Journal articles: '(Thomas Ernest)'

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Thomas, Nick. "Robert Ernest Thomas." Veterinary Record 189, no. 5 (September 2021): 218. http://dx.doi.org/10.1002/vetr.929.

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Craft, Alan. "Thomas Ernest Oppe." BMJ 336, no. 7639 (February 7, 2008): 335.5–335. http://dx.doi.org/10.1136/bmj.39428.735046.be.

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Dean, Katrina. "Inscribing Settler Science: Ernest Rutherford, Thomas Laby and the Making of Careers in Physics." History of Science 41, no. 2 (June 2003): 217–40. http://dx.doi.org/10.1177/007327530304100205.

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GAMMER, MOSHE. "Thomas Sanders, Ernest Tucker, Gary Hamburg, eds., The Russian-Muslim confrontation in the Caucasus." Cahiers du monde russe 45, no. 45/3-4 (July 1, 2004): 749–53. http://dx.doi.org/10.4000/monderusse.4223.

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Dikun, Marina M. "“NEW” POETRY OF THE 1900S AND 1910S IN T.E. HULME’S AESTHETICS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2023): 113–21. http://dx.doi.org/10.28995/2686-7249-2023-3-113-121.

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The English critic and poet Thomas Ernest Hulme (1883–1917) is not well known in Russia. Despite the significance of his contribution to the development of English-language poetry, the degree to which his role in the historical and literary context of the 20th century was studied in Russian literary studies seems insufficient. The lack of Russian translations of his essays and journalism, and the shortness of his literary career, narrowed the context in which Hulme is usually viewed to the Imagist movement. The article attempts to make a shift in focusing the attention from Hulme’s poetry to his literary and critical texts and to formulate the basic principles of his aesthetic theory.

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Cardoso, Camilie. "Trabalho e mobilidade geográfica: as contradições dos debates sobre a questão migratória na contemporaneidade." Epígrafe 4, no. 4 (August 21, 2017): 25–43. http://dx.doi.org/10.11606/issn.2318-8855.v4i4p25-43.

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No presente artigo, pretendo evidenciar a existência de uma relação matricial entre a ideologia ocidentalista, as políticas restritivas de controle dos fluxos migratórios para os grandes centros globais e a consequente marginalização dessas comunidades. Para tanto, elucidarei as teses dos autores Thomas Malthus, Ernest G. Ravenstein e Max Sorre, com as quais procurarei traçar um panorama sobre o ideário que fundamentou ou reafirmou o discurso presente na concepção liberal sobre a mobilidade do trabalho. Partindo de um viés estruturalistae da caracterização da mobilidade geográfica como um processo decorrente das contradições sistêmicas — das quais se originam a desestabilização social, o desemprego em massa e a pauperização de grande parcela da população mundial —, proponho discutir a respeito da articulação entre os movimentos migratórios e as estruturas mercadológicas.

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Lindstrom, Fred B., and Ronald A. Hardert. "Kimball Young on the Chicago School." Sociological Perspectives 31, no. 3 (July 1988): 298–314. http://dx.doi.org/10.2307/1389200.

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Editors' Introduction: Elsewhere in this journal is the article “Kimball Young on Founders of the Chicago School.” As with that article, the following material is taken from the 1968 seminar offered by Kimball Young at Arizona State University, a seminar attended by the editors. These lectures chronicle Young's contacts with George Herbert Mead of the University of Chicago's philosophy department, touch on his student contacts with the political scientist Harold Lasswell, and contain Young's comments upon a number of Chicago faculty and student sociologists he knew: Herbert Blumer, Ernest Watson Burgess, John Dollard, Ellsworth Faris, Philip M. Hauser, Everett Cherrington Hughes, Helen McGill Hughes, Morris Janowitz, William Fielding Ogburn, Robert E. Park, Edward Shils, David Riesman, Samuel A. Stouffer, W. I. Thomas, W. Lloyd Warner, and Louis Wirth.

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King, G. A. B. "Navigators." Journal of Navigation 43, no. 03 (September 1990): 295–312. http://dx.doi.org/10.1017/s0373463300013953.

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This paper formed the 1990 Anderson Memorial Lecture and was presented to the Bristol Channel Branch on 22 February. In developing his theme, George King concentrated very much on the characters of the navigators concerned with six extraordinary exploits, but without losing sight of the navigation itself. The following version is necessarily much abridged and the editor has reluctantly omitted the detail of fascinating accounts of the expedition commissioned by Thomas Jefferson to explore the American West, the epic open boat voyage by Ernest Shackleton in the Antarctic in 1916, the first solo air crossing of the Atlantic by Charles Lindbergh in 1927, and the spectacularly successful Apollo 11 mission in 1969. The full text of George King's meticulously researched and brilliantly written paper is available to members from the Institute, price £3.

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Van Eyghen, Hans. "Robert McCauley and Ernest Thomas Lawson, Philosophical Foundations of the Cognitive Science of Religion." Journal for the Study of Religion, Nature and Culture 14, no. 1 (February 14, 2020): 181–84. http://dx.doi.org/10.1558/jsrnc.38304.

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Olney, J. "The Sons of Maxwell Perkins: Letters of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and Their Editor." Common Knowledge 14, no. 1 (January 1, 2008): 174–75. http://dx.doi.org/10.1215/0961754x-2007-064.

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Evans, Martin H., and Geoffrey Hooper. "Three misleading diaries: John Knyveton MD – from naval surgeon’s mate to man-midwife." International Journal of Maritime History 26, no. 4 (November 2014): 762–88. http://dx.doi.org/10.1177/0843871414552609.

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This article re-examines three books published between 1937 and 1946: Diary of a Surgeon, Surgeon’s Mate and Man Midwife. They purported to have been edited and annotated by Ernest A. Gray from an old journal written by a John Knyveton (1729–1809) who had served as a surgeon’s mate in the Royal Navy between 1752 and 1762, after a short training in surgery in a London hospital. The books had been criticised and their authenticity doubted. Now additional errors have been revealed, making it certain that the books are essentially fictional and written in the twentieth century. Although drawing inspiration from a biography of the eighteenth century Dr Thomas Denman (1733–1815), and very readable, the stories are marred by errors, altered dates and events taken from other periods of time. These books have been cited by many writers and researchers who mistakenly believed them to be eighteenth century sources. We hope that this article will make their unreliability and fictitious content more widely known.

