Dissertations / Theses: 'This'

1

Deinhardt, Pia. "This Stage." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1394719256.

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Johnson, Harris A. "THIS/THAT." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3820.

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In this expository thesis, I will attempt to clarify my fragmentary interests and pursuits within the realm of my painting practice, interest in Expressionism, experimentation, autobiography, and art history. I will contextualize early work and my formal experimentation in graduate school as a narrative link to my most recent paintings, concluding with discussions of the work I presented for the graduate thesis exhibition.

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Blake, Abbey. "This land." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6707.

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Baker, Darren J. "This Is A Book. This Is Not A Book." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1338488124.

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Sturgeon, Shawn (Shawn Jay). "This Sad Kingdom." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500904/.

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Dittemore, Carl Fenn. "This man Murdock." Thesis, Wichita State University, 2012. http://hdl.handle.net/10057/5526.

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Marshall Mortimer Murdock was one of the most compelling and controversial figures in all of Kansas history. Best known perhaps for establishing the Wichita Eagle in 1872, a newspaper whose primary business it was—as it was in fact for so many newspapers of its time—to ‘boost’ the city which carried its name, Murdock was in fact a newspaper man, a booster, first and foremost. Marshall Murdock, however, was more than just a “master town-builder,” as his friend and colleague, David Leahy, once remarked. Murdock was both essential to and responsible for Wichita’s early successes, and by extension, its near demise and consequent rebuilding in the boom to bust days of the 1880s. Marshall Murdock’s high profile, high powered, and highly charged editorial style was but a microcosm of the man himself. In a life, which embraced his role as Soldier, Statesman, Politician, Printer, Murdock was an archetype of the Gilded Age; he remained unabashedly conservative in politics and principle and sought to encourage always and compel as necessary others in his orbit to champion this same world view. Murdock was to the end of his days a true believer in both the Wichita he knew and the Wichita he envisioned. This was Murdock. Thesis (M.A.)--Wichita State University, College of Arts and Sciences, Dept. of History

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DeFiore, Dakota D. "Outside of This." Thesis, Mills College, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1557281.

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Inside the perimeter of Schiefersberg County, Pennsylvania, there are many secrets buried deep within the soil. Generation after generation these roots grow deeper, stronger, and now these small towns and their people have been strangled of their desire to progress. They impose their outdated beliefs and values on their children and grandchildren, and they turn their noses to everyone and everything foreign and new. But 2008 has brought a boom of modern technology and social revolution, leaking progression and liberalism inside this bubble and sparking the interests of Generation Y. Through the stories of five high school graduates, Outside of This brings forth a multi-perspective journey of what it means to discover the personal and the moral behind closed doors in a time of change. What will happens when they leave and go to college? Who will they become outside of this, without each other as a safety net? Death and destruction are blended with acceptance and opportunity as Fiona Ferguson and her circle of friends explore what it means to come of age amongst long lineages of hate and conservatism, and to find the courage to stand against 'history' and create their own.

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Urech, Chelsea. "This Won't Hurt." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/794.

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Jackson, Abigail Naomi. "This man country." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/8368.

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Includes bibliographical references (leaf 123). This collection of short stories explores how ordinary individuals in extraordinary situations negotiate issues of race, gender, sexuality, and longing for home. Set in New York, the Caribbean, and South Africa, they reflect the history and culture of Caribbean immigrants and their children. These stories are meant to entertain and shed light on routinely unexplored areas of human experience: those of women, girls, homosexuals, immigrants, and working class people. The title, This Man Country, refers to how Caribbean people in my grandparents' generation thought of America as "this man country," a place where they would stay temporarily to connect with their children, make money, escape from their lives at home, among other reasons.

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Dickerson, Curtis. "Wage This War." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1408015785.

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Guzzone, Ian Paul. "THIS IS URINETOWN!" Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/199192.

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Theater M.F.A. Urinetown: The Musical is a meta-theatrical musical that addresses issues such as sustainability, corruption, and human intentions. For my design of Urinetown: The Musical, I sought to poetically represent the world of the play without interfering with the story telling. From start to end, this is my process. Temple University--Theses

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Moroz, Melanie. "Occupying this space." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3101.

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Veith, Danielle Syreeta. "This nothing poems /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3257.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2005. Thesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Knowlton, Sarah T. "This woman's work /." [Chico, Calif. : California State University, Chico], 2009. http://csuchico-dspace.calstate.edu/xmlui/handle/10211.4/171.

