Relevant bibliographies by topics / Three kingdoms

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  1. Dissertations / Theses

Academic literature on the topic 'Three kingdoms'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 June 2025

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Dissertations / Theses on the topic "Three kingdoms"

1

Hollenweger, Richard R. Hollenweger Richard R. "The Buddhist architecture of the Three Kingdoms period in Korea /." Lausanne : EPFL, 1999. http://library.epfl.ch/theses/?nr=1941.

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2

Fong, Wai Lok Raymond. "What sustains growth in China : a tale of the three kingdoms." HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/240.

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3

Mackenzie, Kirsteen M. "Presbyterian church government and the "Covenanted interest" in the three kingdoms 1649-1660." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59563.

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4

Kwon, Hyuk-chan. "From Sanguozhi yanyi to Samgukchi : domestication and appropriation of Three Kingdoms in Korea." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/24238.

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My dissertation entitled “From Sanguo zhi yanyi to Samgukchi: Domestication and Appropriation of Three Kingdoms in Korea” shows how a ‘Chinese’ work of fiction has become an enduringly popular Korean work since its importation in the sixteenth century. In this context, my thesis encompasses a comparative exploration of the influence of the Sanguo zhi yanyi 三國志演義 (Romance of the Three Kingdoms; hereafter Three Kingdoms) as reflected in premodern and contemporary Korean culture and literature. The domestication and appropriation of Three Kingdoms today can be attributed, in part, to a relentless modification and re-creation of its contents in the forms of numerous translations, adaptations, and revisions that have reflected socio-political and ideological agendas in Korea. I also clarify how the sociopolitical and ideological changes in Chosŏn Korea accelerated the reception and dissemination of Three Kingdoms by illuminating in particular how the Chosŏn rulers utilized the Neo-Confucian values in Three Kingdoms to maintain and strengthen Korea’s identity as the sole cultural and spiritual successor of the Great Han-Chinese empire after its collapse in 1644. Three Kingdoms’ status in Korea has been much higher than that of a Chinese classic; it remains the most widely read of all novels in modern Korea. Moreover, authors like Chang Chŏng’il do not hesitate to define Three Kingdoms as a national novel of Korea. It is virtually impossible for a modern Korean to lead a life divorced from Three Kingdoms. My dissertation shows that these phenomena did not appear suddenly in the twentieth-century Korea. Rather, they are the result of domestication and appropriation of Three Kingdoms that has steadily progressed for centuries; the novel has been relentlessly re-interpreted in terms of Korea’s socio-political and cultural context. My dissertation elucidates the cultural politics that contribute to making Three Kingdoms into a national novel of Korea.
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5

Li, Chan-man Philip, and 李燦文. "The issue of dynastic legitimacy of the Three Kingdoms asseen in Zizhi Tongjian." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949526.

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6

Volmer, Inga. "A comparative study of massacres during the wars of the Three Kingdoms, 1641-53." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/252039.

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7

Haugen, Angela Jean. "Mounded Tomb Cultures of Three Kingdoms Period Korea and Yamato Japan: A Study of Golden Regalia and Cultural Interactions." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276783062.

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8

Tsui, Chung-hui, and 崔中慧. "A study of early Buddhist scriptural calligraphy: based on Buddhist manuscripts found in Dunhuang andTurfan (3-5 century)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B4545694X.

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9

Shen, Cheen. "The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/272.

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The research of this dissertation is focused on 'transformation' in the development of Chinese painting and takes the three traditional elements in painting-- line, shape, and intention--as methods of observation. The dissertation proposes that Chinese painting has undergone two stages of critical transformation that are worthy of notice: the first occurring in the chaotic situation during Wei Jin North and South Dynasty in the third century, and the second stage lasting from the beginning of the 20th century till now.
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10

Li, Chan-man Philip. "The issue of dynastic legitimacy of the Three Kingdoms as seen in Zizhi Tongjian Lun "Zi zhi tong jian" dui San guo zheng run wen ti zhi chu li /." Click to view the E-thesis via HKUTO, 1989. http://sunzi.lib.hku.hk/hkuto/record/B31949526.

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