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Panda, Kenneth. "The Sons of Maxwell Perkins: Letters of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and Their Editor (review)." Hemingway Review 24, no. 1 (2004): 106–10. http://dx.doi.org/10.1353/hem.2004.0041.

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Félix, Diogo Valério, and Zulmar Fachin. "EM DEFESA DA DEMOCRACIA:." Revista Brasileira de Direitos Fundamentais & Justiça 15, no. 44 (August 13, 2021): 105–35. http://dx.doi.org/10.30899/dfj.v15i44.843.

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O presente estudo tem por finalidade apresentar uma leitura possível quanto ao reconhecimento e efetivação dos direitos socioeconômicos como condição de legitimação de um Estado Democrático de Direito, pelo método dedutivo. Acompanhando a leitura de Hans Kelsen e Ernest Tugendhat, o estudo apresenta os elementos conceituais para se estabelecer a legitimidade de um Estado Democrático de Direito, a partir da inclusão e tutela dos direitos socioeconômicos no sistema dos direitos humanos como condição de tutela integral da pessoa. Para tanto, a pesquisa mobiliza, em seus movimentos iniciais, as obras de Platão, a partir do conceito de nómos, e Cícero, pelo conceito de recta ratio, para o fim de apresentar o instrumental teórico no qual está inscrito o fundamento – nos primórdios da civilização ocidental – da legitimidade do governo. Em razão da ruptura com as instâncias teológica e metafísica, engendrada pelo ideário das luzes, e, no intuito de justificar a eleição do referencial teórico anteriormente mencionado, o terceiro movimento mobiliza as obras de Augusto Comte, Thomas Hobbes e Max Weber, como instrumental teórico sob o qual será fixada o objeto de investigação da presente pesquisa.

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Smocovitis, Vassiliki Betty. "The "Plant Drosophila": E. B. Babcock, the Genus Crepis, and the Evolution of a Genetics Research Program at Berkeley, 1915––1947." Historical Studies in the Natural Sciences 39, no. 3 (2009): 300–355. http://dx.doi.org/10.1525/hsns.2009.39.3.300.

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This paper explores the research and administrative efforts of Ernest Brown Babcock, head of the Division of Genetics in the College of Agriculture at the University of California, Berkeley, the first academic unit so named in the United States. It explores the rationale for his choice of "model organism," the development——and transformation——of his ambitious genetics research program centering on the weedy plant genus named Crepis (commonly known as the hawkbeard), along with examining in detail the historical development of the understanding of genetic mechanisms of evolutionary change in plants leading to the period of the evolutionary synthesis. Chosen initially as the plant counterpart of Thomas Hunt Morgan's Drosophila melanogaster, the genus Crepis instead came to serve as the counterpart of Theodosius Dobzhansky's Drosophila pseudoobscura, leading the way in plant evolutionary genetics, and eventually providing the first comprehensive systematic treatise of any genus that was part of the movement known as biosystematics, or the "new" systematics. The paper also suggests a historical rethinking of the application of the terms model organism, research program, and experimental system in the history of biology.

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Boulton, T. B. "Richard Stuart Atkinson Peter Alfred Boxall Thomas Ernest Ashdown Carr Thomas Charles Corson George Alexander Norman ("Buzz") Davis John Andrew Noble Emslie Michael Thomas Gillies Raymond George Harcourt William Stewart Kilpatrick Alan Roger Marsh." BMJ 320, no. 7234 (February 26, 2000): 583. http://dx.doi.org/10.1136/bmj.320.7234.583.

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Twidale, C., and Jennie Bourne. "International Science ‘Down Under’: The British Association Meeting in Australia, August 1914, with Special Reference to Related Activities in Adelaide." Earth Sciences History 21, no. 2 (January 1, 2002): 166–89. http://dx.doi.org/10.17704/eshi.21.2.781x2353l6320534.

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From 8-12 August 1914, the British Association for the Advancement of Science, meeting in Australia, descended on Adelaide. The meeting included delegates from a dozen overseas countries, including many from the United Kingdom. Amongst the visiting geologists were Arthur Philemon Coleman (1852-1939) and William Morris Davis (1850-1934), Rollin Thomas Chamberlin (1881-1948) and John Walter Gregory (1864-1932), Albrecht Penck (1858-1945) and Johannes Walther (1860-1937), Alexander du Toit (1878-1948) and Hartley Travers Ferrar (1879-1932), George William Lamplugh (1859-1926) and Sydney Hugh Reynolds (1867-1949), as well as the home-based T. W. Edgeworth David (1858-1934) and Ernest Willington Skeats (1875-1953). The proceedings created immense public interest and brought science to the people in a way never before achieved in Australia. That the meeting proceeded at all is a tribute to the Australian Government, the Association, and the conference organisers, as well as the participants, for the First World War had been declared only a few days before the meeting. The interactions between the home population and the delegates, and between delegates, provide an enlightening commentary on the values and standards of our world almost a century ago.

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Capshew, James H. "Psychology in America: A Historical Survey. Ernest R. HilgardA History of Psychology: Main Currents in Psychological Thought. Thomas Hardy Leahey." Isis 79, no. 1 (March 1988): 111–12. http://dx.doi.org/10.1086/354639.

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Dowden, Steve. "Art and its Uses in Thomas Mann's 'Felix Krull' (MHRA Texts and Dissertations, 70; Bithell Series of Dissertations, 32) by Ernest Schonfield." Modern Language Review 105, no. 3 (2010): 905–6. http://dx.doi.org/10.1353/mlr.2010.0078.

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Torrens, Hugh S., and John A. Cooper. "George Fleming Richardson (1796-1848) - man of letters, lecturer and geological curator." Geological Curator 4, no. 5 (February 1986): 249–72. http://dx.doi.org/10.55468/gc791.

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Seeing the familiar poem The Nautilus and the Ammonite featured in a recent issue of the Geological Curator (Delair 1984) reawakened an idea which has Iain dormant for some time: that we should start a series on forgotten or neglected curators. In my view the single most important cause of the widespread neglect which geological and other natural science collections have suffered in Britain over the years can be put down to a lack of caring curators. Sometimes there was a lack of curators, othertimes they didn't care! The history of curation seems to be an even more neglected subject than the history of collections - a point I tried to make at the Ashmolean Tercentenary Symposium in Oxford in 1983 (Torrens 1985b). So while we try to document the collections perhaps we should also stop to consider the curators who *made it all possible*. This point was made specifically by Edwards (1984) about one of the most remarkable of such curators, ex-railway clerk Thomas Sheppard (1876-1945), the Curator of Hull Museums from 1900 to 1941. What has all this to do with the poem The Nautilus and the Ammonite? Simply that it is not by Ernest Westlake, and was neither written in the 1880s nor hitherto unpublished as claimed by Delair (1984). Instead it is by one of the earliest forgotten curators - George Fleming Richardson (1796-1848).