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Bonar, Jeff. "This Terrible Silence." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3662.

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This Terrible Silence is a collection of nineteen stand-alone stories. The work largely focuses on characters on the fringe of society—alcoholics, gamblers, thieves, liars, cheaters, and loners, who feel trapped or destined to repeat their troubles. In the struggle to break free, either by self-fulfillment or outside interference, these stories showcase the characters’ hearts and wills in the face of often daunting or insurmountable desperation. The stories in this collection are influenced by the work of Raymond Carver, and the Dirty Realism of Larry Brown, Breece DJ Pancake, Jayne Anne Phillips, and others. With minimal exposition, the characters are laid bare with cutting dialogue and active, scenic description. In the title piece, the narrator intends to tell a man vs. nature story of his encounter with a cougar, but quickly dissolves into a battle with his own slipping mental health in the face of a failing relationship. In the first-person point of view, the act of telling the story holds its own exigency for the narrator’s need to understand his or her motives and desires, as is most evident in Carver’s work, such as “Cathedrals.” In theme and style, I’ve sought to put together a collection that might allow readers to find truth and empathy from common, low, sometimes immoral, but largely human characters.

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Roethlisberger, Crystal Lyn. "This is not my funny Valentine. This is the science of sleep." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/588.

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This paper revolves around the idea of the infra-thin, a concept coined by Duchamp, which describes paradoxes and/or phenomena that are not easily defined with words but instead sensed. The infra-thin is illustrated throughout the paper by discussions revolving around scars, bruises, birthmarks, dust, fog, lint, and other similar "things" that are, in some definition of the term, objects. The afore listed entities are used as examples: 1. To initiate a dialogue that starts with Minimalism, bounces back to Duchamp and explains how he influenced the Minimalists, places Warhol in context, describes how Minimalism moved forward from the show at the Jewish Museum, and puts the rest of us working post-1966 in perspective. 2. To begin a conversation about readymades. A readymade being an anonymous, neutral object that we take for face value as "work of art" simply because of an artist's deeming it art. Because it exists as a neutral object, it is seen out of the corner of the viewer's eye, recognized as this anonymous thing that equals art object, and is then forgotten about and only recollected by memory as a readymade as opposed to the object that it resembles. 3. To introduce the idea of attempting to explain through language paradoxes that are sensed and/or attached directly to memory. I start with readymade but then there are other things. Bruises, scars, birthmarks are a few examples. Others include fog, dust, fuzz. Still others are shadows and stains. A few more are vapor and evanescence. Also, things inherently human, like emotion.

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Zoellner, Tom. "This is the Place." Thesis, Dartmouth College, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10184276.

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Anglo, Latino and indigenous cultures in the American Southwest have a tendency to mark or commemorate the spots where a person has died, either through oral legend or an actual physical marker. I have long been fascinated with the ceremonial aspects of this tradition and the particular psychological motivations for marking the scene of a violent passage. The problem took on a new dimension for me in an unexpected way in April of 2001 when I was working as a newspaper reporter at The Arizona Republic. An unhappy husband named Robert Fisher killed his wife and two children and then disappeared. His truck was found parked in a spot in a National Forest not far from a wilderness are called Hells Gate. The FBI considers him still a fugitive, but I was always convinced that he killed himself in those woods. And hence the fundamental problem of how one acknowledges the spot where a person has died when that spot cannot be located, and may not even exist. This thesis is an attempt to draw literary value from the gap in between these two very different mysteries: where did Robert Fisher go, and why do human beings feel a strange attachment to the places where human being were "last seen" in corporeal form. I made multiple trips to the National Forest near where Fisher was last seen, as well as two separate journeys into the Hells Gate wilderness itself, and wrote down my thoughts about the problem. I explored the tradition of erecting roadside crosses and other, more secular, forms of veneration at the spots of human disappearance. I cannot claim to have found any revolutionary insights on a question that tugs at one of the central mysteries of our existence - a simple question usually first asked in childhood: "what happened when we die" - but I have concluded that the asking of the question and the pilgrimages to these sites where, as I put it, "the where meets the nowhere", is one was of putting concrete expression to the ungraspable.

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Anderson, Barbara L. "Give Us This Day." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/831.

