleh perusahaan apakah motivasi mempengaruhi produktivitas kerja karyawan khususnya pada Perusahaan PT.BINES RAYA Cirebon serta variabel manakah yang paling dominan mempengaruhi produktivitas kerja karyawan pada Perusahaan PT.BINES RAYACirebon. Dalam penelitian ini sample yang digunakan adalah 25% dari total populasi yang berjumlah 200 Karyawan, yaitu 50 Responden. Dalam penelitian ini tehnik pengambilan datanya dengan mendistribusikan kuesioner.
Dari hasil analisis regresi yang dilakukan menunjukkan bahwa kelima variabel motivasi kerja terhadap produktivitas kerja, maka diperoleh kebutuhan fisiologis (X1) = 0.098, kebutuhan akan rasa aman (X2) = 0.181, kebutuhan sosial (X3) = 0.035, kebutuhan Harga diri (X4) = -0,260, kebutuhan aktualisasi diri (X5) = 0.185. Sedangkan variabel yang paling dominan mempengaruhi produktivitas kerja karyawan adalah kebutuhan Aktualisasi diri sebesar 0.185.
Berdasarkan uji t hitung didapatkan : yaitu kebutuhan fisiologis untuk nilai thitung sebesar (0,842) hasil ini tidak berengaruh bermakna terhadap produktivitas dimana nilai t table 2,015, kebutuhan akan rasa aman untuk nilai thitung sebesar (1,694) hasil ini tidak berengaruh bermakna terhadap produktivitas dimana nilai t table 2,015, kebutuhan sosial untuk nilai thitung sebesar (0,268) hasil ini tidak berengaruh bermakna terhadap produktivitas dimana nilai t table 2,015, kebutuhan Harga diri untuk nilai thitung sebesar (-1,949) hasil ini tidak berengaruh bermakna terhadap produktivitas dimana nilai t table 2,015, kebutuhan aktualisasi diri untuk nilai thitung sebesar (2,064) hasil ini berengaruh bermakna terhadap produktivitas dimana nilai t table 2,015. Namun berdasarkan uji f secara bersama-sama variabel Motivasi kebutuhan yaitu Fisiologis, Rasa aman, Sosial, Harga diri dan Aktualisasi diri berpengaruh terhadap produktivitas kerja dilihat dari nilai fhitung > f tabel. (4,581>2,427).
Kata Kunci : Kebutuhan Fisiologis, Kebutuhan akan Rasa Aman, Kebutuhan Sosial, Kebutuhan akan Prestasi, Kebutuhan Aktualisasi Diri, Produktivitas Kerja
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Sundararajan, Louise, and Maharaj K. Raina. "Mind and creativity: Insights from rasa theory with special focus on sahṛdaya (the appreciative critic)." Theory & Psychology 26, no. 6 (November 10, 2016): 788–809. http://dx.doi.org/10.1177/0959354316676398.
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This article introduces a non-Western approach to mind and creativity, an approach inspired by the notion of sahṛdaya (the appreciative critic) found in the Indian tradition of aesthetics known as rasa. The rasa tradition is preoccupied with a virtual reality governed by the principle of non-duality ( advaita), which we illuminate with another virtual reality—as formulated by the mathematical principle of symmetry in quantum mechanics. Far reaching implications of the principle of symmetry/non-duality for psychology in general, and psychology of creativity in particular, are explored.
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Chang Ho Kim. "Shakespeare’s Drama in View of the Indian Aesthetic Theory of Rasa." Shakespeare Review 50, no. 4 (December 2014): 761–82. http://dx.doi.org/10.17009/shakes.2014.50.4.008.
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ASHIZAWA, Issei. "The Theory of batta nayaka in the rasa System of Sahityadarpana." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 39, no. 1 (1990): 481–79. http://dx.doi.org/10.4259/ibk.39.481.
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Sajnani, Nisha, and Maitri Gopalakrishna. "Rasa: Exploring the influence of Indian performance theory in drama therapy." Drama Therapy Review 3, no. 2 (October 1, 2017): 225–39. http://dx.doi.org/10.1386/dtr.3.2.225_1.
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Timalsina, Sthaneshwar. "Rasāsvāda: A Comparative Approach to Emotion and the Self." Journal of Indian Philosophy and Religion 26 (2021): 115–39. http://dx.doi.org/10.5840/jipr2021265.
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This paper explores the philosophy of emotion in classical India. Although some scholars have endeavored to develop a systematic philosophy of emotion based on rasa theory, no serious effort has been made to read the relationship between emotion and the self in light of rasa theory. This exclusion, I argue, is an outcome of a broader presupposition that the 'self' in classical Indian philosophies is outside the scope of emotion. A fresh reading of classical Sanskrit texts finds this premise baseless. With an underlying assumption that emotion and self are inherently linked, this paper explores similarities between the Indian and Chinese approaches.
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Sunil, Madhurantika. "Application of Rasa Theory in James Joyce’s a Portrait of the Artist as a Young Man." International Journal of Trend in Scientific Research and Development Volume-3, Issue-1 (December 31, 2018): 438–41. http://dx.doi.org/10.31142/ijtsrd18998.
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Sungkar, Syamira, Diah Asmarandani, and Krishna Hutama. "SEMIOTIKA SINTAKTIK PADA DESAIN KEMASAN ENAM VARIAN RASA PRODUK POCKY INDONESIA." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 3, no. 1 (November 1, 2020): 87. http://dx.doi.org/10.25105/jsrr.v3i1.8312.