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Prothero , Iorwerth. "Ian Haywood (ed.), Chartist Fiction. Volume 1 Thomas Doubleday, The Political Pigrim's Progress. Thomas Martin Wheeler, Sunshine and Shadow, Aldershot (Royaume-Uni), Ashgate, 1999. Volume 2 Ernest Jones, Woman's Wrongs, Aldershot (Royaume-Uni." Revue d'histoire du XIXe siècle, no. 26-27 (December 1, 2003): 431–33. http://dx.doi.org/10.4000/rh19.789.

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Kupfer, Charles A. "Ring Lardner's You Know Me Al: Up from Popularity." Prospects 30 (October 2005): 487–504. http://dx.doi.org/10.1017/s0361233300002143.

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Ring Lardner's position in American literature suffers more from the praise he gains than the criticism he receives. His reputation as an acerbic journalist, mordant satirist, master dialectician, and popular sportswriter still draws clouds of suspicion across the minds of highbrow critics weighing his stature as a serious writer.Lardner himself did nothing to debunk the notion that he was at heart a pulp author, never tearing away from his journalistic roots as did other authors who started their careers in the newspaper business. It may have been comfort with his preferred environment, or a reverse snobbery, but Lardner always disdained self-conscious artfulness, instead preening his image as a wordsmith and copy-slave. Max Perkins, his Scribner's editor, noted this self-defined lowbrow posture: “He always thought of himself as a newspaperman, anyhow. He had a sort of provincial scorn for literary people.”Provincial scorn notwithstanding, Lardner was a prominent member of Perkins's stable. Contemporaries at Scribner's included Thomas Wolfe, Ernest Hemingway, and F. Scott Fitzgerald. Perkins, a literary talent scout with a knack for coaxing maximum output from mercurial writers, devoted ample time and attention to cultivating Lardner's work. Few writers of any stripe could boast more lustrous friends and colleagues, and, in his lifetime, Lardner's proper place in the American literary pantheon was accorded with scant complaint. It was only after his death in 1933 that the diminishing process began.

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Greco, John. "Virtues and Vices of Virtue Epistemology." Canadian Journal of Philosophy 23, no. 3 (September 1993): 413–32. http://dx.doi.org/10.1080/00455091.1993.10717329.

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In recent years, virtue epistemology has won the attention of a wide range of philosophers. A developed form of the position has been expounded forcefully by Ernest Sosa and represents the most plausible version of reliabilism to date. Through the person of Alvin Plantinga, virtue epistemology has taken philosophy of religion by storm, evoking objections and defenses in a wide variety of journals and volumes. Historically, virtue epistemology has its roots in the work of Thomas Reid, and the explosion of Reid scholarship in the last few years is perhaps both a cause and an effect of recent interest in the position.In this paper I want to examine the virtues and vices of virtue epistemology. My conclusion will be that the position is correct, when qualified appropriately. The central claim of virtue epistemology is that, Gettier problems aside, knowledge is true belief which results from a cognitive virtue. In section one I will clarify this claim with some brief remarks about the nature of virtues in general, and cognitive virtues in particular. In section two I will consider two objections to the theory of knowledge which results. In section three of the paper I will argue that virtue epistemology can be qualified so as to avoid the objections raised in section two. Finally, I will argue that the amendments which solve the objections of section two also allow us to solve a version of the dreaded generality problem.

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Aragão Maciel, Marta Maria. "Reflexões acerca do marxismo “herético” de Ernst Bloch." Trilhas Filosóficas 11, no. 3 (April 17, 2019): 139–55. http://dx.doi.org/10.25244/tf.v11i3.3544.

