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Journal articles on the topic 'Thomas Dekker'

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Published: 4 June 2021

Last updated: 3 February 2022

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1

Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." English Text Construction 6, no. 1 (April 5, 2013): 134–57. http://dx.doi.org/10.1075/etc.6.1.07aue.

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The English playwright Thomas Dekker belonged to a generation of dramatists, along with Shakespeare and Jonson, who, particularly in comedy, discriminated their characters through lexical and stylistic choices. This new conception of the dramatic character is well illustrated in Dekker’s play The Shoemaker’s Holiday (1600). Written and produced in London at a time when the city attracted many migrants from all over England and Wales as well as the European continent, the speech of the characters created by Dekker represents different social groups as well as nationalities. This paper seeks to investigate socio-linguistic choices associated with selected characters and code-switching between English and Dutch in Dekker’s play. Keywords: Thomas Dekker; The Shoemaker’s Holiday; Dutch; London English; standardisation and language change; socio-historical linguistics

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2

Sophia Li, Chi-fang. "Thomas Dekker Revealed in the Henslowe–Alleyn Papers." New Theatre Quarterly 34, no. 1 (January 10, 2018): 16–34. http://dx.doi.org/10.1017/s0266464x17000653.

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In current scholarship the obscurity of the early years of Thomas Dekker is akin to his opacity in Philip Henslowe's Diary, which awaits full analytical interpretation. While the Diary usefully tells us about Henslowe's theatre business, it also imparts interwoven stories about many playwrights whose works are being rigorously tested in today's theatres. In this essay Chi-fang Sophia Li offers a theatre-based critique of the early life of Dekker, when, she argues, he quickly became a ‘fully paid-up member’ of the theatrical community. Thus his theatrical strengths, productive potential, writing interests, collaborative patterns, earning power, and working relationships with Michael Drayton, Anthony Munday, and Henry Chettle can be interpreted afresh. The Diary supplies frequent, intensive sightings of Dekker, whose biographical implications mutually inform a cultural life of Dekker's peers. This is the first attempt to elucidate in full Dekker's presence in the Henslowe–Alleyn papers alongside other historical and literary documents. Chi-fang Sophia Li is Associate Professor in the Department of Foreign Languages and Literature at National Sun Yat-sen University in Taiwan. She has published in Shakespeare Bulletin, Notes and Queries, English Studies, New Theatre Quarterly, and in Chinese in Review of English and American Literature. She gave public lectures for the anniversaries of Shakespeare's birth and death for the Globe Theatre on tour to Taiwan in 2014 and for the Shakespeare Exhibition in 2015 for the National Museum of Taiwan Literature and the Shakespeare Birthplace Trust.

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3

Taylor, Gary. "Thomas Middleton, Thomas Dekker, and "The Bloody Banquet"." Papers of the Bibliographical Society of America 94, no. 2 (June 2000): 197–233. http://dx.doi.org/10.1086/pbsa.94.2.24304346.

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4

Stanivukovic, Goran. "Dekker, Thomas. Old Fortunatus. Ed. David McInnis." Renaissance and Reformation 43, no. 2 (October 2, 2020): 369–71. http://dx.doi.org/10.33137/rr.v43i2.34847.

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5

James, Katherine, Larry S. Champion, and R. M. Cornelius. "Thomas Dekker and the Traditions of English Drama." South Atlantic Review 52, no. 1 (January 1987): 122. http://dx.doi.org/10.2307/3200008.

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6

Murphy, D. N. "Look Up and See Wonders and Thomas Dekker." Notes and Queries 59, no. 1 (January 16, 2012): 101–4. http://dx.doi.org/10.1093/notesj/gjr267.

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7

Rubright, Marjorie. "Transgender Capacity in Thomas Dekker and Thomas Middleton's The Roaring Girl (1611)." Journal for Early Modern Cultural Studies 19, no. 4 (2019): 45–74. http://dx.doi.org/10.1353/jem.2019.0037.