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<p><em>S</em><em>yntactic Semiotics in the Design of Indonesian Pocky Products with six variants. Snacks are foods that are popular with all people of all ages. Wafers, sweets, biscuits, chips and others are included in the category of snacks. Pocky is a chocolate-coated biscuit stick, from Japan, produced by Ezaki Glico. Pocky products entered Indonesia in 2014 with 6 variants: chocolate, strawberry, matcha, cookies & cream, double choco, and banana. In this study, researchers will examine the design packaging of Indonesian Pocky products using Morris Syntactic Semiotics theory and also packaging design theory. Analyze how the integration, uniformity, and continuity of the six pack packaging design flavors of Indonesian Pocky products. This type of research is a qualitative study with an intrinsic case study, discussing the design of Indonesian Pocky snack food packaging products. The method used in this research is interpretational analysis based on semiotics theory. The results showed that the packaging design of Indonesian Pocky products had cohesiveness, uniformity, and continuity, by analyzed their visual signs using Morris Syntactic Semiotics Theory</em><em>.</em></p>
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Pudaruth, Santosh Kumar. "A Reflection on the Aesthetics of Indian Music, With Special Reference to Hindustani Raga-Sangita." SAGE Open 6, no. 4 (October 2016): 215824401667451. http://dx.doi.org/10.1177/2158244016674512.
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Like in any other heteronomous art-forms, the practitioners of Indian music and dance ( Bharatiya Sangita) aim at expressing emotions and creating the aesthetic or the “beautiful.” Indian thinkers and musicologists have gone a step further in declaring that Indian classical music ( Raga-Sangita) is the most appropriate means for attaining aesthetic experience and delight, and the most suitable pathway, if not, downright, short-cut, toward self-realization or realization of the Ultimate Reality or Truth. Thus, aesthetics and spirituality make up the very woof and warp of the Indian arts, in general, and Raga-Sangita, in particular. Raga-Sangita is, thus, considered a spiritual exercise ( nada sadhana) to attain salvation ( moksha) through sound. This conceptual article reflects upon and sheds light on the Theory of Rasa, as propounded in Indian Aesthetics, and attempts to make an assessment of it in relation to Hindustani Raga-Sangita. Through this theory, the author examines and explains the different causes leading to an aesthetic experience, referred to as “out-of-this-world” ( alaukika). In doing so, he also brings to light the possible pitfalls which both the performer and the listener should avoid.
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Sorey, Oldrie Ch. "MEDAN MAKNA RASA PADA LIDAH DALAM BAHASA TOMBULU." Kadera Bahasa 2, no. 2 (January 29, 2019): 73–89. http://dx.doi.org/10.47541/kaba.v2i2.55.
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The research is aimed 1) to give the description about the genre and the total of lexemes in the taste bud of tongue in Tombulu language; 2) to give the description about the components of the taste bud of tongue in Tombulu language. The method in this research is descriptive, semantics theory is used to describe the meaning area. The results show that there are several lexemes found in the taste bud of tongue in Tombulu language. The lexemes are (1) delicious,‘ (2) plain; (3 ) bitter; (4) salty; (5) sweet; (6) not delicious; (7) rough; (8) sour.
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Restifo, Aleksandra. "Demystifying Kashmiri Rasa Ideology: Rāmacandra–Guṇacandra’s Theory of Aesthetics in Their Nāṭyadarpaṇa." Journal of Indian Philosophy 47, no. 1 (October 25, 2018): 1–29. http://dx.doi.org/10.1007/s10781-018-9374-2.
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Zulfiana, Uun. "Identifikasi kekuatan karakter pada orang tua anak berkebutuhan khusus." Cognicia 7, no. 4 (December 2, 2019): 411–18. http://dx.doi.org/10.22219/cognicia.v7i4.10490.
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Kehadiran seorang anak yang merupakan harapan bagi orang tua. Harapan orang tua memiliki anak yang terlahir normal, sehat fisik maupun psikis. Akan tetapi, tidak semua anak lahir dengan sempurna sesuai harapan orang tua. tujuan dari penelitian ini adalah untuk mengkaji tingkat kekuatan karakter yang dimiliki oleh orang tua dengan anak berkebutuhan khusus. Metode yang digunakan dalam penelitian ini adalah metode kuantitatif deskriptif. Adapun alat ukur yang digunakan adalah skala values in action theory. dari ke 24 character strength atau kekuatan karakter yang diteliti, Berdasar hasil penelitian terhadap seratus orangtua, terdapat 5 aspek yang memiliki total nilai tertinggi dibandingkan dengan karakter lainnya. 5 aspek tersebut diantaranya adalah spirituality (kerohanian), gratitude (rasa bersyukur), hopefulness (harapan), forgiveness (rasa untuk memaafkan),dan curiosity (rasa keingintahuan).
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Mukaromah, Mukaromah. "Semiotika Kemasan Produk Susu Rasa Coklat dan Stroberi pada Merek Indomilk Kids Dan Boneeto." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 2, no. 01 (March 26, 2018): 45–55. http://dx.doi.org/10.33633/andharupa.v2i01.1052.
