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Journal articles on the topic 'Thomas Dekker'

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Published: 4 June 2021

Last updated: 3 February 2022

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1

Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." English Text Construction 6, no. 1 (2013): 134–57. http://dx.doi.org/10.1075/etc.6.1.07aue.

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The English playwright Thomas Dekker belonged to a generation of dramatists, along with Shakespeare and Jonson, who, particularly in comedy, discriminated their characters through lexical and stylistic choices. This new conception of the dramatic character is well illustrated in Dekker’s play The Shoemaker’s Holiday (1600). Written and produced in London at a time when the city attracted many migrants from all over England and Wales as well as the European continent, the speech of the characters created by Dekker represents different social groups as well as nationalities. This paper seeks to

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2

Sophia Li, Chi-fang. "Thomas Dekker Revealed in the Henslowe–Alleyn Papers." New Theatre Quarterly 34, no. 1 (2018): 16–34. http://dx.doi.org/10.1017/s0266464x17000653.

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In current scholarship the obscurity of the early years of Thomas Dekker is akin to his opacity in Philip Henslowe's Diary, which awaits full analytical interpretation. While the Diary usefully tells us about Henslowe's theatre business, it also imparts interwoven stories about many playwrights whose works are being rigorously tested in today's theatres. In this essay Chi-fang Sophia Li offers a theatre-based critique of the early life of Dekker, when, she argues, he quickly became a ‘fully paid-up member’ of the theatrical community. Thus his theatrical strengths, productive potential, writin

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3

Taylor, Gary. "Thomas Middleton, Thomas Dekker, and "The Bloody Banquet"." Papers of the Bibliographical Society of America 94, no. 2 (2000): 197–233. http://dx.doi.org/10.1086/pbsa.94.2.24304346.

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4

Stanivukovic, Goran. "Dekker, Thomas. Old Fortunatus. Ed. David McInnis." Renaissance and Reformation 43, no. 2 (2020): 369–71. http://dx.doi.org/10.33137/rr.v43i2.34847.

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5

James, Katherine, Larry S. Champion, and R. M. Cornelius. "Thomas Dekker and the Traditions of English Drama." South Atlantic Review 52, no. 1 (1987): 122. http://dx.doi.org/10.2307/3200008.

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6

Murphy, D. N. "Look Up and See Wonders and Thomas Dekker." Notes and Queries 59, no. 1 (2012): 101–4. http://dx.doi.org/10.1093/notesj/gjr267.

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7

Rubright, Marjorie. "Transgender Capacity in Thomas Dekker and Thomas Middleton's The Roaring Girl (1611)." Journal for Early Modern Cultural Studies 19, no. 4 (2019): 45–74. http://dx.doi.org/10.1353/jem.2019.0037.

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8

Bayer, Mark. "Staging Foxe at the Fortune and the Red Bull." Renaissance and Reformation 39, no. 1 (2003): 61–94. http://dx.doi.org/10.33137/rr.v39i1.8880.

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Cet article considère jusqu’à quel point deux pièces de théâtre jacobéennes, If You Know Not Me, You Know Nobody (1604), par Thomas Heywood, et The Whore of Babylon (1606), par Thomas Dekker, promouvaient l’éducation religieuse et le zèle protestant des spectateurs londoniens de la classe populaire après la Réforme pas encore achevée. Pour ce faire, elles disséminaient des histoires choisies aussi bien que l’idéologie du livre hautement significatif de John Foxe, Acts and Monuments (dit The Book of Martyrs), à un public plus large que celui que l’auteur lui-même avait visé.

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9

Stachniewski, John, and Julia Gasper. "The Dragon and the Dove: The Plays of Thomas Dekker." Yearbook of English Studies 23 (1993): 333. http://dx.doi.org/10.2307/3508009.

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10

Hart, Maria. "The theatrical adaptation of Merry More." Moreana 55 (Number 210), no. 2 (2018): 168–83. http://dx.doi.org/10.3366/more.2018.0041.

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The early modern play Sir Thomas More, written by Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare, takes an ecumenical viewpoint of the play's Catholic hero in order to conform to the expectations of the Master of the Revels and to appeal to a cross-confessional audience. The playwrights carefully construct the play within the confines of censorship by centering the play's action around More's dynamic personality instead of giving a full exposition of historical plot. More's personality and famous wit function together as a means for diverting attention aw

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11

Bars Closel, Régis Augustus. "Fictional Remembrances of Sir Thomas More: Part II/II– Early Seventeenth Century." Moreana 53 (Number 205-, no. 3-4 (2016): 143–78. http://dx.doi.org/10.3366/more.2016.53.3-4.10.

