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Journal articles on the topic 'Theseus'

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Published: 4 June 2021

Last updated: 31 July 2024

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1

Hirose, Shigeo, Hidetaka Ohno, Takeo Mitsui, and Kiichi Suyama. "Design and Experiments of In-pipe Inspection Vehicles for ø25, ø50, ø150 Pipes." Journal of Robotics and Mechatronics 12, no. 3 (June 20, 2000): 310–17. http://dx.doi.org/10.20965/jrm.2000.p0310.

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In this paper we outline the design of in-pipe inspection vehicle for pipes with ø25, ø50, ø150mm in diameter, ""Theseuse"" series. First we introduce the concept ""Whole Stem Drive"". This concept is very effective to allow an in-pipe vehicle to travel long distance in the pipeline. Based on this concept, we have made three in-pipe vehicles, Theseus-I∼III. First, for the pipe with 50mm in diameter, we propose two mechanisms, in-pipe vehicle with spiral motion (Theseus-I) and in-pipe vehicle for the practical gas pipe (Theseus-II). Next, for the pipe with 150mm in diameter, we propose the in-pipe vehicle based on the idea of Control Configured Vehicle (CCV), Theseus-III. Last, for the pipe with 25mm in diameter, we propose the in-pipe vehicle, which has an actuator outside of the pipe (Theseus-IV).

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2

Posna, Lee. "Theseus." Iowa Review 41, no. 1 (April 2011): 80. http://dx.doi.org/10.17077/0021-065x.6983.

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3

Boniol, Paul, John Paparrizos, Yuhao Kang, Themis Palpanas, Ruey S. Tsay, Aaron J. Elmore, and Michael J. Franklin. "Theseus." Proceedings of the VLDB Endowment 15, no. 12 (August 2022): 3702–5. http://dx.doi.org/10.14778/3554821.3554879.

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The detection of anomalies in time series has gained ample academic and industrial attention, yet, no comprehensive benchmark exists to evaluate time-series anomaly detection methods. Therefore, there is no final verdict on which method performs the best (and under what conditions). Consequently, we often observe methods performing exceptionally well on one dataset but surprisingly poorly on another, creating an illusion of progress. To address these issues, we thoroughly studied over one hundred papers, and summarized our effort in TSB-UAD, a new benchmark to evaluate univariate time series anomaly detection methods. In this paper, we describe Theseus, a modular and extensible web application that helps users navigate through the benchmark, and reason about the merits and drawbacks of both anomaly detection methods and accuracy measures, under different conditions. Overall, our system enables users to compare 12 anomaly detection methods on 1980 time series, using 13 accuracy measures, and decide on the most suitable method and measure for some application.

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4

Stringer, Roy, Lesley Turnbull, and Peter Smith. "Theseus." ACM SIGBIO Newsletter 14, no. 3 (September 1994): 10–11. http://dx.doi.org/10.1145/192602.953454.

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5

Levine, Daniel. "I, Theseus." Hopkins Review 8, no. 2 (2015): 187–207. http://dx.doi.org/10.1353/thr.2015.0024.

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6

DiMarco, Vincent. "Theseus, aHercules." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 2, no. 2 (April 1989): 43–46. http://dx.doi.org/10.1080/19403364.1989.11755191.

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7

Harrison, Thomas. "CONSTRUCTING THESEUS." Classical Review 48, no. 2 (October 1998): 342–43. http://dx.doi.org/10.1017/s0009840x98650010.

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8

McCabe, V. C. "Ship of Theseus." Minnesota review 2019, no. 92 (2019): 38. http://dx.doi.org/10.1215/00265667-7329136.

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9

Simon, Erika. "Theseus und Hekale." Perspektiven der Philosophie 13 (1987): 409–16. http://dx.doi.org/10.5840/pdp19871321.

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10

Rhodes, Peter. "Articles: Theseus the Democrat." Miscellanea Anthropologica et Sociologica 15, no. 3 (January 1, 2014): 98–118. http://dx.doi.org/10.5604/20842937.1134335.

