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Dissertations / Theses on the topic 'Thomas Mann'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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1

Nyemb, Bertin. "Interkulturalität im Werk Thomas Manns : zum Spannungsverhältnis zwischen Deutschem und Fremdem." Stuttgart ibidem-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2938813&prov=M&dokv̲ar=1&doke̲xt=htm.

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2

Mehring, Reinhard. "Thomas Mann : Künstler und Philosoph /." München : W. Fink, 2001. http://catalogue.bnf.fr/ark:/12148/cb390358688.

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3

Gut, Philipp. "Thomas Manns Idee einer deutschen Kultur /." Frankfurt am Main : Fischer, 2008. http://d-nb.info/986653373/04.

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4

Schöll, Julia. "Joseph im Exil : zur Identitätskonstruktion in Thomas Manns Exil-Tagebüchern und -Briefen sowie im Roman "Joseph und seine Brüder /." Würzburg : Königshausen & Neumann, 2004. http://catalogue.bnf.fr/ark:/12148/cb39200111w.

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5

Odendahl, Johannes. "Literarisches Musizieren : Wege des Transfers von Musik in die Literatur bei Thomas Mann /." Bielefeld : Aisthesis-Verl, 2008. http://d-nb.info/988603675/04.

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6

Smith, Craig O. "Déjà vu, the sublime, and the uncanny : the route to self-overcoming of Hans Castorp's "Schnee" vision in Thomas Mann's Der Zauberberg /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9951.

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7

Gökberk, Ülker. "Konservatismus, Skepsis, Fortschrittsdenken : Thomas Manns Betrachtungen eines Unpolitischen /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/9933.

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8

Lorenzen-Peth, Jennifer. "Erzählperspektive und Selbstreflexion in Thomas Manns Erzählungen : Sinnkonstitution und Sinndestruktion /." Kiel : Ludwig, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3064960&prov=M&dok_var=1&dok_ext=htm.

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9

Ette, Wolfram. "Freiheit zum Ursprung : Mythos und Mythoskritik in Thomas Manns Josephs-Tetralogie /." Würzburg : Königshausen & Neumann, 2002. http://www.gbv.de/dms/bs/toc/338804641.pdf.

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10

Peters, Friedrich Ernst. "Thomas Mann und die Romantik." Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6126/.

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Essay über Thomas Mann, sein Verhältnis zur Romantik und die romantischen Elemente in seinem Werk. Die Gliederung des Textes folgt mit sieben Abschnitten dem Vorbild des "Zauberberg" (1924), der eine wichtige Rolle in Peters' Ausführungen spielt. Kommentare zu Thomas Manns Bildungsroman sind eingebettet in Betrachtungen zu der Polarität von Klassik und Romantik oder zu Künstlertum und Bürgertum. Der 4. Abschnitt des Essays befasst sich mit den "himmelblauen" Vorurteilen zur Romantik und hebt die ganzheitliche Weltkonzeption der Romantiker hervor sowie deren humanistisch geprägtes, am Universalmenschen der Renaissance orientiertes Bildungsideal. Das Manuskript von "Thomas Mann und die Romantik" befindet sich im zweiten Heft des Manuskriptes von "Heine Steenhagen wöll ju dat wiesen!" und steht in einem metadiskursiven Verhältnis zu Peters' parodistischem Bildungsroman: im 7. und letzten Kapitel seines Essays befasst sich Peters mit Romantheorie auf der Grundlage von Zitaten aus Novalis und Thomas Mann ("Versuch über das Theater"). Er unterstreicht hier zentrale Merkmale des Bildungsromans und entwickelt so die Poetik zu "Heine Steenhagen".

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11

Marosi, Silvia. "Über den Elfenbeinturm hinaus : Thomas Manns Schaffensphasen nach der Methode der Profiling-Abduktion mit ihren Instrumenten Handschrift und modi operandi /." St. Ingbert : Röhrig Universitätsverlag, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3174899&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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12

Hofmann-Ortega, Lleras Gabriela. "Die produktive Rezeption von Thomas Manns Doktor Faustus : Einzeltextanalysen zu João Guimarães Rosa, Clarice Lispector, Michel Tournier und Danièle Sallenave /." Heidelberg : C. Winter, 1995. http://catalogue.bnf.fr/ark:/12148/cb35773545s.

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13

Mazzetti, Elisabetta. "Thomas Mann und die Italiener." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2009. http://d-nb.info/994007787/04.

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14

Heintz, Anne-Marie. "L'espace symbolique chez Thomas Mann." Tours, 1990. http://www.theses.fr/1990TOUR2014.