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Resumo: O presente texto objetiva uma abordagem, no interior do pensamento de Ernst Bloch (1885/1977), acerca da relação entre marxismo e utopia: um vínculo incomum no interior do marxismo, comumente tido numa oposição inconciliável. Daí a apropriação do termo “herético” em referência ao marxismo do autor alemão: a expressão é usada não em sentido pejorativo, mas apenas para situar seu distanciamento do marxismo vulgar, bem como sua intenção de crítica radical dessa tradição. Aqui entendemos que é, em particular, por meio da relação entre marxismo e utopia que o pensamento de Ernst Bloch aparece como um projeto inelutavelmente político com vistas a uma filosofia da práxis concreta na principal obra do autor: O Princípio esperança (Das Prinzip Hoffnung) [1954/1959]. Neste livro encontramos, com efeito, a tentativa de pensar a atualidade do marxismo para o contexto do século XX, a era das catástrofes, conforme definição do historiador Eric Hobsbawm. Palavras-chave: Marxismo. Utopia. Dialética. Crítica social. Cultura. Abstract: This paper presents an approach within the thinking of Ernst Bloch (1885/1977) about the relation between Marxism and Utopia: an unusual link within Marxism, commonly held in an irreconcilable opposition. Hence the appropriation of the term "heretical" in reference to the German author's Marxism: the expression is used not in a pejorative sense, but only to situate its distancing from vulgar Marxism, as well as its intention of a radical critique of this tradition. Here we understand that it is particularly through the relationship between Marxism and Utopia that Ernst Bloch's thought appears as an ineluctably political project with a view to a philosophy of concrete praxis in the principal work of the author: The Principle Hope (Das Prinzip Hoffnung) [1954/1959]. In this book we find, in effect, the attempt to think the actuality of Marxism in the context of the age of catastrophe - as defined by Eric Hobsbawm - that is, the long twentieth century that experienced the extreme barbarism of the concentration camp, of which the thinker in question, Jewish and Communist, managed to escape. Keywords: Marxism. Utopia. Dialectics. Social criticismo. Culture. REFERÊNCIAS ALBORNOZ, Suzana. O enigma da Esperança: Ernst Bloch e as margens da história do espírito. Petrópolis, RJ: Vozes, 1995. ALBORNOZ, Suzana. Ética e utopia: ensaio sobre Ernst Bloch. 2ª edição. Porto Alegre: Movimento; Santa Cruz do Sul: EdUSC, 2006. BICCA, Luiz. Marxismo e liberdade. São Paulo: Loyola, 1987. BLOCH, Ernst. Filosofia del Rinascimento. Trad. it. de Gabriella Bonacchi e Katia Tannenbaum. Bologna: il Mulino, 1981. BLOCH, Ernst. Héritage de ce temps. Trad. Jean Lacoste. Paris: Payot, 1978. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. I. Trad. br. Nélio Schneider. Rio de Janeiro: EdUERJ; Contraponto, 2005. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. II. Trad. br. Werner Fuchs. Rio de Janeiro: EdUERJ; Contraponto, 2006. BLOCH, Ernst. O Princípio Esperança [1954-1959]. Vol. III. Trad. br. Nélio Schneider. Rio de Janeiro: EdUERJ; Contraponto, 2006. BLOCH, Ernst. Du rêve à l’utopie: Entretiens philosophiques. Textos escolhidos e prefaciados por Arno Münster. Paris: Hermann, 2016. BLOCH, Ernst. Thomas Münzer, Teólogo da Revolução [1963]. Trad. br. Vamireh Chacon e Celeste Aída Galeão. Rio de Janeiro: Tempo Brasileiro, 1973. BLOCH, Ernst. L’esprit de l’utopie, [1918-1023]. Trad. fr. de Anne Marie Lang e Catherine Tiron-Audard. Paris: Gallimard, 1977. BLOCH, Ernst. El pensamiento de Hegel. Trad. esp. de Wenceslao Roces. Mexico; Buenos Aires: Fondo de Cultura Economica, 1963. BOURETZ, Pierre. Testemunhas do futuro: filosofia e messianismo. Trad. J. Guinsburg. São Paulo: Perspectiva, 2011, p. 690. FREUD, Sigmund. Los sueños [1900-1901]. Trad. Luis Lopez-Ballesteros et al., Madrid: Biblioteca Nueva, 1981. FREUD, Sigmund. A Interpretação dos sonhos. Vol. I. Trad. Jayme Salomão. Rio de Janeiro: Imago, 2006. HORKHEIMER, Max. Filosofia e teoria crítica. In: Textos escolhidos. Trad. de José Lino Grünnewald. São Paulo: Abril Cultural, 1980, p. 155 (Coleção Os Pensadores.). MÜNSTER, Arno. Ernst Bloch: filosofia da práxis e utopia concreta. São Paulo: UNESP, 1993. MÜNSTER, Arno. Utopia, Messianismo e Apocalipse nas primeiras de Ernst Bloch. Trad. br. de Flávio Beno Siebeneichler. São Paulo: UNESP, 1997. PIRON-AUDARD, Catherine. Anthropologie marxiste et psychanalyse selon Ernst Bloch. In: RAULET, Gérard (org.). Utopie-marxisme selon Ernst Bloch: un système de l'inconstructible. Payot: Paris, 1976. VIEIRA, Antonio Rufino. Princípio esperança e a “herança intacta do marxismo” em Ernst Bloch. In: Anais do 5° Coloquio Internacional Marx-Engels. Campinas: CEMARX/Unicamp. Disponível em: <www.unicamp.br / cemarx_v_coloquio_arquivos_arquivos /comunicacoes/gt1/sessao6/Antonio_Rufi no.pdf>. VIEIRA, Antonio Rufino. Marxismo e libertação: estudos sobre Ernst Bloch e Enrique Dussel. São Leopoldo: Nova Harmonia, 2010. RAULET, Gérard (Organizador). Utopie - marxisme selon Ernst Bloch: un sistème de l’inconstructible. Paris: Payot, 1976. ZECCHI, Stefano. Ernest Bloch: Utopia y Esperanza en el Comunismo [1974]. Trad. esp. de Enric Pérez Nadal, Barcellona: Península, 1978.

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White, Leslie. "“Uproar in the Echo”: Browning's Vitalist Beginnings." Browning Institute Studies 15 (1987): 91–103. http://dx.doi.org/10.1017/s0092472500001851.

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In letters to Mrs. Ernest Benzon and Mrs. Thomas FitzGerald, Browning claims affinity with the great philosopher of the Will, Schopenhauer, and asserts that elements of vitalism are the “substratum” of his life and work. These letters confirm the poet's place in the line of vitalist thought shaped by Schopenhauer, the English Romantics, and Carlyle and further developed by Nietzsche, George Bernard Shaw, Henri Bergson, and D. H. Lawrence. Vitalism resists precise definition; each theorist advances a singular terminology and application. Schopenhauer's vitalism may be understood from his concept of cosmic Will; Carlyle's from the essential presence of energy, movement, and change in the world. Bergson used the term élan vital and Lawrence such characteristically vague phrases as “sense of truth” and “supreme impulse” to express faith in forces operating beneath or hovering above the surface of life. Broadly put, when a rational orientation to the world ceased to be adequate, when rationalism devolved into a falsification of reality's authentic energy, major vitalists came into existence and posited as the true reality a primitive, universal force of which everything in that reality is an objectification. Unlike other vitalists in the English tradition, such as Blake and Lawrence, Browning was not comfortable with cosmic images. His vitalism breaks from the main line to focus on the individual human will, which he saw as an intuitive impulse and as a means to realize the self and locate its place in the world. For Browning, the comprehension of life's vital movement lay in the dynamic energy of willed action.

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Mehrer, Helmut. "Pioneers and Landmarks of Diffusion." Defect and Diffusion Forum 258-260 (October 2006): 1–14. http://dx.doi.org/10.4028/www.scientific.net/ddf.258-260.1.

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The science of diffusion had its beginnings in the 19th century, although the blacksmiths and metal artisans of antiquity already used diffusion phenomena to make such objects as iron swords and gilded bronze wares. Diffusion as a scientific discipline is based on several corner stones. The most important ones are: (i) The continuum theory of diffusion originated from the work of the German physiologist Adolf Fick, who was inspired by elegant experiments on diffusion in gases and of salt in water performed by the Scotsman Thomas Graham. (ii) The Brownian motion, observed for the first time by the British botanist Robert Brown, was interpreted decades later by Albert Einstein and almost at the same time by the Polish physicist Marian Smoluchowski. Their theory related the mean square displacement of atoms to the diffusion coefficient. This provided the statistical cornerstone of diffusion and bridged the gap between mechanics and thermodynamics. The Einstein-Smoluchowski relation was verified in tedious experiments by the French Nobel laureate Jean Baptiste Perrin and his coworkers. (iii) The atomistics of solid-state diffusion had to wait for the birthday of solid-state physics heralded by the experiments of the German Nobel laureate Max von Laue. Equally important was the perception of the Russian and German scientists Jakov Frenkel and Walter Schottky, reinforced by the experiments of the American metallurgist Ernest Kirkendall, that point defects play an important role for properties of crystalline substances, most notably for those controlling diffusion and the many properties that stem from it. This paper is not meant as systematic history of diffusion. It is devoted to some major landmarks and eminent pioneers of diffusion including also people from recent decades until today.