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11

Burderi, L., A. Sanna, T. Di Salvo, A. Riggio, R. Iaria, A. F. Gambino, A. Manca, A. Anitra, S. M. Mazzola, and A. Marino. "Quantum gravity with THESEUS." Experimental Astronomy 52, no. 3 (December 2021): 439–52. http://dx.doi.org/10.1007/s10686-021-09825-6.

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AbstractIn this paper we explore the possibility to search for a dispersion law for light propagation in vacuo with a sample of Gamma-Ray Bursts detected by the THESEUS satellite. Within Quantum Gravity theories, different models for space-time quantization predict relative discrepancies of the speed of photons w.r.t. the speed of light that (in a series expansion) depend on a given power of the ratio of the photon energy to the Planck energy. This ratio is as small as 10− 23 for photons in the soft γ −ray band (100 keV). The dominant effect is determined by the first significant term of this expansion. If the first order in this expansion is relevant, these theories imply a Lorentz Invariance Violation (LIV hereafter) and are generally dubbed LIV-theories. Therefore, to detect this effect, light must propagate over enormous distances and the experiment must have extraordinary sensitivity. Gamma-Ray Bursts, occurring at cosmological distances, could be used to detect this tiny signature of space-time granularity. Once the photons of a Gamma-Ray Burst are emitted at a given (cosmological) distance, they arrive on the detector with relative delays that linearly depends on the energy differences and on the distance travelled, that, given a set of cosmological parameters, is a unique function of the redshift. The strong temporal variability of the Gamma-Ray Bursts light-curves allows, with different techniques (e.g. cross-correlations), to compute these delays by comparing light-curves of Gamma-Ray Bursts for which the redshift is known, in adjacent energy bands covering a sufficiently wide energy range. In this way, LIV-theories can be effectively constrained. THESEUS offers the opportunity to collect a homogeneous set of GRBs for which the redshift is known, with a signal to background ratio sufficient to compute delays through cross correlation techniques, and covering an energy band (from few keV to few MeV) wide enough to produce significant delays. In this article we explore the possibility to constrain LIV-theories with THESEUS by means of Monte Carlo simulations. In summary, within the nominal duration of 3 years, THESEUS could constrain (or detect) Quantum Gravity Lorentz Invariance Violation effects at al level of 17 times the Planck Length (1.6 × 10− 33 cm); if the mission is extended up to 7 years, this constrain is improved down to a level of 11 times the Planck Length.

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12

Zylberberg, Thierry. "THESEUS initiative in management." Industry and Higher Education 3, no. 4 (December 1989): 243–44. http://dx.doi.org/10.1177/095042228900300420.

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October 1989 will see the first academic year of operation of the THESEUS Institute, located in Sophia-Antipolis, France. This Institute, which will deliver an MBA course and diploma called the MBA in Communications Strategy, is innovative in terms of structure, curriculum and its relationship with the worlds of business and of networks.

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13

Thomas D. Kohn. "The Wishes of Theseus." Transactions of the American Philological Association 138, no. 2 (2008): 379–92. http://dx.doi.org/10.1353/apa.0.0010.

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14

Kim, David Dongkyung. "The Ship of Theseus." JAMA 320, no. 16 (October 23, 2018): 1712. http://dx.doi.org/10.1001/jama.2018.7413.

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15

Cook, Gretchen N., and Stella R. Bublitz. "The Ship of Theseus." Departures in Critical Qualitative Research 12, no. 4 (2023): 77–101. http://dx.doi.org/10.1525/dcqr.2023.12.4.77.

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Unsilencing is one way to describe methodologies that disrupt hegemonic erasure of marginalized populations. I take on unsilencing, a concept from Trouillot (1995), as a tool to decenter myself, a straight cisgender woman, while telling my participant/co-author’s story and experience as a member of the trans community. This piece approaches unsilencing in two ways—as a way to ethically work with populations where a researcher has an outsider identity and to subvert traditional research methodologies. Unsilencing is explored through my narrative analysis that presents findings in the form of a documentary script. I conclude with recommendations for future research guided by unsilencing.

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16

Futter, Dylan. "Theseus in the labyrinth." Acta Classica 66, no. 1 (2023): 62–79. http://dx.doi.org/10.1353/acl.2023.a914047.

