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Dissertations / Theses on the topic 'Three voices and piano'

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Published: 4 June 2021

Last updated: 4 February 2022

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1

Wolf, Shawna Michelle. "Even if I Forget." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616711014155541.

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2

Grahl, Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron Grahl Trevor Aaron. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464882.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 8, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the pieces and PDF versions of the thesis and program.

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McCallum, Clinton McCallum Clinton McCallum Clinton McCallum Clinton. "Three pieces." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453675.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Accompanying disc is DVD-ROM and contains sound files of recordings of the pieces. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Durations: ca. 21:00-25:00 ; ca. 10:00 ; ca. 9:00. Performance instructions precede each score The 2nd work reproduced from holograph.

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4

Leung, Prudence Pui Sze. "Analytical approaches to György Kurtág's "Three Old Inscriptions for Voice and Piano" Op. 25." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/14725.

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György Kurtág is one of the most influential composers alive today. His music conveys a strong sense of Hungarian culture, but draws influences from many composers and eras. His compositions range from miniature solo pieces to large orchestral compositions (Stele, Op. 33), and from the twelve-tone idiom (String Quartet No. i, op.’) to electroacoustic works (Mémoire de Lalka). His best-known pieces are mostly vocal works, which demonstrate a rare brilliance in utilizing music to heighten poetic content. The Three Old Inscriptions, Op. 25, for voice and piano, is a work that has not yet received

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Gamso, Nancy M. (Nancy Margaret). "Twentieth-Century Works for Textless Voice and Various Woodwinds with Three Recitals of Selected Works of Stamitz, Roussel, Albinoni, Weber, Milhaud, and Others." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279129/.

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The purpose of this study is to explore the literature for textless voice and woodwind instruments. The primary focus concerns the timbral and ensemble possibilities exploited in three twentieth-century works in which the voice is treated as an instrument i.e., without the usual preoccupation with textual meaning. An historical overview of vocal works with obbligato woodwinds and concerted works for textless voice serves as an introductory chapter. The variables of voice and instrument acoustical makeup, vocal vowel formation and instrumental voicings, volume, vibrato, resultant tones, range,

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Wu, Man-Mei. "Three Voices for voices, woodwind, percussion, and string instruments." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2684/.

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Composed for soprano, tenor, and baritone voices, woodwind, percussion, and string instruments, Three Voices is a polyglotic work that includes German, Chinese, and Spanish texts. The texts are chosen from Brecht Bertolt's Das Schiff, Po Chu I's Lang T'ao Sha, and Frederico Garcia Lorcá's Mar. Significant features of the piece are 1) application of Chinese operatic singing methods to vocal material in the sections that use Chinese text, 2) use of western instruments to emulate the sound of certain Chinese instruments, and 3) employment of Sprechstimme and dramatically inflected speech to crea

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Dawe, Edmund Noel. "Three piano sonatas by Friedrich Kuhlau." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/29227.

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Friedrich Kuhlau (1786-1832) ranks as a minor master of the early nineteenth century. As a composer of keyboard music he is perhaps best known for his sets of sonatinas, but the twenty-two sonatas he composed from 1809 to 1831 form a significant part of his extensive output. This study examines three of his sonatas -- Op. 4, Op. 46 No. 2 and Op. 127 -- and places them in historical context through a discussion of the importance of this genre in the repertoire of that era. A survey of contemporary keyboard performance practices is also included, as well as an introductory biographical sketch.

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8

Rubin, Justin Henry 1971. "Psalmody in three books for voices and ensemble." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/288822.

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Historically, concert music based predominantly on Jewish subject matter has been found in sacred works for Christian usage. One of the first composers to address this discrepancy was the Italian Salamone Rossi (1570?-ca. 1630). He brought into being a cycle of vocal works employing the musical vocabulary of his time with the intent of introducing the pieces into a Jewish liturgical-concert setting. His settings of Psalms and other portions of the Jewish Bible were collected and published by him under the title Hashirim asher l'Sh'lomo, or The Songs of Solomon. In honor of his work, I selected

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Garcia-Castells, Federico Jose Chen Yi. "Pervigilivm [i.e. Pervigilium] veneris for mixed choir, piano and percussion quartet /." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A thesis in music composition." Typescript. Advisor: Chen Yi. Includes vita and English translation of text. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Online version of the print edition.