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GIVE US THIS DAY is a collection of poetry grounded in the lyrical tradition that speaks to the conflicting need for structure and the inherent desire to be free. It focuses on those moments of rupture, when the structure, whether physical, emotional, psychological or political, is broken. The title poem sets the tone for the collection, capturing the idea that today is all one can truly know. Throughout the five sections of the collection, one comes to understand a complex family story, where right and wrong is blurred in the reality of existence. The sections, representing various parts of the day, are a parallel to the individual stories, speaking to the idea that a single day contains both times of light and darkness, similar to a life. The collection takes place in several cityscapes from Moscow to Delhi, Washington, D.C. to Miami. There are correlations drawn between familial settings and political unrest and tension. Often the political atmosphere is alluded to and drawn into context through the use of intimate personal vignettes. In contrast to the urban noise, there is pervasive natural imagery of gardens and tropical locales which mimic the physical life cycle, climaxing in the blossom.

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Macomber, Debbie. "This matter of marriage /." Richmond, Surrey : Mira Books, 1997. http://web4.library.adelaide.edu.au/theses/09EC/09eca377.pdf.

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Sacristian, Pablo. "Here, You Need This." Thesis, Kungl. Konsthögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-46.

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A modular bookcase designed and made as my Master essay at the Royal Institute of Art in Stockholm. In the same room where it was exhibited as part of Shameful Gambit, there is also a donation letter to the school, so the work can be used as a container or the other Master Essays. There is also a text submitted along with the bookcase, so the formed part of the essay can be read and contextualized. [I examensarbetet ingår utställningen "Shameful gambit":] This exhibition responds to the institutional and bureaucratic context and the immediate exhibiting environment. Starting from questioning the conditions under exhibiting in public, Shameful Gambit addresses the regulations and bureaucracy behind art education. Material: Steel, plexiglas, vinyl, lights. MDF, steel, plenty of labor. A4 paper. Teknik: Installation Mått: Variable dimensions My exam consists both a formed/written essay part and a formed/interpreted part.

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Waudby, Tara S. "Please Inside-Out This." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1952.

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Through poetry of witness, this thesis explores the idea of truth as perception. The poems explore the themes of family, expatriate life, and identity in order to give voice to an alternate perspective.

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Silcock, Sabira. "Can you Handle this?" Thesis, Konstfack, Ädellab, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6334.

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Over the course of a day we meet countless materials and objects but rarely consider these surfaces of negotiation within the everyday environment. If we consider gestures as a language, then the actions we perform and the surfaces we encounter result in conversations with our surroundings. Where body meets details inside architecture, the commonplace ritual occurs. I will discuss the importance of touch in response to my finished work in Can you Handle this? but also during the making process.

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Frank, Sheldon Michael. "Is this trip necessary?" FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/3412.

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IS THIS TRIP NECESSARY? is a collection of narrative poems portraying journeys. Section I focuses on the speaker's grandfather's journey from Lithuania to Ohio and on the speaker's Cleveland childhood. In Section II, an adult speaker, a psychiatrist, portrays the inner journeys of his patients and his own psychological development. Section III is a coming of age account of worldwide travel. Section IV explores the home the speaker finds in Florida, and its connections to the world. Literary sources for this book include Chaucer and Shakespeare's depictions of journeys and a sense of culture, profession, and place. Whitman expressed American dynamism, pride, and break with tradition. Several contemporary poets deal with migration, inner journeys, and/or health including the writer-healers Richard Berlin, Rafael Campo, and Cortney Davis. Poetic forms used in this book include sonnets, a double sonnet crown, sestinas, prose poems, list poems, abecedarians, haikus, and originally structured verse.

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Bohanan, Ronal L. ""This Fundamental Lack": Stories." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862808/.

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This short story collection includes five original works of fiction, three of which make up a trilogy titled "The World Drops Beneath You," which follows the life of James McClellan from 1969 in Texas until roughly 2009, when he is struggling to care for his wife, who suffers from Alzheimer's disease. One of the two remaining stories, "She Loved Him When He Looked Like Elvis," prominently features James McClellan's parents and is set approximately eight years before the start of the trilogy. Each of the stories is concerned with blue-collar families trying to make their way in postindustrial America and the forces that buffet them, including some brought on by the choices they make.

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Leonard, Jenny. "This mountain of clouds." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12499.

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Brannon, Garvice M. "This Fistful of Quiet." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245293241.

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Cobb, Judith. "This is a Test." Antioch University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1505887646434589.

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Rodenberg, Joshua Isaiah. "I Built This City." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1001.