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ABSTRACT: This article discusses the myth of Theseus and the Minotaur in light of the distinction between labyrinth and maze. According to the myth, Ariadne helped Theseus to escape from a labyrinth by giving him ball of string. But if a labyrinth is unlike a maze in presenting no choices to the wanderer, then why did Theseus need a clue? Though this question has not been systematically addressed in the scholarship, two lines of response can be identified. First, some scholars maintain that the 'labyrinth' in the myth must be a multicursal maze, for otherwise the story would make no sense. Secondly, others hold that they can make sense of the myth even if the labyrinth has but a single path. I argue against both positions in favour of an account that highlights the constructive use of contradiction in myth.

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17

Oakley, John H., and Jenifer Neils. "The Youthful Deeds of Theseus." American Journal of Archaeology 94, no. 2 (April 1990): 352. http://dx.doi.org/10.2307/505963.

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18

Coffee, Neil. "Statius’ Theseus: Martial or Merciful?" Classical Philology 104, no. 2 (April 2009): 221–28. http://dx.doi.org/10.1086/605346.

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19

Blackmore, Maureen A. "Theseus: a hypermedia browsing tool." British Journal of Educational Technology 24, no. 3 (September 1993): 219–20. http://dx.doi.org/10.1111/j.1467-8535.1993.tb00080.x.

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20

Thomas, Anja. "THESEUS – eine europäische Gesellschaft schaffen." integration 30, no. 3 (2007): 349–50. http://dx.doi.org/10.5771/0720-5120-2007-3-349.

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21

Horn, R. L. "A note on Duke Theseus." Studia Neophilologica 58, no. 1 (January 1986): 67–69. http://dx.doi.org/10.1080/00393278608587933.

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22

Harnden, Roger. "Theseus – A Way of Doing." Kybernetes 23, no. 3 (April 1994): 49–58. http://dx.doi.org/10.1108/03684929410059037.

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23

Bell, Edwina, Peter Watts, and John Alexander. "Theseus: An Expert Statistical Consultant." American Journal of Mathematical and Management Sciences 9, no. 3-4 (February 1989): 361–70. http://dx.doi.org/10.1080/01966324.1989.10737269.

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24

Hudec, Rene, Lorenzo Amati, Filippo Frontera, Enrico Bozzo, Paul T. O'Brien, Diego Goetz, and Vojtech Simon. "ESA THESEUS and Czech participation." Astronomische Nachrichten 341, no. 3 (March 2020): 348–55. http://dx.doi.org/10.1002/asna.202013787.

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25

Michael McCoy. "Theseus launches for kinase inhibitors." C&EN Global Enterprise 99, no. 14 (April 19, 2021): 13. http://dx.doi.org/10.1021/cen-09914-buscon17.

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26

Michelini, Ann. "The Maze of the Logos: Euripides, Suppliants 163-249." Ramus 20, no. 1 (1991): 16–36. http://dx.doi.org/10.1017/s0048671x00002812.

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In Euripides' Suppliants as one commentator remarks, ‘the play consists of talk’. Much of the talk is about ideas, which weave a tantalizing and complex intellectual dance through the debates of the central figures. The tone is set by the first debate, between the suppliant Adrastus and the young Theseus. The former makes a plea in terms that he himself seems to characterize as inadequate, while the latter rejects the suppliant with a bravura speech that offers no less than a philosophy of religion, morality and politics. Theseus' ideas are marked by severe internal contradictions, and they are subjected to further contradictions by later statements of Theseus and others. Yet this puzzling philosophy is assigned to a character who seems entirely free from the misjudgments typical of other tragic protagonists. The Euripidean tag that ‘the gods ordain things counter to expectation’ appears not to be true in Theseus' case. Here is a tragic hero who, in a just cause, plans a brief war from which he hopes to return home successful, without major harm to his people and without offense to the gods; and—unlike the protagonists of several Aeschylean plays and Adrastus in this play— the Athenian king succeeds in all his aims. Even when Theseus reverses his initial rejection of Adrastus, he is careful to point out that his initial moral assessment was and is correct (334-36). The reversal itself suggests that, if Theseus has a susceptibility to error, the hamartēma may be located in the fit between logos and ergon, thought and reality, a famous dilemma in the intellectual history of the fifth century.