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Dempsey, Mariclare Elizabeth. "Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579897972318386.

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11

Dayton, D. "Big Country, Subtle Voices: Three Ethnic Poets from China's Southwest." University of Sydney, 2007. http://hdl.handle.net/2123/1630.

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Master of Arts<br>In the southwest corner of China, the confluence of cultural diversity and national integration have produced a new kind of voice in the Chinese language: an ethnic voice. Speaking fluently in the Chinese nation’s language and culturally beyond its Han foundations, minority ethnic writers or shaoshu minzu in China are inciting a challenge to the traditional conceptions of Chineseness. In the PRC, the re-imagining of the boundaries between ethnicity, nation, and the globe is being produced in ethnic voices that resist the monopolizing narratives of the CCP and the Han cultural

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Dayton, D. "Big country, subtle voices three ethnic poets from China's southwest /." Connect to full text, 2006. http://hdl.handle.net/2123/1630.

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Thesis (M.A.)--University of Sydney, 2007.<br>Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Master of Arts to the Dept. of Chinese Studies, Faculty of Arts. Degree awarded 2007; thesis submitted 2006. Includes bibliographical references. Also available in print form.

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ALBORNOZ, CARLA VICTORIA. "SHORT NARRATIVE RESISTANCE: THE VERY SHORT STORIES THROUGH THREE VOICES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12216@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>O relato brevíssimo é um espaço particular que vem experimentando um crescimento sustentado desde meados do século XX, especialmente na América Latina. Uma plétora de escritores e de antologias organizadas nesse formato invadiu o mercado editorial hispano-americano nos últimos anos. Trata-se da microficção, uma narrativa que cabe no espaço de uma página. Muitas das ferramentas narrativas dos pequenos relatos provêm do conto, do qual herda a capacidade de criar uma tensão, um ritmo que se traduz na sua pulsão interna, embora nelas

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Kiatvongcharoen, Usa. "Analytical approaches to three of Debussy's preludes for piano." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20665635.

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Power, Ian. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464822.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 13, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the pieces and PDF version of the thesis.

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Gratton, J. Brian (John Brian). "Three Motivic Topics in Beethoven's Piano Quintet, Op. 16." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278612/.

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The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as 5 - #5 - 6 (Bb - B - C in Eb major); the emphasis om the submediant, both as vi in Eb major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement;

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Kronish, Neomi Baylin. "Social, cultural, and psychological influences on three promising piano students' desicions to continue taking piano lessons." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85180.

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In this inquiry, I used a qualitative-portraiture approach to examine the social, cultural, and psychological influences on piano students' decisions to continue taking piano lessons. I collected data between 1997 and 2002. Data types included field notes, interpretive memos, audiotaped and videotaped piano lessons, audiotaped one-on-one interviews and retrospective interviews, email messages, and written documents. The main sources of data used for analysis were transcribed videotapes of piano lessons in the music studio and interviews with the teacher and three of her promising studen

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Lemay, Catherine. "Sight-reading for piano students: Comparing three methods of assessment." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27774.

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One important component of music reading research is measurement, quantification, and evaluation of accuracy in sight-reading performance. Researchers have used various methods of assessment such as the sight-reading tests and scales, quantification of errors, and evaluation by expert examiners. These three methods of assessment have been used independently in research; however, they have never been tested to determine if they provide comparable analyses. This study, therefore, adapted the Watking-Farnum Performance Scale for wind instrumentalists to be used in the context of piano performance

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Griffeath-Loeb, Brian Griffeath-Loeb Brian Griffeath-Loeb Brian Griffeath-Loeb Brian. "Three pieces." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453364.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>The 2nd work for piano, amplified guitar, baritone saxophone, and tuba. Accompanying disc is DVD-ROM, and contains sound files of recordings of works. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Durations: ca. 8:00 ; ca. 6:00 ; ca. 11:00-12:00. Explanatory or program notes precede each work.

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Gantzert, Patricia L. "Throwing voices, dialogism in the novels of three contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23313.pdf.

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21

Yang, Yu-Lin 1974. "Three scenes in dreamland : (1999-2000) : for mixed choir and instrumental ensemble." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33371.

