Log in

Relevant bibliographies by topics / Thomas Hardy's Jude the Obscure / Journal articles

To see the other types of publications on this topic, follow the link: Thomas Hardy's Jude the Obscure.

Journal articles on the topic 'Thomas Hardy's Jude the Obscure'

Author: Grafiati

Published: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 39 journal articles for your research on the topic 'Thomas Hardy's Jude the Obscure.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Elbarbary, Samir. "GLIMMERINGS OF THE POSTMODERN IN THOMAS HARDY'S JUDE THE OBSCURE." Victorian Literature and Culture 46, no. 1 (March 2018): 201–19. http://dx.doi.org/10.1017/s1060150317000390.

Full text

Abstract:

In their evaluation ofJude the Obscure (1895), some earlier literary critics have justifiably (given the historical context) judged the text by the standards of the then dominant and sustained New Criticism trend, taking into account its symbiotic relationship with modernist aesthetics. The basic premise behind this conception was the aesthetic notion of structural and thematic unity as well as coherence and integrity of character. These notions were high on the agenda of the New Criticism of the 1940s and onwards. The narrative was found most lacking in this respect. An article entitled, “Hardy and the Fragmentation of Consciousness” (1975) by Harold L. Weatherby, a foremost Hardy critic, serves as an outstanding example of such a critical view. It makes the case that what ails Jude is its unruliness and disjunctiveness: “the brilliance of the novel's peripheries can scarcely compensate for a profound weakness at its center. Indeed the centre cannot hold: the book falls into fragments” (“Hardy” 469). Weatherby continues, arguing that “There is no unified authorial consciousness” (470), that “Hardy as narrator contradicts himself repeatedly in his estimation of what is right or wrong, good or bad, for his characters” (470), and that it is “an artistic failure . . . failing to achieve unity and coherence” (479). Hardy, in addition, is undeservedly dismissed as “the old-fashioned man from Wessex” (483) – which reminds us of the well-known “good little Thomas Hardy” epithets of Henry James's adverse judgment (Cox xxxi). The article also associates incoherence and contradictions in the narrative with attitudinal ambivalences in Hardy's own mind (473, 476). Undeniably, Jude is permeated with incoherence. Who can disagree? It is deeply involved in sustained and unsettled opposition and what may be termed the play of Derridean différance (Positions 14). And, indeed, Hardy himself acknowledges the tangle of disconnections and self-contradictions disrupting the stability of character in a notebook admission (which shows it to be his design): Of course the book is all contrasts . . . Sue and her heathen gods set against Jude's reading the Greek testament; Christminster academical, Christminster in the slums; Jude the saint, Jude the sinner; Sue the Pagan, Sue the saint, marriage, no marriage; &c., &c. (Life 272–73)

APA, Harvard, Vancouver, ISO, and other styles

2

Ninčetović, Nataša V. "AN ECOCRITICAL READING OF THOMAS HARDY’S JUDE THE OBSCURE." Филолог – часопис за језик књижевност и културу 13, no. 26 (December 31, 2022): 358–69. http://dx.doi.org/10.21618/fil2226357n.

Full text

Abstract:

Jude the Obscure (1895) is traditionally interpreted as Thomas Hardy’s bleakest and most pessimistic novel. From the perspective of ecocriticism, it may be viewed as the author’s endeavour to challenge the dominant anthropocentric attitude of the nineteenth century. Relying on Darwin’s theory of the common origin of species, Hardy believed that people should recognise their connectedness and dependence on the whole living world. The novel implies that man should abandon his self-centeredness and embrace other perspectives. This, however, does not mean that Hardy does not see people as valuable and important. In a world where religion loses its power we should rely on other people. The implication of Jude the Obscure is that the way we treat each other is linked to the way we treat nature. Hardy’s pessimism is the consequence of his realisation that ideas of Darwin were manipulated and (mal)adjusted to society. The character of Jude Fawley is doomed to tragedy due to his hypersensitivity, which is incorrectly perceived as a flaw in the society which promotes autonomy and separateness instead of connectedness and mutual dependence.