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27

Rivers, Julian. "How Not To Change Patriarch: A Comment on Dean v Burne." Ecclesiastical Law Journal 12, no. 1 (January 2010): 71–73. http://dx.doi.org/10.1017/s0956618x09990408.

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When Theseus returned from Crete, his ship was long preserved in Athens. Over time, individual planks rotted and were replaced, until eventually all the planks had been renewed. Was the Athenian ship still the original one of Theseus? The problem that vexed Greek philosophers can be made more acute if one imagines that the rotten planks had been preserved, restored and eventually reconstructed into another ship. Which is now Theseus' ship? This was the problem facing Blackburne J in the High Court in the case of Dean v Burne. In effect, he decided that the ship of new planks is still the original one.

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28

Morwood, James. "Euripides’ Suppliant Women, Theseus and Athenocentrism." Mnemosyne 65, no. 4-5 (2012): 552–64. http://dx.doi.org/10.1163/156852511x547947.

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Abstract In Euripides’ Suppliant Women, Theseus at first rejects Adrastos’ supplication to recover the bodies of the Argive dead. Later he changes his mind. This article discusses the initial failure of the supplication, both examining the failings in Adrastos’ appeal and suggesting that a strong case can be made for Theseus’ rejection: neither he nor Athens would have suffered from gods or from men had he stood by it. Why then did he have the change of heart that the play clearly approves? The article links his rejection with a narrow nationalism evinced in his response to the exogamous marriages Adrastos had contracted for his daughters. His attitude looks back to Perikles’ marriage law of 451 BC and reflects the chauvinism that it brought in its wake. Theseus must unlearn this limited mind-set and become a truly Panhellenic hero. The article traces how this in fact happens in the course of the play, above all through the developing relationship between Theseus and Adrastos. His jingoism and isolationism melt away, though in her ex machina appearance Athena undermines the great-heartedness that both kings have displayed. Despite that, the play ends affirmatively, endorsing the theme of the inadequacy of a narrow Athenocentrism.

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29

Campbell, Charles. "Making Amends: The Transformation of Theseus and the Feminization of Marriage in A Midsummer Night’s Dream." Journal of Arts and Social Sciences [JASS] 6, no. 1 (January 1, 2015): 5. http://dx.doi.org/10.24200/jass.vol6iss1pp5-14.

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This study of Shakespeare’s A Midsummer Night’s Dream asks why Theseus changes his mind about forbidding the marriage of Hermia and Lysander and what this change means for the view of marriage developed in the play and for the experience of art which the play engenders. By emphasizing the love of women for each other, the vows of sisterhood and the cult of Diana, the play prepares the way for Theseus’ change of mind and for the feminization of marriage and the celebration of imagination with which the play ends. We can observe these emphases in patterns of language and imagery (especially the flower motif), in metaphors and allusions and in descriptions of the union of opposites. The interplay of chaste love and desire delineates the art of metaphor and drama which the audience must grasp to fully appreciate the play. In Acts 4 and 5 Theseus’ resistance to romantic love melts away, along with his opposition to the imagination. Thus, during the wedding feast of Act 5, Theseus defends the amateur theatrics of the workmen as being excellent «if imagination amend them» (5.1.209); and he is associated in his language and ideas with Puck, the most fantastic and transformative character in the play. Theseus is himself transformed from the seducer and betrayer of women described in 2.1.77-80 into a worthy husband for Hippolyta, one who meets her halfway in her respect for the visions of lovers and poets.

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30

Campbell, Charles. "Making Amends: The Transformation of Theseus and the Feminization of Marriage in A Midsummer Night’s Dream." Journal of Arts and Social Sciences [JASS] 6, no. 1 (January 1, 2015): 5–14. http://dx.doi.org/10.53542/jass.v6i1.1081.

