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Relevant bibliographies by topics / Thriller

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Academic literature on the topic 'Thriller'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Thriller"

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Umida, Khaydarova. "EFFECT ON POPULAR PERCEPTIONS OF THE LEGAL SYSTEM IN LEGAL THRILLER OF SCOTT TUROW." Eurasian Journal of Academic Research 1, no. 9 (2022): 542–48. https://doi.org/10.5281/zenodo.5813046.

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The article defines the meaning of a legal Thriller, and also analyzes the differences between a legal Thriller and other types of detective genres based on the works of Scott Turow. The author, analyzing the content and structure of Scott Turow's works (legal thrillers), reveals the complexity of interrelations between an individual and system of justice

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Murphy, Caryn. "Sexy Thrills: undressing the erotic thriller." Historical Journal of Film, Radio and Television 29, no. 3 (2009): 413–15. http://dx.doi.org/10.1080/01439680903115929.

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RAMIREZ, JAVIER. "SEXY THRILLS: UNDRESSING THE EROTIC THRILLER." Journal of Film and Video 61, no. 4 (2009): 58–60. http://dx.doi.org/10.2307/20688650.

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Patil, Dr Satyajit T. "Tracing Geopolitical Thrillers with Special Focus on Frederick Forsyth’s The Fox." International Journal of Language, Literature and Culture 5, no. 4 (2025): 33–35. https://doi.org/10.22161/ijllc.5.4.4.

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A geopolitical thriller is a subgenre of the political thriller that foregrounds international politics, espionage, warfare, and statecraft, often set against the backdrop of real or plausible global crises. The central theme usually revolves around power struggles between nations, the role of intelligence agencies, and the tension between national security and individual morality. These narratives often involve clandestine operations, assassination plots, diplomatic tension, and global conflict. Frederick Forsyth had long been a dominant voice in English fiction, particularly in the genres of

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Cybulski, Marcin. "Czy w ZSRR kręcono thrillery?" Acta Polono-Ruthenica 1, no. XXIII (2018): 51–64. http://dx.doi.org/10.31648/apr.1508.

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This article is an attempt to answer the question whether, in the specific conditions in which the cinematography of the Soviet Union was created and developed, we can talk about the production of thrillers. The notion of the thriller is considered and attention is paid to the problem of the definition of the term itself and the fact that some researchers do not treat the thriller as a genre at all. The thriller, associated by the Soviet decision-makers with Western culture (and thus also American), was perceived as a bourgeois creation, which made it an undesirable genre in the Soviet Union.

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Platten, David. "Wired to the Word: On Reading Thrillers." French Cultural Studies 21, no. 4 (2010): 267–75. http://dx.doi.org/10.1177/0957155810378573.

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The appearance in 2003 of 21 Georges Simenon novels in the Bibliothèque de la Pléiade reaffirmed a widespread consensus that French-language crime fiction, especially the roman noir with its vigil over the political and social ills of the nation, had secured its position as an important vector of French cultural history. Its sister genre, the thriller, has fared less well. Justly criticised for its expedient style and limited intellectual horizons, the thriller continues to appeal to a mass readership drawn from all sectors of society.This article locates its attractions in the ways in which w

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Zhang, Runze. "Research on the Creative Principles of Chinese Thriller Films." Lecture Notes in Education Psychology and Public Media 64, no. 1 (2024): 29–34. http://dx.doi.org/10.54254/2753-7048/64/20240939.

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The Chinese thriller film, as a specific genre, exhibits unique principles and characteristics in its creation, which is also significant in terms of cultural heritage and creative expression. Nevertheless, the current systematic investigation of the research principles and creative connotations of the sample remains inadequate. The objective of this paper is to analyze the research principles of Chinese thriller-horror films and identify the sources and evolution of the narrative materials underlying them. The analysis employs both the literature analysis method and the case study method. The

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Kottke, Dagmara. "“And (Don’t) Stay on the Path…” – Transformation of the Fairy Tale into the Psychological Thriller in the Game The Path." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 36, no. 2 (2019): 147. http://dx.doi.org/10.17951/ff.2018.36.2.147-159.