APA, Harvard, Vancouver, ISO, and other styles

3

Bezrucka, Yvonne. "THE WELL-BELOVED: THOMAS HARDY'S MANIFESTO OF “REGIONAL AESTHETICS”." Victorian Literature and Culture 36, no. 1 (March 2008): 227–45. http://dx.doi.org/10.1017/s1060150308080133.

Full text

Abstract:

The Pursuit of the Well-Beloved was first published in serial instalments (from 1 October to 17 December1892) with illustrations by Water Paget; see Figure 6) in the Illustrated London News and were published simultaneously with the same title in the American magazine Harper's Bazar. It then appeared in book form, with substantial revisions, as The Well-Beloved: A Sketch of a Temperament in 1897, and was, in fact, the last of Hardy's novels to appear (Jude the Obscure being published in 1895).

APA, Harvard, Vancouver, ISO, and other styles

4

Lyons, Sara. "Thomas Hardy and the Value of Brains." Victorian Literature and Culture 48, no. 2 (2020): 327–59. http://dx.doi.org/10.1017/s1060150318001572.

Full text

Abstract:

This article reads Thomas Hardy's The Woodlanders (1887) and Jude the Obscure (1895) as ambivalent responses to the new conception of human intelligence that emerged from Victorian psychology and evolutionary theory and which formed the basis of what I describe as the Victorian biopolitics of intelligence. Although these novels reflect Hardy's endorsement of the new biological model of intelligence, they also register his resistance to what many late Victorians assumed to be its corollary: that mental worth can be an object of scientific measurement, classification, and ranking. I suggest that the work of the philosopher Jacques Rancière illuminates the extent to which these novels challenge the scientific reification of intellectual inequality and attempt to vindicate overlooked and stigmatized forms of intelligence.

APA, Harvard, Vancouver, ISO, and other styles

5

Yeazell, Ruth Bernard. "The Lighting Design of Hardy's Novels." Nineteenth-Century Literature 64, no. 1 (June 1, 2009): 48–75. http://dx.doi.org/10.1525/ncl.2009.64.1.48.

Full text

Abstract:

This essay argues that the phenomenology of light in Thomas Hardy's novels affords a key to his representation of subjectivity. The lighting of most scenes in nineteenth-century fiction is never specified. But from the spectacular lighting effects of Hardy's early sensation novel, Desperate Remedies (1871), to the futile quest for the "City of Light" in Jude the Obscure (1895) and the burned-out pyrotechnics of his last narrative, The Well-Beloved (1897), the light of Hardy's fiction is marked in a double sense——both described in detail and registered as exceptional. Rather than a figure for enlightenment, as in the realist novels of George Eliot and others, Hardy's light is the medium of subjectivity, and it characteristically occludes and distorts as much as it illuminates. Like the painter J.M.W. Turner, whose art the novelist excitedly recognized as an analogue of his own, Hardy represents light not as an absence to be looked through but as something to be looked at and closely observed in all its varieties.

APA, Harvard, Vancouver, ISO, and other styles

6

Beyad, Maryam Soltan, and Taraneh Kaboli. "Multiplicity of Ideas Concerning the Concept of Marriage in Thomas Hardy‘s Jude the Obscure." International Academic Journal of Humanities 06, no. 01 (June 26, 2019): 148–75. http://dx.doi.org/10.9756/iajh/v6i1/1910016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Lu, Guorong, and Zhehui Zhang. "On the Theme of Thomas Hardy’s Jude the Obscure." English Language and Literature Studies 9, no. 3 (August 20, 2019): 15. http://dx.doi.org/10.5539/ells.v9n3p15.