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Gilbert, Pamela K. "HISTORY AND ITS ENDS IN CHARTIST EPIC." Victorian Literature and Culture 37, no. 1 (March 2009): 27–42. http://dx.doi.org/10.1017/s1060150309090032.

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In the mid-1800s, two significant and widelyread Chartist poems appeared, both written in prison by Chartist organizers, and both using the epic form to interrogate the present, body forth a utopian future, and rewrite a history conceived both as broadly human and specifically national. These long poems, Thomas Cooper'sPurgatory of Suicides(1845) and Ernest Jones'sThe New World, first published in 1851 and then republished after 1857 as theRevolt of Hindostan, have much to tell us about how radicals envisioned the history of Britain, its relationship with empire, and the fulfillment of the ends of history. Cooper's poem proceeds in ten books, written in Spenserian stanzas, in which he dreams of visiting a purgatory of suicides: mythical and historical personages who have committed suicide debate the reasons for their condition and the condition of the world. Jones's poem was written in couplets, supposedly on the torn pages of a prayer book, in his own blood. The poem surveys the rise and fall of multiple empires, and also surveys recent political history closer to home. The two poems look to the past and the future, to universal history and its end. They thus participate in utopian political discourse, with its emphasis on the end of history, as well as the epic tradition. Both utopian and epic discourse in this period were affiliated with specifically national narratives, and the internationalist and universal elements of the poems sometimes inhabit these genres uneasily. Additionally, both poets attend to the religious tradition of eschatological discourse that underlies the secular notion of the end of history, and work to reconcile it with the political vision they are promoting. These writers use unique combinations of spatial and temporal frames to achieve the reconciliation of their diverse goals with the genres and discourses that they claim and transform.

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Hall, M., R. A. P. Stott, A. A. Clark, K. T. H. Moore, M. Watson, M. G. Shaw, I. B. M. Stephen, R. W. Walker, and J. M. Winter. "Robert Turner Ernest John Coponet Kendall Ronald William Lones McLeish Thomas ("Tucker") Moore William Ross Sadler Stanley Grenville Shaw Charles Stuart Murray Stephen Bernard Colin Walker John Robert Winter." BMJ 319, no. 7216 (October 16, 1999): 1074. http://dx.doi.org/10.1136/bmj.319.7216.1074.

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Feldvoss, Lars. "En moderbunden Prometheus." K&K - Kultur og Klasse 29, no. 91 (January 10, 2001): 107–26. http://dx.doi.org/10.7146/kok.v29i91.21100.

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Hübner, Klaus, and Jürgen-Thomas Ernst. "Vom kleinen großen Leben." Literaturblatt für Baden-Württemberg, no. 1 (June 17, 2024): 19. http://dx.doi.org/10.53458/litbw.vi1.12270.

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Eșianu, Cornelia. "Thomas Bernhard, Kant and der Parrot." Kronstädter Beiträge zur germanistischen Forschung 22 (May 20, 2022): 211–31. http://dx.doi.org/10.31926/kbzgf.2022.22.13.

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In Thomas Bernhards Komödie Immanuel Kant will Kant, der Protagonist, eine Vorlesung halten, die allerdings nicht zustande kommen kann. Der bernhardsche Kant leidet wegen seines vorangeschrittenen Alters an Glaukom, dem grünen Star, und befindet sich mit seiner – man höre und staune – Frau und anderen Charakteren wie Ernst Ludwig und seinem im Käfig und meist unter einer Decke sich befindenden Papageien Friedrich, dem „Meistgehaßte[n]“[1] – denn der „psittacus erithacus“ war der „Philosoph an sich“, in „sich selbst“[2] –, aber auch der Millionärin, einem „Kind des Kapitalismus“[3], wie sie sich selbst beschreibt, oder der „Millionärrin“[4], wie diese von Kant genannt wird, dem Kardinal, dem Admiral, usw. an Bord eines Luxusschiffes auf dem Weg nach Amerika. Hierhin will Kant die Vernunft bringen und sein eigenes Augenlicht wiedererlangen. Vorliegender Text widmet sich einer näheren Untersuchung des Papageien Friedrich in Bernhards Theaterstück. In einem ersten Schritt werden die sogenannten Sprachspiele des Papageien beleuchtet, während in einem zweiten Schritt hermeneutisch vorgegangen und konkreter nach Rolle und Bedeutung von Friedrich gefragt wird.

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Kegler, Adelheid. "Ernst Jünger Von Thomas Amos." Monatshefte 106, no. 2 (2014): 326–28. http://dx.doi.org/10.1353/mon.2014.0034.

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Bürger, Sven-Uwe, and Ernst Schubert. "Rezension von: Schubert, Ernst, Räuber, Henker, Arme Sünder." Württembergisch Franken 95 (November 15, 2022): 248–50. http://dx.doi.org/10.53458/wfr.v95i.4222.

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Derschka, Harald, Edwin Ernst Weber, and Thomas Zotz. "Rezension von: Weber, Edwin Ernst; Zotz, Thomas (Hrsg.), Herrschaft, Kirche und Bauern im nördlichen Bodenseeraum in karolingischer Zeit." Zeitschrift für Württembergische Landesgeschichte 81 (September 15, 2022): 528–30. http://dx.doi.org/10.53458/zwlg.v81i.3919.

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Edwin Ernst Weber / Thomas Zotz (Hg.), Herrschaft, Kirche und Bauern im nördlichen Bodenseeraum in karolingischer Zeit. Stuttgart: Kohlhammer 2020. 207 S., zahlr. Abb. ISBN 978-3-17-038328-9. Geb. € 29,–

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34

Merlan, Francesca, and Alan Rumsey. "Obituary: Thomas Mitchell Ernst (1943–2016)." Asia Pacific Journal of Anthropology 18, no. 1 (January 1, 2017): 87–88. http://dx.doi.org/10.1080/14442213.2017.1253433.