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Abstrak Kemasan adalah salah satu penentu keberhasilan dalam penjualan produk terkait dengan informasi pesan yang ingin disampaikan,untuk itu visualisasi dibuat semenarik mungkin agar dapat menyasar segmen yang ingin diraih. Demikian halnya dengan susu kemasan kotak untuk anak-anak yang terpapar di meja elalase di pusat- pusat perbelanjaan. Dalam penelitian ini penulis melihat bagaimana susu kemasan kotak merek Indomilk Kids dan Boneeto rasa coklat dan rasa stroberi yang dikonstruksikan sedemikian rupa sehingga rasa coklat mewakili susu untuk anak laki-laki dan rasa stroberi untuk anak perempuan. Tujuan penelitian ini untuk mengetahui bagaimana konstruksi identitas perempuan dan laki-laki divisualisasikan pada kemasan produk susu rasa coklat dan stroberi melalui penggunaan tanda pada aspek visualnya. Metode yang digunakan dalam penelitian ini adalah semiotika menurut Roland Barthes dengan melihat pada aspek penggunaan warna dan ilustrasi gambar kemasan dengan menggunakan analisa teori konstruksi sosial. Hasil dari analisa ini adalah kemasan susu rasa coklat dengan visualisasi warna dan ilustrasi gambarnya mewakili identitas anak laki-laki sementara kemasan rasa stroberi, visualisasi warna, ilustrasi gambar mewakili konstruksi anak perempuan yang feminin dan lembut. Kata kunci: kemasan, susu, semiotika, identitas AbstractPackaging is one of the determinants of success in the sales. The package contains an informational message that is delivered to the consumer, then the visualization of packaging made as attractive as possible in order to target the segment to be achieved. Likewise with the packaging of milk for children exposed in elalase shopping centers. In this study the authors look at how the packaging of brand Indomilk Kids and Boneeto taste of chocolate and strawberry flavors are constructed, that the chocolate-flavored milk represents for boys and strawberry flavor for girls. The purpose of this study to find out how the construction of female identity and male visualized on product packaging chocolate and strawberry flavored milk through the use of signs on the visual aspect. The method used in this study is Roland Barthes’s semiotic theory by looking at aspects of color and illustration packaging by using analytical theory of social construction. The results of this analysis is the packaging of milk chocolate flavor as the identity of the boys and packaging stroberi flavor represent the construction of feminine and soft for the girls. Keywords: packaging, milk, semiotic, identity
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C, Porkai Athirai. "Tholkappiyar’s meyppadu and Bharathar’s Rasa – Concepts of Aesthetics." International Research Journal of Tamil 3, no. 3 (July 6, 2021): 47–52. http://dx.doi.org/10.34256/irjt2136.
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Since ancient times, as Tamil and Sanskrit have been exchanging cultural practices, there are similarities in literary and grammatical principles. Many of Tholkappiyar’s literary principles about Meyppadu in aesthetics are found in Bharadhar’s the Sanskrit literary theorist too, who came after Tholkappiyar, in the north. The eight occasions where Meyppadu occurs, according to Tholkappiyar, are seen in Bharadhar’s also. As per Bharadhar Meyppadu is action. The base for the occurrence of these actions is feeling. Rasa is a feeling. Bhava is a Meyppadu. Feeling breaks out of Meyppadu. Bharadhar’s eight Bhavas are comparable with Tholkappiyar’s eight Meyppadu’s. The aim of the study is to prove that Bharadhar’s theory of Rasa in Sanskrit is a follow up of Tholkappiyar’s literary Meyppadu.
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Biswal, Richa. "BHAKTI-RASA (THE SENTIMENT OF DEVOTION) IN JOHN DONNE'S POETRY." RESEARCH TRENDS IN MODERN LINGUISTICS AND LITERATURE 4 (December 23, 2021): 4–23. http://dx.doi.org/10.29038/2617-6696.2021.4.4.23.
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Donne is considered one of the greatest devotional poets of English. His devotional poetry reflects the intensity of feeling and inner conflict. The main themes of his devotional poems are the falseness of this world and the sufferings of the soul imprisoned in the body. According to Donne, the solution to all these problems is to obtain the blessings of the Almighty. His 'Holy Sonnets' may be regarded as poems of repentance and supplications for divine grace. Bhakti-rasa also deals with the elements of devotion. Thus, his devotional poetry can be profitably analysed from the perspective of bhakti-rasa. However, the concept of bhakti-rasa is an Indian concept still has not been ignored by writers in any language. The theory of bhakti influenced many prominent writers, Donne being one of mthe most celebrated. The present paper deals with some of the significant inter-connections between the mEastern and Western branches of aesthetics to address the universality and relevance of bhakti-rasa. Donne's poems consist of almost all the features of bhakti-rasa as mentioned in Indian Poetics in general and in Srila Rupagoswami's renowned text Bhakti-rasāmrta-Sindhu in particular. The three sections describe the types and subtypes. A literature review is described in the second section, showing that Donne's poetry has not been studied in the light of bhakti-rasa so far, either in the west or in the east. In the third section, John Donne's poetry is analysed in the light of bhakti-rasa.
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Tien, Stephen Slade. "Psychogenesis: A Theory of Perinatal Experience." Journal of Phenomenological Psychology 23, no. 1 (1992): 16–29. http://dx.doi.org/10.1163/156916292x00027.
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AbstractPerinatal experience is posited as generative of psychogenesis: the psychological birth of the infant. The process involves a sentient human being rather than a nonconscious tabula rasa fetus. That birth experience is only traumatic is reductionist. The origins of positively colored affects as well as sexual feelings and even ecstasy may be intrauterine. The importance and complexity of the birth experience can better be described in terms of phases of being that parallel the physical stages of labor. These phases are immanence, obstruence, descendence, experience, ascendence, emergence, and transcendence. Each of these phases encompasses a unique state and dynamic process. Birth as such is shown to be a rich multidimensional experience that is also transformative.