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This study of Shakespeare’s A Midsummer Night’s Dream asks why Theseus changes his mind about forbidding the marriage of Hermia and Lysander and what this change means for the view of marriage developed in the play and for the experience of art which the play engenders. By emphasizing the love of women for each other, the vows of sisterhood and the cult of Diana, the play prepares the way for Theseus’ change of mind and for the feminization of marriage and the celebration of imagination with which the play ends. We can observe these emphases in patterns of language and imagery (especially the flower motif), in metaphors and allusions and in descriptions of the union of opposites. The interplay of chaste love and desire delineates the art of metaphor and drama which the audience must grasp to fully appreciate the play. In Acts 4 and 5 Theseus’ resistance to romantic love melts away, along with his opposition to the imagination. Thus, during the wedding feast of Act 5, Theseus defends the amateur theatrics of the workmen as being excellent «if imagination amend them» (5.1.209); and he is associated in his language and ideas with Puck, the most fantastic and transformative character in the play. Theseus is himself transformed from the seducer and betrayer of women described in 2.1.77-80 into a worthy husband for Hippolyta, one who meets her halfway in her respect for the visions of lovers and poets.

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31

Breen, Carolyn C., and Sophie Mills. "Theseus, Tragedy and the Athenian Empire." Classical World 92, no. 6 (1999): 577. http://dx.doi.org/10.2307/4352359.

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32

HARNDEN, ROGER J., and ROY STRINGER. "THESEUS—THE EVOLUTION OF A HYPERMEDIUM." Cybernetics and Systems 24, no. 3 (January 1993): 255–80. http://dx.doi.org/10.1080/01969729308961710.

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33

Fuschino, F., R. Campana, C. Labanti, M. Marisaldi, L. Amati, M. Fiorini, M. Uslenghi, et al. "The XGS instrument on-board THESEUS." Journal of Physics: Conference Series 763 (October 2016): 012009. http://dx.doi.org/10.1088/1742-6596/763/1/012009.

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34

Clark, Michael. "Paradoxes 1: The Ship of Theseus." Think 1, no. 1 (2002): 75–76. http://dx.doi.org/10.1017/s1477175600000117.

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35

Heuscher, Julius E. "Theseus and Hippolyta on the couch." American Journal of Psychoanalysis 49, no. 4 (December 1989): 319–27. http://dx.doi.org/10.1007/bf01252260.

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36

Douven, Igor. "Verities, the sorites, and Theseus’ ship." Synthese 194, no. 10 (April 8, 2015): 3867–78. http://dx.doi.org/10.1007/s11229-015-0724-2.

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37

Gvozdeva, Tatiana Borisovna. "Erichthonius or Theseus, who established the Panathenaea?" RUDN Journal of World History 13, no. 3 (September 2, 2021): 259–68. http://dx.doi.org/10.22363/2312-8127-2021-13-3-259-268.

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The sources know two versions of the establishing of Panathenaia, the main public holiday of the Athenian polis. The earliest version of aition of Panathenaia is associated with the history of the Athenian indigenous king Erichthonius. The son of Gaia and Hephaestus, Erichthonius was raised by the goddess Athena on the Acropolis, and after becoming king of Athens, he dedicated the feast of Panathenaia to the goddess. In the source, he is the first founder of the holiday. However, two types of Panathenaia were known in Athens: the Lesser Panathenaia, which were held annually, and the Greater Panathenaia, which, like the Olympic Games, were held every four years. Gradually, there appear pieces of new information about the history of the establishing of the Panathenaia in the mythological tradition. Now the authors distinguish two stages in the history of the feast, wherein the earlier one was called Athenaia. Gradually Erichthonius was relegated to the background, as founder Athenaeus, whereas the holiday got a new name - Panathenaia. This process was often associated with the synoekismus of Theseus, when he had united all the Athenians into one urban community. The cult of Theseus became especially popular in Athens after the reforms of Cleisthenes. Theseus' exploits are becoming a popular theme in Attic vase painting, especially scenes depicting the struggle, which Theseus was believed to be the founder of in Athens. At the same time, the program of the Panathenaic Games was expanding, the Panathenaia gradually acquired a supra-regional character.

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38

Salvador, Evandro Luis. "Eurípides: Suplicantes (838-954)." Nuntius Antiquus 10, no. 2 (December 31, 2014): 185–93. http://dx.doi.org/10.17851/1983-3636.10.2.185-193.