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I have been overwhelmed by curiosity, a curiosity that is keeping my desire to make valid. I have an endless infatuation with growth and constructing. My aim is to juxtapose an academic and a "rudimentary" approach that will set up contradictions in which traditional woodworkers may find irreverence towards.

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Eidlin, Barbara. "This morning, without you /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1456294771&sid=8&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Honeycutt, Scott. "This Diet of Flesh." Digital Commons @ East Tennessee State University, 2016. https://www.amzn.com/1944251642.

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Adigweme, Alea. "This is the thing." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/4557.

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Hochhalter, Elise. "Neither this, nor that." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6135.

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James, Micah Ariel. "This is not a war play | This is a war play (A meditation)." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4652.

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There was Vietnam in books. And this war and that war. And is war just? And is justice fair? And is there poetry there? Anywhere? In pockets, around certain corners? On buses? In gardens? On Sundays? And there where? And there why? And says who? And--we should talk about it more. Why don't we talk about war?

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Gamoran, Jesse. "“I had this dream, this desire, this vision of 35 years – to see it all once more...”The Munich Visiting Program, 1960-1972." Oberlin College Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1483517620887328.

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Coll, Allyson, and n/a. "This is not a thesis." University of Canberra. Professional & Community Education, 1998. http://erl.canberra.edu.au./public/adt-AUC20060629.110043.

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I should like to have completed this process by having this project bound so that it read from right to left instead of the traditional manner in which we have learnt and been taught to read. In partaking of such an activity, it would have been my purpose and intention to share with you my sense of physical discomfort that has situated itself beside me at various stages from the on-set of my research. Because I believe in this process, I have decided to follow a traditional approach, and as you can see it reads as it should from left to right. In the introductory phase of this study, I assert quite unequivocally that this is not a thesis. Instead I promote this as a prolegomena; an interlocutory prolusion. But don't be deceived! This is very much a thesis. It has been researched according to guidelines, formatted according to specifications and ethically undertaken. I want you to believe that it is a thesis. Partially because I have pursued this research in a very serious manner and also because no matter how much we try to avoid becoming enmeshed in a system, ultimately we find that we are. Three years ago I embarked on a quest. At this time, I proposed that I would undertake a study on the Historical Understandings of passion throughout the Western World. This idea came to a sudden and dramatic halt, through the encountering of what I should like to refer to as a series of problems. In order to do justice to my subject, I decided to write about these obstacles, a decision that I hoped would lead me back to my original statement of intent, following their reconciliation. It is Michel Foucault, that I credit with the title for this thesis. After reading his book entitled "This Is Not A Pipe" (1982) I felt a certain sense of inspiration and ethical obligation that I considered worth taking the risk for. Due to no longer writing a thesis on passion, I decided that this could not be called a thesis. It could only be an introduction to my thesis that would speak about why it had become impossible for me to pursue my thesis at this stage. The other reason that this carries the title of this is not a thesis, surrounds my favouring the post-modern over any other position that I have inquired about. This prolusion involves a discussion surrounding many of the problematics associated with my research processes. These include extensively looking at existing methodologies available when undertaking research today. Adjunct to the illumination of these problems, I look at literary disruptions; my penchant for knowledge and my naive aspirations which all contributed to thwarting my journey into completing an adequate study on passion. Included in this prolegomena, are two diagrammatic representations of passion. The first seeks to re-inscribe through re-presenting passion away from its traditional juxtaposition with love or sexual gratification. It re-presents passion as a polyvalent movement that is vastly more complicated than that to which we have come to believe in through out the centuries. Accompanying this depiction, are the traditional notions of passion. This is based on the works of authors such as Aquinas, Daly, Cicero and McLellan. In the conclusion of this prolusion, I suggest that there is a need to re-write a new methodology. One that transcends our current juncture that promotes stances belonging to foundationalism, anti-foundationalism and non-foundationalism. It is my ardent belief, that this is a necessary course of action and will enable the subject of passion to be spoken to as never before.

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Starnino, Carmine. "What do you call this?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59252.pdf.

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Gudelewicz, Ania N. "What time is this place?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ63519.pdf.

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Webber, Clayton James. "This Piece is a Coverup." The University of Montana, 2008. http://etd.lib.umt.edu/theses/available/etd-05302008-151003/.

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Duarte, Carlise Scalamato. "Coreografias audiovisuais : this is it." Universidade do Vale do Rio do Sinos, 2010. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2659.