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Rahayu, Ani. "The Values of Local Wisdom in The Ngaji Rasa Sejarah Alam on Krimun Village Community Losarang District Indramayu Regency as a Source of Social Studies Learning." International Journal Pedagogy of Social Studies 5, no. 1 (June 29, 2020): 32–39. http://dx.doi.org/10.17509/ijposs.v5i1.25915.
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This research is motivated by the researcher’s interest in the values of local wisdom in the ngaji rasa sejarah alam theory on Suku Dayak Hindu Budha Bumi Segandu Indramayu. It is caused by the result of the researcher’s finding that the values of local wisdom in the ngaji rasa sejarah alam theory can be used as a source of learning in social study learning. Where the use of learning resources based on the values of local wisdom in society is still rarely used by educators. The general purpose of this research is to find out the values of local wisdom that exist in the Suku Dayak Hindu Budha Bumi Segandu Indramayu, besides the specific purpose is to find out the characteristics, attempts to maintain the ngaji rasa sejarah alam Theory and identify the values of it in the Suku Dayak Hindu Budha Bumi Segandu Indramayu that can be used as a source of social study learning. In this research, researchers used a descriptive method with a qualitative approach. The results of this search indicate that (a) the characteristics of the Suku Dayak Hindu Budha Bumi Segandu Indramayu are people who wear black and white shorts, bare chests, wear necklace and 3 bracelets on their feet and hands, long-haired, adhere to the natural history theory with its traditional kum-kum, laku pepe, kliwon Friday night ritual, vegetarianism, and devotion to the wives and children. (b) values that are contained: tolerance, ecological intelligence, mutual cooperation, responsibility, and good behavior which is then implemented through the making of the lesson plan based on local wisdom.
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Noorwatha, I. Kadek Dwi. "Rekontekstualisasi Estetika Hindu ‘Rasa’ Dalam Desain Arsitektural." Mudra Jurnal Seni Budaya 33, no. 2 (May 9, 2018): 200. http://dx.doi.org/10.31091/mudra.v33i2.351.
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Tulisan ini bertujuan untuk membahas proses rekontekstualisasi estetika Hindu ‘rasa’ dalam desain arsitektural kekinian. Metodenya adalah kajian perpustakaan (library research) dengan pendekatan hermeneutik dalam menginterpretasikan objek penelitian berupa teks estetika Hindu, maupun komparasinya dengan keilmuan desain arsitektural. Literatur utamanya mengacu ke Kitab Natyashastra oleh Bharata Muni dan proses rekonstekstualisasinya menggunakan analogi dramaturgikal (Attoe, 1979) dan manifestasi ‘rasa’ ke seni visual dan arsitektur (Shetty dan Bhoosan, 2017) dan (Verma dan Gupta, 2015). Hasil penelitian menunjukkan bahwa estetika Hindu khususnya teori ‘rasa’ relevan dikembangkan ke dalam keilmuan desain arsitektural kekinian. Relevansi tersebut bukan semata kesesuaian istilah semata, namun juga kesesuaian dengan materi pokok kelimuan desain arsitektural seperti bentuk, penciptaan spasial, konteks arsitektural sebagai tuntutan desain arsitektural kekinian.This paper aims to discuss the process of recontextualization of Hindu aesthetics 'taste' in contemporary architectural design. The method is library research with hermeneutic approach on interpreting the Hinduism aesthetics text, as well as comparation with the science of architectural design. Its main literature refers to the Book of Natyashastra by Bharata Muni and its recontextualization process using dramaturgical analogies (Attoe, 1979) and the manifestations of the ‘rasa’ to the visual and architectural arts (Shetty and Bhoosan, 2017) and (Verma and Gupta, 2015). The results show that 'rasa' theory of Hindu aesthetics is relevant to developed into the contemporary architectural design. Relevance is not merely the conformity of the term alone, but also in conformity with the subject matter of architectural design such as science, form, spatial creation, architectural contexts as the present architectural design demands.
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Tarigan, Karisma, and Margaret Stevani. "The Use of Rasa ‘To Feel’ as a Hedge in Appraisaltheory: A Corpus Study." International Journal of English and Applied Linguistics (IJEAL) 1, no. 1 (June 9, 2021): 26–31. http://dx.doi.org/10.47709/ijeal.v1i1.974.
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The word rasa 'to feel' or 'to taste' in Indonesian was usually used to show a feeling or taste. It concerned as a hedge or a word whose function was to make things fuzzier or less fuzzy. Through this study, the writers aimed at describing the use of ‘rasa’ as a hedge through corpus study derived from Indonesian novels. To analyze the data, the write applied appraisal theory that classified the assessment of language into three categories, that were affect, judgment, and appreciation by using descriptive qualitative method. The result of the study showed that rasa 'to feel' was used as a hedge for judgment, affects, and appreciations. The result indicated that Indonesian were more careful when they gave comments on whether someone was good or bad or whether what they met or violated some social standards and did not need to when they talked about someone's feeling or gave appreciation.
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Koroleva, N. E., and A. D. Danilova. "The origin of the mountain (goltzy) deserts of the European Arctic: A review of theories ." Herald of Kola Science Centre of the RAS 12, no. 4/2020 (December 28, 2020): 13–23. http://dx.doi.org/10.37614/2307-5228.2020.12.4.002.