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Renoncant a une etude trop systematique des differents domaines spatiaux evoques dans l'oeuvre, nous nous sommes plutot attache a choisir et a mettre en lumiere quelques uns de ces lieux, parmi les plus lourds de signification, a provoquer entre eux des echocs, a mettre a jour des reseaux de convergences, et a degager ainsi une sorte de "geographie symbolique", propre a l'oeuvre de thomas mann. Notre demarche comporte trois etapes : 1) l'harmonie ; 2) la dissonance ; 3) l'essai de "re-creation" d'un espace harmonieux. Pour nous les lieux "symboliques" seront ceux qui representent une etape dans le rapport entre l'etre et le monde -ce rapport pouvant aller de l'adhesion a la confrontation. Mais l'aspect le plus important du statut de l'espace dans l'oeuvre etudiee nous semble d'etre le support du devenir. Par sa structure meme, il "accompagne" l'action, la laisse parfois deviner, s'en fait le complice, jamais ne l'entrave. Les difficiles franchissements de seuils, par exemple, temoignent du role a la fois topologique et symbolique de l'espace
Putting aside the idea of a systematic study of the different space fields appearing in the work, we have chosen to lay the emphasis on some of the most evocative places, to produce echoes between them, to unearth a network of convergences and to bring to light a sort of "symbolic geography" characteristic of thomas mann's work. Our process goes through three phases : 1) harmony ; 2) dissonance ; 3) the attempt to re-create a harmonious space. To us the "symbolic places" will be those that constitute a step in the relation between the person and the world. This relation ranges from acceptance to confrontation. But the most important aspect of the way space has been conceived in the work studied seens to us to be the ground for evolution. Its very structure goes along with the action, sometimes unveils it, accompanies it, but never hinders it. Crossing a threshold with difficulty, for instance, both shows the topologic and symbolic value of space

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15

Hajdu, Marcus. ""Du hast einen anderen Geist als wir!" die "grosse Kontroverse" um Thomas Mann 1945-1949 /." Giessen : Justus Liebig-Universität Giessen, 2005. http://geb.uni-giessen.de/geb/volltexte/2005/2056/.

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16

Lee, Seong Joo. "Inspiration bei Thomas Mann "die @zweite Verhüllung" als der literarische Zwang zum Verschweigen und zum Weiterschreiben in Der Tod in Venedig und in Doktor Faustus." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/994498233/04.

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17

Nunes, Maria Manuela. "Die Freimaurerei : Untersuchungen zu einem literarischen Motiv bei Heinrich und Thomas Mann /." Bonn : Bouvier, 1992. http://catalogue.bnf.fr/ark:/12148/cb355985212.

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18

Vogelmann, Katharina. "Konstellationen von Mythos und Erzählen in Thomas Manns "Josephs"-Romanen : unter besonderer Berücksichtigung der Figur des Jaakob /." Hamburg : Kovač, 2005. http://www.verlagdrkovac.de/3-8300-2004-X.htm.

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19

Darmaun, Jacques. "Thomas Mann et le problème juif." Paris 10, 1985. http://www.theses.fr/1985PA100112.

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20

Vuillet, Hélène. "Thomas Mann ou Les métamorphoses d'Hermès /." Paris : PUPS, Presses de l'Université Paris-Sorbonne, 2007. http://catalogue.bnf.fr/ark:/12148/cb410197703.

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Texte remanié de: Thèse de doctorat--Littérature allemande--Paris 4, 2004. Titre de soutenance : Les métamorphoses d'Hermès : motif secret et secrets d'un motif dans la tétralogie romanesque de Thomas Mann "Joseph et ses frères.
Bibliogr. p. 357-371. Index.

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21

Opitz, Wilfried. ""Literatur ist demokratisch" Kontinuität und Wandel im politischen Denken Thomas Manns." Göttingen Cuvillier, 2009. http://d-nb.info/995096511/04.

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22

Multerer, Thomas Michael. "Die Musikphilosophie Theodor W. Adornos und Thomas Manns <> /." [S.l.] : [s.n.], 1988. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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23

Huber, Marc Oliver. "Zwischen Schlussstrich und "Schönem Gespräch" Erinnerung bei Thomas Mann /." Berlin : Weidler, 2007. http://catalog.hathitrust.org/api/volumes/oclc/137248789.html.

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24

Schneider, Wolfgang. "Lebensfreundlichkeit und Pessimismus : Thomas Manns Figurendarstellung /." Frankfurt am Main : V. Klostermann, 1999. http://catalogue.bnf.fr/ark:/12148/cb37081479m.

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25

Gledhill, John Richard Morton. "How to translate Thomas Mann's works a critical appraisal of Helen Lowe-Porter's translations of Death in Venice, Tonio Kröger and Tristan." Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/984435913/04.

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26

Nolte, Charlotte. "Being and meaning in Thomas Mann's "Joseph" novels /." London : W. S. Maney, 1996. http://catalogue.bnf.fr/ark:/12148/cb358345352.