Full text

Abstract:

Thomas Hardy’s Jude the Obscure got the most attention of the critical world in the nineteenth century of Britain. The theme was always regarded as the embodiment of original sin, pessimism and voluntarism. However, when the theme is analyzed again, it will be found something totally different. Hence, three-phase patterns are to be singled out for a case study in order to shed light upon some facts and conclusions. The first stage is the expression of optimism from the perspective of symbolism; the second stage is the representation of conflict between character and environment in light of Darwinism; the third stage is the exploration of rationality from the viewpoints of religion and feminism. What can be learned is that the story is meant to show readers the kindness tendency, the courage to face the harsh reality and a sense of rationality.

APA, Harvard, Vancouver, ISO, and other styles

8

Thomas, Jane. "Thomas Hardy , Jude the Obscure and ‘Comradely Love’." Literature & History 16, no. 2 (November 2007): 1–15. http://dx.doi.org/10.7227/lh.16.2.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Davis, William A. "Reading Failure in(to) Jude the Obscure: Hardy's Sue Bridehead and Lady Jeune's “New Woman” Essays, 1885–1900." Victorian Literature and Culture 26, no. 1 (1998): 53–70. http://dx.doi.org/10.1017/s1060150300002278.

Full text

Abstract:

Thomas hardy was at work on his last novel, Jude the Obscure, when two of the best-known New Woman novels of the 1890s, Sarah Grand's The Heavenly Twins and George Gissing's The Odd Women, appeared in 1893. Hardy read The Heavenly Twins, or at least parts of it, in May 1893 and noted its criticism of the “constant cultivation of the [female] animal instincts” (i.e., the marital and maternal instincts) in his notebook (qtd. in Literary Notebooks 2:57). Hardy met Sarah Grand later in the spring and praised her to his friend Florence Henniker as a writer who had “decided to offend her friends (so she told me) — & now that they are all alienated she can write boldly, & get listened to” (Collected Letters 2:33). Hardy was also at this time looking into the popular short-story collection Keynotes (1893) by George Egerton (Mary Chavelita Clairmonte), from which he copied a passage concerning man's inability to appreciate “the problems of [woman's] complex nature” (qtd. in Literary Notebooks 2:60). Hardy's interest in George Egerton continued for several years. He wrote to Florence Henniker in January 1894 and reported that he had “found out no more about Mrs. Clairmont [sic]”; Sue Bridehead at this same time was still “very nebulous” (Collected Letters 2:47). Two years later, Hardy had found the author of Keynotes and finished his novel: he wrote to Mrs. Clairmonte in late December 1895, two months after the publication of Jude the Obscure, and commented on their shared interest in the Sue characters “type”: “I have been intending for years to draw Sue, & it is extraordinary that a type of woman, comparatively common & getting commoner, should have escaped fiction so long” (Collected Letters 2:102). Hardy's comment suggests that Sue's origins were, at least in part, real New Women, and that he had been following the New Woman phenomenon for several years. Hardy had completed work on Jude in the spring of 1895 while simultaneously reading another New Woman novel, the best-selling and controversial The Woman Who Did (1895) by Grant Allen. Hardy wrote to Allen in February 1895 to thank Allen for sending a copy of the novel and to express his praise for the book, which he had read “from cover to cover.” Hardy added that it “was curious to find how exactly [Allen] had anticipated my view” (Collected Letters 2:68).

APA, Harvard, Vancouver, ISO, and other styles

10

Baranova, Anastasiya V. "THE FIRST RUSSIAN TRANSLATIONS OF THOMAS HARDY’S JUDE THE OBSCURE." Вестник Пермского университета. Российская и зарубежная филология 9, no. 2 (2017): 73–81. http://dx.doi.org/10.17072/2037-6681-2017-2-73-81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Wilson-Bates, Tobias. "The Circus and the Deadly Child: Ruptures of Social Code in Jude the Obscure." Acta Neophilologica 51, no. 1-2 (November 21, 2018): 127–35. http://dx.doi.org/10.4312/an.51.1-2.127-135.

