Relevant bibliographies by topics / Thomas Richard Moore

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Academic literature on the topic 'Thomas Richard Moore'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Thomas Richard Moore"

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Avery, Joshua. "From “Obloquy” to “So Great Trust”: Broken Judgment in More’s and Shakespeare’s Richard III." Moreana 48 (Number 183-, no. 1-2 (June 2011): 129–44. http://dx.doi.org/10.3366/more.2011.48.1-2.7.

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This paper argues that the famous wooing scene of Anne by Richard in Shakespeare’s King Richard III offers an imaginative reply to a question posed, but not explicitly answered, by Thomas More’s History. How does a figure held in general “obloquy” suddenly fall into “so great trust”? I contend that Anne’s vulnerability to Richard’s tactics is largely a function of particular theological assumptions that Richard perceives and skillfully plays upon, assumptions that relate to debates raised by Reformed Christianity.
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Moran, Andrew. "“What were I best to say?”: Hasty Curses and Morean Deliberation in Richard III." Moreana 48 (Number 183-, no. 1-2 (June 2011): 145–61. http://dx.doi.org/10.3366/more.2011.48.1-2.8.

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Shakespeare’s King Richard III draws from Thomas More’s The History of King Richard III in its characterization of Queen Elizabeth and in its concern with finding the proper response to malice. Whereas other histories present Elizabeth as foolish and inconstant, More’s stresses her intelligence and deliberation. Shakespeare’s Elizabeth too possesses such traits. She, unlike Lady Anne, recognizes that to return Richard’s curses is to curse oneself. Instead, she protects herself and her daughter, and helps to end England’s curse of civil war, by responding to Richard’s malice with equivocation, specifically by practicing mental reservation.
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Frank, Andrea. "Proverbs and Irony: Their Literary Role in Thomas More’s History of Richard III." Moreana 51 (Number 195-, no. 1-2 (June 2014): 210–36. http://dx.doi.org/10.3366/more.2014.51.1-2.15.

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In his History of King Richard III, Thomas More uses proverbs to demonstrate to the reader how to evaluate characters, events, and ideas in the narrative. Identifying and examining the proverbs reveals subtle irony and wisdom. For example, when Richard chooses “a sure foundation” for his plans, a proverb is the starting point from which the reader evaluates Richard’s actions, compares them to Edward’s, and raises perennial questions of how to govern rightly. Similarly, proverbs in the queen’s argument for keeping her son show the error of her decision. Finally, the bishop of Ely’s proverbs and fable demonstrate the power and danger of words in the government and highlight qualities of a good leader which are otherwise lacking in the History.
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Bruster, Douglas. "Thomas More’s Richard III and Shakespeare." Moreana 42 (Number 163), no. 3 (September 2005): 79–92. http://dx.doi.org/10.3366/more.2005.42.3.7.

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For his drama Richard III Shakespeare clearly relied on More’s narrative as filtered mainly through the chronicles of Edward Hall and Raphael Holinshed. The complications of transmission and authority relating to Shakespeare’s use of More’s unfinished work, and to the numerous forms each text would come to assume, uncannily replicate the very issues of authority and validation their narratives scrutinize. With his account More produced an archetype of modern, cunning individualism, an archetype that Shakespeare would popularize in Richard III.
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Simon, Elliott M. "Thomas More's Historical Legacy: The Tudor Tragedies of King Richard III." Moreana 57 (Number 214), no. 2 (December 2020): 171–201. http://dx.doi.org/10.3366/more.2020.0083.

