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Relevant bibliographies by topics / Thomas Dekker

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Academic literature on the topic 'Thomas Dekker'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Thomas Dekker"

1

Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." English Text Construction 6, no. 1 (2013): 134–57. http://dx.doi.org/10.1075/etc.6.1.07aue.

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The English playwright Thomas Dekker belonged to a generation of dramatists, along with Shakespeare and Jonson, who, particularly in comedy, discriminated their characters through lexical and stylistic choices. This new conception of the dramatic character is well illustrated in Dekker’s play The Shoemaker’s Holiday (1600). Written and produced in London at a time when the city attracted many migrants from all over England and Wales as well as the European continent, the speech of the characters created by Dekker represents different social groups as well as nationalities. This paper seeks to

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2

Sophia Li, Chi-fang. "Thomas Dekker Revealed in the Henslowe–Alleyn Papers." New Theatre Quarterly 34, no. 1 (2018): 16–34. http://dx.doi.org/10.1017/s0266464x17000653.

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In current scholarship the obscurity of the early years of Thomas Dekker is akin to his opacity in Philip Henslowe's Diary, which awaits full analytical interpretation. While the Diary usefully tells us about Henslowe's theatre business, it also imparts interwoven stories about many playwrights whose works are being rigorously tested in today's theatres. In this essay Chi-fang Sophia Li offers a theatre-based critique of the early life of Dekker, when, she argues, he quickly became a ‘fully paid-up member’ of the theatrical community. Thus his theatrical strengths, productive potential, writin

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3

Taylor, Gary. "Thomas Middleton, Thomas Dekker, and "The Bloody Banquet"." Papers of the Bibliographical Society of America 94, no. 2 (2000): 197–233. http://dx.doi.org/10.1086/pbsa.94.2.24304346.

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Stanivukovic, Goran. "Dekker, Thomas. Old Fortunatus. Ed. David McInnis." Renaissance and Reformation 43, no. 2 (2020): 369–71. http://dx.doi.org/10.33137/rr.v43i2.34847.

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5

James, Katherine, Larry S. Champion, and R. M. Cornelius. "Thomas Dekker and the Traditions of English Drama." South Atlantic Review 52, no. 1 (1987): 122. http://dx.doi.org/10.2307/3200008.

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Murphy, D. N. "Look Up and See Wonders and Thomas Dekker." Notes and Queries 59, no. 1 (2012): 101–4. http://dx.doi.org/10.1093/notesj/gjr267.

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7

Rubright, Marjorie. "Transgender Capacity in Thomas Dekker and Thomas Middleton's The Roaring Girl (1611)." Journal for Early Modern Cultural Studies 19, no. 4 (2019): 45–74. http://dx.doi.org/10.1353/jem.2019.0037.

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8

Bayer, Mark. "Staging Foxe at the Fortune and the Red Bull." Renaissance and Reformation 39, no. 1 (2003): 61–94. http://dx.doi.org/10.33137/rr.v39i1.8880.

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Cet article considère jusqu’à quel point deux pièces de théâtre jacobéennes, If You Know Not Me, You Know Nobody (1604), par Thomas Heywood, et The Whore of Babylon (1606), par Thomas Dekker, promouvaient l’éducation religieuse et le zèle protestant des spectateurs londoniens de la classe populaire après la Réforme pas encore achevée. Pour ce faire, elles disséminaient des histoires choisies aussi bien que l’idéologie du livre hautement significatif de John Foxe, Acts and Monuments (dit The Book of Martyrs), à un public plus large que celui que l’auteur lui-même avait visé.

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9

Stachniewski, John, and Julia Gasper. "The Dragon and the Dove: The Plays of Thomas Dekker." Yearbook of English Studies 23 (1993): 333. http://dx.doi.org/10.2307/3508009.

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10

Hart, Maria. "The theatrical adaptation of Merry More." Moreana 55 (Number 210), no. 2 (2018): 168–83. http://dx.doi.org/10.3366/more.2018.0041.

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The early modern play Sir Thomas More, written by Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare, takes an ecumenical viewpoint of the play's Catholic hero in order to conform to the expectations of the Master of the Revels and to appeal to a cross-confessional audience. The playwrights carefully construct the play within the confines of censorship by centering the play's action around More's dynamic personality instead of giving a full exposition of historical plot. More's personality and famous wit function together as a means for diverting attention aw

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Dissertations / Theses on the topic "Thomas Dekker"

1

Gasper, Julia. "The Protestant plays of Thomas Dekker." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279406.

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2

Li, Chi-fang Sophia. "Thomas Dekker and Chaucerian re-imaginings." Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/1091/.

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This study aims to offer a new literary biography of Thomas Dekker (c. 1572-1632) and demonstrates the ways in which he refashions his principal source, Geoffrey Chaucer. The first chapter considers Dekker in both literary and theatre histories, situating him amongst his collaborators: Anthony Munday, Henry Chettle, Michael Drayton, Thomas Middleton, and John Webster. This chapter also aims to re-evaluate Dekker’s achievement in history, starting from Dekker’s presence in Henslowe’s Diary, his ‘part’ in the War of the Theatres, his theatre writing, followed by his observations of London writte

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3

Hann, Yvonne D. "Money talks : economics, discourse and identity in three Renaissance comedies /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/MQ36130.pdf.

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Hasler, Rebecca Louise. "Profitability and play in urban satirical pamphlets, 1575-1625." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/12277.