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27

Joseph, Erkme. "Nietzsche im "Zauberberg" /." Frankfurt am Main : V. Klostermann, 1996. http://catalogue.bnf.fr/ark:/12148/cb366895740.

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28

Schulze-Berge, Sibylle. "Heiterkeit im Exil ein ästhetisches Prinzip bei Thomas Mann ; zur Poetik des Heiteren im mittleren und späten Werk Thomas Manns." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2756650&prov=M&dok_var=1&dok_ext=htm.

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29

Fechner, Frank. "Thomas Mann und die Demokratie : Wandel und Kontinuität der demokratierelevanten Äusserungen des Schriftstellers /." Berlin : Duncker & Humblot, 1990. http://catalogue.bnf.fr/ark:/12148/cb35527781s.

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30

Weidenhaupt, Heike. "Gegenpropaganda aus dem Exil : Thomas Manns Radioansprachen für deutsche Hörer 1940 bis 1945 /." Konstanz : UVK, 2001. http://catalogue.bnf.fr/ark:/12148/cb377399929.

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31

Klugkist, Thomas. "Sehnsuchtskosmogonie : Thomas Manns "Doktor Faustus" im Umkreis seiner Schopenhauer-, Nietzsche- und Wagner-Rezeption /." Würzburg : Königshausen & Neumann, 2000. http://catalogue.bnf.fr/ark:/12148/cb39077559s.

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32

Bollmann, Stefan. "Selbsterlösung oder Selbsterhaltung : Thomas Manns Roman "Der Zauberberg" im Kontext /." Düsseldorf : Bollmann Verl, 1991. http://catalogue.bnf.fr/ark:/12148/cb35599033x.

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33

Gledhill, John Richard Morton. "Strategies in translation a comparison of the Helen Lowe-Porter and David Luke translations of Thomas Mann's Tonio Kröger, Tristan and Der Tod in Venedig within the context of contemporary translation theory /." [S.l.] : [s.n.], 2001. http://deposit.ddb.de/cgi-bin/dokserv?idn=971814414.

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34

Grimm, Christian. "Zum Mythos Individualstil : mikrostilistische Untersuchungen zu Thomas Mann /." Würzburg : Königshausen und Neumann, 1991. http://catalogue.bnf.fr/ark:/12148/cb35512521z.

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35

Hamacher, Bernd. "Thomas Manns letzter Werkplan "Luthers Hochzeit" : Edition, Vorgeschichte und Kontexte /." Frankfurt am Main : V. Klostermann, 1996. http://catalogue.bnf.fr/ark:/12148/cb37701934k.

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36

Emig, Christine. "Arbeit am Inzest : Richard Wagner und Thomas Mann /." Frankfurt am Main : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb37719816h.

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37

Trummer, Beatrice. "Thomas Manns Selbstkommentare zum "Zauberberg"." Konstanz : Hartung-Gorre Verl, 1992. http://catalogue.bnf.fr/ark:/12148/cb35602216h.

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38

Malcolm, Fiona. "The literary relationship between Klaus and Thomas Mann." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528652.

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The publication of the diaries of Thomas Mann has led to increased scholarly interest in this writer as a private man. The writer's son, Klaus, has also attracted increasing attention in recent years. Much of this attention has emanated from biased standpoints, however, such as psychological, gay studies or political. This study is the first examination dedicated to the literary relationship between father and son. It seeks to maintain an unbiased view, concentrating on the writings and avoiding unfounded speculation. Chapter 1 provides an in-depth examination of existing studies, setting this thesis in its context. Chapter 2 then undertakes to analyse the early writings of Klaus, in comparison with writings by Thomas, demonstrating the existence of a dialogue-inliterature in these writings. The third chapter provides a detailed comparison of the diaries of father and son. Chapter 4 conducts an examination of the political undertakings and stance of both figures, and questions some of the standard conclusions, for example regarding the political development of Klaus. Fresh findings are imparted, for example on the Decision affair. Chapter 5 examines later writings, focusing primarily on Klaus' Alexander (1929), and demonstrating the continuity of themes in the author's writings. A hitherto unexplored source for one of Thomas' literary figures is also considered. The final chapter compares Thomas' Doktor Faustus with his son's earlier Mephisto and other writings, with ground-breaking results. This chapter also demonstrates that important sources for Thomas' novel have not been acknowledged. The idea of a father exerting an influence on the writings and approach of his son is not a surprising one. A less expected outcome of such an examination is that of the influence of a son on the approach and writings of his father. Given the status of Thomas Mann, in contrast to that of his son, such an outcome would be even more unexpected. This examination has, nevertheless, dared to pose the question as to whether such an influence could be possible. It is hoped that the results of this examination will constitute a significant advancement on previous scholarship of these two writers.