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The main theories of origin of the European Arctic tundra and subarctic mountain(goltzy)deserts are reviewed, in application to the Kola Peninsula. The theory of «tabula rasa» stated that all plants died during glaciation, and then immigrated fromtheCentral Europe, Siberia, and British Isles. According to another theory, during several Pleistocene glaciations, plants survived in ice-free refugia. Modern bota-ny point of views supports post-glacial migration of species and rather «tabula rasa»theory. The border of the timberline moving up inthe Holocene thermal optimum did not affect the subarctic mountain de-serts, unlike the tundra zone. Based on this, the evolution of the high mountain deserts vegetation probably meant the establishment of groups of species that differ from modern communities of the lower disposed tundra zone. Many types of mountain tundra vegetation, apparently, came from the mountains of North-East Azia; however, many species have been originated from the forest communi-ties. The subarctic mountain deserts have apparently not changed since the retreat of the glacier.
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Nuraini, Tuti, and Enie Novieastari. "Perawatan Nyeri pada Pasien Paska Operasi Herniotomi: Studi Kasus." Jurnal Keperawatan Indonesia 2, no. 8 (April 24, 2014): 296–303. http://dx.doi.org/10.7454/jki.v2i8.98.
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Nyeri pada pasien paska operasi merupakan nyeri akut yang belum banyak dimengerti dan tidak selalu dikelola dengan baik. Nyeri akibat operasi ini tidak hanya memiliki komponen sensori berhubungan dengan rusaknya jaringan, tetapi juga dipengaruhi oleh komponen psikososial dari pasien tersebut. Banyak pasien dan anggota tim kesehatan cenderung menganggap analgesik sebagai metoda yang penting dalam mengurangi rasa nyeri paska operasi. Padahal banyak aktifitas yang dapat dilakukan untuk mengurangi nyeri dengan didasari pada teori pola dan “gate control theory”. Tulisan ini merupakan hasil studi kasus seorang pasien pska operasi herniotomi di sebuah Rumah sakit rujukan nasional yang berlangsung selama 3 hari. Penulisan melakukan perawatan nyeri yang meliputi pendidkan kesehatan kepada pasien tentang rasa nyeri dan cara mengatasinya seperti mengalihkan perhatian dari rasa nyeri (distraksi), meningkatka relaksasi, menggunakan panduan imaginasi; perawat berada dekat pasien saat nyeri berlangsung, menceritakan pengalaman nyeri dan cara mengatasinya pada pasien lain; dan membantu pasien memadukan pengalaman yang sangat menyakitkan dengan nyeri yang dialaminya saat ini. Pada evaluasi didapatkan hasil yang positif dimana aktivitas untuk mengatasi yeri dapat berhasil yang ditunjang oleh data antara lain : pasien mengatakan nyeri berkurang, pasien kelihatan lebih tenang dalam menghadapi rasa nyerinya, ekspresi wajah tidak menunjukkan nyeri, dan pasien termotivasi melakukan aktivitas penurunan nyeri. Post operative pain is classified as an acute pain, which sometimes has not been managed and understood well. Pain which is caused by surgery, has sensory component related to the destruction of the tissue and also influenced by psychosocial components of the patient. Most patient and health workers have a tendency to use to relieve or reduce pain based on ‘pattern theory’ and ‘gate control theory’. This paper was based on one case study of a patient undergone herniotomy who experienced post operation pain. During the study, as his nurses, the writer provided nursing interventions to reduce his pain during his three days hospitalization. In include distraction and relaxation technique, guided imagery, and also health education. This study has positive result which derived from the evaluation phase in which the patient was more relax during his pain, no pain seen on his expression, the pain score reduced, and he had strong motivation to conduct pain reduction activities.
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Juhansar, Juhansar. "John Locke: The Construction of Knowledge in the Perspective of Philosophy." Jurnal Filsafat Indonesia 4, no. 3 (November 1, 2021): 254. http://dx.doi.org/10.23887/jfi.v4i3.39214.
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Epistemology is one of three philosophical dichotomies that rises to two main isms to obtain knowledge: rationalism initiated by Rene Descartes (1596-1650) and empiricism initiated by John Lock (1632-1704). As an empiricist, Locke offers the tabula rasa theory to support his argument. Thus, this study aims to describe radically and comprehensively the concept of John Locke's thought from the perspective of epistemological philosophy. This aim is achieved by describing the background and principal works of John Lock on the philosophy of epistemology, including the main ideas, views, and reasoning of his empiricism through tabula rasa theory. The method used in this research is descriptive qualitative in the field of philosophy. Data were collected through a literature study, then analyzed hermeneutically with two methodical elements: verstehen and interpret. First, this research shows that knowledge is principally obtained from sensory experience in which the mind is only passive. Second, the sensory experience is obtained objectively (primary quality) and subjectively (secondary quality). Third, external sensation and internal sensation obtained from sensory experience are built into simple ideas to complex ideas.
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Sulthon, Agus. "KRISTALISASI KONDISI SOSIAL, EKONOMI, DAN POLITIK DALAM NOVEL RASA MERDIKA." Paramita: Historical Studies Journal 26, no. 1 (February 20, 2016): 72. http://dx.doi.org/10.15294/paramita.v26i1.5147.
