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1

Harold, Bloom. Tim O'Brien's The things they carried. New York: Bloom's Literary Criticism, 2011.

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Harold, Bloom, ed. Tim O'Brien's The things they carried. Philadelphia: Chelsea House Publishers, 2005.

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3

War in Tim O'Brien's The things they carried. Detroit: Greenhaven Press, 2011.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2012.

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6

SuperSummary. Study Guide: The Things They Carried by Tim O'Brien. Independently Published, 2019.

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7

Bloom, Harold. Tim O'Brien's The Things They Carried. Chelsea House Publications, 2004.

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8

Wiener, Gary. War in Tim o'Brien's the Things They Carried. Greenhaven Publishing LLC, 2011.

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9

Gale, Cengage Learning. A Study Guide for Tim O'Brien's Things They Carried. Gale, Study Guides, 2017.

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Hero, Course. Study Guide for Tim o'Brien's the Things They Carried. Independently Published, 2021.

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11

Books, Worth. Summary and Analysis of the Things They Carried: Based on the Book by Tim O'Brien. Worth Books, 2017.

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12

Tim O'Brien: The Things He Carries and the Stories He Tells. Taylor & Francis Group, 2018.

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Herzog, Tobey C. Tim O'Brien: The Things He Carries and the Stories He Tells. Taylor & Francis Group, 2018.

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14

Herzog, Tobey C. Tim O'Brien: The Things He Carries and the Stories He Tells. Taylor & Francis Group, 2018.

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15

Fear and Courage in Tim O'Brien's if I Die in a Combat Zone, Going AfterCacciato, and the Things They Carried. Storming Media, 1998.

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16

Mariani, Giorgio. War, Fiction, and Truth. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039751.003.0008.

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This chapter examines the correlation between the Vietnam War and literary postmodernism in Tim O'Brien's “How to Tell a True War Story,” one of the short stories in the collection The Things They Carried. It considers the main structural weakness in O'Brien's narrative utopia as well as the paradoxes of war in the story. It shows how O'Brien's search for “truth” allows him to explore in a meandering though compelling way many of the rhetorical and moral dilemmas of the would-be anti-war writer. It argues that the story occupies an uncomfortable position between a postmodernist uneasiness with “truth,” on the one hand, and a rational commitment to rules for distinguishing between truth and falsehood, on the other. It suggests that O'Brien's imagination is a cognitive resource and, therefore, ultimately a political tool capable of unveiling the cowardice hidden behind what many call heroism, as well as the way even love can feed the monster of war.
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Short Stories for Students: Presenting Analysis, Context & Criticism on Commonly Studied Short Stories. Gale Research Inc, 2016.

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Beidler, Philip. The Vietnam War, American Remembering, and the Measure of Sacrifice, Fifty Years On. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198806516.003.0014.

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Fifty years on, the American experience of the Vietnam War seems suspended between ancient history and rapidly fading cultural memory; or perhaps consigned to the vicissitudes of that habit of negotiating between history (what happened) and memory (how it is retrospectively mythologized). This chapter considers Vietnam War writings, including Michael Herr’s Dispatches (1977), and Tim O’Brien’s The Things They Carried (1990), as well as popular music and films such as Oliver Stone’s Platoon (1986) and Robert Zemeckis’ Forrest Gump (1994), in relation to the cultural lineage of those negotiations between history and memory. It considers literary engagements with more recent wars—such as Kevin Powers’ Iraq war novel Yellow Birds (2012)—that hark back to the Vietnam War. In discussing the war’s mythologizations and commemorations across history, the chapter explores the extent to which the Vietnam War has been seen to involve sacrifices that are politically and culturally redemptive.
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