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1

KNIEPS-PORT LE ROI, Thomas. "Thomas Mann." INTAMS review 10, no. 1 (2004): 101–5. http://dx.doi.org/10.2143/int.10.1.2004385.

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2

Bridges, George, and Martin Travers. "Thomas Mann." German Quarterly 68, no. 2 (1995): 219. http://dx.doi.org/10.2307/408321.

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3

Blecha, Ivan. "Thomas Mann and Gustav Mahler." Hudební věda 60, no. 2 (2023): 192–209. http://dx.doi.org/10.54759/musicology-2023-0203.

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4

Siefken, Hinrich, Hugh Ridley, Inta M. Ezergailis, Hans Wysling, Werner Pfister, and Judith Marcus. "Thomas Mann: 'Buddenbrooks'." Modern Language Review 84, no. 4 (1989): 1041. http://dx.doi.org/10.2307/3731266.

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5

Reed, T. J., Gert Heine, and Paul Schommer. "Thomas Mann Chronik." Modern Language Review 101, no. 2 (2006): 587. http://dx.doi.org/10.2307/20466870.

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6

Victor, Vito. "Translating Thomas Mann." Iowa Review 34, no. 3 (2004): 138–48. http://dx.doi.org/10.17077/0021-065x.5917.

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7

Kord, Catherine, and Donald Prater. "Thomas Mann: A Life." Antioch Review 54, no. 3 (1996): 369. http://dx.doi.org/10.2307/4613373.

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8

Speirs, Ronald, and Martin Swales. "Thomas Mann: 'Der Zauberberg'." Modern Language Review 97, no. 1 (2002): 230. http://dx.doi.org/10.2307/3735684.

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9

Grenville, Anthony, Michael Beddow, and Hugh Ridley. "Thomas Mann: 'Doctor Faustus'." Modern Language Review 92, no. 1 (1997): 245. http://dx.doi.org/10.2307/3734780.

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10

Siefken, Hinrich, and Donald Prater. "Thomas Mann: A Life." Modern Language Review 92, no. 2 (1997): 515. http://dx.doi.org/10.2307/3734904.

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11

Nicholls, Roger A. "Thomas Mann and Spengler." German Quarterly 58, no. 3 (1985): 361. http://dx.doi.org/10.2307/406568.

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12

Frink, Helen, and Ronald Hayman. "Thomas Mann: A Biography." German Quarterly 69, no. 4 (1996): 450. http://dx.doi.org/10.2307/408004.

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13

Eigler, Friederike Ursula. "Understanding Thomas Mann (review)." Seminar: A Journal of Germanic Studies 43, no. 1 (2007): 87–88. http://dx.doi.org/10.1353/smr.2007.0013.

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14

Holgersson, Martin. "Entrepreneurship through Thomas Mann." Art, Culture & Entrepreneurship 2, no. 1 (2024): 41–51. https://doi.org/10.15626/ace.240104.

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Through the writings of Thomas Mann, this paper explores ideas about what entrepreneurship was, is, and is not. The starting point is the question of how the discourse on entrepreneurship has evolved over time. The methodology is inspired by a research program that emphasizes the relationship between social science and literature, and the empirical inquiry is guided by the works of the German author Thomas Mann, particularly, Buddenbrooks and The Magic Mountain. Through these works, the discourse on entrepreneurship is explored at two points in time: one in the 19th century and one in the pres
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15

Exner, Richard, and Ronald Hayman. "Thomas Mann: A Biography." World Literature Today 70, no. 2 (1996): 398. http://dx.doi.org/10.2307/40152144.

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16

Grawe, Christian, and Klaus Harpprecht. "Thomas Mann: Eine Biographie." World Literature Today 70, no. 4 (1996): 955. http://dx.doi.org/10.2307/40152404.

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17

Sprecher, Th. "Thomas Mann als Patient." Praxis 95, no. 1 (2006): 27–34. http://dx.doi.org/10.1024/0369-8394.95.1.27.

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18

Costa, Luana Signorelli Faria da, and Luis Henrique Garcia Ferreira. "Mann Wislawa a outra." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 33 (January 7, 2025): 271–90. https://doi.org/10.23925/1983-4373.2024i33p271-290.

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O poema “Thomas Mann”, da poeta contemporânea Wislawa Szymborska (1923-2012), será comentado em seus aspectos temáticos e formais. Além da intertextualidade do título, serão contemplados os potenciais vínculos com o modernista que dá nome ao poema – Thomas Mann (1875-1955), nesse diálogo entre dois Prêmios Nobel. O poema “Thomas Mann”, repleto de termos biológicos, provoca um diálogo produtivo com o romance Doutor Fausto (1947), no qual o protagonista Adrian é influenciado pelo racionalismo do pai cientista. Levanta-se a hipótese de que, pela sutileza metafórica de suas escritas, ambos os auto
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19

Schwarz, Michael Viktor. "Beckmann, Klaus Mann, Thomas Mann. Weltbilder im Gegenlicht." Marburger Jahrbuch für Kunstwissenschaft 25 (1998): 165. http://dx.doi.org/10.2307/1348731.