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<p>Celem artykułu jest próba analizy procesu transformacji baśni w thriller psychologiczny w grze komputerowej The Path. Punkt wyjścia do rozważań stanowi teoria strukturalna Vladimira Proppa, który poddał badaniom tradycyjne baśni, wyodrębniając ich elementy wspólne, takie jak funkcje i role postaci. Rosyjski strukturalista w swojej teorii jako kluczowe elementy opowieści uwypukla bohaterów i ich działania, istotne nie tylko z punktu widzenia teoretyków literatury, ale również badaczy podejmujących refleksję nad grami komputerowymi. Studium wykazuje, że funkcje i role bohaterów tradycyj

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Martynuska, Małgorzata. "Karin Slaughter’s Crime Novel "Blindsighted" as a Southern Forensic Thriller." Tematy i Konteksty 18, no. 13 (2023): 412–26. http://dx.doi.org/10.15584/tik.2023.26.

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The forensic thriller has emerged as a significant subgenre of crime fiction that depicts the work of medical examiners, coroners, forensic pathologists, and anthropologists who analyze scientific evidence. Forensic investigators do not engage directly in pursuing the criminal; instead, they interpret the physical evidence collected from the victim's body and the crime scene. The popularity of forensic fiction, film, and TV series has created the general assumption that criminalistics has become a routine police procedure. This article presents Karin Slaughter's novel Blindsighted as an exampl

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Remize, Michel. "Thriller." Archimag N°346, no. 6 (2021): 1. http://dx.doi.org/10.3917/arma.346.0001.

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Dissertations / Theses on the topic "Thriller"

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Lavender, Andrew Mark. "Thatcher's thrillers : British television thriller serials of the 1980s." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481497.

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Blazevic, Sasha, and Carl Johan Kesten. "Editing within The Thriller Genre." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-21915.

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Thriller är en favoritgenre för många och har funnits längre än de flesta tror. Ursprungligen som en litteraturgenre har den utvecklats till en av de mest eftertraktade genrerna inom film. Tidiga anmärkningsvärda verk som Alfred Hitchcocks filmer i mitten av 1900-talet har banat vägen för genren och utformat dess redigering och cinematografi till vad vi har idag. Trots sin ödmjuka början i mitten av 1900-talet lyckas teknikerna, även om dem är aningen repetitiva, fortfarande vara relevanta idag och har bara utvecklats med åren. I den här artikeln studerar vi grunderna inom thrillergenren, redi

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Lopez, Laura. "BAKER:THE MAKING OF AN INDEPENDENT THRILLER." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2096.

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Baker is an independently financed low budget film that examines the ambiguous nature of compassion in the day-to-day life of hospice care personnel. The creation of the film entailed three stages: pre-production, production and post-production in which numerous artistic, financial and logistic challenges arose and threatened the completion of the picture. The complex nature of the subject matter required particular attention to the structure of the script. The budgetary restrictions enforced a minimalist approach to locations as well as other creative considerations such as the size of the ca

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Chediak, Putnam Katherine. "Writing Antiheroines for the Erotic Thriller." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/406066.

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This research employs creative practice to develop a screenwriting framework for writing antiheroines for the erotic thriller film genre. It comprises the creative artefact, the screenplay titled Perfect Wife, and this exegesis, which underpins and contextualises the screenplay and incrementally develops the “Genre Screenwriting Practice Framework”, thus contributing to the academic field of script development and screenwriting as creative practice. The research findings aim to assist screenwriters in the development of antiheroine protagonists for the erotic thriller genre as well as the genr

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Neal, Sarah Jane, and sarahneal@myplace net au. "Structuring the Thrill in the True Crime Story: An Analysis of how the substructures of the classic screenplay operate in the Thriller film." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080514.095721.

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The research undertaken as the requirements of the degree is an analysis, evaluation and application of the usefulness of the substructures contained in the classic Thriller screenplay. The research identifies tools and techniques that the screenwriter can apply to the construction of a classically structured Thriller. These tools and techniques have been applied to the creation of an original feature length screenplay entitled Magnetic Fields. The substructures explored in this exegesis are those identified by screen theorist Dr Lisa Dethridge as being essential to the screenplay form,

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Quinn, Paul. "Curtain raisers : the British 'B' thriller in the 1950s." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432672.