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Three Scenes in Dreamland is a 17-minute piece for mixed choir and instrumental ensemble. It consists of three movements: "Crystal Sky," "The Chanting Light" and "The Field Where I Was Born, Where I Died." Each movement uses a particular combination of the available instruments. The work is inspired by various aspects of Chinese culture and Buddhism, and certain possibilities of combining Western and non-Western musical elements are explored over the course of the three movements.

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Lewis, Stephen Edward Lewis Stephen Edward Lewis Stephen Edward Lewis Stephen Edward. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464858.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>The 1st work for violin, clarinet, violoncello; the 2nd for piano with chamber orchestra; the 3rd for 2 flutes (1 doubling on piccolo), 2 clarinets, 2 violoncellos. Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Accompanying disc contains PDF file of thesis and recordings of performances.

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23

Chou, Lin-San. "Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1273250807.

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24

Robson, Rozelle. "Graced, happy or virtuous? : three female theological voices on God and human flourishing." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86688.

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Thesis (MTh)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The Yale Center for Faith and Culture has held seven Consultations on God and Human Flourishing, 2007 to 2013, where it was affirmed that human relation to God is reason enough for human flourishing. The seven consultations indicate a growing conversation on God and human flourishing in theology. With this is mind the three female theologians are considered and argued to be important as participants in a conversation on God and human flourishing. The three female theologians are Serene Jones, a feminist theologian, Ellen Charry

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Grant, John Ward. "Folio of compositions and critical commentary /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19321.pdf.

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Uchino, Tomoko. "An Analysis of Three Impromptus for Piano Op. 68 by Lowell Liebermann." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195000.

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American composer Lowell Liebermann (b. 1961) wrote his Three Impromptus Op. 68 in 2000. They manifest his self-proclaimed intention to be a composer espousing the traditions of Western music and aiming to be part of that continuum. Liebermann’s Impromptus exhibit spontaneity and a sense of improvisation, the most pervasive aspect of the antecedent Impromptus. His personal lyricism embraces tempo rubato, inventive harmonies, distinctive textures, and dramatic gestures. Liebermann’s Impromptus, however, are tightly organized works employing simple motives that unify individual Impromptus within

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Karagouni, Villy. "Voices of dissent : interpenetrations of aesthetics and socio-politics in three modernist case-studies." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3713/.

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This thesis explores the interpenetrations of aesthetic and socio-political issues in three modernist novels by John Dos Passos, Jean Rhys, and Samuel Beckett. It aims to argue for the importance of theory and the retrieval of voices of dissent in contemporary modernist studies. Theodor Adorno’s aesthetic theory, Raymond William’s cultural critique, and the contemporary conceptualizations of Jacques Rancière, Isobel Armstrong, and Jean-Michel Rabaté are applied to the primary texts in an attempt to uncover dissenting qualities at both a textual and contextual level. In this process, the thes

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Baldwin, Richard Philip. "An analysis of three violin sonatas by William Bolcom." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1094823557.

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Yoon, Hyekung. "An Introduction of Carl Vine’s Three Piano Sonatas with Emphasis on Performance and Practice Suggestions for Sonata No.2 (1997)." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1291218628.

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Lincoln-DeCusatis, Nathan. "Calling tunes a piece in three movements for violin, clarinet, violoncello, and piano /." College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8123.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: School of Music. Title from t.p. of PDF. Also available in paper. Published by UMI Dissertation Services, Ann Arbor, Mich.

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Bibi, Musrat. "Voices from the gap : a study of women's experiences in three novels by Anita Desai." Thesis, Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31941047.

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Ritchie, Anthony Damian. "The influence of folk music in Three Works by Béla Bartόk: Sonata No. 1 for violin and piano, Sonata (1926) for piano, and 'Contrasts' for violin, clarinet and piano". Thesis, University of Canterbury. Music, 1986. http://hdl.handle.net/10092/4608.

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It is well known that the compositions of Béla Bartόk are influenced by folk music. Until recently, however, musicologists in the West have treated this aspect of Bartόk's music superficially. By avoiding the folk music influence, their analyses are based on a partial knowledge only of Bartόk and consequently, the conclusions they make are severely limited. The purpose of this study is to delve deeply into the folk music influence on Bartόk's compositional style and to take full account of his ethnomusicological knowledge when analysing his music. In order to do this, I have limited my study t

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Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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Zhan, Le. "William Gillock's Contributions to Piano Pedagogy: A Comparison of Three Works of Gillock with Selected Stylistic Models from the Baroque, Classical, and Romantic Repertoire." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609147/.