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<p>Rasa Merdika is a novel released in 1924. This novel narrates the people’s misery occured in Dutch- Indies era. The internationalism ideology becomes the alternate undderstanding for people by using poetry as a messenger. In this research, the social, economical and political conditions depicted in the novel will be correlated to the history when the novel is created. using Goldmann's theory, considered having homological relations with the social structure. Umar Junus takes advantage of it as a story to depict the social-cultural condition of society.</p><p> </p><p>Rasa Merdika merupakan novel bacaan liar yang terbit tahun 1924. Novel ini membicarakan tentang penderitaan rakyat yang terjadi di Hindia Belanda. Ideologi internasionalisme menjadi alternatif pemahaman kepada rakyat dengan memanfaatkan sastra sebagai alat penyampai pesan. Dalam penelitian ini, kondisi sosial, ekonomi, dan politik novel akan korelasikan terhadap sejarah saat novel itu diciptakan kemudian menghubungkan konsep keduanya menggunakan teori Goldmann, dianggapnya memiliki keterkaitan homologis dengan struktur sosial (kondisi).</p><p> </p>
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Hidayah, Sa'adatun Nuril, Slamet Subiyantoro, and Nugraheni Eko Wardani. "PERJUANGAN KESETARAAN GENDER TOKOH INTAN DALAM NOVEL ALUN SAMUDRA RASA KARYA ARDINI PANGASTUTI BN (Struggle of Intan Character for Gender Equality in Novel Alun Samudra Rasa by Ardini Pangastuti Bn)." Kandai 15, no. 2 (December 1, 2019): 261. http://dx.doi.org/10.26499/jk.v15i2.1364.
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Permasalahan kaum perempuan disebabkan oleh berbagai hal seperti hak dalam pengambilan keputusan, menunjukkan eksistensinya di ruang publik, hak memperoleh kesempatan bekerja, hak memperoleh pendidikan, serta masih banyak hal-hal yang membatasi ruang gerak perempuan untuk menunjukkan eksistensi dirinya. Penelitian ini bertujuan untuk mengungkapkan Perjuangan kesetaraan gender yang dialami oleh perempuan tergambar dalam karya sastra, Novel Alun Samudra Rasa mengangkat tentang perjuangan kesetaraan gender antara tokoh perempuan dan laki-laki. Penelitian ini menggunakan teori Feminisme. Teori Feminisme digunakan untuk mengkaji bagaimana bentuk perjuangan kesetaraan gender tokoh utama perempuan dalam novel tersebut. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif analisis. Sumber data penelitain berupa novel Alun Samudra Rasa karya Ardini Pangastuti Bn. Data penelitian berupa kata, frasa, kalimat dan wacana. Hasil penelitian ini menunjukkan bahwa bentuk perjuangan kesetaraan gender yang ditemukan dalam novel yaitu peran publik dan produktif, kebebasan bagi perempuan dalam menentukan pilihan, ketegaran dalam menghadapi permasalahan hidup, dan perjuangan dalam menuntut keadilan hak-hak perempuan.(Women's problems are caused by various things such as rights in decision making, showing their existence in the public sphere, the right to get the opportunity to work, the right to education, and many things that limit women's movement to show their existence. This study aims to reveal the struggle for gender equality experienced by women illustrated in literary works, Novel Alun Samudra Rasa about the struggle for gender equality between female and male leaders. This research uses the theory of feminism. The theory of feminism is used to examine the form of the struggle for gender equality of the main female characters in the novel. The method used in this study is qualitative descriptive analysis. The research data source was Alun Samudra Rasa novel by Ardini Pangastuti Bn. Research data in the form of words, phrases, sentences and discourses. The results of this study indicate that the form of gender equality struggle found in the novel is the role of public and productive, freedom for women in making choices, determination in facing life problems, and struggle in demanding justice for women's rights.)
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MANI MARAN, DURGA DEVI. "How do I Communicate Sringara Rasa (the Emotion Love) Through Pulaneri Vazhakku (Mode of ‘Sensing’)? Experimental Research Study, Practice-Based." International Review of Social Research 11, no. 1 (December 14, 2021): 254–73. http://dx.doi.org/10.48154/irsr.2021.0025.
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Bharathanatyam is practiced for the purpose of experiencing aesthetic pleasure by the actor, dancer and spectator (Rao, 1997). According to ancient treatises such as the Natya Sastra, dancing should be experiential, sensorial and pleasurable. When dance is transmitted, do these core values of the practice get lost? How can we heighten sensorial ranges through the facilitation of a shift in the transmission and dissemination of learning the component Rasa (emotion)? Some of the problems present in the current landscape of learning Bharathantayam is problematic due to the codification of the traditional form and the authoritarian style rooted in its pedagogy. This has left many students feeling incompetent and as a consequence, made the form unattainable. The purpose of my intervention is to make the learning of Sringara Rasa (the emotion of love) a component in the Bharathanatyam curriculum, accessible to all levels of dancers. I hope to achieve this through a sequential model that interrogates cognitive activities present in the engagement of a role or character performing the emotion. My intervention aims at reexamining the theory and practice of Padams (poetic texts) rooted in the Sringara Rasa (emotion of love) and bridging the gaps in learning this component. When dancers introspect, it allows them to access the sensorial dimension of Bharathanatyam.
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Bhattacharya, Sunayani. "How Not to Read like a Victorian: Reimagining Bankim’s Reader in Nineteenth-Century Bengali Novels." Comparative Literature 73, no. 1 (March 1, 2021): 84–109. http://dx.doi.org/10.1215/00104124-8738895.