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20

Reed, T. J., and Hermann Kurzke. "Thomas Mann: Epoche: Werk: Wirkung." Modern Language Review 83, no. 3 (1988): 789. http://dx.doi.org/10.2307/3731400.

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21

Rieckmann, Jens, and Anthony Heilbut. "Thomas Mann: Eros and Literature." Rocky Mountain Review of Language and Literature 50, no. 2 (1996): 191. http://dx.doi.org/10.2307/1348240.

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22

Siefken, Hinrich, Hans Wysling, and Jurgen Kolbe. "Thomas Mann. Briefwechsel mit Autoren." Modern Language Review 85, no. 3 (1990): 810. http://dx.doi.org/10.2307/3732315.

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23

Siefken, Hinrich, Eckhard Heftrich, and Hans Wysling. "Thomas Mann Jahrbuch. Volume I." Modern Language Review 85, no. 4 (1990): 1028. http://dx.doi.org/10.2307/3732766.

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24

Siefken, Hinrich, Eckhard Heftrich, and Thomas Sprecher. "Thomas Mann Jahrbuch, 8 (1995)." Modern Language Review 92, no. 3 (1997): 798. http://dx.doi.org/10.2307/3733494.

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25

Vaget, Hans Rudolf, and Hermann Kurzke. "Thomas Mann. Epoche--Werk--Wirkung." MLN 103, no. 3 (1988): 696. http://dx.doi.org/10.2307/2905113.

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26

Deguy, Michel. "Thomas Mann, Moïse et l’Europe." Po&sie 162, no. 4 (2017): 156. http://dx.doi.org/10.3917/poesi.162.0156.

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27

Lilla, Mark, and Constance Dreyfuss. "Thomas Mann : art et politique." Commentaire Numéro 178, no. 2 (2022): 385–92. http://dx.doi.org/10.3917/comm.178.0385.

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28

Cerf, Steven R., Eckhard Heftrich, and Hans Wysling. "Internationales Thomas-Mann-Kolloquium 1986." German Quarterly 62, no. 3 (1989): 409. http://dx.doi.org/10.2307/406172.

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29

Vaget, Hans Rudolf, Thomas Mann, Hans Wysling, Rolf Gunter Renner, and Georges Motschan. "Neue Literatur zu Thomas Mann." German Quarterly 63, no. 2 (1990): 281. http://dx.doi.org/10.2307/406352.

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30

Rodrigues, Augusto, and Thomas Mann. "Quatro poemas de Thomas Mann." Cadernos de Literatura em Tradução, no. 9 (August 1, 2008): 219–29. http://dx.doi.org/10.11606/issn.2359-5388.i9p219-229.

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31

McFarland, James. "Thomas Mann and Friedrich Nietzsche." International Studies in Philosophy 36, no. 1 (2004): 248–49. http://dx.doi.org/10.5840/intstudphil200436134.

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32

PRESTON. "THOMAS MANN PAPERS AT PRINCETON." Princeton University Library Chronicle 50, no. 1 (1988): 61. http://dx.doi.org/10.2307/26404562.

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33

Zapperi, Roberto. "Thomas Mann und Luigi Settembrini." Zeitschrift für Ideengeschichte 8, no. 1 (2014): 59–72. http://dx.doi.org/10.17104/1863-8937-2014-1-59.

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34

Hasselbach, Karlheinz, and Hermann Kurzke. "Thomas Mann: Epoche-Werk-Wirkung." German Quarterly 60, no. 3 (1987): 494. http://dx.doi.org/10.2307/407232.

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35

Martin, Robert K. "Walt Whitman and Thomas Mann." Walt Whitman Quarterly Review 4, no. 1 (1986): 1–6. http://dx.doi.org/10.13008/2153-3695.1128.

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36

Max, K. "Weihnachtliches vom Zauberberg (Thomas Mann)." DMW - Deutsche Medizinische Wochenschrift 135, no. 51/52 (2010): 2574–78. http://dx.doi.org/10.1055/s-0030-1269428.

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37

Bishop, Paul, and Reinhard Mehring. "Thomas Mann: Kunstler und Philosoph." Modern Language Review 97, no. 4 (2002): 1027. http://dx.doi.org/10.2307/3738712.

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38

Mann, T. "IVAN BUNIN AND THOMAS MANN." Forum for Modern Language Studies XXXVI, no. 4 (2000): 357–67. http://dx.doi.org/10.1093/fmls/xxxvi.4.357.

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39

Leyh, F. "Thomas Mann verzaubert die Dermatologie." Der Hautarzt 49, no. 6 (1998): 516–18. http://dx.doi.org/10.1007/s001050050781.