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8

Bayer, Mark. "Staging Foxe at the Fortune and the Red Bull." Renaissance and Reformation 39, no. 1 (January 1, 2003): 61–94. http://dx.doi.org/10.33137/rr.v39i1.8880.

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Cet article considère jusqu’à quel point deux pièces de théâtre jacobéennes, If You Know Not Me, You Know Nobody (1604), par Thomas Heywood, et The Whore of Babylon (1606), par Thomas Dekker, promouvaient l’éducation religieuse et le zèle protestant des spectateurs londoniens de la classe populaire après la Réforme pas encore achevée. Pour ce faire, elles disséminaient des histoires choisies aussi bien que l’idéologie du livre hautement significatif de John Foxe, Acts and Monuments (dit The Book of Martyrs), à un public plus large que celui que l’auteur lui-même avait visé.

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9

Stachniewski, John, and Julia Gasper. "The Dragon and the Dove: The Plays of Thomas Dekker." Yearbook of English Studies 23 (1993): 333. http://dx.doi.org/10.2307/3508009.

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10

Hart, Maria. "The theatrical adaptation of Merry More." Moreana 55 (Number 210), no. 2 (December 2018): 168–83. http://dx.doi.org/10.3366/more.2018.0041.

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The early modern play Sir Thomas More, written by Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare, takes an ecumenical viewpoint of the play's Catholic hero in order to conform to the expectations of the Master of the Revels and to appeal to a cross-confessional audience. The playwrights carefully construct the play within the confines of censorship by centering the play's action around More's dynamic personality instead of giving a full exposition of historical plot. More's personality and famous wit function together as a means for diverting attention away from the controversy surrounding More's silent opposition to Henrician policy while subtly validating his martyrdom. The argument of this article examines the adaptation of the play's ideologically diverse source material, the playwrights’ use of martyrological conventions, and the subtle traces of Erasmian allusion and recusant rhetoric in its reading of the play.

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11

Bars Closel, Régis Augustus. "Fictional Remembrances of Sir Thomas More: Part II/II– Early Seventeenth Century." Moreana 53 (Number 205-, no. 3-4 (December 2016): 143–78. http://dx.doi.org/10.3366/more.2016.53.3-4.10.

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This article focuses on how artistic works such as plays and literature in 16th and 17th-century England dealt with the fictional presence of Sir Thomas More. Among Tudor statesmen, Thomas More had a special appeal as a topic of thought during the Elizabethan–Jacobean period, quite apart from his opposition to the marriage which led to the reign of Queen Elizabeth. The range of works considered covers the Marian, Elizabethan and Jacobean periods. These works compose a heterogeneous and intriguing group in which every piece has its own particular way of remembering Thomas More. Six works are presented here: the dialogue Il Moro (1556) by Ellis Heywood; a late morality play, The Longer Thou Livest the More Fool Thou Art (1569), by William Wager; a novel, The Unfortunate Traveller (1594), by Thomas Nashe; and three plays, Cromwell (1602), by an unknown dramatist, Sir Thomas More (1600–1603/4), by five different dramatists, and Henry VIII (1613), by William Shakespeare and John Fletcher. Due to the scope of this research, the article is written in two parts. This part explores the last three seventeenth-century fictional works by John Fletcher and Shakespeare, an anonymous play and the collaborative play by Anthony Munday, Henry Chettle, with additions by Thomas Heywood, Thomas Dekker and William Shakespeare.

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12

Drouet, Pascale. "Les Rites de passage dans The Belman of London de Thomas Dekker." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 62, no. 1 (2006): 35–49. http://dx.doi.org/10.3406/xvii.2006.2409.

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13

Marino, James J. "Thomas Dekker, Rock Star: “Golden Slumbers,” the Beatles, and the Wages of Authorship." Journal for Early Modern Cultural Studies 15, no. 4 (2015): 1–21. http://dx.doi.org/10.1353/jem.2015.0027.

