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1

Nichols, George Louis. A Nichols genealogy: A branch of the family descended from Thomas and Hannah Griffin Nichols of Newport, Rhode Island, and Sarah of Alexander Nichols of East Greenwich, Rhode Island. G.L. Nichols, 1987.

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2

Thomas, Coningsby. Journal of the siege of Rouen, 1591: By Thomas Coningsby ; [edited by John Gough Nichols]. Pallas Armata, 1991.

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3

Nicholas, Truman L. The Nicholas Family genealogy: Descendants of Thomas Nicholas and Jane Lewis immigrants from Brecon-Glamorgan Counties, Wales in 1870 and some allied families : seven generations, 1992. T.L. Nicholas, 1993.

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4

Nichols, George Louis. A Nichols genealogy: A branch of the family descended from Thomas Nichols and Hannah Griffin of Newport, Rhode Island, through Sarah, daughter of Alexander Nichols and Sarah Gardiner Gould of East Greenwich, Rhode Island. G.L. Nichols, 1988.

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5

Banner, Melvin B. Come after us: The Lord has beheld our sacrifice : biography of Nicholas Thomas Silcock & Jane Heath Silcock. DMT Pub., 2004.

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6

Rowland, Jane Thomas. Nicholas Martiau, Virginia Burgess: Papers from the family files with Rowland/Thomas connections and some ancestors and descendants of Jane Thomas Rowland and Arthur Ray Rowland. RR Books, 1998.

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7

The dawn of the invisible: The reception of the platonic doctrine on beauty in the Christian middle ages : Pseudo-Dionysius the Areopagite, Albert the Great, Thomas Aquinas, Nicholas of Cusa. Verlagshaus Monsenstein und Vannerdat, 2010.

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8

Tomlin, Graham. The power of the cross: Theology and the death of Christ in Paul, Luther and Pascal. Paternoster Press, 1999.

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9

The politics of performance in early Renaissance drama. Cambridge University Press, 1998.

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10

ill, Nicholls Paul, and Awdry Christopher, eds. Thomas and the dinosaur ; illustrated by Paul Nicholls. Random House, 2000.

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11

(Editor), Thomas M. Izbicki, and Christopher M. Bellitto (Editor), eds. Nicholas of Cusa and His Age: Intellect and Spirituality : Essays Dedicated to the Memory of F. Edward Cranz, Thomas P. McTighe and Charles Trinkaus (Studies in the History of Christian Thought). Brill Academic Publishers, 2002.

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12

Thomas Co GA Marriages 1821-1930: Computer Indexed Georgia Marriage Records by Nicholas Russell Murray. Hunting For Bears Genealogical Society and Library, 1985.

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13

Cefalu, Paul. Noli Me Tangere and the Reception of Mary Magdalene in Early Modern England. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0003.

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The second chapter assesses the early modern reception of the noli me tangere and hortulanus sequences of John 20. Early modern writers such as Robert Southwell, Gervase Markham, Thomas Walkington, and Nicholas Breton all reconstruct the pedagogical lessons vouchsafed to Mary throughout John 20. Mary is petitioned to recall to herself the words of Christ that she has already heard and to await patiently her post-resurrection reconciliation with Christ as Word of God. Several of these sixteenth- and seventeenth-century accounts of Mary at the tomb show a keen appreciation of the method of disci
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14

Lyons, Nathan. Signs in the Dust. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190941260.001.0001.

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Modern thought is characterised, according to Bruno Latour, by a dichotomy of meaningful culture and unmeaning nature. Signs in the Dust uses medieval semiotics to develop a new theory of nature and culture that resists this familiar picture of things. Through readings of Thomas Aquinas, Nicholas of Cusa, and John Poinsot (John of St Thomas), it offers a semiotic analysis of human culture in both its anthropological breadth as an enterprise of creaturely sign-making and its theological height as a finite participation in the Trinity, which can be understood as an absolute ‘cultural nature’. Si
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15

Butler, Gregory. The Choir Loft as Chamber. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0005.

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This chapter examines concerted movements written by Johann Sebastian Bach from the mid- to late 1720s and how he adopted a “choir loft as chamber” approach to organ performance—performing different versions of the same concerted instrumental movements for the chamber and for the church. Bach worked as composer and performer not only for the Collegium Musicum in Leipzig, but also for its principal churches. In addition to parodying secular vocal compositions, transforming them into church cantatas, however, Bach was also adapting for church performances preexisting instrumental concerted movem
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16

Society, American Tract. Transplanted Olive-Plant; or, Some Account of Thomas Spencer Nichols: Who Died September 8, 1851, at the Age of Eight Years. HardPress, 2020.

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17

Series, Michigan Historical Reprint. Lives of the English cardinals, including historical notices of the papal court, from Nicholas Breakspear (Pope Adrian IV) to Thomas Wolsey, Cardinal Legate.: Vol. 2. Scholarly Publishing Office, University of Michigan Library, 2005.

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18

Series, Michigan Historical Reprint. Lives of the English cardinals, including historical notices of the papal court, from Nicholas Breakspear (Pope Adrian IV) to Thomas Wolsey, Cardinal Legate.: Vol. 2. Scholarly Publishing Office, University of Michigan Library, 2005.

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19

FitzGerald, Brian. Inspiration and Authority in the Middle Ages. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808244.001.0001.

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Inspiration and Authority rethinks the role of prophecy in the Middle Ages by examining how professional theologians responded to new assertions of divine inspiration. The book argues that the task of defining prophetic authority became a crucial intellectual and cultural enterprise as university-trained theologians confronted prophetic claims from lay mystics, radical Franciscans, and other unprecedented visionaries. In the process, these theologians redescribed their own activities as prophetic by locating inspiration not in special predictions or ecstatic visions but in natural forms of und
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20

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, develop
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21

Tomlin, Graham. The Power of the Cross: Theology and the Death of Christ in Paul, Luther and Pascal. Authentic Media, 1999.

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22

Tomlin, Graham. The Power of the Cross: Theology and the Death of Christ in Paul, Luther and Pascal (Paternoster Theological Monographs). Wipf & Stock Publishers, 2007.

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23

Walker, Greg. The Politics of Performance in Early Renaissance Drama. Cambridge University Press, 2006.

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