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AbstractThis article examines the novels of the nineteenth-century Bengali author Bankimchandra Chattopadhyay in light of classical Sanskrit literature and the rasa theory and argues that practices of Sanskrit kāvya literature are as dominant in the structural and aesthetic elements of the Bengali novel as are Western forms of novel production. The arguments are located in the reader to suggest that Bankim’s novels train readers to read the Sanskrit past as encoded in the text and as coexisting with the westernized colonial present, albeit in a difficult relationship. The article pays particular attention to the novelist’s adaptation of two forms of Sanskrit prose, the kathā and the ākhyāyikā, and his exploration of the śṛngāra (erotic) rasa. While the Bengali novel emerges after the introduction of its Victorian counterpart, the former is a product of engagement with tensions foreign to the British novel. Exploring this alternative reading practice provides an opportunity to understand how Bengali and Sanskrit—in terms of literature and culture—are part of the lived experience of both Bankim and his nineteenth-century readers, and part of the aesthetic and ethical foundation of the early Bengali novel.
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Malik, Anhar Januar, and Iskandar Arifin. "Pengaruh Kepemimpinan Paternalistik Terhadap Kinerja Tugas dan Kontekstual Karyawan; Pemediasi Rasa Percaya." Value : Jurnal Manajemen dan Akuntansi 16, no. 2 (December 31, 2021): 453–66. http://dx.doi.org/10.32534/jv.v16i2.2322.
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One of the topics in leadership studies that have received much attention today is international leadership, where researchers focus on leadership behaviors that are culturally appropriate to where the organization is located. Paternalistic leadership becomes one of the themes in the study of international leadership. This research explains the mechanisms by which paternalistic leadership influences job performance and contextual performance of employees using the theory of social exchange and the theory of affective events in the organizational. 193 valid responses of employees from various organizations took part in the study. The results of data analysis show that paternalistic leadership behavior has a positive influence on task performance and contextual performance of employees. Furthermore, trust in the leader partially mediates the effect of paternalistic leadership on task performance and fully mediates the effect of paternalistic leadership and employee contextual performance. These findings suggest that the higher paternalistic leadership will increase employee trust in leaders, then through the trust in leader the performance of employees will also increase. The argument in explaining the results is more detail discussed in the discussion section of this article.
Keywords: Paternalistic leadership, task performance, contextual performance, trust in leaders, mediation.
Salah satu topik dalam kajian kepemimpinan yang mendapat banyak perhatian saat ini adalah kepemimpinan internasional, dimana para peneliti memfokuskan pada perilaku kepemimpinan yang sesuai dengan budaya dimana organisasi tersebut berada. Kepemimpinan paternalistik menjadi salah satu tema dalam kajian kepemimpinan internasional. Penelitian ini menjelaskan mengenai mekanisme bagaimana kepemimpinan paternalistik mempengaruhi kinerja tugas dan kinerja kontekstual karyawan menggunakan teori pertukaran sosial dan teori kejadian afektif pada konteks organisasi. 193 tanggapan valid karyawan dari berbagai organisasi ikut ambil bagian dalam penelitian ini. Hasil analisis data menunjukkan perilaku kepemimpinan paternalistik memiliki pengaruh positif pada kinerja tugas dan kinerja kontekstual karyawan. Selanjutnya, rasa percaya pada pemimpin memediasi secara parsial pengaruh kepemimpinan paternalistik pada kinerja tugas dan memediasi secara penuh pengaruh kepemimpinan paternalistik dan kinerja kontekstual karyawan. Temuan ini menunjukkan bahwa semakin tinggi kepemimpinan paternalistik maka akan meningkatkan rasa percaya karyawan pada pemimpin, kemudian melalui rasa percaya pada pemimpin inilah kinerja karyawan juga akan meningkat. Adapun argumentasi dalam menjelaskan hasil tersebut lebih detail dibahas pada bagian diskusi artikel ini.
Kata kunci: Kepemimpinan paternalistik, kinerja tugas, kinerja kontekstual, rasa percaya pada pemimpin, mediasi.
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Piirma, Piibe. "Rasa Smite, Creative Networks in the Rear-View Mirror of Eastern European History, Theory on Demand." Baltic Screen Media Review 2, no. 1 (November 1, 2014): 140–44. http://dx.doi.org/10.1515/bsmr-2015-0019.
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Pranowo, Pranowo. "UNSUR INTRALINGUAL DAN EKSTRALINGUAL SEBAGAI PENANDA DAYA BAHASA DAN NILAI RASA BAHASA DALAM KESANTUNAN BERKOMUNIKASI." Adabiyyāt: Jurnal Bahasa dan Sastra 14, no. 2 (September 5, 2016): 191. http://dx.doi.org/10.14421/ajbs.2015.14202.
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This study aims to describe the formal elements of extra-lingual and intra-lingual and power of language and the language politeness. This study uses the pragma-semantic theory. Source of data of this research are several private television programs (Indonesia Lawyer Club, Sentilan-Sentilun), Tempo Magazine (Catatan Pinggir ), and the caricature of Sindo Newspaper. The data are in the form of speeches and sentences, which contain extra-lingual and intra-lingual elements. The data analysis is performed by inventorying, classifying, identifying, and interpreting the data, based on the Pragma-semantic theory. The results are (1) forms of extra-lingual and intra-lingual elements are able to bring the power of language as power of criticism, the power of information, the power of banter, power of commands, and allure, (2) forms of extra-lingual and intra-lingual elements are able to bring the values of language, such as pleasure values, the respect values, and the happiness values.