Full text

Abstract:

Thomas Hardy’s Jude the Obscure has frequently been read as Hardy›s social critique of marriage, class, and systemic education. Readings of the novel in this critical tradition have a tendency to simplify the text into an allegory emergent from Hardy’s own biography. I seek to destabilize these readings by instead engaging with the text as one not concerned with institutions but rather the underlying social codes that give them coherence. By pairing Mikhail Bakhtin’s concept of speech and counter speech with Lee Edelman’s queer critique of child-centered futurity, I offer a new reading of the novel that privileges codes and legibility as central to the novel’s critical project.

APA, Harvard, Vancouver, ISO, and other styles

12

Arnds, Peter. "The Boy with the Old Face: Thomas Hardy's Antibildungsroman "Jude the Obscure" and Wilhelm Raabe's Bildungsroman "Prinzessin Fisch"." German Studies Review 21, no. 2 (May 1998): 221. http://dx.doi.org/10.2307/1432203.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Bernard, Stéphanie. "Jude the Obscure de Thomas Hardy et l’autorité de la lettre." Revue LISA / LISA e-journal, Vol. V - n°4 (December 1, 2007): 170–81. http://dx.doi.org/10.4000/lisa.1419.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Morrison, Ronald D. "Humanity towards Man, Woman, and the Lower Animals: Thomas Hardy's Jude the Obscure and the Victorian Humane Movement." Nineteenth Century Studies 12, no. 1 (January 1, 1998): 64–82. http://dx.doi.org/10.2307/45196806.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Morrison, Ronald D. "Humanity towards Man, Woman, and the Lower Animals: Thomas Hardy's Jude the Obscure and the Victorian Humane Movement." Nineteenth Century Studies 12, no. 1 (January 1, 1998): 64–82. http://dx.doi.org/10.2307/ninecentstud.12.1998.0064.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

KIM, Chi-Hun. "Evolution or Degeneration in Thomas Hardy’s Jude the Obscure in the Context of the Darwinism." Literature and Religion 20, no. 3 (September 30, 2015): 225–42. http://dx.doi.org/10.14376/lar.2015.20.3.225.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Sagong, Chaul. "Postcolonial Subaltern in Thomas Hardy’s Novels : Focused on Tess of the D’Urbervilles and Jude the Obscure." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 76 (August 31, 2020): 73–97. http://dx.doi.org/10.21087/nsell.2020.08.76.73.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Yourtee, Jean Ann. "Listening to the Stone Thomas Hardy .Jude the Obscure. London, 1896; New York, Bantam, 1981." San Francisco Jung Institute Library Journal 12, no. 2 (June 1993): 61–73. http://dx.doi.org/10.1525/jung.1.1993.12.2.61.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Cooper, Andrew. "VOICING THE LANGUAGE OF LITERATURE: JUDE’S OBSCURED LABOR." Victorian Literature and Culture 28, no. 2 (September 2000): 391–410. http://dx.doi.org/10.1017/s1060150300282090.

Full text

Abstract:

[Hardy] is too fond — and the practice has been growing on him through all his later books — of writing like a man “who has been at a great feast of languages and stole the scraps,” or, in plain English, of making experiments in a form of language which he does not seem clearly to understand, and in a style for which he was assuredly not born. (Mowbray Morris)No reader can fail to notice — and few critics have failed to deplore — the ponderous allusions to literature and art which strew with their initial capitals the pages of Hardy’s early novels. . . . The mark of the autodidact is perhaps to be found not so much in what he knows as in how he regards the world of knowledge. . . . Hardy may have known more than many a man with a university education, but he lacked the kind of intellectual as well as social assurance that such an education might have given him. (Thomas Hardy: His Career as a Novelist, Michael Millgate)DESPITE A GAP OF ONE HUNDRED YEARS between these two statements, they exhibit little difference with regard to an issue that has drawn critical comment since first publication of Thomas Hardy’s novels: the language of the texts. Morris and Millgate both disapprove of Hardy’s style because of its overt use of quotation, but behind this lies the view that good style depends upon correct language, and that the ability to use language correctly is the preserve of a select few by virtue of their class or education. In the one hundred years and more since Hardy wrote the novels, there are many instances of critics sharing this opinion. And yet, of course, from the early 1970s onwards, new theoretical approaches to language have increasingly dominated critical practice, changing rapidly the premises of literary interpretation. More specifically, the relationship between literature, language, and education has been theorized as an ideological matrix requiring precise historical and political analysis. The late nineteenth century in England, with its dramatic changes in State Education and the cultural crisis leading to fin-de-siècle decadence has proved fertile ground for investigations of these issues, which have indeed cited Hardy’s texts in the process.1 This article invokes that research in its focus upon Jude the Obscure — the novel by Hardy that most explicitly explores the links between education, literature, and language in the context of class.