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This text presents a free verse translation of the funeral rites (838-954) in Euripides’ The Suppliant Women. It is followed by a panoramic introduction highlighting the social function of the funeral for the war-dead. In this tragedy, Theseus fulfills the role of a commander and buries the majority of the Argive dead at Eleutherai, and it is Adrastus, along with Theseus, who conducts the funeral rites for the other five Argive heroes at Eleusis.

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39

Clark, Raymond J. "How Vergil expanded the Underworld in Aeneid 6." Proceedings of the Cambridge Philological Society 47 (2001): 103–16. http://dx.doi.org/10.1017/s0068673500000729.

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In a recent article published in the CQ I argued the likelihood that in comparable underworld scenes Vergil modelled Charon's challenge to Aeneas in Aeneid 6.388–97 on Aeacus' challenge to Heracles in a surviving fragment of the tragedy Pirithous composed by either Euripides or Critias, and I took the episode to be a reinforcement or a possible modification of E. Norden's suggestion that Aeneas' descent into the Underworld is modelled on a catabasis of Heracles. In the play Aeacus sees a figure approaching him and demands to know of the stranger both his identity and his business in coming. Heracles responds by giving his name and explaining that he has come hither at Eurystheus' command to fetch Cerberus alive from Hades and bring him to Mycenae's gates. Heracles must then have overcome Aeacus. for we next find Theseus and Heracles conversing in the Underworld about Pirithous. Earlier in the play Pirithous had lamented that he still languishes in Hades for having attempted, with Theseus as his accomplice, to carry off from the world below the goddess Persephone to be his bride. In the usual version both heroes are caught and punished in the world below and only Theseus is rescued by Heracles. In this play, however, Heracles now heaps praise upon Theseus for his loyalty in electing to stay with his friend Pirithous in Hades. Heracles then rescues both heroes.

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40

Bozzo, E., L. Amati, O. O’Brien, and D. Gӧtz. "The Transient High-Energy Sky and Early Universe Surveyor." Ukrainian Journal of Physics 64, no. 7 (September 17, 2019): 548. http://dx.doi.org/10.15407/ujpe64.7.548.

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The Transient High-Energy Sky and Early Universe Surveyor (THESEUS) is a mission concept developed in the last years by a large European consortium and currently under study by the European Space Agency (ESA) as one of the three candidates for next M5 mission (launch in 2032). THESEUS aims at exploiting high-redshift GRBs for getting unique clues to the early Universe and, being an unprecedentedly powerful machine for the detection, accurate location (down to ∼arcsec) and redshift determination of all types of GRBs (long, short, high-z, under-luminous, ultra-long) and many other classes of transient sources and phenomena, at providing a substantial contribution to multi-messenger time-domain astrophysics. Under these respects, THESEUS will show a strong synergy with the large observing facilities of the future, like E-ELT, TMT, SKA, CTA, ATHENA, in the electromagnetic domain, as well as with next-generation gravitational-waves and neutrino detectors, thus greatly enhancing their scientific return.

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41

Lehmann, Maren. "Ratten Im Labyrinth, Oder: Lernen Mit Theseus." Design Journal 8, no. 3 (November 2005): 13–24. http://dx.doi.org/10.2752/146069205789331583.

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42

LING, Roger. "Theseus at the Gates of the Labyrinth." BABESCH - Bulletin Antieke Beschaving 84 (December 31, 2009): 111–20. http://dx.doi.org/10.2143/bab.84.0.2041639.

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43

Mereghetti, S., S. Balman, M. Caballero-Garcia, M. Del Santo, V. Doroshenko, M. H. Erkut, L. Hanlon, et al. "Time domain astronomy with the THESEUS satellite." Experimental Astronomy 52, no. 3 (November 16, 2021): 309–406. http://dx.doi.org/10.1007/s10686-021-09809-6.

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44

Solberg, S. E. "Bulosan - Theseus - Villa: A Cryptography of Coincidence." MELUS 15, no. 2 (1988): 3. http://dx.doi.org/10.2307/466969.