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Levit, Georgy S., and Uwe Hossfeld. "Ernst Mayr’s Critique of Thomas Kuhn." Epistemology & Philosophy of Science 59, no. 4 (2022): 163–80. http://dx.doi.org/10.5840/eps202259463.

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In the early 1960s, American philosopher of science Thomas Kuhn contributed to a “crisis of rationality” with his hypothesis that science develops by means of paradigm shifts. He challenged the positivist concept of cumulative and continuous scientific progress. According to Kuhn, the relation between two succeeding scientific traditions ‘separated by a scientific revolution’ is characterized by conceptual incommensurability that constrains the interpretation of science as a cumulative, steadily progressing enterprise. Thomas Kuhn’s philosophy was heavily criticized by German-American biologist Ernst Mayr as unapplicable to the history of biology. Mayr, one of the most outstanding evolutionary biologists of the 20th century and a “co-architect” of the so-called Modern Synthesis (contemporary Darwinism), published extensively on the history and philosophy of biology as he thought that theoretical biology cannot progress without proper philosophy of science. Being convinced of the progressive development of Darwinism, Mayr pointed out that Kuhn’s concept of scientific revolutions does not reflect conceptual changes in evolutionary biology. Here we summarize Mayr’s critiques of Kuhn and, based on our own research, take Mayr’s side in the controversy between two great thinkers.

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Petterson, Christina. "Thomas Münzer and the World to Come." Religions 14, no. 8 (August 19, 2023): 1065. http://dx.doi.org/10.3390/rel14081065.

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This article examines the figure of Thomas Müntzer in Marxist historiography, as well as the “utopianisation” of Müntzer in Ernst Bloch’s 1921 study on Thomas Müntzer as Theologian of the Revolution. I review some of the differences in Martin Luther and Müntzer in their competing views for the future after the break from Rome, and the theological thrust of Müntzer’s vision. This is then connected with elements from Bloch’s Müntzer, chiefly focussing on spirit and history.

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Farooque, P., E. Barthes-Wilson, A. Price, J. Levi, K. Kelly, S. Sanders, G. Phillips, et al. "Martin Kwame Kari Kari Frimpong Alfred Jonathan Levi Edward Claude Lewis Ernest Donald Page Martin Roberts William Frederick Russell Raoul Peter Gauvain Sandon Thomas Smith Scott William Inglis Dunn Scott John Laing Stevenson Stanley Howard Taylor." BMJ 318, no. 7185 (March 13, 1999): 739. http://dx.doi.org/10.1136/bmj.318.7185.739.

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Chicote, Francisco García. "Mesianismo, soñar despierto y crítica de la tragedia en el joven Ernst Bloch." Terceira Margem 25, no. 45 (March 26, 2021): 194–213. http://dx.doi.org/10.55702/3m.v25i45.42642.

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Se trata aquí de presentar los conceptos del joven Ernst Bloch de lo trágico y lo cómico como claves de acceso a su crítica tanto del cientificismo como del dualismo subjetivista propios del campo intelectual centroeuropeo del finales del siglo XIX y principios del siglo XX. Se muestra cómo un esquema interpretativo mesiánico impulsa esta crítica en dos frentes y se discuten los análisis que el joven filósofo efectúa de El Quijote y Thomas Münzer en Espíritu de la utopía (1918/1923) y Thomas Münzer, teólogo de la Revolución (1921).

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Marc’hadour, Germain. "Ernst Troeltsch (1865–1923) and Thomas More." Moreana 30 (Number 114), no. 2 (June 1993): 93–94. http://dx.doi.org/10.3366/more.1993.30.2.9.

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Locke, Ralph P. "The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples." 19th-Century Music 45, no. 2 (2021): 93–118. http://dx.doi.org/10.1525/ncm.2021.45.2.93.

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Nineteenth-century French opera is renowned for its obsession with “the exotic”—that is, with lands and peoples either located far away from “us” Western Europeans or understood as being very different from us. One example: hyper-passionate Spaniards and “Gypsies” in Bizet’s Carmen. Most discussions of the role that the exotic plays in nineteenth-century French opera focus on a few standard-repertory works (mainly serious in nature), rather than looking at a wider range of significant works performed at the time in various theaters, including the Opéra, the Opéra-Comique, and Offenbach’s Bouffes-Parisiens. The present article attempts to survey the repertory broadly. Part 1 examines various “different” (or Other) lands and peoples frequently represented on stage in French operas. Part 2 discusses typical plots and character types found in these operas (sometimes regardless of the particular exotic land that was chosen) and concludes by exploring the musical means that were often employed to impel the drama and to convey the specific qualities of the people or ethnic group being represented. These musical means could include special or unusual traits: either all-purpose style markers of the exotic generally or more specific style markers associated with identifiable peoples or regions. But the musical means could also include any of the rich fund of devices that opera composers normally used when creating drama and defining character: melodic, harmonic, structural, and so on. This last point is often neglected or misunderstood in discussions of “the exotic in music,” which tend instead to focus primarily on elements that indisputably “point to” (as if semiotically) the specific land or people that the work is seeking to evoke or represent. In both Parts 1 and 2, instances are chosen from works that were often quite successfully performed at the time in French-speaking regions and that, even if little known today, can at least be consulted through recordings or videos. The works come from the standard recognized operatic genres: five-act grands opéras, three-act opéras-comiques, and short works in bouffe style. The composers involved include (among others) Adam, Auber, Berlioz, Bizet, Chabrier, Cherubini, Clapisson, Félicien David, Delibes, Flotow, Gomis, Gounod, Halévy, Messager, Meyerbeer, Hippolyte Monpou, Offenbach, Ernest Reyer, Saint-Saëns, Ambroise Thomas, and Verdi (Les vêpres siciliennes, Don Carlos). Examining certain lesser-known works reveals merits that have gone relatively unheralded. As for the better-known works, approaching them in this wide-angled way grants us a richer appreciation of their strengths and their often-enlivening internal contradictions.

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Pino, Jeffrey J., Matthew Hurd, Yifan Zhao, Kay Jang, Michael Allevato, Marina Vorontchikhina, Wataru Ichikawa, et al. "Abstract 7072: MYC acetylated lysine residues drive oncogenic cell transformation and regulate select genetic programs for cell adhesion-independent growth and survival." Cancer Research 84, no. 6_Supplement (March 22, 2024): 7072. http://dx.doi.org/10.1158/1538-7445.am2024-7072.