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Made available in DSpace on 2015-03-05T18:25:55Z (GMT). No. of bitstreams: 0 Previous issue date: 22 Coordenação de Aperfeiçoamento de Pessoal de Nível Superior Esta pesquisa investiga como a coreografia se constitui nas mídias audiovisuais a partir de procedimentos técnico-estéticos. Para responder a esta problemática foi realizado um estudo de caso do filme Michael Jackson- This is it, considerando os elementos que caracterizam o movimento nas imagens: luz, som e corpos; e os elementos da imagem: movimentos de câmera, montagem e edição. Tais elementos, ao serem combinados, produzem sentidos estéticos de movimento ritmado, percebidos aqui como coreografias audiovisuais. Com objetivos de propor o conceito de coreografias audiovisuais; identificar e caracterizar os elementos que constituem a coreografia audiovisual; descrever como se constitui a coreografia audiovisual nas mídias e como as coreografias audiovisuais no filme This is It atualizam o show em devir, esta pesquisa adotou como procedimentos metodológicos: pesquisa exploratória, revisão bibliográfica, estudo de caso, dissecação e análise fílmica. A partir da pesquisa concluiu-se que o filme This is it é um ca The aim of this research is to investigate how choreography constitutes in the audiovisual Medias from technical-aesthetical proceedings. To answer this question it was realized a case study of the movie Michael Jackson - This is it, considering the elements which characterized the movement of the images: light, sound and bodies; as well as the elements of the image: camera movements, editing, and edition. Such elements, when combined, produce aesthetical rhythm movement senses, viewed here as audiovisual choreographies. It aims to present the concept of audiovisual choreography; identify and characterize the elements which constitute audiovisual choreography; describe how it is formed in medias and how audiovisual choreographies of the movie This is It bring up to date the show coming to be. This research adopted as methodological proceedings: explanatory research, bibliographical revision, case study, dissection and filmic analyses. From this research it can be concluded that the movie This is it is a typic

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Gabriel, Melia. "This Is How It Ends." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/792.

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Sparks, Brittany. "This is Not a Pipe." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3777.

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The artist discusses her Master of Fine Arts exhibition, This is Not a Pipe, held at the Tipton Gallery in downtown Johnson City. Exhibition dates are from February 20 through February 28, 2020. The author provides insight into concepts and influences relating to the creation of the exhibition while offering a succinct perspective on her intimate connection with process.

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Bober, Nicholas Bradburn. "This Creature, Bride of Christ." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28395/.

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This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the Max/MSP environment. The work is a setting of excerpts from The Book of Margery Kempe, an early autobiographical manuscript depicting the life of a Christian mystic. The thesis discusses the historical, sociological, and musical context of the text and its musical setting; the use of borrowed materials from music of John Dunstable, Richard Wagner, and the tradition of change ringing; and the technologies used to realize the computer accompaniment. A score of the work is also included in the appendix.

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Green, Michael. "Where do I put this?" The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328807243.

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Dawson, Evan Christopher. "This Is The Only Way." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339788946.

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Cobb, Judith. "this is an OhioLINK test." John Carroll University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=jcu1542800333735633.

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Chen, Joy Grace E. "Please Excuse This Appetite: Essays." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594227286532796.

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Faust, Katelyn. "This is Fun: A Memoir." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1705.

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My mom sent me a picture after the last competitive game of soccer I will ever play. The picture is slightly blurry, the kind of blurry that results when the camera focuses on the background rather than the subject. You can make out the figure of a five or six year old, a soccer ball under her right arm, with what looks like a bagel firmly gripped in the other. It’s recognizably me in the picture, as my hairstyle hasn’t changed that much since I was six, maybe a little longer and blonder but otherwise the same. I’m pretty sure the T-shirt I’m wearing is from the first soccer team I ever played on. We were called the Golden Eagles, a majestic name for a group of six year olds. There’s a contorted expression on my face. I can only guess the cause. On one hand, the expression might mean I-don’t-want-my-picture-taken, directed at my Dad, who is probably behind the camera. The other possibility, the more likely one, is that I am trying to hold back tears. If someone else were to see the picture they might not see it. But I know that face too well, primarily because it feels as if my entire soccer career were consumed by trying to hold back those tears.

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48

Olenslager, Josh D. "In houses like this one." Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1654488231&sid=2&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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McCoy, M. J. "Would You Publish This Photograph?" Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292240.

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Zanger, Maggy. "What Makes This Mildew Unique." College of Agriculture, University of Arizona (Tucson, AZ), 1991. http://hdl.handle.net/10150/295687.

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