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This article focuses on how artistic works such as plays and literature in 16th and 17th-century England dealt with the fictional presence of Sir Thomas More. Among Tudor statesmen, Thomas More had a special appeal as a topic of thought during the Elizabethan–Jacobean period, quite apart from his opposition to the marriage which led to the reign of Queen Elizabeth. The range of works considered covers the Marian, Elizabethan and Jacobean periods. These works compose a heterogeneous and intriguing group in which every piece has its own particular way of remembering Thomas More. Six works are pr

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12

Drouet, Pascale. "Les Rites de passage dans The Belman of London de Thomas Dekker." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 62, no. 1 (2006): 35–49. http://dx.doi.org/10.3406/xvii.2006.2409.

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13

Marino, James J. "Thomas Dekker, Rock Star: “Golden Slumbers,” the Beatles, and the Wages of Authorship." Journal for Early Modern Cultural Studies 15, no. 4 (2015): 1–21. http://dx.doi.org/10.1353/jem.2015.0027.

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14

Fahmy, Hesham. "A Review of “Quality Engineering Handbook“ Thomas Pyzdek Marcel Dekker, 1999, 680 pp." IIE Transactions 33, no. 6 (2001): 531. http://dx.doi.org/10.1080/07408170108936851.

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15

D'Addario, Christopher. "Anna Bayman. Thomas Dekker and the Culture of Pamphleteering in Early Modern London." American Historical Review 120, no. 3 (2015): 1110–11. http://dx.doi.org/10.1093/ahr/120.3.1110.

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16

Classen, Albrecht. "Die Rezeption des deutschenFortunatus in England—Thomas Dekker und seine Dramatisierung des „Volksbuchs”." Neohelicon 21, no. 1 (1994): 289–311. http://dx.doi.org/10.1007/bf02093052.

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17

Fish, Tom. "Bewitching Power: The Virtuosity of Gender in Dekker and Massinger’s The Virgin Martyr." Religions 10, no. 11 (2019): 629. http://dx.doi.org/10.3390/rel10110629.

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This paper considers Thomas Dekker and Philip Massinger’s play The Virgin Martyr (1622) in light of scientific notions of the female body circulating during the period to illustrate how the performance of martyrdom manifested a performance of gender virtuosity, elevating it to the status of the supernatural or divine. Like well-known female martyrs from the period, such as Anne Askew, the protagonist, Dorothea, takes on characteristically male attributes: she assumes the role of the soldier and defies scientific understanding of the female gender by sealing her phlegmatic “leaky” body and exud

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18

Moretti, Thomas J. "Via MediaTheatricality and Religious Fantasy in Thomas Dekker and Philip Massinger’sThe Virgin Martyr(1622)." Renaissance Drama 42, no. 2 (2014): 243–70. http://dx.doi.org/10.1086/678141.

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19

HARRIS., L. N. "Quality by Experimental Design, Thomas B. Barker, Marcel Dekker, 1985. No. of pages: 384." Quality and Reliability Engineering International 2, no. 3 (1986): 217–18. http://dx.doi.org/10.1002/qre.4680020317.

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20

Lucas, Scott. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London, by Anna Bayman." English Historical Review 130, no. 547 (2015): 1549–51. http://dx.doi.org/10.1093/ehr/cev291.

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21

Harmes, Marcus. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London by Anna Bayman." Parergon 32, no. 1 (2015): 218–19. http://dx.doi.org/10.1353/pgn.2015.0013.

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22

Mateer, David, and Alan H. Nelson. "“When sorrows come”: John Webster v. Thomas Dekker in the Court of King’s Bench." Shakespeare Quarterly 65, no. 2 (2014): 199–208. http://dx.doi.org/10.1353/shq.2014.0021.

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23

Pogue, Kate. "Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story (review)." Comparative Drama 41, no. 4 (2007): 522–24. http://dx.doi.org/10.1353/cdr.2008.0001.

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24

Youngme Cho. "Threats by Women's Consumption in Early Modern England: Thomas Dekker and John Webster’s Westward Ho." Medieval and Early Modern English Studies 21, no. 2 (2013): 253–86. http://dx.doi.org/10.17054/memes.2013.21.2.253.

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25

Anderson, Penelope. "Arden of Faversham. Polly Findlay, dir. Royal Shakespeare Company. The Roaring Girl. Thomas Dekker, Thomas Middleton. Jo Davies, dir. Royal Shakespeare Company." Early Modern Women: An Interdisciplinary Journal 9, no. 2 (2015): 153–61. http://dx.doi.org/10.1086/emw26431322.

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26

Drouet, Pascale. "Les Rites de passage dans The Belman of London , ou la confrérie des gueux selon Thomas Dekker." XVII-XVIII. Bulletin de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 62, no. 1 (2006): 35–49. http://dx.doi.org/10.3406/xvii.2006.2303.