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14

Fahmy, Hesham. "A Review of “Quality Engineering Handbook“ Thomas Pyzdek Marcel Dekker, 1999, 680 pp." IIE Transactions 33, no. 6 (June 2001): 531. http://dx.doi.org/10.1080/07408170108936851.

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15

D'Addario, Christopher. "Anna Bayman. Thomas Dekker and the Culture of Pamphleteering in Early Modern London." American Historical Review 120, no. 3 (June 2015): 1110–11. http://dx.doi.org/10.1093/ahr/120.3.1110.

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16

Classen, Albrecht. "Die Rezeption des deutschenFortunatus in England—Thomas Dekker und seine Dramatisierung des „Volksbuchs”." Neohelicon 21, no. 1 (March 1994): 289–311. http://dx.doi.org/10.1007/bf02093052.

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17

Fish, Tom. "Bewitching Power: The Virtuosity of Gender in Dekker and Massinger’s The Virgin Martyr." Religions 10, no. 11 (November 14, 2019): 629. http://dx.doi.org/10.3390/rel10110629.

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This paper considers Thomas Dekker and Philip Massinger’s play The Virgin Martyr (1622) in light of scientific notions of the female body circulating during the period to illustrate how the performance of martyrdom manifested a performance of gender virtuosity, elevating it to the status of the supernatural or divine. Like well-known female martyrs from the period, such as Anne Askew, the protagonist, Dorothea, takes on characteristically male attributes: she assumes the role of the soldier and defies scientific understanding of the female gender by sealing her phlegmatic “leaky” body and exuding divine heat that defies her cold, wet “nature”. The theatricality of gender reversals in the play, from Dorothea and other characters, illustrates how the act of martyrdom could be interpreted not only as a miraculous performance, a “witness” to the divine, but one built on sensational, seemingly impossible performances of gender.

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18

Moretti, Thomas J. "Via MediaTheatricality and Religious Fantasy in Thomas Dekker and Philip Massinger’sThe Virgin Martyr(1622)." Renaissance Drama 42, no. 2 (September 2014): 243–70. http://dx.doi.org/10.1086/678141.

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19

HARRIS., L. N. "Quality by Experimental Design, Thomas B. Barker, Marcel Dekker, 1985. No. of pages: 384." Quality and Reliability Engineering International 2, no. 3 (July 1986): 217–18. http://dx.doi.org/10.1002/qre.4680020317.

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20

Lucas, Scott. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London, by Anna Bayman." English Historical Review 130, no. 547 (December 2015): 1549–51. http://dx.doi.org/10.1093/ehr/cev291.

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21

Harmes, Marcus. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London by Anna Bayman." Parergon 32, no. 1 (2015): 218–19. http://dx.doi.org/10.1353/pgn.2015.0013.

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22

Mateer, David, and Alan H. Nelson. "“When sorrows come”: John Webster v. Thomas Dekker in the Court of King’s Bench." Shakespeare Quarterly 65, no. 2 (2014): 199–208. http://dx.doi.org/10.1353/shq.2014.0021.

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23

Pogue, Kate. "Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story (review)." Comparative Drama 41, no. 4 (2007): 522–24. http://dx.doi.org/10.1353/cdr.2008.0001.

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24

Youngme Cho. "Threats by Women's Consumption in Early Modern England: Thomas Dekker and John Webster’s Westward Ho." Medieval and Early Modern English Studies 21, no. 2 (September 2013): 253–86. http://dx.doi.org/10.17054/memes.2013.21.2.253.

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25

Anderson, Penelope. "Arden of Faversham. Polly Findlay, dir. Royal Shakespeare Company. The Roaring Girl. Thomas Dekker, Thomas Middleton. Jo Davies, dir. Royal Shakespeare Company." Early Modern Women: An Interdisciplinary Journal 9, no. 2 (March 1, 2015): 153–61. http://dx.doi.org/10.1086/emw26431322.