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40

Meissner, Thomas. "Exklusive Operation für Thomas Mann." CME 15, no. 5 (2018): 40–41. http://dx.doi.org/10.1007/s11298-018-6631-3.

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41

Ring, Johannes. "Thomas Mann und die Medizin." Allergo Journal 11, no. 7 (2002): 430–32. http://dx.doi.org/10.1007/bf03361050.

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42

Gisselbrecht, André. "Thomas Mann et le Prussianisme." Revue d’Allemagne et des pays de langue allemande 19, no. 3 (1987): 236–44. http://dx.doi.org/10.3406/reval.1987.2893.

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43

Fickert, Kurt. "Thomas Mann: Buddenbrooks, and: Georg Lukács and Thomas Mann (review)." MFS Modern Fiction Studies 34, no. 4 (1988): 714–16. http://dx.doi.org/10.1353/mfs.0.0603.

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44

Schönau, Walter. "Thomas Mann, Der Kleine Herr Friedemann." Freie Assoziation. Zeitschrift für psychoanalytische Sozialpsychologie 2, no. 3 (1999): 343–58. https://doi.org/10.5281/zenodo.15596469.

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<em>Zusammenfassung</em> Die melancholische Geschichte vom kleinen buckligen Herrn Friedemann bedeutete f&uuml;r den jungen Thomas Mann den eigentlichen Durchbruch in die Literatur. Zum ersten Mal war es ihm gelungen, &ldquo;die diskreten Formen und Masken zu finden&rdquo;, in denen er mit seinen Erlebnissen &ldquo;unter die Leute gehen&rdquo; konnte. Das Erlebnis, das er hier gestaltete, war das der &ldquo;Heimsuchung&rdquo;, des Einbruchs der Leidenschaft als einer zerst&ouml;renden, ja t&ouml;dlichen Macht. Dieses Motiv sollte zum Leitmotiv seines ganzen Lebenswerks werden. Die Forschung ha
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45

Martin, Nicholas. "A Companion to the Works of Thomas Mann by Herbert Lehnert, Eva Wesseli, Thomas Mann." Modern Language Review 102, no. 2 (2007): 573–74. http://dx.doi.org/10.1353/mlr.2007.0130.

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46

Sokolova, Elizaveta. ""ПОВОРОТ К ДОСТОЕВСКОМУ" У ТОМАСА МАННА: "ДОКТОР ФАУСТУС" (1947)". Herald of Culturology, № 4 (2021): 96–113. http://dx.doi.org/10.31249/hoc/2021.04.06.

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The article examines how the center of the «Russian space» by Thomas Mann shifts from L.N. Tolstoy towards F.M. Dostoevsky in the mid-1940s while he was working on Doctor Faustus (1947) and the preface for the American edition of selected works of Dostoevsky (1945) - in the historical context of a turning point during the Second World War. It also gives a brief overview of domestic research on intertextual relations between Doctor Faustus and some works of F.M. Dostoevsky, and notes significant parallelism between dynamics of Adrian Leverkuhn’s «falling away from God» in chapters XIV-XXV of th
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47

Vaget, Hans Rudolf. "Thomas Mann Chronik, and: Thomas Mann's Death in Venice. A Novella and Its Critics, and: Understanding Thomas Mann, and: Thomas Mann und die kleinen Unterschiede. Zur erzählerischen Imagination des Anderen." Monatshefte 99, no. 4 (2007): 584–90. http://dx.doi.org/10.1353/mon.2008.0013.

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48

Sebastian, Barth. "DEUTSCHLAND WÄHREND DER RENAISSANCEZEIT ALS FOLIE FÜR THOMAS MANNS FAUSTUSROMAN." Limbaj si context / Speech and Context Journal 1(II)2010, no. 2 (2017): 91–101. https://doi.org/10.5281/zenodo.817345.

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49

Laursen, John Christian. "La renuncia de Thomas Mann a la ironía en la política." Araucaria, no. 49 (2022): 12–37. http://dx.doi.org/10.12795/araucaria.2022.i49.02.

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Thomas Mann desarolló una de las teorías más sútiles de la ironía durante la Primera Guerra Mundial, declarando que la mejor ironía era la ironía contra los dos lados de cualquier asunto. Tal ironía no era incompatible con el amor por la humanidad, y aun por ambas partes. Podría justificarse a Mann por usar la ironía contra ambos bandos de esa guerra. Pero tras el ascenso nazi, Mann abandonó la ironía contra los dos bandos e ironizó solo contra el de los Nazis. De una parte, fue esa una posición política mejor, pero de otra perdió casi todo el uso del tropo de la ironía en sus escritos polític
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50

Lehnert, Herbert, and Ariane Martin. "Frank Wedekind, Thomas Mann, Heinrich Mann: Briefwechsel mit Maximilian Harden." German Quarterly 71, no. 2 (1998): 193. http://dx.doi.org/10.2307/407883.

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