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27

Mendes, Ana Cristina. "Apetites e excreções em Blurt, Major Constable, or The Spaniard’s Night Walk de Thomas Dekker." Acta Scientiarum. Language and Culture 40, no. 2 (2018): 36457. http://dx.doi.org/10.4025/actascilangcult.v40i2.36457.

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O presente ensaio oferece uma análise de Blurt, Major Constable, or The Spaniard’s Night Walk (1601–1602) de Thomas Dekker, com enfoque na construção do nexo comida-bebida-sexo-excrementos no texto. Na esteira dos Estudos Culturais e refletindo os procedimentos científicos aplicados aos atuais estudos de Cultura Inglesa, a metodologia adotada neste ensaio resultou de um cruzamento de abordagens teóricas que carateriza os Estudos de Género, férteis na revisão das posições críticas e no desenvolvimento de leituras radicalmente desestabilizadoras de saberes adquiridos. Enquanto objeto cultural, B

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28

Yearling, Rebecca. "The Poets' War Revisited." Ben Jonson Journal 23, no. 2 (2016): 231–45. http://dx.doi.org/10.3366/bjj.2016.0166.

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This essay seeks to explore the role played by John Marston in the so-called War of the Poets – the literary quarrel between a small group of playwrights, including Marston, Ben Jonson, Thomas Dekker, and perhaps William Shakespeare, in the late sixteenth and early seventeenth centuries. Marston's role in the War is problematic because although there are figures in his drama who might seem intended to be read as hostile portraits of Jonson, all of these figures are ambiguous, appearing to resemble Marston himself as much as they do his rival. I argue that this is because Jonson and Marston wer

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29

Miola, Robert S. "Ben Jonson's Reception of Lucian." Ben Jonson Journal 26, no. 2 (2019): 159–79. http://dx.doi.org/10.3366/bjj.2019.0253.

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Throughout his career Ben Jonson drew variously upon Lucian, whom he encountered in the mythographies as well as in several Greek and Latin editions he owned. Jonson's receptions take the form of glancing reminiscence in the masques, as Lucian supplies mythological decoration and literary conceit. They appear as transformative allusion in Cynthia's Revels, which draws upon several satirical Dialogues of the Gods, and in The Staple of News, which re-appropriates a favorite satirical dialogue, Timon, the Misanthrope, to satirize the greed of the news industry. Jonson practices an extended and cr

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30

Deeth, Robert J. "Computational Organometallic Chemistry. Edited by Thomas R. Cundari, Marcel Dekker, New York, 2001. ISBN 08247-0478-9; 448 pp.; US$185." Journal of Organometallic Chemistry 631, no. 1-2 (2001): 194. http://dx.doi.org/10.1016/s0022-328x(01)01016-6.

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31

Martin, Wayne. "Handbook of Ataxia Disorders. 2000. Edited by Thomas Klockgether. Published by Marcel Dekker, Inc.. New York 688 pages. C$316.05 approx." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 28, no. 4 (2001): 380–81. http://dx.doi.org/10.1017/s0317167100019272.

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32

Tubb, Amos. "Anna Bayman. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, UK: Ashgate, 2014. Pp. 160. $119.95 (cloth)." Journal of British Studies 54, no. 1 (2015): 196–97. http://dx.doi.org/10.1017/jbr.2014.215.

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33

Marr, Iain. "Trace Elemental Analysis of Metals. Thomas R. Dulski, Marcel Dekker, New York, 1999. 592 pages. $195. ISBN 0-8247-1985-9." Applied Organometallic Chemistry 14, no. 7 (2000): 397–98. http://dx.doi.org/10.1002/1099-0739(200007)14:7<397::aid-aoc9>3.0.co;2-o.

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34

de Pando, Paula. "“Why Sighs Your Majesty?”: Towards a Political Model of Passion in Dekker and Webster'sThe Famous History of Sir Thomas Wyat(1602)." English Studies 94, no. 1 (2013): 27–41. http://dx.doi.org/10.1080/0013838x.2012.739815.

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35

Zaret, David. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Anna Bayman. Farnham: Ashgate Publishing Limited, 2014. vii + 160 pp. $119.95." Renaissance Quarterly 68, no. 3 (2015): 1153–54. http://dx.doi.org/10.1086/683977.

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36

KENNEDY, J., and L. XU. "Robert Thomas, Practical guide to ICP-MS, Marcel Dekker, INC, New York, USA (2004) (xii+324pp., £55.00, ISBN 0-8247-5319-4)." Carbohydrate Polymers 62, no. 4 (2005): 393. http://dx.doi.org/10.1016/j.carbpol.2005.06.021.

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37

Feigl, Polly. "Clinical trials: Issues and approaches, Edited by Stanley H. Shapiro and Thomas A. Louis. pp. 209 + x. New York: Marcel Dekker, 1983." Hepatology 5, no. 2 (1985): 341. http://dx.doi.org/10.1002/hep.1840050234.