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45

Brown, S. A. "Shakespeare and Thomas Underdowne's Theseus and Ariadne." Review of English Studies 66, no. 275 (January 28, 2015): 465–79. http://dx.doi.org/10.1093/res/hgu109.

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46

Neils, Jenifer. "INVENTING THE OTHER: THE OPPONENTS OF THESEUS." Source: Notes in the History of Art 15, no. 1 (October 1995): 17–24. http://dx.doi.org/10.1086/sou.15.1.23205710.

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47

Corcella, Aldo. "A new fragment of the historian Theseus." Classical Quarterly 46, no. 1 (May 1996): 261–66. http://dx.doi.org/10.1093/cq/46.1.261.

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In the collection of oracular responses included in Book 14 of the Palatine Anthology, the oracle which bears the number 77 is introduced by the lemma χρησμòς ⋯ν τοῖς θησ⋯ως β⋯οις ⋯ναφερόμενος its text is as follows:The same oracle, with the same introductory formula, is also quoted as a scholium in the margin to the text of Herodotus 1.65.3 (the famous oracle given to Lycurgus that will be discussed below) in the manuscript Flor. Laur. 70.3; first discovered by Jacob Gronovius, it can now be read in the editions of Stein, Rosen and Asheri.

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48

Donthineni, Rakesh, and Onder Ofluoglu. "Spine Oncology: Daedalus, Theseus, and the Minotaur." Orthopedic Clinics of North America 40, no. 1 (January 2009): 169–71. http://dx.doi.org/10.1016/j.ocl.2008.09.007.

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49

Roskam, Geert. "Plutarch's demiurgic moralism in his Theseus–Romulus." Acta Classica 66, no. 1 (2023): 139–62. http://dx.doi.org/10.1353/acl.2023.a914050.

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ABSTRACT: This article deals with the tension between two points of interest in Plutarch's Theseus–Romulus . On the one hand, the pair is part and parcel of the Parallel Lives and should thus be understood in light of their 'zetetic moralism'. On the other hand, Plutarch pays much attention to questions of historical criticism, not only in the two biographies but even in the programmatic proem. These two issues, and their mutual relation and interplay, are examined against the background of Plutarch's Platonism (particularly his reception of the Timaeus ). The task which Plutarch has set himself in this pair indeed bears comparison with that of the Demiurge who brought order to chaos. In that sense, Theseus–Romulus can be characterized as a project of 'demiurgic moralism'.

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50

Rowe, Elizabeth Ashman. "Structure and Pattern in Chaucer's Knight's Tale." Florilegium 8, no. 1 (January 1986): 169–86. http://dx.doi.org/10.3138/flor.8.009.

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The Knight's Tale has often been cited as an example of Chaucer's use of "conventional" or formal style, in contrast to the naturalism of the General Prologue. As Charles Muscatine observes, "When Chaucer writes at either end of the scale of values, indeed, his style becomes correspondingly extreme. When he writes at the Knight's end of the scale 'Of storial thyng that toucheth gentillesse,/ And eek moralitee andhoolynesse,' he leans heavily on conventional forms." This formalism is characterized not only by the use of rhetoric and a "high style" of writing but also by the use of a classical setting and the patterns and correspondences found in such Latin epics as the Aeneid and the Thebaid. Chaucer's development of the idea of correspondence between gods and men, for example, yields an ordered, symmetrical set of characters. When this ordering of form is considered alongside the prominent presentation in Theseus' sermon of the order of Nature, it is not much of a leap of interpretation to assume that the Knight's Tale is in some way "about" order. However, when more closely examined, the poem seems to be more "about" disorder than order. Merle Fifield interprets Theseus' sermon in the following way: it counsels "the acceptance of eternal disorder as one of God's works (3057)" and it forbids."the expression of an ethical order in the narrative action of the romance." In fact, layers of disorder and order alternate. The emotional chaos and fruitless conflicts of Arcite and Palamon lead them to be compared to animals (1655-59, 2626-33), but above them is Theseus, who attempts to order the lives of his subjects rationally and whose symmetrical battle arena symbolizes his world view. Above Theseus is the disorder of Olympus, where the gods quarrel and scheme, and above them, if we may believe Theseus (2987 ff.), is the First Mover, stable and eternal.

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