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Putra, Arya Dwihening. "PENGARUH RASA KEBERSAMAAN TERHADAP TINGKAT PARTISIPASI MASYARAKAT DALAM PROGRAM PLP-BK (NOTO DESO)." Jurnal Pengembangan Kota 1, no. 1 (July 3, 2013): 1. http://dx.doi.org/10.14710/jpk.1.1.1-12.
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<p>In the flow of time, planning theory start to grow from only physical planning into a social one. According to John Friedman, planning divided into two kind of theory, they are top down and bottom up. Grounded on that conditions, masters of planning start to develop new and practical method to improve social, economic, and culture condition in terms of leading the bulding of civic society. This was the beginning of the community development. This reseacrh is trying to do a full observation in government program of community development called PLP-BK or people used to call noto deso that held in Kutoharjo District Kendal Regency. The objection of this research is to prove that the community sentiment is related and have a big influence to the rate of participation in implementation of noto deso itself. To identificate that matter this research is using a quantitative descriptive method and with self administered quisionare data gathering method. With the usage of that kind of research method, research variable can be identificate succesfully in order to processed in bivariate correlation analysis to prove the influence of community sentiment and the rate of participation. The outcome show us a fact that grounded on the correlation process the hypothesis of this research is proven that the community sentimet is really have a great influence to the rate of people participation in the implementation of noto deso program that held in Kutoharjo District. With the knowledge of that community sentiment influences the rate of participation, congruity progress in planning can be indentificate and the engineer the building of social can be optimalized in order to gain the civic society.</p>
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Amalia, Ika. "MENANAMKAN SIKAP MANDIRI DAN RASA TANGGUNG JAWAB MELALUI KEGIATAN FULL DAY SCHOOL DI TAMAN KANAK-KANAK." Jurnal Jendela Bunda Program Studi PG-PAUD Universitas Muhammadiyah Cirebon 6, no. 1 (July 5, 2019): 9–13. http://dx.doi.org/10.32534/jjb.v6i1.545.
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Kemandirian merupakan hal penting yang harus dimiliki oleh setiap individu untuk dapat menjalankan keseharian tanpa harus selalu bergantung pada orang lain, kemandirian juga menjadi penting bagi anak-anak untuk kesiapan di kehidupan yang akan datang. Sikap mandiri akan berdampingan dengan rasa tanggung jawab anak, hal ini dikarenakan ketika anak bersikap mandiri maka ia telah mengetahui konsekuensi apa yang akan ia terima atas sikap yang ia tunjukan dan ia siap dengan konsekuensi tersebut. Menanamkan sikap mandiri menjadi kewajiban semua pihak baik sekolah, guru serta orang tua. Adanya kegiatan full day school (FDS) yang kegiatannya bersifat pembiasaan dalam kecakapan hidup sehari-hari membuat anak menjadi terbiasa untuk bersikap mandiri dan bertanggungjawab. Penelitian ini dilakukan dengan menggunakan pendekatan kualitatif dengan metode penelitian fenomenologi untuk melihat secara menyeluruh dan mendalam mengenai menanamkan kemandirian dan rasa tanggung jawab melalui kegiatan full day school di Taman Kanak-kanak Cirebon. Responden dalam penelitian ini adalah guru sebagai pengajar FDS dan anak-anak yang mengikuti FDS. Alat pengumpulan data dalam penelitian ini yaitu menggunakan wawancara dan observasi. Kemudian data yang diperoleh dianalisis menggunakan teknik analisis data grounded theory. Hasil penelitian menunjukkan bahwa melalui kegiatan FDS anak dapat mengembangkan kemandirian dan rasa tanggungjawab karena kegiatan FDS banyak mengajarkan kepada anak tentang aktivitas keseharian melalui pembiasaan secara mandiri.Keywords: full day school, pendidikan anak usia dini, anak usia dini, kemandirian, tanggungjawab
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Herniti, Ening, Arif Budiman, and Aning Ayu Kusumawati. "Kesantunan Berbahasa dalam Dakwah Multikultural." Adabiyyāt: Jurnal Bahasa dan Sastra 15, no. 1 (April 28, 2017): 38. http://dx.doi.org/10.14421/ajbs.2016.15103.
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Politeness is reflected in the use of verbal sign. Politeness is also found in multicultural dawah. Multicultural dawah means to summon or invite people of different cultural backgrounds to learn more about Islam, but its deliverance does not offend, hurt, obtrude, or impose its audiences. This paper describes the politeness indicators and supporting values of politeness in multicultural dakwah. The data were taken form youtube, documented by data transcription, and then analyzed by using theory of politeness. The conclusion of this study shows that these multicultural dawah obey the politeness indicators such as angon rasa, adu rasa, empan papan, humility, respect, tepa selira, diction of "sorry", "thank you', and greeting "Sir/Madam". However, in these multicultural dakwah, there were also found the disobediences of the politeness indicators. This disobediences are due to the usage of inappropriate dictions. The supporting values of politeness include humility, empan papan,keep the feeling and attitude of introspection.
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HUH JEONG IM. "A Study on the Theory of Rasa in Indian Art with the Perspective of Multicultural Art Education." Journal of Art Education 39 (November 2014): 23–40. http://dx.doi.org/10.35657/jae.2014.39.0.002.
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Vickers, Kim, and Philip I. Buckland. "Predicting island beetle faunas by their climate ranges: the tabula rasa /refugia theory in the North Atlantic." Journal of Biogeography 42, no. 11 (September 23, 2015): 2031–48. http://dx.doi.org/10.1111/jbi.12593.
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