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William Gillock, a 20th-century American composer and pedagogue, composed numerous works in the styles of different periods for early intermediate-level piano students. The purpose of this dissertation is to introduce Gillock's pieces to teachers of early intermediate students and illustrate how they can be used as a bridge to the study of similar music from Baroque, Classical, and Romantic periods. Gillock's Little Suite in Baroque Style is compared with Handel's Suite in E Major, HWV 430; his Accent on Analytical Sonatinas (Classical) is compared with Clementi's Piano Sonatinas, Op. 36, No.

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Abramova, Tatiana A. "The Synthesis of Jazz and Classical styles in Three Piano Works of Nikolai Kapustin." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/282327.

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Music Performance<br>D.M.A.<br>The music of the Russian-Ukrainian composer Nikolai Kapustin is a fascinating synthesis of jazz and classical idioms. Kapustin has explored many existing traditional classical forms in conjunction with jazz. Among his works are: 20 piano sonatas, Suite in the Old Style, Op.28, preludes, etudes, variations, and six piano concerti. The most significant work in this regard is a cycle of 24 Preludes and Fugues, Op. 82, which was completed in 1997. He has also written numerous works for different instrumental ensembles and for orchestra. Well-known artists, such as St

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Ahn, Joel 1957. "A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332384/.

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Charles Valentin Alkan (1813-1888), one of the great genii in music history, was widely misunderstood by his contemporaries because of his highly idiosyncratic ideas. From the perspective of the late twentieth century, his innovations can be better understood, and his music is now gaining wider appreciation. Yet, today many musicians still do not know even his name, much less his achievements. The year 1988 marks the one hundredth year since his death. In commemoration of this centennial anniversary, this thesis is presented as a plea for a greater awareness of the achievements of this importa

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Carrell, Scott Allen. "The French Sonatina of the Twentieth Century for Piano Solo with Three Recitals of Works by Mussorgsky, Brahms. Bartok, Dutilleux, and Others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038907/.

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The purpose of this study is to define the French sonatina of the twentieth century, to expose those works which are most suitable for concert performances, and to provide a resource for teachers and performers. Of the seventy-five scores available to the writer, five advanced-level piano sonatinas of the twentieth century were chosen as the best of those by French composers, in attractiveness and compositional craftsmanship: Maurice Ravel's Sonatine (1905), Maurice Emmanuel's Sonatine VII (1926), Noel Gallon's Sonatine (1931), Alexandre Tansman's Troiseme Sonatine (1933), and Jean-Michel Da

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Lyszczarz, Joseph E. "Among the Voices Voiceless: Setting the Words of Samuel Beckett." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011787/.

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Among the Voices Voiceless is a composition for flute (doubling piccolo), clarinet (doubling bass clarinet), viola, cello, percussion, piano, and electronics, based on the poem "What would I do without this world faceless incurious" by Samuel Beckett. The piece is a setting for disembodied voice: the vocal part exists solely in the electronics. Having no physical body, the voice is obscured as the point of empathy for the audience. In addition, instrumental solos compete for focus during the work's twenty minute duration. In passages including a soloist, the soloist functions simultaneously as

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Tsang, Ngo-Yin. "Students' voices in the context of integrated arts curriculum projects in three primary schools in Hong Kong." Thesis, University of Exeter, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573922.

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This thesis explores students' voices in the context of integrated arts curriculum projects in three primary schools in Hong Kong. With a postmodern orientation this study looks into students' views, experiences. performances and their interactions with the participating arts teachers in a freer space within the panoptic school buildings situated in the Hong Kong Chinese culture. The research questions for the study are: What are the primary students' views about integrated arts? How do the students create their work across the arts? How do the students interact with their teachers and peers i

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Forssman, Hill Deborah L. ""Crossing the lines" in academic discourse : the transforming and transformative voices of three women in composition studies /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3137697.

