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Books on the topic 'Third World cinema'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Maury, Robin Diana, and Jaffe Ira 1943-, eds. Redirecting the gaze: Gender, theory, and cinema in the Third World. State University of New York Press, 1999.

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2

Assaf, Flávia Celeste Martini. Boi de prata: A estreia do sertão do Seridó no cinema terceiro-mundista. Flor do Sal, 2018.

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3

Bishnupriya, Ghosh, and Bose Brinda, eds. Interventions: Feminist dialogues on Third World women's literature and film. Garland, 1997.

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4

Third Cinema, World Cinema and Marxism. Bloomsbury Publishing Plc, 2020.

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5

Third Cinema, World Cinema and Marxism. Bloomsbury Publishing Plc, 2022.

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6

Shapiro. Third World Cinema (Factfile #10). Amer Film Inst Educ Ser Pubn, 1987.

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7

Third Eye: Struggle for Black and Third World Cinema. GLC Race Equality Unit, 1986.

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8

Eye, Third. Struggle for Black and Third World cinema. GLC Race Equality Unit, 1986.

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9

(Editor), Diana Robin, and Ira Jaffe (Editor), eds. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World (Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 1998.

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10

(Editor), Diana Robin, and Ira Jaffe (Editor), eds. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World (Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 1998.

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11

Over, William. Social Justice in World Cinema and Theatre (Civic Discourse for the Third Millennium). Ablex Publishing, 2001.

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12

Social Justice in World Cinema and Theatre (Civic Discourse for the Third Millennium). Ablex Publishing, 2001.

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13

Djagalov, Rossen. From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds. McGill-Queen's University Press, 2020.

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14

From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds. McGill-Queen's University Press, 2020.

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15

MacDonald, Scott. Comprehending Cinema. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197758755.001.0001.

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Abstract Comprehending Cinema: Panoramic Audiovisioning, the third book in Scott MacDonald's "Avant-Doc" trilogy (with Avant-Doc: Intersections of Documentary and Avant-Garde Cinema, 2015; and The Sublimity of Document: Cinema as Diorama, 2019) is a collection of 15 in-depth interviews and 3 essays. Central themes include modern uses of the cinematic archive and varieties of filmmaker collaboration. Interviewees include Su Friedrich, Guy Maddin and Evan and Galen Johnson, poet John Ashbery, Tadhg O'Sullivan, Jennifer West, Penny Lane, Dean Fleischer Camp, Daniel Lindsay/TJ Martin, Jennifer And

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16

Stokes, Lisa Odham, and Rachel Braaten. Historical Dictionary of Hong Kong Cinema. 2nd ed. The Rowman & Littlefield Publishing Group, Inc., 2020. https://doi.org/10.5040/9798881822279.

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Hong Kong cinema began attracting international attention in the 1980s. By the early 1990s, Hong Kong had become "Hollywood East" as its film industry rose to first in the world in per capita production, was ranked second to the United States in the number of films it exported, and stood third in the world in the number of films produced per year behind the United States and India. This second edition of Historical Dictionary of Hong Kong Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, prod

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17

O'Sullivan, Sean. Interview with Mike Leigh. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036385.003.0002.

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This chapter presents a distillation of a series of interviews conducted by the author. Two of these took place in London in July 2004; the third took place in New York City in October 2004. Topics discussed in these interviews include Mike Leigh's views about generations of film movements based in certain countries, such as Italian cinema during and after World War II, or German cinema in the twenties; three clear clusters in British cinema; whether he has ever felt the urge to be more literal about being a northern filmmaker; how he turns improvisations into a story; how the visual, or cinem

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18

Ghosh, Bishnupriya, and Brinda Bose. Interventions: Feminist Dialogues on Third World Women's Literature and Film. Taylor & Francis Group, 2019.

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19

Ghosh, Bishnupriya, and Brinda Bose. Interventions: Feminist Dialogues on Third World Women's Literature and Film. Taylor & Francis Group, 2019.

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20

Devereaux, Michelle. The Stillness of Solitude. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474446044.001.0001.

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The Stillness of Solitude explores the Romantic connections between a selection of seven films from contemporary American filmmakers Sofia Coppola, Wes Anderson, Spike Jonze, and Charlie Kaufman. Linking the current socio-cultural moment, which has been described as ‘metamodern’, to the Romantic era, it describes how the Romantic relation to selfhood, intersubjectivity, and ‘being in the world’ informs the films studied. The first section of the book lays out the aesthetic argument, the second describes the role of imagination and emotion in creating that aesthetic, and the third explores narr

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21

Storers, Colin. A Short History of the Weimar Republic. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350175792.

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It is impossible to understand the history of modern Europe without some knowledge of the Weimar Republic. The brief fourteen-year period of democracy between the Treaty of Versailles and the advent of the Third Reich was marked by unstable government, economic crisis and hyperinflation and the rise of extremist political movements. At the same time, however, a vibrant cultural scene flourished, which continues to influence the international art world through the aesthetics of Expressionism and the Bauhaus movement. In the fields of art, literature, theatre, cinema, music and architecture – no

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22

Stanton, Edward F. Culture and Customs of Spain. Greenwood Publishing Group, Inc., 2002. http://dx.doi.org/10.5040/9798400635786.

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Modern Spain is a revelation in this up-to-date overview. Stanton vibrantly describes the startling variety of landscape, people, and culture that make up Spain today. Included are a context chapter and others on religion, customs, media, cinema, literature, performing arts, and visual arts. Students of Spanish and a general audience will be rewarded with engrossing insights into what writer Ernest Hemingway called the very best country of all. Spain is a modern European nation, yet Spaniards are fiercely tied to their individual towns and regions—with their distinct social customs, dialects o

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23

Muzyczuk, Daniel. Discontinuities and Resynchronisations. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0007.

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This chapter explores three distinct attempts in Polish film history to use the medium for research into synaesthesia. The first can be found in the films of Franciszka and Stefan Themerson made before the Second World War and after their emigration to Great Britain. Their experimental attitude is exposed through analysis of their work from 1944 entitled The Eye and the Ear. Second, the Experimental Studio of Polish Radio, established in the wake of Stalinism, became an important space where new approaches into investigating of the sound and vision relationship could develop. Primarily oriente

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24

Waddell, Calum. Cannibal Holocaust. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781911325116.001.0001.

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This book is one of the most controversial horror films ever made. Despite not achieving huge success when it was first released, the Italian production found an audience on home video in the 1980s and became a 'must-see' for connoisseurs of extreme cinema. Indeed, Cannibal Holocaust's foremost legacy is in the United Kingdom, where it obtained its reputation as one of the most harrowing and offensive 'video nasties' — a term used to refer to a group of films deemed to be 'obscene' by the Department of Public Prosecutions. However, as the years have progressed, Cannibal Holocaust has been re-e

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25

Matheou, Demetrios. Mean Streets. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781839022982.

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Mean Streets was Martin Scorsese’s third feature film, and the one that confirmed him as a major new talent. On its premiere at the New York Film Festival in 1973, the critic Pauline Kael hailed the film as ‘a true original of our period, a triumph of personal film-making’. The tale of combative friends and small-time crooks is set amid the bars, pool halls, tenements and streets of Manhattan’s Little Italy. Scorsese has said of his childhood neighbourhood, ‘its very texture was interwoven with organised crime’, and this quality would dramatically inform the tone and restless energy of his sem

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