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Thomas More's History of Richard III is a metahistory, rich in factual and fictional details. I will discuss More's concept of historiography as a rhetorical art and how his presentation of history transformed details of what was imperfectly known about Richard III into a polemic about what should be believed as an irrefutable truth. More's conception of history is much more amorphous than modern theories. He incorporated classical myths, literature, history, and philosophy along with phantasies, dreams, and oral testimonies to recreate his historical Richard III as a tragic figure. More saw patterns of immoral behavior deeply rooted in the histories of the Plantagenet kings from the twelfth century to 1485 as if the sins of the fathers are repeated by their children. More used his sources, the antiquarian John Rous, the historian Polydore Vergil, and the oral history of Archbishop/Cardinal John Morton to prove that the immorality of the Plantagenets, embodied in Richard III, was a curse that will be purged from England by the ascendance of Henry VII. William Shakespeare copied and embellished More's tragic vision of Richard III. Their historical facts and fictions enhanced their moral signification of the rise and fall of Richard III in English history.
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Gregg, Samuel. "Intention, Choice and Identity in Thomas More’s The History of King Richard the Third/Historia Richardi Tertii." Moreana 49 (Number 189-, no. 3-4 (December 2012): 213–38. http://dx.doi.org/10.3366/more.2012.49.3-4.14.

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Questions of intentionality and identity have been central to moral and philosophical reflection since Plato. This paper examines the workings of intentionality and free choice in shaping the moral identity of key characters in Thomas More’s The History of King Richard the Third. This reveals More’s emphasis upon the intransitive dimension of human action which makes people as much the object of their own choices as those transitive ends they pursue. The History thus confirms More as someone opposed to deterministic accounts of human choice, a position sharpened in More’s critiques of Reformation conceptions of the will throughout the 1520s.
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Cro, Stelio. "The Lion and the Fox: an Unholy Animal Kingdom." Moreana 49 (Number 189-, no. 3-4 (December 2012): 54–70. http://dx.doi.org/10.3366/more.2012.49.3-4.6.

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This article compares the History of Richard III (1512) of Thomas More and The Prince (1513) of Niccolò Machiavelli. More attributes to Richard III a detailed list of moral vices that leaves no doubt as to his very negative view of Richard. On the other hand, in The Prince, Machiavelli deals with contemporary events without moral or religious preoccupations. In essence, for More history is “magistra vitae”, as long as the Christian values are conveyed by the historian, whereas for Machiavelli history’s lesson is valid regardless of religious and/or moral issues.
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Keenan, Siobhan. "Re-reading Shakespeare’s Richard III: Tragic Hero and Villain?" Linguaculture 2017, no. 1 (June 1, 2017): 23–34. http://dx.doi.org/10.1515/lincu-2017-0003.

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Abstract The discovery of the body of the historical Richard III under a Leicester car park in 2012 sparked fresh interest in one of England’s most controversial kings. Accused of murdering his nephews—the Princes in the Tower—Richard’s reign was cut short when he was defeated by Henry Tudor, Earl of Richmond (later Henry VII), at the Battle of Bosworth (1485). Richard was subsequently demonised in Tudor historiography, perhaps most famously by Sir Thomas More in his “History of King Richard the thirde” (printed 1557). It is to More that we owe the popular image of Richard III as a “croke backed” and “malicious” villain (More 37), an image which Shakespeare has been accused of further codifying and popularising in his Richard III. Today, the historical Richard III’s defenders argue for the king’s good qualities and achievements and blame early writers such as More and Shakespeare for demonising Richard; but, in Shakespeare’s case at least, this essay argues that the possibility of a sympathetic—and even a heroic—reading of the king is built in to his characterisation of Richard III.
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Harrison, Tim J. "Spliced segments at the 5? terminus of adenovirus 2 late mRNA.Susan M. Berget, Claire Moore and Phillip A. Sharp; An amazing sequence arrangement at the 5? ends of adenovirus 2 messenger RNA.Louise T. Chow, Richard E. Gelinas, Thomas R. Broker and Richard T. Roberts." Reviews in Medical Virology 10, no. 6 (2000): 355–71. http://dx.doi.org/10.1002/1099-1654(200011/12)10:6<355::aid-rmv294>3.0.co;2-a.

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House, Seymour. "Richard Marius, Thomas Morus : Eine Biographie." Moreana 25 (Number 98-9, no. 2-3 (December 1988): 84. http://dx.doi.org/10.3366/more.1988.25.2-3.16.

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Dissertations / Theses on the topic "Thomas Richard Moore"

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Alakas, Brandon. "“Partners in the same”: Monastic Devotional Culture in Late Medieval English Literature." Thesis, 2009. http://hdl.handle.net/1974/5302.

