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Journal articles on the topic 'Three Stooges (Comedy team)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Deis, Timothy, and Julie Julius. "A STEM Exploration with Gears." Mathematics Teaching in the Middle School 22, no. 8 (2017): 495–506. http://dx.doi.org/10.5951/mathteacmiddscho.22.8.0495.

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Larry, Moe, and Curly were comedians in the 1930s. Individually, they were competent comedians; as a team, they became The Three Stooges. This team is still recognized today for its slapstick comedy. Science, engineering, and mathematics are fields that many students see as separate entities. But if these fields are combined with technology, they become STEM. In its core policy recommendations, the STEM Education Coalition states:

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2

Twardzicki, Maya, and Norman Jones. "“Have you heard the one about…” using comedy to tackle mental health-related stigma with UK military personnel?" Journal of Public Mental Health 16, no. 1 (2017): 9–11. http://dx.doi.org/10.1108/jpmh-03-2016-0017.

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Purpose The purpose of this paper is to provide first-hand reflections from a public mental health specialist, on developing an innovative comedy-based arts and health project that engaged with UK military personnel. Design/methodology/approach Project partners included the Academic Department of Military Mental Health at King’s College London and Army Headquarters. The project used a repeat measures design. The intervention group (IG) received a mental health-focussed comedy show and the control group received a standard comedy show. Serving Armed Forces personnel participated in focus groups

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3

Blakesley, Jacob. "DISTANTLY READING DANTE TRANSLATIONS." Vertimo studijos 10, no. 10 (2018): 65. http://dx.doi.org/10.15388/vertstud.2017.10.11282.

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This paper outlines a new research project that aims to catalogue and investigate all booklength translations of Dante’s Divine Comedy in 100 countries. This will be, in fact, the first project to map the circulation and translation of Dante’s Commedia across the globe using statistics and analysis. Despite 700 years of Dante Studies, there still exists no comprehensive bibliography of translations; and critical studies still focus primarily on major languages, neglecting less-translated languages. The theoretical background of this project draws on Franco Moretti’s ‘distant reading’, David Da

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4

Fedenko, A. Yu. "Musical and dramatic creativity by Olena Pchilka in the development of children musical theater in Ukraine." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 73–92. http://dx.doi.org/10.34064/khnum1-56.05.

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Background. Today in the minds of Ukrainians there is a process of reappraisal of values, which requires new approaches to the cultural education of citizens. At the current stage of the formation of the Ukrainian state, in front of its culture, in particular, children education, important and responsible educational tasks arise for the younger generation to develop a worldview focused on national ideals and traditions, preserved in folk songs, tales, in outstanding literary, musical works and other significant achievements of spiritual culture. That is why there is a need to study the childre

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Small, Jamie L. "“Jocks Gone Wild”: Masculinity, Sexual Bullying, and the Legal Normalization of Boys’ Victimization." Social Problems, August 30, 2021. http://dx.doi.org/10.1093/socpro/spab030.

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Abstract The enactment of sexual violence is a key mechanism in the reproduction of masculinity. Yet most previous research examines the victimization of women and girls, even though men and boys do sometimes experience sexual violence. I take the case of sexual bullying on a high school athletic team to investigate the legal construction of teenaged boys’ sexual victimization. I examine the police investigation and subsequent prosecution of five youths who were charged with felonies related to sexual bullying. Data are threefold: 1) audio recordings of police detective interviews with 21 witn

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6

Boler, Megan. "The Transmission of Political Critique after 9/11: “A New Form of Desperation”?" M/C Journal 9, no. 1 (2006). http://dx.doi.org/10.5204/mcj.2595.

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   Investigative journalist Bill Moyers interviews Jon Stewart of The Daily Show: MOYERS: I do not know whether you are practicing an old form of parody and satire…or a new form of journalism. STEWART: Well then that either speaks to the sad state of comedy or the sad state of news. I can’t figure out which one. I think, honestly, we’re practicing a new form of desperation…. July 2003 (Bill Moyers Interview of Jon Stewart, on Public Broadcasting Service)   Transmission, while always fraught and ever-changing, is particularly so at a moment

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7

Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his

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8

Flew, Terry. "Right to the City, Desire for the Suburb?" M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.368.

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The 2000s have been a lively decade for cities. The Worldwatch Institute estimated that 2007 was the first year in human history that more people worldwide lived in cities than the countryside. Globalisation and new digital media technologies have generated the seemingly paradoxical outcome that spatial location came to be more rather than less important, as combinations of firms, industries, cultural activities and creative talents have increasingly clustered around a select node of what have been termed “creative cities,” that are in turn highly networked into global circuits of economic cap

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9

Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each

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10

Hope, Cathy, and Bethaney Turner. "The Right Stuff? The Original Double Jay as Site for Youth Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.898.

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On 19 January 1975, Australia’s first youth station 2JJ (Double Jay) launched itself onto the nation’s airwaves with a NASA-style countdown and You Only Like Me ‘Cause I’m Good in Bed by Australian band Skyhooks. Refused airtime by the commercial stations because of its explicit sexual content, this song was a clear signifier of the new station’s intent—to occupy a more radical territory on Australian radio. Indeed, Double Jay’s musical entrée into the highly restrictive local broadcasting environment of the time has gone on to symbolise both the station’s role in its early days as an enfant t

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Linke, Christine, Elizabeth Prommer, and Claudia Wegener. "Gender Representations on YouTube." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2728.

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Introduction Media and gender are intricately linked in our society. Every day we see representations of women and men on the screen, read about politicians in the press, watch influencers on YouTube or go to the cinema where we meet screen heroes. Our images and notions of gender draw on these media narratives and role models. Children and young people are socialised with these views and cultivate their own identity and gender roles accordingly. Ideas of gender are not static. They are produced discursively in an ongoing process. Gender is understood as a social category, and this perspective

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12

Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl

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13

Losh, Elizabeth. "Artificial Intelligence." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2710.

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   On the morning of Thursday, 4 May 2006, the United States House Permanent Select Committee on Intelligence held an open hearing entitled “Terrorist Use of the Internet.” The Intelligence committee meeting was scheduled to take place in Room 1302 of the Longworth Office Building, a Depression-era structure with a neoclassical façade. Because of a dysfunctional elevator, some of the congressional representatives were late to the meeting. During the testimony about the newest political applications for cutting-edge digital technology, the microphones periodically malfunctione

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Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic

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15

Brabazon, Tara. "A Red Light Sabre to Go, and Other Histories of the Present." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1761.

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If I find out that you have bought a $90 red light sabre, Tara, well there's going to be trouble. -- Kevin Brabazon A few Saturdays ago, my 71-year old father tried to convince me of imminent responsibilities. As I am considering the purchase of a house, there are mortgages, bank fees and years of misery to endure. Unfortunately, I am not an effective Big Picture Person. The lure of the light sabre is almost too great. For 30 year old Generation Xers like myself, it is more than a cultural object. It is a textual anchor, and a necessary component to any future history of the present. Revelling

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