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This thesis reconstructs the genre of urban satirical pamphleteering. It contends that the pamphlets of Robert Greene, Thomas Nashe, Thomas Dekker, Thomas Middleton, and Barnaby Rich are stylistically and generically akin. Writing in a relatively undefined form, these pamphleteers share an interest in describing contemporary London, and employ an experimental style characterised by its satirical energy. In addition, they negotiate a series of tensions between profitability and play. In the early modern period, ‘profit' was variously conceived as financial, moral, or rooted in public service. P

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5

Kennedy, Colleen Elizabeth. "Comparisons Are Odorous: The Early Modern English Olfactory and Literary Imagination." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437648106.

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Green, Shawna Jo. "Outwitting and out working: female representation in Thomas Dekker's The Shoemaker's Holiday." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399884845.

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7

Manvich, Jennifer Harley. "Hearing Margery Eyre: Devising Strategies to Overcome Central 'Auditory Processing Deficit in Rehearsal and Performance of Thomas Dekker's The Shoemaker's Holiday." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392816405.

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Meier, Jeremy. "Discovery and Disguise: An Analysis of the Rehearsal and Performance for the Character of Roland Lacy in Thomas Dekker's Play, The Shoemaker's Holiday." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392916790.

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Van, Note Beverly Marshall. "Performing Women’s Speech in Early Modern Drama: Troubling Silence, Complicating Voice." Thesis, 2010. http://hdl.handle.net/1969.1/ETD-TAMU-2010-08-8327.

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This dissertation attempts to fill a void in early modern English drama studies by offering an in-depth, cross-gendered comparative study emphasizing representations of women’s discursive agency. Such an examination contributes to the continuing critical discussion regarding the nature and extent of women’s potential agency as speakers and writers in the period and also to recent attempts to integrate the few surviving dramas by women into the larger, male-dominated dramatic tradition. Because statements about the nature of women’s speech in the period were overwhelmingly male, I begin by esta

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LIN, PO-HAO, and 林柏豪. "The Social Instability and Spatialities in Thomas Dekker’s and Thomas Middleton’s Jacobean City Comedies." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/x3baz5.

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碩士<br>國立中山大學<br>外國語文學系研究所<br>106<br>The thesis interrogates the social instability and spatialities by investigating Thomas Dekker’s and Thomas Middleton’s Jacobean city comedies. City Comedy as a popular genre can be viewed as the miniature of the society in the early seventeenth-century Jacobean England. As Londoners, Thomas Dekker and Thomas Middleton observe the change of the city and satirize it in their plays. The decline of morality and the rearrangement of different social spaces in various classes, occupations, and genders are dramatically presented. Dekker and Middleton not only ente

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Books on the topic "Thomas Dekker"

1

Thomas Dekker and the traditions of English drama. P. Lang, 1985.

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2

The dragon and the dove: The plays of Thomas Dekker. Clarendon Press, 1990.

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3

The mysterious connection between Thomas Nashe, Thomas Dekker, and T. M.: An English Renaissance deception? Cambridge Scholars Publishing, 2012.

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4

Wells, Stanley W. Shakespeare and co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the other players in his story. Vintage Books, 2008.

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5

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the other players in his story. Allen Lane, 2006.

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Shakespeare and co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the other players in his story. Pantheon Books, 2007.

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7

Productions, Pro. The witch of Edmonton: a known true story by William Rowley, Thomas Dekker and John Ford. Pro Productions, 1992.

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8

Thomas, Dekker. Old Fortunatus: Thomas Dekker's The pleasant comedy of Old Fortunatus. Colonial Press, 1988.

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9

Tselfe, Penelope. A selective, partially annotated bibliography of works on city comedy in its social context: With particular reference to Thomas Dekker's "The Shoemaker's Holiday". typescript, 1992.

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10

Correll, Barbara. The end of conduct: Grobianus and the Renaissance text of the subject. Cornell University Press, 1996.

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Book chapters on the topic "Thomas Dekker"

1

Baumann, Uwe. "Dekker, Thomas." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8352-1.

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2

Loomba, Ania, and Jonathan Burton. "Thomas Dekker (1572–1632)." In Race in Early Modern England. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607330_64.

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3

Stein, Eckart, and Uwe Baumann. "Dekker, Thomas: The Honest Whore." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8354-1.

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Kluge, Walter, and Brigitte Glaser. "Dekker, Thomas: The Shomakers Holiday, Or The Gentle Craft." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8353-1.

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5

Waldron, Jennifer. "Virgin Martyrs and Sacrificial Sovereigns: Thomas Dekker’s Politic Bodies." In Reformations of the Body. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137313126_7.

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6

Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." In Multilingualism in the Drama of Shakespeare and his Contemporaries. John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/bct.73.07aue.

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7

Deng, Stephen. "Foreign Coins and Domestic Exclusion in Thomas Dekker’s The Shoemaker’s Holiday." In Coinage and State Formation in Early Modern English Literature. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118249_7.

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8

"Thomas Dekker, The Guls Horne-booke." In The History of the English Language. Routledge, 2014. http://dx.doi.org/10.4324/9781315840611-48.

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"Thomas Dekker, Horace untrussed 1601–2." In Jacobean Dramatists, edited by D. H. Craig. Routledge, 2018. http://dx.doi.org/10.4324/9781315888224-66.

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"Thomas Dekker on Jonson’s pedantry 1604." In Jacobean Dramatists, edited by D. H. Craig. Routledge, 2018. http://dx.doi.org/10.4324/9781315888224-71.

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