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38

Robertson, N. P. "HANDBOOK OF ATAXIA DISORDERS.: Edited by Thomas Klockgether. 1999. New York: Marcel Dekker. Price US$215. Pp. 689. ISBN 0-82470-381-2." Brain 124, no. 11 (2001): 2336–38. http://dx.doi.org/10.1093/brain/124.11.2336.

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39

Currie, Kevin S. "Handbook of Drug Metabolism Edited by Thomas F. Woolf. Marcel Dekker Inc.: New York. 1999. xi + 596 pp. $225.00. ISBN 0-8247-0229-8." Journal of the American Chemical Society 122, no. 1 (2000): 192. http://dx.doi.org/10.1021/ja995736e.

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40

Schaber, K. "Cryogenic Engineering. Thomas M. Flynn Marcel Dekker Inc., New York, 1997, 688 S., zahlr. Abb. u. Tab., geg., $ 195,- ISBN 0-8247-9724-8." Chemie Ingenieur Technik - CIT 70, no. 5 (1998): 581. http://dx.doi.org/10.1002/cite.330700520.

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41

Gray, C. T., and P. D. T. O'Connor. "Statistical methods for engineers and scientists (2nd edn), Robert M. Bethea, Benjamin S. Duran and Thomas L. Boullion, Marcel Dekker. 1985. No. of pages: 698." Quality and Reliability Engineering International 2, no. 1 (1986): 66. http://dx.doi.org/10.1002/qre.4680020117.

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42

Garwood, Sasha. "Review of Thomas Dekker and John Webster'sWestward Ho(directed by Andrea Kantor for Paper and String) at the White Bear Theatre Club, London, April 2008." Shakespeare 4, no. 3 (2008): 332–35. http://dx.doi.org/10.1080/17450910802295450.

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43

Cox, P. "Computer-aided drug design Thomas J. Perun and C. L. Propst (editors), Dekker, New York, 1989. Pages xii + 493. $99.75 (USA and Canada), $119.50 (elsewhere)." Talanta 37, no. 6 (1990): i. http://dx.doi.org/10.1016/0039-9140(90)80215-2.

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44

Albright, Thomas A. "Computational Organometallic Chemistry Edited by Thomas R. Cundari (University of Memphis). Marcel Dekker: New York, Basel. 2001. xii + 428 pp. $185.00. ISBN: 0-8247-0478-9." Journal of the American Chemical Society 123, no. 42 (2001): 10427–28. http://dx.doi.org/10.1021/ja015252u.

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45

Duffel, Michael W. "Handbook of Drug Metabolism Edited by Thomas F. Woolf. Marcel Dekker, New York. 1999. xi + 596 pp. 18 × 26 cm. ISBN 0-8247-0229-8. $225.00." Journal of Medicinal Chemistry 42, no. 21 (1999): 4471. http://dx.doi.org/10.1021/jm990406q.

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46

Walters, D. Eric. "Handbook of Drug Metabolism Edited by Thomas L. Woolf. Marcel Dekker, New York. 1999. xi + 596 pp. 18 x 26 cm. ISBN 0-8247-0229-8. $225.00." Journal of Medicinal Chemistry 43, no. 9 (2000): 1898. http://dx.doi.org/10.1021/jm0001323.

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47

Baron, Sabrina Alcorn. "Bayman, Anna. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, Surrey: Ashgate, 2014. viii, 160 pp. £65.00, hardcover. (ISBN: 978-0-7546-6173-3)." Papers of the Bibliographical Society of America 111, no. 2 (2017): 255–56. http://dx.doi.org/10.1086/691541.

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48

Becher, Paul. "A review of: “Analysis of Surfactants”. Thomas M. Schmitt, Surfactant Science Series 40. Marcel Dekker, Inc., New York, 1992. pp xvii + 464. $165.00 (ISBN 0-8247-8580-O)." Journal of Dispersion Science and Technology 15, no. 5 (1994): 633–34. http://dx.doi.org/10.1080/01932699408943579.

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49

Bergeron, David M. "Stanley Wells. Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middletown, John Fletcher and the Other Players in His Story. New York : Random House Inc., 2007. xvi + 286 pp. index. illus. $26. ISBN: 978-0-375-42494-6." Renaissance Quarterly 60, no. 4 (2007): 1460–61. http://dx.doi.org/10.1353/ren.2007.0383.

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50

Lambert, W. Clark. "Book Review Connective Tissue Diseases of the Skin Edited by Charles M. Lapiere and Thomas Krieg. 389 pp., illustrated. New York, Marcel Dekker, 1993. $150. 0-8247-9133-9." New England Journal of Medicine 331, no. 4 (1994): 282. http://dx.doi.org/10.1056/nejm199407283310426.

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