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This dissertation studies adaptations of monastic literary culture between the first decades of the fifteenth century and the beginning of the English Reformation. My discussion focuses on the writings of John Whethamstede, John Lydgate, Richard Whitford and Thomas More. I argue that, while these authors aim to satisfy readers’ desires for elaborate and authoritative forms of piety, they actually provide models of reading and patterns of disciplined living that restrict lay piety within orthodox boundaries. I begin with an introductory chapter that situates this adaptation of monastic reading within broader literary and cultural developments, such as the growing popularity of humanist reading and Protestantism, in order to demonstrate that monastic ideals remained culturally relevant throughout this century. This chapter also aims to prompt a further reassessment of the division that is often created between the medieval and early modern periods. Chapters Two and Three focus on the use of monastic reading practices within a Benedictine context. Chapter Two examines the historiographic poetry and prose of John Whethamstede in which the abbot both positions himself at the forefront of contemporary Latin literature and, at the same time, signals the differences that set the cloistered reader apart from his secular counterpart. Chapter Three examines Lydgate’s incorporation of monastic devotional culture into the Life of Our Lady through the depiction of the Virgin as living out an exemplary religious vocation and through the arrangement of the text to facilitate calculated meditative responses from readers. Chapters Four and Five then shift to the first decades of the sixteenth century. Chapter Four examines Richard Whitford’s orthodox programme of monastic and social reform that aimed not only to meliorate the individual’s ethical life but also to revitalize Catholicism and engage directly with Protestantism. Finally, Chapter Five looks back two decades to investigate More’s borrowings from different elements of religious life in his Life of Pico and Utopia that seek to manage the spiritual aspirations of the laity and to depict a society in which, much as in a monastery, the desires of the individual are shaped by and subordinated to the ideals of the community.
Thesis (Ph.D, English) -- Queen's University, 2009-10-30 11:56:09.669
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Štollová, Jitka. ""Můj děsivý stín, jenž mne stále provází": Literární a umělecké zobrazení Richarda III před Shakespearem." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322177.

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THESIS ABSTRACT This MA thesis examines the portrayal of King Richard III (1452-1485) in texts preceding William Shakespeare's canonical play on this subject. By analyzing a wide range of sources written between the 1480s and the 1590s, it traces how the reputation of Richard III as an epitome of a tyrant, a usurper and a royal murderer was created and consolidated. At the same time, special attention is paid to innovations and deviations from this interpretation that contributed to the diversification of the King's image. The first chapter covers some of the most significant historiographic works of the Tudor era: The Second Continuation of The Crowland Chronicle, chronicles by Polydore Vergil, Edward Hall, and Raphael Holinshed, Thomas More's historical narrative, as well as a less-known manuscript by Dominic Mancini who described the early months of the reign of Richard III. The second chapter examines the transformation of the historical topic into poetry. The image of Richard III is analyzed in as diverse sources as, on the one hand, a popular ballad and, on the other hand, a prominent poetically-didactic work A Mirror for Magistrates. The representation of Richard III on the English stage is discussed in the third chapter in connection with Thomas Legge's university drama Richardus Tertius and the...
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Books on the topic "Thomas Richard Moore"

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1935-, Hallett Elaine S., ed. The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards. New York, New York: Palgrave Macmillan, 2011.

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Hallett, Charles A., and Charles A. Hallett. The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards. New York, USA: Palgrave Macmillan, 2011.

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Schopf, Alfred. Shakespeare, Marlowe und Thomas More: Eine textkritische Erwägung zu Richards III. Monolog vor der Entscheidungsschlacht bei Bosworth : Ergänzungsheft (2000) zu Fünfzig Jahre englische Sprach- und Literaturwissenschaft : vom Strukturalismus zur Textlinguistik, von Beda Venerabilis zu Dylan Thomas. Neuried: Ars Una, 2000.

