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Books on the topic 'Three-film system'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

1951-, Thwaites Hal, 3Dmt Research and Information Centre., and International Conference on Three Dimensional Media Technology (1989 : Montréal, Quebec)., eds. Three dimensional media technology: Proceedings of the 1989 International Conference : theory and history, 3D television, 3D film, holography, multidimensional media. 3Dmt Research and Information Centre, 1990.

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2

Ross, Miriam. 3D cinema: Optical illusions and tactile experiences. Palgrave Macmillan, 2015.

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3

Lundeen, Robert Curtis. A Comparison of two conventional intraoral films and three screen/film systems for the radiographic detection of proximal surface dental caries. Lundeen], 1986.

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4

Baumgartner, Rick. 3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2014.

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5

Baumgartner, Rick. 3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2014.

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6

Baumgartner, Rick. 3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2014.

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7

Baumgartner, Rick. 3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2017.

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8

Baumgartner, Rick. 3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2014.

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9

3D Postproduction: Stereoscopic Workflows and Techniques. Taylor & Francis Group, 2014.

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10

3D Movie Making. Elsevier Science & Technology, 2010.

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11

Mendiburu, Bernard. 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen. Taylor & Francis Group, 2012.

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12

Mendiburu, Bernard. 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen. Taylor & Francis Group, 2012.

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13

3D movie making: Stereoscopic digital cinema from script to screen. Focal Press, 2009.

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14

Nash, Jay Robert. Encyclopedia of Best Films. Rowman & Littlefield, 2019. https://doi.org/10.5040/9798881828578.

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This all-inclusive A-Z encyclopedia by one of the world's foremost experts on cinema provides comprehensive annotations of the best films produced from 1914 on. The work offers more than 5,000 three- to five-star entries (three stars=good; four stars=excellent; five stars=masterpiece), and yes, author Jay Robert Nash has viewed every single one of them as well as many more that did not "make the cut." In addition to a precis, each film's entry also includes a listing of the cast as well as the key principles involved in production, from the director to the hair stylist. Especially unique to th

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15

Ross, Miriam. 3D Cinema: Optical Illusions and Tactile Experiences. Palgrave Macmillan Limited, 2015.

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16

Mendiburu, Bernard. 3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy. Taylor & Francis Group, 2017.

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17

Mendiburu, Bernard. 3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy. Taylor & Francis Group, 2012.

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18

Mendiburu, Bernard. 3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy. Taylor & Francis Group, 2012.

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19

Mendiburu, Bernard. 3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy. Taylor & Francis Group, 2012.

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20

3D TV and 3D cinema: Tools and processes for creative stereoscopy. Focal Press, 2012.

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21

Erish, Andrew A. Vitagraph. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.001.0001.

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For more than a century, the origin story of the American film industry has been that the founders of Paramount and Fox invented the feature film, that Universal created the star system, and that these three companies (along with the heads of MGM and Warner Bros.) were responsible for developing the multi-billion-dollar business we now know as Hollywood. Unfortunately for history, this is simply not true. Andrew A. Erish's definitive history of this important but oft-forgotten studio compels a reassessment of the birth and development of motion pictures in America. Founded in 1897, the Vitagra

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22

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film produc

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23

Galt, Frances. Women's Activism Behind the Screens. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781529206296.001.0001.

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This book contributes to important discussions on gender inequality in the present-day film and television industries and labour movement through an historical analysis of women workers and their trade union in the British film and television industries from 1933 to 2017. This book concentrates on the three iterations of the technicians’ union: the Association of Cine-Technicians (ACT) (1933-56), the Association of Cinematograph, Television and Allied Technicians (ACTT) (1957-91), and the Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) (1991-2017). Drawing on previously un

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24

Cavender, Gray, and Nancy Jurik. Crime, Criminology, and the Crime Genre. Edited by Paul Knepper and Anja Johansen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199352333.013.16.

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For years, many criminologists have argued that the crime genre misrepresents crime and the criminal justice system, causing misperceptions among the public. However, other scholars have suggested that despite inaccuracies, the crime genre is actually far more reflective of the workings of the criminal justice system than previously thought. This essay traces the relationship of crime genre productions such as novels, film, and television to past and present criminal justice practices and trends. Focusing on three thematic linkage areas between the crime genre and criminal justice practice—sci

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25

3D Animation for the Raw Beginner Using Autodesk Maya 2e. Chapman and Hall/CRC, 2019.

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26

King, Roger. 3D Animation for the Raw Beginner Using Autodesk Maya 2e. Taylor & Francis Group, 2019.

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27

King, Roger. 3D Animation for the Raw Beginner Using Autodesk Maya 2e. Taylor & Francis Group, 2019.

