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1

Taub, Bruce J. Three preludes, violoncello and piano. C.F. Peters, 1987.

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2

Starer, Robert. Three preludes for trumpet & organ, 1985. R. King Music Co., 1987.

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3

Parry, C. Hubert H. Three chorale fantasias ; Elegy for organ. Masters Music Publications, 1991.

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4

Williams, Ralph Vaughan. Three preludes founded on Welsh hymn tunes. Masters Music Publications, 1996.

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5

Respighi, Ottorino. Three preludes on Gregorian melodies: For solo piano. Masters Music Publications, 1998.

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6

The three ages of the interior life: Prelude of eternal life. Tan Books and Publishers, 1989.

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7

Čapek, Karel. Rossum's universal robots (R.U.R.): A collective drama in three acts with a comedy prelude. Hesperus, 2011.

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8

Čapek, Karel. Rossum's universal robots (R.U.R.): A collective drama in three acts with a comedy prelude. Hesperus, 2011.

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9

Gleeson, Dermot F. The last lords of Ormond: Cromwellian plantation, prelude and aftermath in the "Countrie of the Three O'Kennedies". Relay Books, 2001.

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10

Three Preludes. Warner Bros Pubns, 2000.

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11

Three Preludes: For Piano. Hal Leonard, 2019.

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12

Purvis, Richard. Three Carol Preludes: Organ. Gentry Publications, 1997.

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13

Three Preludes For The Piano. Alfred Publishing Co., Inc., 2011.

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14

Joseph, Michael. Three Lenten Preludes: For Organ. Warner Bros Pubns, 1998.

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15

Bruhns, Nikolaus. Three Preludes and Fugues: Kalmus Edition. Alfred Publishing Company, 1985.

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16

Three Preludes on O Perfect Love. Warner Bros Pubns, 2000.

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17

(Composer), George Gershwin, and Maurice Hinson (Editor), eds. Gershwin Three Preludes For The Piano (Masterworks). Alfred Publishing, 2006.

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18

Saint-Saëns, Camille. Three Preludes and Fugues, Op. 109, Kalmus Edition. Alfred Publishing Company, 1985.

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19

Dupre, Marcel. Three Preludes and Fugues and Other Works for Organ. Dover Publications, 2002.

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20

Three Preludios for Guitar. Neil A. Kjos Music Co., 1998.

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21

Knoops, Geert-Jan Alexander. Introductory Note. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190923846.003.0020.

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The year 2016 preludes the start of three trials at the International Criminal Court (ICC). The trials of Mr. Ongwen, Mr. Al Mahdi and the trial of Mr. Gbagbo and Mr. Blé Goudé started in the same year while several trials drew to a close. Both Mr. Bemba and Mr. Al Mahdi were convicted for crimes committed in the Central African Republic and Mali, respectively. In a separate trial Mr. Bemba and his co-defendants were convicted of witness tampering. While some of the developments at the Court are promising, a closer look at both the legal and political developments warrants some caution. Some s
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22

Death of Wolverine Prelude: Three Months to Die. Marvel Worldwide, Incorporated, 2020.

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23

The Deceased: A Comedy with a Prelude and Three Acts. The Serbian Classics Press, 2004.

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24

Shields, James Mark. Prelude: Red Pines and Black Sheep. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190664008.003.0008.

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This Prelude to Chapters One through to Six introduces the story of three generations of the Akamatsu family, whose tri-generational patriline illustrates well the changes which shaped institutional and lay Buddhism in the five decades from the Buddhist Enlightenment through the beginning of the Asia Pacific War.
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25

Brooks, William, Christina Bashford, and Gayle Magee, eds. Over Here, Over There. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042706.001.0001.

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Music in World War I played an important role in cementing the transatlantic alliance among Anglophone and Francophone allies. Chapters 1–5 consider responses to the war by five individuals from three countries: Frank Bridge, Charles Ives, Claude Debussy, John Philip Sousa, and Irving Berlin. Chapters 6–10 gradually expand the focus to ever larger groups of people: women theatre organists in the United States, the Longleat community in England, the greater citizenry of Canada, the service flag and Gold Star mother movements throughout the United States, and the global population devastated by
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26

Garrigou-Lagrange, Reginald. The Three Ages of the Interior Life: Prelude of Eternal Life (Vol. 2). TAN Books & Publishers, Incorporated, 1989.

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27

Garrigou-Lagrange, Reginald. The Three Ages of the Interior Life: Prelude of Eternal Life (Vol 1). Tan Books & Pub, 1991.

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28

Gershwin, George. An American in Paris: Concerto in F ; 3 preludes (orch. Roy Bargy) ; Of thee I sing (overture). 2016.

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29

Agné, Hans. Legitimacy in Global Governance Research. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826873.003.0002.

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As a prelude to the three themes in the volume, this chapter explores more generally the turn towards legitimacy in global governance research. The chapter suggests that this turn is partly explained by shortcomings in normative research on global democracy, and the potential of research on legitimacy to overcome those problems. The chapter discusses the merits and demerits of alternative conceptualizations of legitimacy in serving these purposes. The chapter concludes in favor of a normative-sociological understanding of legitimacy that is sensitive to beliefs among members of relevant audien
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30

Henning, C. Randall. Dramatis Institutiones. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198801801.003.0003.

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The regime complex for crisis finance in the euro area included the European Council, Council of the European Union, and Eurogroup in addition to the three institutions of the troika. As the member states acted largely, though not exclusively, through the council system, these bodies stood at the center of the institutional mix. This chapter reviews the institutions as a prelude to examining the dilemmas that confronted them over the course of the crises. It presents a brief review of some of the basic facts about their origins, membership, and organization. Each section then delves more deepl
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31

Watson, Nicola J. The Author's Effects. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847571.001.0001.

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The Author’s Effects: On Writer’s House Museums is the first book to describe how the writer’s house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologized and materialized through the conventions of the writer’s house museum, The Author’s Effects anatomizes the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity. It traces how and why the writer’s bodily remains, possessions, and spaces came to be treasured in the late eighte
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32

Zachar, Peter, and Robert F. Krueger. Personality Disorder and Validity. Edited by K. W. M. Fulford, Martin Davies, Richard G. T. Gipps, et al. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199579563.013.0052.

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This chapter describes the introduction of the concept of personality in the late nineteenth and early twentieth century as a secularization and medicalization of the notion of character. This secularization served as the key prelude to the initiation of the scientific study of personality traits. It also examines the origins of the concept of personality disorder in psychiatry's rejection of the disease-based concept of the degenerate, morbid personality. After setting the historical stage, the chapter explores three validity-related issues. The first is a question about what role values shou
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