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Phänomenologie mystischer Erfahrung in der religiösen Lyrik Englands im 17. Jahrhundert: Richard Crashaw, John Donne, George Herbert, Thomas Traherne, Herny [i.e. Henry] Vaughan, Ann Collins, Mary Mollineux und Gertrude More : Versuch einer interdisziplinären Hermeneutik erlebnismystischer Texte auf der Grundlage von Erkenntnissen der mystischen Theologie und der Bewusstseinspsychologie. Frankfurt am Main: Lang, 2003.

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Dye, Helen Sides. The Johns connections: With references to Ayer, Benjamin, Browder, Cadwalader, Calhoun, Davis, Edwards, Emanuel, Evans, Griffith, Harry, Hughes, Humphrey, James, Janeway, Jenkins, John, Jones, Lewis, Loftin, Lovelace, Miles, Moore, Morgan, Nunn, Oliver, Owen, Prichard, Pouncey, Rhys (Rhees), Rice, Richards, Roberts, Rogers, Sides (Seitz), Thomas, Townsend, Welsh, Wild, Williams, Wilson, Woodley, and many other related families. Bowie, Md: Heritage Books, 1999.

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An Unbroken LIne to the American Revolutionary War and the United States Civil War: A Family History. Tulsa, USA: mycanvas freedom of expression, 2012.

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Historical sketches of O'Connell and his friends: Including Rt. Rev. Drs. Doyle and Milner, Thomas Moore, John Lawless, Thomas Furlong, Richard Lalor Shiel, Thomas Steel, Counsellor Bric, Thomas Addis Emmet, William Corbett, Sir Michael O'Loghlen, etc., etc. : with a glance at the future destiny of Ireland. 2nd ed. Boston: Donahoe and Rohan, 1985.

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Hallett, C. The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards. Palgrave Macmillan, 2011.

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Allcock, Thomas Tunstall. Thomas C. Mann. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813176154.001.0001.

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When launching the Alliance for Progress in 1961, John F. Kennedy promised that this new development program would transform Latin America into a community of modern, prosperous, and politically stable allies. Yet, when Richard Nixon ended the program ten years later, there was more evidence of broken promises, political coups, and covert military operations than of transformative cooperation. Sandwiched between Kennedy’s and Nixon’s presidencies, Lyndon Johnson’s marked a transformative era in inter-American relations as Johnson and his chief inter-American aide, Thomas C. Mann, struggled to deliver on their predecessors’ bold promises while grappling with the demands of Cold War national security. In this first in-depth study of Johnson, Mann, and Latin America in the 1960s, Thomas Tunstall Allcock provides a nuanced and balanced assessment of two often maligned yet hugely influential policy makers during this vital period. In demonstrating that Johnson and Mann were New Dealers, keen to operate as good neighbors and support Latin American development and regional integration, Tunstall Allcock illuminates the difficulties faced by US modernization efforts. Ranging from domestic challenges from both right and left to a series of military and political crises including riots in the Panama Canal Zone and the threat of “another Cuba” in the Dominican Republic, these difficulties would be handled with wildly varying degrees of success. In Tunstall Allcock’s account, Johnson and Mann emerge as complex, rounded figures struggling to overcome a host of challenges and their own limitations even as the flaws and shortcomings of US policy are laid bare.
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Briggs, Andrew, Hans Halvorson, and Andrew Steane. On the way. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808282.003.0009.

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In this the second of the three autobiographical chapters, Andrew Steane (A.S.) recounts some of his experiences. He describes a life at a crossing-point of conservative and liberal forms of Christian witness, and conscious of both modern-day atheist and theist values and points of view. This has been difficult but, hopefully, creative. A.S. describes his reading of Bertrand Russell as a young man, and of later being waylaid by Richard Dawkins’ The God Delusion. He gives brief reactions and asks what the reaction to such books shows us about contemporary culture. More penetrating authors have been Rowan Williams, R. S. Thomas, Brian McLaren, and N. T. Wright. A.S. describes aspects of Christian community life that have proved positive and significant for him.
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Book chapters on the topic "Thomas Richard Moore"

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Ranum, Orest. "Thomas More on Tyranny in the History of Richard III." In Tyranny from Ancient Greece to Renaissance France, 95–100. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43185-3_15.