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28

King, Roger. 3D Animation for the Raw Beginner Using Autodesk Maya 2e. Taylor & Francis Group, 2019.

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29

King, Roger. 3D Animation for the Raw Beginner Using Autodesk Maya 2e. Taylor & Francis Group, 2019.

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30

Glancy, Mark. Cary Grant, the Making of a Hollywood Legend. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190053130.001.0001.

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Archie Leach was a poorly educated, working-class boy from a troubled family living in the backstreets of Bristol. Cary Grant was Hollywood’s most debonair film star—the embodiment of worldly sophistication. Cary Grant: The Making of a Hollywood Legend tells the incredible story of how the sad, neglected boy became the suave, glamorous star. The first biography to be based on Grant’s own personal papers, the book takes the reader on a fascinating journey from his difficult childhood through years of struggle in music hall and vaudeville, a hit-and-miss career in Broadway musicals, and three de

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31

Dobbs, Darris, and Bill Fleming. Animating Facial Features & Expressions. Charles River Media, 1998.

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32

Srinivasan, Priya. Domesticating Dance. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.27.

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This chapter examines three scenes of “movement”—from the 2004 Tamil film Chandramukhi, the controversial documentary India’s Daughter that aired on BBC in March 2015, and the Star Plus Television serial of the Mahabharata focusing on the “Draupadi Vastra Haran” in 2014—to question how women’s bodies continue to be domesticated to delegitimize the upwardly mobile woman’s desire for remaking herself. The chapter suggests that neoliberalism has specific choreographies of violence perpetrated against women’s bodies. In particular, the author argues that within the choreographies of neoliberalism,

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33

After Effects and Cinema 4D Lite: 3D Motion Graphics and Visual Effects Using CINEWARE. Taylor & Francis Group, 2014.

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34

After Effects and Cinema 4D Lite: 3D Motion Graphics and Visual Effects Using CINEWARE. Taylor & Francis Group, 2014.

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35

Mechanical Creations In 3D: A Practical Look into Complex and Technical Setups for Animation and VFX. Taylor & Francis Group, 2018.

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36

Jones, Stewart. Mechanical Creations In 3D: A Practical Look into Complex and Technical Setups for Animation and VFX. Taylor & Francis Group, 2018.

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37

Jones, Stewart. Mechanical Creations In 3D: A Practical Look into Complex and Technical Setups for Animation and VFX. Taylor & Francis Group, 2018.

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38

Jones, Stewart. Mechanical Creations In 3D: A Practical Look into Complex and Technical Setups for Animation and VFX. Taylor & Francis Group, 2018.

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39

Jones, Stewart. Mechanical Creations In 3D: A Practical Look into Complex and Technical Setups for Animation and VFX. Taylor & Francis Group, 2018.

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40

Welsh, James M., and Donald M. Whaley. Oliver Stone Encyclopedia. The Rowman & Littlefield Publishing Group, Inc., 2012. https://doi.org/10.5040/9798881840907.

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Oliver Stone has written and directed many memorable films while also developing a reputation for tackling controversial subjects, such as the Turkish prison system (Midnight Express), the Vietnam war (Platoon and Born on the Fourth of July), insider trading (Wall Street), presidential assassination (JFK), and a voyeuristic media (Natural Born Killers). Along the way, Stone has been nominated for more than 10 Academy Awards and three times received Oscars for his work. In The Oliver StoneEncyclopedia, James M. Welsh and Donald M. Whaley provide an overarching evaluation of Stone's work as scre

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41

Sagert, Kelly Boyer. The 1970s. Greenwood, 2007. http://dx.doi.org/10.5040/9798400605642.

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Few conventions were left unchallenged in the 1970s as Americans witnessed a decade of sweeping social, cultural, economic, and political upheavals. The fresh anguish of the Vietnam War, the disillusionment of Watergate, the recession, and the oil embargo all contributed to an era of social movements, political mistrust, and not surprisingly, rich cultural diversity. It was the Me Decade, a reaction against 60s radicalism reflected in fashion, film, the arts, and music. Songs of the Ramones, the Sex Pistols, and Patti Smith brought the aggressive punk-rock music into the mainstream, introducin

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42

Field, Sue. Anatomical Drawing. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350285590.

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Intersecting art, science and the scenographicmise-en-scène, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory.Sue Field traces the evolution of anatomical drawing from its historical background of hand-drawn observational scientific investigations to the contemporary, complex visualization tools that inform visual art practice, performance, film and screen-based installations. Presenting an overview of traditional approaches across centuries, the opening chapters explore the extraordinary work of scientists and artists such as

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