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26

Drouet, Pascale. "Les Rites de passage dans The Belman of London , ou la confrérie des gueux selon Thomas Dekker." XVII-XVIII. Bulletin de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 62, no. 1 (2006): 35–49. http://dx.doi.org/10.3406/xvii.2006.2303.

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27

Mendes, Ana Cristina. "Apetites e excreções em Blurt, Major Constable, or The Spaniard’s Night Walk de Thomas Dekker." Acta Scientiarum. Language and Culture 40, no. 2 (September 4, 2018): 36457. http://dx.doi.org/10.4025/actascilangcult.v40i2.36457.

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O presente ensaio oferece uma análise de Blurt, Major Constable, or The Spaniard’s Night Walk (1601–1602) de Thomas Dekker, com enfoque na construção do nexo comida-bebida-sexo-excrementos no texto. Na esteira dos Estudos Culturais e refletindo os procedimentos científicos aplicados aos atuais estudos de Cultura Inglesa, a metodologia adotada neste ensaio resultou de um cruzamento de abordagens teóricas que carateriza os Estudos de Género, férteis na revisão das posições críticas e no desenvolvimento de leituras radicalmente desestabilizadoras de saberes adquiridos. Enquanto objeto cultural, Blurt encena preocupações coevas ao espelhar contradições inerentes ao sistema patriarcal, entendido não como uma estrutura coesa, mas ele próprio baseado em contradições ideológicas e em impulsos discrepantes. Tais contradições e impulsos são representativos das mudanças culturais e das transformações históricas que identificamos com a evolução da sociedade europeia do princípio da era moderna. Assim, um dos principais propósitos deste ensaio é observar como é dramatizada a relação entre os sexos que, apesar de conflituosa, não deixa de ter um final ordeiro de modo a disciplinar o corpo rebelde das personagens. Conclui-se que, apesar das aparências, a autoridade patriarcal nunca esteve verdadeiramente em questão, participando a peça ativamente num processo de reinscrição de normas culturais.

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28

Yearling, Rebecca. "The Poets' War Revisited." Ben Jonson Journal 23, no. 2 (November 2016): 231–45. http://dx.doi.org/10.3366/bjj.2016.0166.

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This essay seeks to explore the role played by John Marston in the so-called War of the Poets – the literary quarrel between a small group of playwrights, including Marston, Ben Jonson, Thomas Dekker, and perhaps William Shakespeare, in the late sixteenth and early seventeenth centuries. Marston's role in the War is problematic because although there are figures in his drama who might seem intended to be read as hostile portraits of Jonson, all of these figures are ambiguous, appearing to resemble Marston himself as much as they do his rival. I argue that this is because Jonson and Marston were participating in the War for very different reasons: Jonson in order to distinguish himself from his fellow satiric dramatists and Marston to emphasise the similarities between himself and his colleague. Marston may have done this in order to mock satiric dramatists as a class, but he may also have wanted to irritate Jonson by suggesting that Jonson was not as unique or individual as he liked to believe.

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29

Miola, Robert S. "Ben Jonson's Reception of Lucian." Ben Jonson Journal 26, no. 2 (November 2019): 159–79. http://dx.doi.org/10.3366/bjj.2019.0253.

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Throughout his career Ben Jonson drew variously upon Lucian, whom he encountered in the mythographies as well as in several Greek and Latin editions he owned. Jonson's receptions take the form of glancing reminiscence in the masques, as Lucian supplies mythological decoration and literary conceit. They appear as transformative allusion in Cynthia's Revels, which draws upon several satirical Dialogues of the Gods, and in The Staple of News, which re-appropriates a favorite satirical dialogue, Timon, the Misanthrope, to satirize the greed of the news industry. Jonson practices an extended and creative imitatio of Lucian's fantastic moon voyages (A True Story and Icaromenippus) in his much neglected News from the New World Discovered in the Moon. And, likewise, Jonson reworks Lucian extensively for the action of Poetaster: The Carousal supplies the lascivious banquet of 4.5, and Lexiphanes, the humiliating purge of Crispinus. Jonson's rich engagement with Lucian comes to a climax in Volpone, which borrows directly from The Dream, and several Dialogues of the Dead. Here whimsical ancient satire enables stern moral allegory. Responding to Poetaster in Satiro-mastix, Thomas Dekker has Captain Tucca rebuke Horace (i.e. Ben Jonson) by sarcastically calling him “Lucian.” Jonson, no doubt, took the proffered insult as the highest compliment.