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Sheen, Erica. "Welcome to our Chamber: The History of Richard III, Sir Thomas More, Richard III." In Shakespeare and the Institution of Theatre, 52–71. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234529_4.

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Hallett, Charles A., and Elaine S. Hallett. "“The Most Arch act of Piteous Massacre/that Ever yet this Land was Guilty Of”: How Shakespeare’s Method of Exposing Richard Differs from More’s." In The Artistic Links Between William Shakespeare and Sir Thomas More, 167–84. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119529_5.

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Hallett, Charles A., and Elaine S. Hallett. "“Was Ever Woman in this Humor Woo’d?/Was Ever Woman in this Humor Won?”: Richard’s Boast of his Prowess as Lover and Playwright." In The Artistic Links Between William Shakespeare and Sir Thomas More, 133–63. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119529_4.

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Hallett, Charles A., and Elaine S. Hallett. "“For on that Ground I’ll make a holy Descant—”: Two con men show how their Thespian Skills Brought Richard’s Cause “to a Happy Issue”." In The Artistic Links Between William Shakespeare and Sir Thomas More, 85–129. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119529_3.

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"The History of King Richard III." In The Essential Works of Thomas More, 95–140. Yale University Press, 2020. http://dx.doi.org/10.2307/j.ctvt1sg2n.10.

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Logan, George M. "More on tyranny: The History of King Richard the Third." In The Cambridge Companion to Thomas More, 168–90. Cambridge University Press, 2011. http://dx.doi.org/10.1017/ccol9780521888622.010.

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"Chapter 7. The End of the Story: Richard Hunne and Thomas More." In The Middle English Bible, 114–28. University of Pennsylvania Press, 2017. http://dx.doi.org/10.9783/9780812293081-009.

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Allcock, Thomas Tunstall. "Conclusion." In Thomas C. Mann, 214–20. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813176154.003.0007.

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If Lyndon Johnson’s administration witnessed a dwindling of the energy and optimism of the early days of John F. Kennedy’s Alliance for Progress, then his successor would preside over its disappearance. Johnson’s attempts to promote regional integration were the last significant effort of an era characterized by the belief that the United States could further its own interests by encouraging Latin American modernization and economic development through various forms of aid and assistance. Johnson’s successor, Richard Nixon, whose experiences during his ill-fated tour of 1958 had helped prompt the Eisenhower administration’s belated interest in Latin America, would abandon the idea of hemispheric development almost entirely. Despite some claims to the contrary during the 1968 election campaign, the region did not play a significant role in the strategic vision of global affairs of Nixon and his chief foreign policy adviser, Henry Kissinger, and the Alliance was not part of their plans. As Nixon stated bluntly: “Latin America doesn’t matter.” To an even greater degree for the new administration than for its predecessors, stability was the key; few promises of economic assistance were forthcoming, and repressive governments would be embraced even more readily than in the Kennedy-Johnson era. “So unambitious as to be embarrassing,” was the stark assessment of Nixon’s regional agenda in the ...
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Macleod, Emma. "British Radical Attitudes towards the United States of America in the 1790s: The Case of William Winterbotham." In Liberty, Property and Popular Politics. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474405676.003.0011.

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This chapter examines British radical attitudes towards America during the 1790s by taking up the case of William Winterbotham, a Plymouth Baptist preacher who was jailed in Newgate prison for four years (1793–1797) for allegedly seditious content in two sermons he preached in November 1792. Winterbotham's most ambitious work was An Historical, Geographical, Commercial, and Philosophical View of the American United States, published in four volumes in 1795. It demonstrates the fascination that America held for British radicals beyond Thomas Paine, Joseph Priestley and Richard Price. Among his many concerns, Winterbotham was highly critical of the institution of chattel slavery. The chapter explores Winterbotham's political analysis of the new republic and shows that his imprisonment for seditious libel was bracketed by contemporaries with the more conspicuous 'martyrdom' of five men sentenced to transportation by the Scottish High Court of Justiciary.
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