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39

Tunstall, Allcock Thomas. "Thomas C. Mann and Latin America, 1945-1966." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606911.

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This dissertation provides a detailed examination of the influence of Thomas Clifton Mann on the Latin American policy of the United States of America. A Foreign Service Officer from 1942, Mann eventually rose to the position of Undersecretary of State for Economic Affairs, and was President Lyndon Johnson’s most valued adviser on inter-American policy until his retirement from government service in May 1966. Commonly portrayed as highly conservative, insensitive to Latin American needs, and opposed to U.S. aid programs, Mann was a far more complex character than his critics have allowed. During the Eisenhower administration Mann’s influence was vital in reorienting policy priorities in Washington, emphasising the need for price stabilisation measures and limited development aid. During the Kennedy administration he opposed the Bay of Pigs invasion, before serving as Ambassador to Mexico where he successfully resolved the nation’s longest running border dispute. Most influential under Lyndon Johnson, Mann sought to place U.S. policy on a stable and sustainable path, reining in unrealistic expectations while fending off attacks from fiscal conservatives opposed to aid measures of any kind. In studying Mann’s career, much is revealed regarding the nature of U.S.-Latin American relations during a crucial period of history. While U.S. goals remained largely consistent, the nature of the challenges faced and the tactics used to counter them did not. Mann’s career saw the Cold War come to Latin America, and was met with both aid and military intervention, often in the form of counterinsurgency training and operations. Mann’s role in developing those polices reveals the contrasts and, more often, consistencies between the administrations he served, and undermines claims that the transition from Kennedy to Johnson witnessed a radical policy overhaul. Studying Mann’s career also illuminates divisive internal debates over the nature and meaning of inter-American relations, and the role and influence of an individual within Washington’s policymaking bureaucracy.

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40

Bonnaure, Édouard. "L'Image de Goethe dans l'oeuvre de Thomas Mann." Paris 4, 1985. http://www.theses.fr/1985PA040091.

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41

Schneider, Arno. "La prima fortuna di Thomas Mann in Italia." Doctoral thesis, Università degli studi di Padova, 2008. http://hdl.handle.net/11577/3426614.

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Study on the first reception of Thomas Mann's work in Italy in a historical perspective which analyses the italian critique and translations as well as other aspects that build up the "fortune" of the author; supplemented with a bibliographical inventory.
Studio sulla prima ricezione dell'opera di Thomas Mann in Italia in una prospettiva storica che prende in analisi la critica italiana e le traduzioni nonché altri aspetti che costituiscono la "fortuna" dell'autore; integrato da un repertorio bibliografico.

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42

Ognibene, Fabio. "Die Sehnsucht nach Italien : Thomas Mann und sein ambivalentes Verhältnis zur Welt Italiens /." Würzburg : Königshausen & Neumann, 2010. http://deposit.d-nb.de/cgi-bin/dokserv?id=3200491&prov=M&dok_var=1&dok_ext=htm.

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43

Schmitz, Jens. "Konstruktive Musik Thomas Manns Doktor Faustus im Kontext der Moderne." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/99184596X/04.

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44

Bernhardt, Oliver. "Alfred Döblin und Thomas Mann eine wechselvolle literarische Beziehung." Würzburg Königshausen & Neumann, 2006. http://d-nb.info/986071641/04.

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45

Zeller, Regine. "Cipolla und die Masse zu Thomas Manns Novelle Mario und der Zauberer." St. Ingbert Röhrig, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?id=2836596&prov=M&dok_var=1&dok_ext=htm.

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46

Max, Katrin. "Niedergangsdiagnostik zur Funktion von Krankheitsmotiven in "Buddenbrooks"." Frankfurt, M. Klostermann, 2007. http://d-nb.info/985030011/04.

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47

Lutosch, Heide. "Ende der Familie - Ende der Geschichte zum Familienroman bei Thomas Mann, Gabriel García Márquez und Michel Houellebecq /." Bielefeld : Aisthesis, 2007. http://catalogue.bnf.fr/ark:/12148/cb411326236.

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48

Wong, Kwok-kui. "Representing crises in German culture in Doctor Faustus /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2026317X.

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49

Papp, Kornélia. "Deutschland von innen und von außen : die Tagebücher von Victor Klemperer und Thomas Mann zwischen 1933 und 1955 /." Berlin : Wvb, Wiss. Verl, 2006. http://www.wvberlin.de/data/inhalt/papp.htm.

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50

Hoffschulte, Martina. ""Deutsche Hörer!" : Thomas Manns Rundfunkreden (1940 bis 1945) im Werkkontext /." Münster : Telos Verlag, 2004. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=011901461&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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