APA, Harvard, Vancouver, ISO, and other styles

20

Robbins, Bruce. "Class, Culture, and Killing." boundary 2 47, no. 1 (February 1, 2020): 201–13. http://dx.doi.org/10.1215/01903659-7999569.

Full text

Abstract:

In the final volume of a trilogy about the concept of culture and its relation to politics, Francis Mulhern defines a new genre, the condition of culture novel, and traces it from Thomas Hardy’s Jude the Obscure and E. M. Forster’s Howards End to Hanif Kureishi’s The Black Album and Zadie Smith’s On Beauty, reading off from it middleclass anxieties about the rise of the working-class movement. What does it mean about the novel or about the working-class movement itself that so many working-class characters are killed off by their aspiration to culture or are presented as murderers of their so-called superiors? Is the aspiration itself fundamentally flawed, or is the flaw in the novels? Mulhern’s persuasive allegorical readings can be read as a fascinating application of the Greimasian semiotic square as well as a renewal of Mulhern’s epic debate with the intellectual historian Stefan Collini, in the pages of New Left Review, over the proper relation between culture and politics.

APA, Harvard, Vancouver, ISO, and other styles

21

Hamad Sharif, Asst Prof Dr Azad. "Modern City as the Source of Tragedy in Thomas Hardy’s Major Novels." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 59, no. 3 (September 15, 2020): 57–68. http://dx.doi.org/10.36473/ujhss.v59i3.1149.

Full text

Abstract:

This study examines the perpetual suffering of the farmers, agricultural workers, and peasants who were forced to abandon their habitat from Wessex and settle in big industrial cities of England. This forced migration was due to the industrialization and mechanization of the rural areas of Wessex which finally led to the environmental destruction during the critical period of the nineteenth century in the history of England. The peasants and farmers, who lost all sources of living, were heading towards the big cities in the hope of finding a new opportunity and a better way of living. As a result of this displacement, the moral and the social values of the English peasantry changed greatly. The life of the displaced farmers, agricultural workers, and peasants underwent powerful transformations as a result of the social change in the cities. There, they faced unforgettable social problems that destroyed the dreams and aspirations of most of them in life. The anguish and the agonies of the afflicted group of the farmers, agricultural workers, and peasants are vividly reflected in Thomas Hardy’s major novels. The Mayor of Casterbridge focuses on the tragic plight of the English peasantry when they come into contact with the people from the cities. Jude the Obscure (1895) portrays the disappointment and the tragedy of the ambitious countrymen who think that the glitter of the industrial cities offers them more happiness than the simple beauty of the rural society.

APA, Harvard, Vancouver, ISO, and other styles

22

Buda, Agata. "Food as the Representation of Idyllic Landscape of Victorian World in the Novels by Thomas Hardy." CLEaR 3, no. 1 (March 1, 2016): 47–51. http://dx.doi.org/10.1515/clear-2016-0005.