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30

Deeth, Robert J. "Computational Organometallic Chemistry. Edited by Thomas R. Cundari, Marcel Dekker, New York, 2001. ISBN 08247-0478-9; 448 pp.; US$185." Journal of Organometallic Chemistry 631, no. 1-2 (August 2001): 194. http://dx.doi.org/10.1016/s0022-328x(01)01016-6.

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31

Martin, Wayne. "Handbook of Ataxia Disorders. 2000. Edited by Thomas Klockgether. Published by Marcel Dekker, Inc.. New York 688 pages. C$316.05 approx." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 28, no. 4 (November 2001): 380–81. http://dx.doi.org/10.1017/s0317167100019272.

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32

Tubb, Amos. "Anna Bayman. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, UK: Ashgate, 2014. Pp. 160. $119.95 (cloth)." Journal of British Studies 54, no. 1 (January 2015): 196–97. http://dx.doi.org/10.1017/jbr.2014.215.

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33

Marr, Iain. "Trace Elemental Analysis of Metals. Thomas R. Dulski, Marcel Dekker, New York, 1999. 592 pages. $195. ISBN 0-8247-1985-9." Applied Organometallic Chemistry 14, no. 7 (2000): 397–98. http://dx.doi.org/10.1002/1099-0739(200007)14:7<397::aid-aoc9>3.0.co;2-o.

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34

de Pando, Paula. "“Why Sighs Your Majesty?”: Towards a Political Model of Passion in Dekker and Webster'sThe Famous History of Sir Thomas Wyat(1602)." English Studies 94, no. 1 (February 2013): 27–41. http://dx.doi.org/10.1080/0013838x.2012.739815.

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35

Zaret, David. "Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Anna Bayman. Farnham: Ashgate Publishing Limited, 2014. vii + 160 pp. $119.95." Renaissance Quarterly 68, no. 3 (2015): 1153–54. http://dx.doi.org/10.1086/683977.

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36

KENNEDY, J., and L. XU. "Robert Thomas, Practical guide to ICP-MS, Marcel Dekker, INC, New York, USA (2004) (xii+324pp., £55.00, ISBN 0-8247-5319-4)." Carbohydrate Polymers 62, no. 4 (December 14, 2005): 393. http://dx.doi.org/10.1016/j.carbpol.2005.06.021.

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37

Feigl, Polly. "Clinical trials: Issues and approaches, Edited by Stanley H. Shapiro and Thomas A. Louis. pp. 209 + x. New York: Marcel Dekker, 1983." Hepatology 5, no. 2 (March 1985): 341. http://dx.doi.org/10.1002/hep.1840050234.

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38

Robertson, N. P. "HANDBOOK OF ATAXIA DISORDERS.: Edited by Thomas Klockgether. 1999. New York: Marcel Dekker. Price US$215. Pp. 689. ISBN 0-82470-381-2." Brain 124, no. 11 (November 1, 2001): 2336–38. http://dx.doi.org/10.1093/brain/124.11.2336.

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39

Currie, Kevin S. "Handbook of Drug Metabolism Edited by Thomas F. Woolf. Marcel Dekker Inc.: New York. 1999. xi + 596 pp. $225.00. ISBN 0-8247-0229-8." Journal of the American Chemical Society 122, no. 1 (January 2000): 192. http://dx.doi.org/10.1021/ja995736e.