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Abstract The MYC oncogenic transcription factor is acetylated by the p300 and GCN5 histone acetyltransferases. The significance of MYC acetylation and functions of specific acetylated lysine (K) residues have remained unclear. Here, we show that the major p300-acetylated K148(149) and K157(158) sites in human (or mouse) MYC and the main GCN5-acetylated K323 residue are reversibly acetylated in various malignant and non-malignant cells. Oncogenic overexpression of MYC enhances its acetylation and alters regulation of site-specific acetylation by proteasome and deacetylase inhibitors. Acetylation of MYC at different K residues differentially affects its stability in a cell type- dependent manner. Lysine-to-arginine substitutions indicate that although none of the acetylated K (AcK) residues is required for MYC stimulation of adherent cell proliferation, individual AcK sites have gene-specific functions controlling select MYC-regulated processes in cell adhesion, contact inhibition, apoptosis, and/or metabolism, and are required for the malignant cell transformation activity of MYC. Each AcK site is required for anchorage-independent growth of MYC-overexpressing cells in vitro, and both the AcK148(149) and AcK157(158) residues are also important for the tumorigenic activity of MYC-transformed cells in vivo. These AcK residues may also preferentially activate transcription via facilitating MYC binding to several cancer-associated target gene promoters and via enhancing RNAP II recruitment. With the knowledge that MYC lysine residues can be acetylated by HATs GCN5 and P300, some HATs and HAT associated cofactors (i.e. YEATS2 and PIN1) are important for MYC recruitment to DNA binding. By identifying MYC acetylation-dependent coregulators and their oncogenic function, we proposed to understand whether and how MYC acetylation residues cooperate with its cofactors and influence malignant transformation in breast cancer cells.Overall, this study will uncover the functions and mechanisms of MYC acetylation in regulation of malignant transformation and the impact on breast cancer initiation and progression. By analyzing deregulated target genes and MYC-relevant coactivators, the MYC AcK site-specific signaling pathways identified may offer new avenues for selective therapeutic targeting of MYC oncogenic activities. Citation Format: Jeffrey J. Pino, Matthew Hurd, Yifan Zhao, Kay Jang, Michael Allevato, Marina Vorontchikhina, Wataru Ichikawa, Ryan Gates, Emily Villalpando, Michael Hamilton, Francesco Failo, Songqin Pan, Yue Qi, Yu-wen Hung, Thomas Girke, David Ann, Victoria Seewaldt, Ernest Martinez. MYC acetylated lysine residues drive oncogenic cell transformation and regulate select genetic programs for cell adhesion-independent growth and survival [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2024; Part 1 (Regular Abstracts); 2024 Apr 5-10; San Diego, CA. Philadelphia (PA): AACR; Cancer Res 2024;84(6_Suppl):Abstract nr 7072.

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Bateman, N. T., G. Levin, C. Morgan, P. Crellin, B. J. Murray, M. Dodd, M. Boll and partners, et al. "Sir Geoffrey Bateman Susan Caroline Bellman Patrick Ernest George Clements Robert Quayle ("Robin") Crellin Henry ("Harry") Doberman Frederick George Barclay Dodd John Ewell Anne Ferguson Henry Angus Fraser Thomas Frederick Rathbone Griffin Maria Elizabeth Grossman Herman Frank Harwood." BMJ 318, no. 7179 (January 30, 1999): 333. http://dx.doi.org/10.1136/bmj.318.7179.333.

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Masuch, Björn Thomas. "Leistungstest für Gewindewerkzeuge." VDI-Z 162, no. 01-02 (2020): 24–26. http://dx.doi.org/10.37544/0042-1766-2020-01-02-24.

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„Als Werkzeughersteller haben wir die Verpflichtung, unsere Produkte jedes Jahr leistungsfähiger zu machen“, erklärt Thomas Berschneider vom Emuge-Werk in Lauf die Strategie. Wie ernst das fränkische Unternehmen diese Pflicht nimmt, zeigt sich auch daran, dass Berschneider als Leiter der „Anwendungstechnik und Entwicklung“ (ATE) sowie 45 Mitarbeiter neuentwickelte Gewindewerkzeuge „auf Herz und Nieren“ prüfen – unter anderem auf zwei Bearbeitungszentren von Brother.

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44

Locke, Ralph P. "The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices." 19th-Century Music 45, no. 3 (2022): 185–203. http://dx.doi.org/10.1525/ncm.2022.45.3.185.

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Nineteenth-century French opera is renowned for its obsession with “the exotic”—that is, with lands and peoples either located far away from “us” Western Europeans or understood as being very different from us. One example: hyper-passionate Spaniards and “Gypsies” in Bizet’s Carmen. Most discussions of the role that the exotic plays in nineteenth-century French opera focus on a few standard-repertory works (mainly serious in nature), rather than looking at a wider range of significant works performed at the time in various theaters, e.g., the Opéra, the Opéra-Comique, and Offenbach’s Bouffes-Parisiens. The present article attempts to survey the repertory broadly. Part 1 examines various “different” (or Other) lands and peoples frequently represented on stage in French operas. Part 2 discusses typical plots and character types found in these operas (sometimes regardless of the particular exotic land that was chosen) and concludes by exploring the musical means that were often employed to impel the drama and to convey the specific qualities of the people or ethnic group being represented (as a community—through chorus and authority figures—and through the feelings and actions of individual characters). These musical means could include special or unusual traits: either all-purpose style markers of the exotic generally (oddities, one might say) or more specific style markers associated with an identifiable people or region (e.g., tunes, rhythms, and other devices understood as signaling one particular region). But the musical means could also include any of the rich fund of devices that opera composers normally used when creating drama and defining character: melodic, harmonic, structural, and so on. This last point is often neglected or misunderstood in discussions of “the exotic in music,” which tend instead to focus primarily on elements that indisputably “point to” (as if semiotically) the specific land or people that the work is seeking to evoke or represent. In both Parts 1 and 2, instances are chosen from works that were often quite successfully performed at the time in French-speaking regions and that, even if little known today, can at least be consulted through recordings or videos. The works come from the standard recognized operatic genres: e.g., five-act grands opéras, three-act opéras-comiques, and short works in bouffe style. Composers whose works are mentioned, or discussed in some detail, include (among others) Adam, Auber, Berlioz, Bizet, Chabrier, Clapisson, Félicien David, Delibes, Flotow, Gomis, Gounod, Halévy, Messager, Meyerbeer, Hippolyte Monpou, Offenbach, Ernest Reyer, Saint-Saëns, Ambroise Thomas, and Verdi (Les vêpres siciliennes, Don Carlos). Examining certain lesser-known works reveals merits that have gone relatively unheralded. As for the better-known works, approaching them in this wide-angled way grants us a richer appreciation of their strengths and their often-enlivening internal contradictions.