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Lynch, Paul. "The development of the British conspiracy thriller, 1980-1990." Thesis, University of Hertfordshire, 2017. http://hdl.handle.net/2299/18180.

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This thesis adopts a cross-disciplinary approach to explore the development of the conspiracy thriller genre in British cinema during the 1980s. There is considerable academic interest in the Hollywood conspiracy cycle that emerged in America during the 1970s. Films such as The Parallax View (Pakula, 1975) and All the President's Men (Pakula, 1976) are indicative of the genre, and sought to reflect public anxieties about perceived government misdeeds and misconduct within the security services. In Europe during the same period, directors Costa-Gavras and Francesco Rosi were exploring similar t

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Cottrell, Roger John Henry. "Alienation, ideology and social critique in the British crime thriller." Thesis, Queen's University Belfast, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492156.

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SUMMARY: ALIENATION, IDEOLOGY AND SOCIAL CRITIQUE IN THE BRITISH CRIME THRILLER PHD THESIS BY ROGER COTIRELL ! An interdisciplinary PHD on the ventilation of radical social and political themes in British crime fiction since the Second World War. The composite parts of this thesis look at the role played by crime fiction in establishing a consensus around policing with consent and what happened to it in the 1970s. A core theme here involves the manner by which policing with consent was integral to postwar conditions of social democracy and how this was eroded by open class warfare and the cons

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Kelly, Aaron James. "'Utterly resigned terror' : the thriller and Northern Ireland since 1969." Thesis, Queen's University Belfast, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343029.

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Bowman, Deena. "The Hollywood political thriller during the Cold War, 1945-1962." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/17734.

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This thesis investigates a corpus of films identifiable as Hollywood political thrillers during the Cold War spanning a period of seventeen years, between 1945 and 1962. It aims to dispel the assertion by critics and scholars that the political thriller originates with the release of The Manchurian Candidate (Frankenheimer, 1962). Moreover, it is my intent to engage an interdisciplinary approach given that the relationship between contemporary American cinema, ideology and propaganda has often been overlooked (see Shaw, 2007). Utilizing textual and contextual analysis, I shall argue that The M

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Books on the topic "Thriller"

1

Meltzer, Brad. Thrill: Thriller. Aufbau-Taschenbuch, 2009.

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Martin, Nina K. Sexy thrills: Undressing the erotic thriller. University of Illinois Press, 2007.

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Kalo, Shlomo. Thriller*. Y D.A.T. Publications, 2005.

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Scieszka, Jon. Thriller. Walden Pond Press, 2011.

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Kalo, Shlomo. Thriller. Y hotsaʻat Daʻat., 2005.

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1947-, Patterson James, ed. Thriller. Mira, 2006.

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Kalo, Shlomo. Thriller. Y Hotsaʻat D.ʻA.T., 2005.

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Chapman, Helen. Thriller. Rising Stars, 2011.

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1947-, Patterson James, ed. Thriller. Mira, 2006.

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Patterson, James, ed. Thriller. Mira, 2006.

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Book chapters on the topic "Thriller"

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Schwanebeck, Wieland. "Thriller." In Handbuch Filmgenre. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-09017-3_25.

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Schwanebeck, Wieland. "Thriller." In Handbuch Filmgenre. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-09631-1_25-1.

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Schwanebeck, Wieland. "Thriller." In Handbuch Filmgenre. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-09631-1_25-2.

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Schwanebeck, Wieland. "Thriller." In Handbuch Filmtheorie. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-09631-1_25-3.

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Vibenius, Bo Arne. "Thriller: A Cruel Picture (Thriller — en grym film)." In 100 Cult Films. British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-571-8_90.

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Zywietz, Bernd. "Actionfilm und Thriller." In Terrorismus im Spielfilm. Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-12161-7_10.

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Ross, Drew. "The Thriller Killer." In Looking into the Eyes of a Killer. Springer US, 1998. http://dx.doi.org/10.1007/978-1-4899-6088-7_6.

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Bedore, Pamela. "The Legal Thriller." In The Routledge Introduction to Canadian Crime Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003125242-12.

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Cobley, Paul. "Introduction." In The American Thriller. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333985120_1.

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Cobley, Paul. "Conclusion." In The American Thriller. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333985120_10.

