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1

Thomas Dekker and the traditions of English drama. New York: P. Lang, 1985.

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2

The dragon and the dove: The plays of Thomas Dekker. Oxford [England]: Clarendon Press, 1990.

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3

The mysterious connection between Thomas Nashe, Thomas Dekker, and T. M.: An English Renaissance deception? Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012.

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4

Wells, Stanley W. Shakespeare and co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the other players in his story. New York: Vintage Books, 2008.

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5

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the other players in his story. London: Allen Lane, 2006.

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6

Shakespeare and co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the other players in his story. New York: Pantheon Books, 2007.

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7

Productions, Pro. The witch of Edmonton: a known true story by William Rowley, Thomas Dekker and John Ford. [London]: Pro Productions, 1992.

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8

Thomas, Dekker. Old Fortunatus: Thomas Dekker's The pleasant comedy of Old Fortunatus. Bessemer, AL: Colonial Press, 1988.

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9

Tselfe, Penelope. A selective, partially annotated bibliography of works on city comedy in its social context: With particular reference to Thomas Dekker's "The Shoemaker's Holiday". [s.l.]: typescript, 1992.

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10

Correll, Barbara. The end of conduct: Grobianus and the Renaissance text of the subject. Ithaca, N.Y: Cornell University Press, 1996.

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11

Thomas, Dekker. Thomas Dekker. Kessinger Publishing, 2005.

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12

Dramatic Works of Thomas Dekker. Cambridge University Press, 2009.

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13

Old Fortunatus: By Thomas Dekker. Manchester University Press, 2020.

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14

Dramatic Works of Thomas Dekker. Cambridge University Press, 2009.

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15

Thomas, Dekker. Non-Dramatic Works of Thomas Dekker. Russell&Russell Pub, 2000.

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16

Thomas, Dekker. The Plague Pamphlets of Thomas Dekker. Scholarly Pr, 1994.

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17

1940-, Shepherd Jack, and Rylance Mark, eds. The honest whore by Thomas Dekker (with Thomas Middleton). 1998.

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18

(Editor), Robert Smallwood, and Stanley Wells (Editor), eds. The Shoemaker's Holiday: Thomas Dekker (The Revels Plays). Manchester University Press, 1999.

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19

Champion, Larry S. Thomas Dekker & the Traditions of English Drama (2nd). Peter Lang Pub Inc, 1987.

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20

Bowers, Fredson, Cyrus Hoy, and Thomas Dekker. Dramatic Works of Thomas Dekker: Introductions, Notes and Commentaries. Cambridge University Press, 2009.

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21

Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Taylor & Francis Group, 2014.

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22

Bayman, Anna. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Routledge, 2016. http://dx.doi.org/10.4324/9781315551067.

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23

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. Penguin Books, Limited, 2007.

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24

Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the Other Players in His Story (Vintage). Vintage, 2008.

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25

Wells, Stanley. Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. Pantheon, 2007.

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26

Easterling, Heather. Parsing the City: Jonson, Middleton, Dekker, and City Comedy's London as Language. Taylor & Francis Group, 2014.

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27

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V2: The Honest Whore; The Whore Of Babylon; Westward Hoe. Kessinger Publishing, LLC, 2007.

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28

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V2: The Honest Whore; The Whore Of Babylon; Westward Hoe. Kessinger Publishing, LLC, 2007.

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29

Dekker, Thomas. The Dramatic Works Of Thomas Dekker V4: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2006.

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30

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V3: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2006.

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31

Dekker, Thomas. The Dramatic Works Of Thomas Dekker V3: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2007.

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32

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V2: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2006.

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33

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V1: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2007.

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34

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V2: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2007.

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35

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V4: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2007.

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36

Thomas, Dekker. The Dramatic Works Of Thomas Dekker V1: Now First Collected With Illustrative Notes And A Memoir Of The Author. Kessinger Publishing, LLC, 2006.

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37

Thomas, Dekker. The Dramatic Works of Thomas Dekker: Now First Collected with Illustrative Notes and a Memoir of the Author, Volume 1. Palala Press, 2016.

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38

Wofford, Susanne L. Foreign. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.25.

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This chapter focuses on the importation into English drama of elements that had their roots in European theatre as well as in classical sources and in English imaginations of the ancient past. It shows how this foreign material was absorbed by the plays of Christopher Marlowe, William Shakespeare, Thomas Dekker, Thomas Middleton, and John Marston, becoming fully international even when they appeared to be most local. It also considers several methodological categories for thinking in new ways about the problem of cultural translation that had come to define English theatre by 1600, including the need to recognize what it calls the ‘formal agency’ of the theatre’s many different parts—the tropes, genres, emotions, characters, geographies, and ideas that imported a richly overdetermined set of foreign cultural meanings onto the English stage. Three troping actions that describe the transformations brought about by the foreign on stage are discussed: the foreign as intertext, or trope intertextual; the foreign as intertheatrical, or intertheatrical trope; and translation, or trope intercultural.
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39

Bromley, James M. Clothing and Queer Style in Early Modern English Drama. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867821.001.0001.

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This book examines ‘queer style’ or forms of masculinity grounded in superficiality, inauthenticity, affectation, and the display of the extravagantly clothed body in early modern English city comedies. Queer style destabilizes distinctions between able-bodied and disabled, human and nonhuman, and the past and the present—distinctions that have structured normative ways of thinking about sexuality. Glimpsing the worldmaking potential of queer style, plays by Ben Jonson, George Chapman, Thomas Middleton, and Thomas Dekker imagine alternatives to the prevailing modes of subjectivity, sociability, and eroticism in early modern London. While the characters associated with queer style are situated in a hostile generic and historical context, this book draws on recent work on disability, materiality, and queer temporality to rethink their relationship to those contexts so as to access the utopian possibilities of early modern queer style. These theoretical frameworks also help bring into relief how the attachments and pleasures of early modern sartorial extravagance can estrange us from the epistemologies of sexuality that narrow current thinking about sexuality and its relationship to authenticity, pedagogy, interiority, and privacy.
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40

Cuder, Primavera, and Jesús López-Peláez Casellas, eds. Lust’s Dominion; or, the Lascivious Queen / El dominio de la lujuria, o, la reina lasciva (ca. 1598-1600), by/de Thomas Dekker, John Marston, John Day, William Haughton. Peter Lang D, 2019. http://dx.doi.org/10.3726/b15657.

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41

(Editor), Martin Wiggins, ed. A Woman Killed with Kindness and Other Domestic Plays (Oxford World's Classics). Oxford University Press, USA, 2008.

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