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Gaede, Kirsten. "Lauter Plattitüden." kma - Klinik Management aktuell 13, no. 05 (May 2008): 10. http://dx.doi.org/10.1055/s-0036-1574674.

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“Personalmanagement im Krankenhaus: Grundlagen und Praxis”. Der Titel klingt zum Dahindämmern, doch die Autorennamen lassen aufhorchen: Mitgewirkt am Buch von Heinz Naegler, Honorarprofessor der Fachhochschule für Wirtschaft Berlin, haben Ernst-Otto Kock und Dorothea Schmidt. Bei Branchenkennern kommt freudige Erwartung auf: Der einstige Vivantes-Arbeitsdirektor und die Helios-Personalleiterin auf Konzernebene werden sicherlich Erhellendes zu berichten haben, ebenso wie Thomas Kersting, Sprecher der Geschäftsführung der DRK-Kliniken Berlin.

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Maciel, Marta Maria Aragão, and Antonio Rufino Vieira. "MARXISMO E RELIGIÃO OU O ATEÍSMO NO CRISTIANISMO: A ANÁLISE DE ERNST BLOCH." Revista Dialectus - Revista de Filosofia, no. 21 (April 30, 2021): 136–54. http://dx.doi.org/10.30611/2021n21id70897.

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No deslindar da reflexão acerca da relação entre utopia e religião, Ernst Bloch pode ser apontado como um autor segundo o qual o ateísmo é a verdade da religião, tal como pode sugerir o título de seu importante trabalho O ateísmo no cristianismo (1968). De fato, a questão da religião é tão relevante como experiência utópica que várias das obras de Ernst Bloch abordam o tema, encontrando-se também presente em obras como O Espírito da utopia (1918), Thomas Münzer: teólogo da revolução (1921), e na sua mais importante e conhecida obra, O Princípio esperança (1954-1959). Pretendemos refletir o significado da relação entre marxismo e religião no pensamento de Ernst Bloch, relação essa que nos permitirá compreender como é apenas aparente o paradoxo existente ao nos reportarmos ao autor de Herança dessa época como um “marxista cristão”, ou como um pensador “ateu religioso”, ou mesmo “ateu cristão”. Para tanto, necessitamos refletir a relação estabelecida entre utopia e religião, central na obra do autor aqui em questão, cujos lineamentos busca-se vincular diretamente ao marxismo. Como parte da superestrutura, a religião ocupa, com efeito, lugar central na preocupação filosófica de Ernst Bloch, de modo a não podermos desconsiderar essa experiência utópica que ocupa espaço tão relevante em sua produção teórica.

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Le Rider, Jacques. "Vitupération, «extinction» et satire a-politique chez Thomas Bernhard." Revue d’Allemagne et des pays de langue allemande 34, no. 2 (2002): 265–78. http://dx.doi.org/10.3406/reval.2002.5696.

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Thomas Bernhards gesamte «politische» Tragweite wird auf nichts reduziert, wenn man den Nachdruck auf die reine Zurücknahme der «Botschaft» durch die selbstzerstörische Ironie legt, die darin besteht, die Satire auf Österreich grotesken und verstörten Protagonisten anzuvertrauen, die nicht ernst genommen werden können. So also läßt sich erklären, daß der Autor von Heldenplatz Objekt eines Unterfangens der systematischen Entpolitisierung und Vereinnahmung für die Zwecke der offiziellen Kulturpolitik dieses österreichischen Staates wurde, den er verabscheute und den er durch seine letzten testamentarischen Verfügungen «enterben» wollte.

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Malandrin, Hiago Vaccaro. "Um olhar sobre a ideia de natureza na produção de Raymond Williams." Leitura: Teoria & Prática 40, no. 84 (May 13, 2022): 85–100. http://dx.doi.org/10.34112/2317-0972a2022v40n84p85-100.

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Este artigo apresenta como o autor galês Raymond Williams (1921-1988) constrói uma perspectiva de Natureza bastante pessoal no interior de sua produção, em especial no livro O Campo e a Cidade, e como esse sentido de natureza está articulado à ideia de cultura para o autor. Em relação a este tema, apresentaremos e fecharemos a lacuna entre a perspectiva de William e a de outros autores dos estudos de literatura, história e cultura, como Keith Thomas, Ernst Curtius e Norbert Elias, em diálogo com Williams.

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Raggio, Marcela. "Ernesto Cardenal: A Latin American Liberation Mystic." Religions 14, no. 5 (May 15, 2023): 655. http://dx.doi.org/10.3390/rel14050655.

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This paper explores mysticism as seen in Ernesto Cardenal’s El Evangelio en Solentiname (The Gospel in Solentiname), aiming at both defining Cardenal as a revolutionary and a traditional mystic, shaped by Thomas Merton’s influence and by Latin American political circumstances. Mysticism is usually defined as individual contemplation of God, immediate and unmediated. Yet, in the context of Latin American 20th-century struggles for liberation, mysticism became contemplation of God while the individual is committed to the community. This perspective is studied in Cardenal’s book, supported with his memoir Las ínsulas extrañanas (The Strange Islands), to show that Cardenal is a mystic, notwithstanding his political commitment, or precisely because of that. The theoretical background draws notions from liberation theology and liberation philosophy. Paradoxically, in spite of its revolutionary claims, Cardenal’s The Gospel in Solentiname can be seen in the line of traditional mysticism, in its challenge of power from the margins and its presentation of alternative modes of communicating with the divine.

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Gottlieb, Sidney. "Thomas O. Calhoun, Laurence Heyworth, and J. Robert King, eds. Ernest W. SullivanII , textual consultant. The Collected Works of Abraham Cowley. Volume 2: Poems (1656). Part I: The Mistress. Newark: University of Delaware Press. London and Toronto: Associated University Presses, 1993. 649 pp. $80.00." Renaissance Quarterly 49, no. 4 (1996): 882–84. http://dx.doi.org/10.2307/2862988.

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Journal articles on the topic '(Thomas Ernest)'

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