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40

Schaber, K. "Cryogenic Engineering. Thomas M. Flynn Marcel Dekker Inc., New York, 1997, 688 S., zahlr. Abb. u. Tab., geg., $ 195,- ISBN 0-8247-9724-8." Chemie Ingenieur Technik - CIT 70, no. 5 (May 1998): 581. http://dx.doi.org/10.1002/cite.330700520.

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41

Gray, C. T., and P. D. T. O'Connor. "Statistical methods for engineers and scientists (2nd edn), Robert M. Bethea, Benjamin S. Duran and Thomas L. Boullion, Marcel Dekker. 1985. No. of pages: 698." Quality and Reliability Engineering International 2, no. 1 (January 1986): 66. http://dx.doi.org/10.1002/qre.4680020117.

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42

Garwood, Sasha. "Review of Thomas Dekker and John Webster'sWestward Ho(directed by Andrea Kantor for Paper and String) at the White Bear Theatre Club, London, April 2008." Shakespeare 4, no. 3 (September 2008): 332–35. http://dx.doi.org/10.1080/17450910802295450.

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43

Cox, P. "Computer-aided drug design Thomas J. Perun and C. L. Propst (editors), Dekker, New York, 1989. Pages xii + 493. $99.75 (USA and Canada), $119.50 (elsewhere)." Talanta 37, no. 6 (June 1990): i. http://dx.doi.org/10.1016/0039-9140(90)80215-2.

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44

Albright, Thomas A. "Computational Organometallic Chemistry Edited by Thomas R. Cundari (University of Memphis). Marcel Dekker: New York, Basel. 2001. xii + 428 pp. $185.00. ISBN: 0-8247-0478-9." Journal of the American Chemical Society 123, no. 42 (October 2001): 10427–28. http://dx.doi.org/10.1021/ja015252u.

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45

Duffel, Michael W. "Handbook of Drug Metabolism Edited by Thomas F. Woolf. Marcel Dekker, New York. 1999. xi + 596 pp. 18 × 26 cm. ISBN 0-8247-0229-8. $225.00." Journal of Medicinal Chemistry 42, no. 21 (October 1999): 4471. http://dx.doi.org/10.1021/jm990406q.

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46

Walters, D. Eric. "Handbook of Drug Metabolism Edited by Thomas L. Woolf. Marcel Dekker, New York. 1999. xi + 596 pp. 18 x 26 cm. ISBN 0-8247-0229-8. $225.00." Journal of Medicinal Chemistry 43, no. 9 (May 2000): 1898. http://dx.doi.org/10.1021/jm0001323.

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47

Baron, Sabrina Alcorn. "Bayman, Anna. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, Surrey: Ashgate, 2014. viii, 160 pp. £65.00, hardcover. (ISBN: 978-0-7546-6173-3)." Papers of the Bibliographical Society of America 111, no. 2 (June 2017): 255–56. http://dx.doi.org/10.1086/691541.

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48

Becher, Paul. "A review of: “Analysis of Surfactants”. Thomas M. Schmitt, Surfactant Science Series 40. Marcel Dekker, Inc., New York, 1992. pp xvii + 464. $165.00 (ISBN 0-8247-8580-O)." Journal of Dispersion Science and Technology 15, no. 5 (January 1994): 633–34. http://dx.doi.org/10.1080/01932699408943579.

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49

Bergeron, David M. "Stanley Wells. Shakespeare & Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middletown, John Fletcher and the Other Players in His Story. New York : Random House Inc., 2007. xvi + 286 pp. index. illus. $26. ISBN: 978-0-375-42494-6." Renaissance Quarterly 60, no. 4 (2007): 1460–61. http://dx.doi.org/10.1353/ren.2007.0383.

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50

Lambert, W. Clark. "Book Review Connective Tissue Diseases of the Skin Edited by Charles M. Lapiere and Thomas Krieg. 389 pp., illustrated. New York, Marcel Dekker, 1993. $150. 0-8247-9133-9." New England Journal of Medicine 331, no. 4 (July 28, 1994): 282. http://dx.doi.org/10.1056/nejm199407283310426.

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