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Tai, Martha 1973. "Building voices : a comparative analysis of neighborhood involvement in affecting large-scale development in three Boston neighborhoods." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/28342.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2004.<br>Includes bibliographical references (p. 108-109).<br>(cont.) In particular, neighborhood divisions not only prevent the collective interests of the neighborhood from being addressed but can also enable the city to put aside neighborhood interests in favor of maintaining the interests of the greater public. In addition, the thrust of a neighborhood's effort to effectuate project changes must be channeled through its advisory power to successfully convince and persuade the Boston Redevelopment A

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Jiang, Hua. "Three Nocturnes for Piano by Jackson Berkey: An Analysis and a Study in Performance Practice." Diss., North Dakota State University, 2017. https://hdl.handle.net/10365/26506.

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This dissertation explores three nocturnes for piano composed by Jackson Berkey. Chapter one and two present a biography of Jackson Berkey and his thoughts about music. Only limited information is available concerning Mr. Berkey?s musical career and his piano music in written form or on the internet, but two one-on-one interviews with the composer provided valuable supplementary information for this study. In order to view Berkey?s nocturnes within the historical context of the nocturne genre over the past 200 years, chapter three provides a brief historical overview of the nocturne. Chapter f

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Lynch, Evan Thomas. "Three Danzas by Puerto Rican Clarinetist/Composer Juan Rios Ovalle Arranged for Clarinet and Piano." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149259610054858.

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Woodward, Mark E. McNeil Ryan Woodward Mark E. Aubuchon Rachel McKenney W. Thomas. "Three songs for unaccompanied choir." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6259.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 26, 2010 Thesis advisor: Dr. W. Thomas McKenney. Includes bibliographical references.

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Hollingsworth, Mark Stanton. "Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330885/.

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The lecture was given on September 25, 1989. The discussion dealt with the stylistic characteristics of music for clarinet by Ernesto Cavallini and included a performance of four romanzas: La Calma, Un Pensiero, L'Incudine, and Lontano dalla Patria. Cavallini was the foremost clarinet virtuoso of the nineteenth century as well as a prolific composer of music for his instrument. The works presented in the lecture represent Cavallini's proclivity for a performance style combining virtuosity with lyrical expression. Copies of the original publications of Cavallini's romanzas were obtained from

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HESS, NATHAN ANDREW. "ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168.

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Ćojbašić, Ivana. "Content and Musical Language in the Piano Sonata of Sofia Gubaidulina, and Three Recitals with Works by Bach, Beethoven, Mozart, Chopin, Schumann, Debussy, and Rachmaninov." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935565/.

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Sofia Gubaidulina is one of the leading composers in the contemporary music world. Her compositional interests have been stimulated by the exploration of and improvisation with rare folk and ritual instruments, and by a deep-rooted belief in the mystical properties of music. Gubaidulina is the author of orchestral and choral works, compositions for solo instruments, chamber music, as well as electronics music. Gubaidulina's Piano Sonata sums up the composer's thinking within her piano music, and at the same time projects the development of her spiritual vision within other genres that are to c

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Manion, Heather Kathleen. "Voices of the unheard : perceptions of the success of interventions with commercially sexually exploited girls in three countries." Thesis, University of East London, 2006. http://roar.uel.ac.uk/1245/.

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The following qualitative study explored the perceptions of success of interventions for young girls involved in commercial sexual exploitation. It stressed the importance of giving young girls (and their advocates) a chance to express their opinions on intervention strategies affecting them. The study further argued that their voices are crucial to feed into an international discourse on intervention strategies that addresses international aspects of the commercial sex trade. The research focused on three Commonwealth cities: London (United Kingdom), Vancouver (Canada), and Sydney (Australia)

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Covarrubias, Ahedo Virginia. "Three Main Chamber Music Works for Strings and Piano by the Mexican Composer Manuel M. Ponce." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/95.

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This essay examines the three main large-scale chamber music works for strings and piano written by the Mexican composer Manuel M. Ponce: the Romantic Trio for violin, cello and piano (1912), the Sonata for violoncello and piano (1922), and the Sonata Breve for violin and piano (1930). The purpose of the study is to aid chamber music performers in the understanding, preparation and execution of these works. Written contextually for performing musicians, the format for the study of the individual works includes sections on historical background and commentary on analysis and performance conside

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Li, Jingbei. "The Preludes in Chinese Style: Three Selected Piano Preludes from Ding Shan-de, Chen Ming-zhi and Zhang Shuai to Exemplify the Varieties of Chinese Piano Preludes." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574682375531785.

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