Full text

Abstract:

Abstract The aim of the paper is to analyse the idea of cooking/eating in two novels by Thomas Hardy: Jude the Obscure and Tess d’Urbervilles. Both works present the idea of food as one of the major points of reference in human relationships. One of the aspects worth analysing is eating as one of the most crucial primary needs. Another one is family eating. The meetings are preceded by careful preparation of meals (e.g. Sunday preparations in Arabella’s house or cooking in the house of the Crick family). The food often becomes the major topic during these meetings, showing in this way the idyllic character of family eating: the looks of dining rooms and kitchens are essential as well as the possibility of talking to each other while eating. This idyllic space of collective eating (according to M. Bakhtin) can be frequently destroyed by social conventions; when Tess was rejected by society, she used to eat alone and did not take care of what she eats. Both novels explore the idea of food making it important for the creation of an idyll.

APA, Harvard, Vancouver, ISO, and other styles

23

Crangle, Sara. "Hardy's Jude the Obscure." Explicator 60, no. 1 (January 2001): 24–27. http://dx.doi.org/10.1080/00144940109597158.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Faubert, Michelle. "Hardy's Jude the Obscure." Explicator 60, no. 2 (January 2002): 76–78. http://dx.doi.org/10.1080/00144940209597661.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Kearney, Anthony. "Hardy's Jude the Obscure." Explicator 57, no. 3 (January 1999): 154–56. http://dx.doi.org/10.1080/00144949909596853.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Mattisson, Jane. "To Australia and Back. The Metaphor of Return in Dickens’ David Copperfield and Great Expectations and Thomas Hardy’s Jude the Obscure." Nordic Journal of English Studies 2, no. 1 (January 1, 2003): 129. http://dx.doi.org/10.35360/njes.130.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

KEARNEY, ANTHONY. "EDMUND GOSSE, HARDY'S JUDE THE OBSCURE , AND THE REPERCUSSIONS OF 1886." Notes and Queries 47, no. 3 (September 1, 2000): 332—b—334. http://dx.doi.org/10.1093/nq/47-3-332b.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

KEARNEY, ANTHONY. "EDMUND GOSSE, HARDY'S JUDE THE OBSCURE, AND THE REPERCUSSIONS OF 1886." Notes and Queries 47, no. 3 (2000): 332—b—334. http://dx.doi.org/10.1093/nq/47.3.332-b.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Risling, Matthew Michael. "The Antisocial Fantasies of Jude the Obscure." Pivot: A Journal of Interdisciplinary Studies and Thought 2, no. 1 (March 26, 2013). http://dx.doi.org/10.25071/2369-7326.34714.

Full text

Abstract:

This article discusses two prevalent tensions in Thomas Hardy’s Jude the Obscure: Jude’s failed attempts to become a Christminster scholar, and his vexed sexual relationships. At different points in the novel’s publication history, Hardy figures each of these tensions as the novel’s primary conflict. By so doing, he seems to invite the reader to decide whether the novel is really about “the tragedy of unfulfilled aims” or “a deadly war waged between the flesh and spirit.” Reading the novel through a psychoanalytic framework, I argue that Hardy offers this as a false choice. Rather, I suggest that Jude’s academic and sexual ambitions are simply two manifestations of a single antisocial fantasy.

APA, Harvard, Vancouver, ISO, and other styles

30

GUO Yu-hua. "Fatalism in Thomas Hardy’s Jude the Obscure." US-China Foreign Language 14, no. 9 (September 28, 2016). http://dx.doi.org/10.17265/1539-8080/2016.09.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

"Book Review. Jude the Obscure Thomas Hardy." Forum for Modern Language Studies 37, no. 3 (July 1, 2001): 342–43. http://dx.doi.org/10.1093/fmls/37.3.342-c.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Bernard, Stéphanie. "La science et le savoir obscur dans Jude the Obscure de Thomas Hardy." Miranda, no. 1 (March 1, 2010). http://dx.doi.org/10.4000/miranda.586.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

N.S., Saleh, and Abbasi P. "The Ideological Questions of Marriage in Thomas Hardy’s Jude the Obscure." k@ta 17, no. 2 (February 1, 2016). http://dx.doi.org/10.9744/kata.17.2.49-57.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Ibrahim, Mohammed Feze'a. "Rereading The Image Of Woman In Jude The Obscure Of Thomas Hardy." مجلة آداب الفراهيدي, 2021, 431. http://dx.doi.org/10.51990/2228-013-044-038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Goater, Thierry. "‘The return of the native by Thomas Hardy: Eustacia Vye or the bovarysme embodied in Wessex”." Cadernos de Letras da UFF 26, no. 53 (January 15, 2017). http://dx.doi.org/10.22409/cadletrasuff.2016n53a341.

Full text

Abstract:

Thomas Hardy (1840-1928) is one of the great English novelists of the late Victorian era. Far from the Madding Crowd, The Return of the Native, The Mayor of Casterbridge, Tess of the d’Urbervilles and Jude the Obscure are among his most famous novels. If he was not directly influenced by Gustave Flaubert’s aesthetics, Hardy was very much inspired by the heroine of Madame Bovary. Indeed, quite a few of Hardy’s female characters, whether in his novels or in his short stories, suffer with varying degrees from “bovarysme’, the disease of imagination and affectivity which is one of Emma Bovary’s central features. This paper aims to shed light on the posterity of Flaubert’s character through Eustacia Vye, the heroine of The Return of the Native, to show to what extent she represents not a pale imitation but an original variation on an essential model of Western literature.

APA, Harvard, Vancouver, ISO, and other styles

36

MBODJI, Dr Modou. "Two Iconoclast Characters One from Fiction and Another from Nonfiction: Judethe Obscure by Thomas Hardy and King Henry Viii." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 04, no. 03 (March 25, 2021). http://dx.doi.org/10.47191/ijmra/v4-i3-14.

Full text

Abstract:

The relationship between reality and literature was and still is debated in intellectual circles. A literary text is not a historical text. In the latter case, authentic facts and real people are reported who can be localized in time and space, whereas in the literary text everything is in the imagination, in the author's creative faculty. He has the latitude, for example, to take real facts and to scramble the tracks. This is to say that, in the literary text, one can find in the final analysis, an analogy, a connection with reality. This is the whole object of this article which is interested in a literary character Jude Obscure of the eponymous novel by Joseph Conrad and on one of the most famous kings of the United Kingdom Henry VIII especially in relation to their behavior compared to the norms social and Christian religion.

APA, Harvard, Vancouver, ISO, and other styles

37

Dinić, Rastislav. "MACINTYRE, RAWLS AND CAVELL ON GAMES, RULES AND PRACTICES." Facta Universitatis, Series: Philosophy, Sociology, Psychology and History, September 8, 2017, 077. http://dx.doi.org/10.22190/fupsph1702077d.

Full text

Abstract:

John Rawls and Alasdair Macintyre are usually portrayed as opponents in the liberal-communitarian debate. However, Stanley Cavell’s critique of Rawls’ early paper “Two Concepts of Rules”, helps us recognize a similarity between their accounts of rules, games and practices and the role that these play in moral life. This paper shows that both authors pay insufficient attention to personal relationships, the flexibility of our moral life, and the need to take responsibility for our moral positions. A scene from Thomas Hardy’s “Jude the Obscure” is used to show how this presents a serious problem for Macintyre’s model of tradition-based moral reasoning.

APA, Harvard, Vancouver, ISO, and other styles

38

"John Morley's ‘On the Study of Literature’ and Hardy's Jude the Obscure." Notes and Queries, December 1987. http://dx.doi.org/10.1093/nq/ns-34.4.499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Öğünç, Ömer. "THOMAS HARDY’NİN JUDE THE OBSCURE ESERİNDE TEK BOYUTLU İNSAN." Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, January 31, 2018, 323–54. http://dx.doi.org/10.21550/sosbilder.330967.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!