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Conference papers on the topic "Thriller"

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Charnov, Bruce. "The Man Who Beat Amelia Earhart: The Fabulous Aviation Life of John McDonald Miller (1905 - 2008)." In Vertical Flight Society 71st Annual Forum & Technology Display. The Vertical Flight Society, 2015. http://dx.doi.org/10.4050/f-0071-2015-10180.

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Inspired watching Glenn Curtiss landing to refuel on his historic 1910 flight from Albany to New York City, the almost 5-year old John McDonald "Johnny" Miller decided he wanted to be a pilot, a decision reinforced five years later in a chance encounter with famed aviatrix Ruth Law (3rd licensed woman pilot in America) at the Curtiss Flying school in Mineola, Long Island. Miller taught himself to fly in used WWI Jenny from a text by Captain Horatio Barber, a book Miller still had in his family home in Poughkeepsie, NY eighty years later. His career in aviation, begun in a $1,500 used WWI aircr

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Eric Gatefin (Tours), sans prénom. "Dissonances du thriller chez Brian De Palma." In Les genres littéraires, les genres cinématographiques et leurs émotions. Fabula, 2017. http://dx.doi.org/10.58282/colloques.4113.

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Jones, M., A. Ryan, C. Haverkamp, M. Broadwell, and M. A. Wilson. "From Painkiller to Brain Thriller: The Curious Case of Fentanyl-induced Serotonin Syndrome." In American Thoracic Society 2024 International Conference, May 17-22, 2024 - San Diego, CA. American Thoracic Society, 2024. http://dx.doi.org/10.1164/ajrccm-conference.2024.209.1_meetingabstracts.a7050.

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Kobylko, N. A. "Space-time features of the psychological thriller “The Girl We Killed” by Polina Kulakova." In THE LATEST DEVELOPMENT TRENDS IN PHILOLOGICAL SCIENCE AND EDUCATION. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-404-7-7.

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Mohammed, Pola. "The Analysis of the Talented Mr. Ripley Novel." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.949.

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The Talented Mr. Ripley is a psychological thriller novel that delves into the complexity of human identity, socioeconomic class, and the American Dream through themes such as deception, envy, and the pursuit of self-fulfillment. Written by Patricia Highsmith and released in 1955, the novel has received widespread recognition for its nuanced characterization of the protagonist, Tom Ripley, who expertly embodies the psychological and moral complications of these themes. The novel addresses essential themes concerning the nature of human identity and how social rank, class, and the American Drea

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Schnädelbach, Holger, Stefan Rennick Egglestone, Stuart Reeves, Steve Benford, Brendan Walker, and Michael Wright. "Performing thrill." In Proceeding of the twenty-sixth annual CHI conference. ACM Press, 2008. http://dx.doi.org/10.1145/1357054.1357238.

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Becerra, Zoe M., Brittany Holthausen, and Bruce N. Walker. "Bringing the thrill to automated vehicles." In AutomotiveUI '19: 11th International Conference on Automotive User Interfaces and Interactive Vehicular Applications. ACM, 2019. http://dx.doi.org/10.1145/3349263.3351328.

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Bingmann, Timo, Simon Gog, and Florian Kurpicz. "Scalable Construction of Text Indexes with Thrill." In 2018 IEEE International Conference on Big Data (Big Data). IEEE, 2018. http://dx.doi.org/10.1109/bigdata.2018.8622171.

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Varoquaux, Gael, Travis Vaught, and Jarrod Millman. "Editorial." In Python in Science Conference. SciPy, 2008. http://dx.doi.org/10.25080/hxdh2061.

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This year marked the 7th edition of the conference; however, it is the first edition for which proceedings are to be published. We are thrilled by this new development. These proceedings are the sign of a maturing community not only of developers, but also of scientific users. Python’s use as a tool for producing scientific results is, by now, well established. Its status as the subject of research and academic publication is now being recognized and we hope that the proceedings of the SciPy Conference will help communicate how scientists and engineers are using and building upon various Pytho

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Bingmann, Timo, Michael Axtmann, Emanuel Jobstl, et al. "Thrill: High-performance algorithmic distributed batch data processing with C++." In 2016 IEEE International Conference on Big Data (Big Data). IEEE, 2016. http://dx.doi.org/10.1109/bigdata.2016.7840603.

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Reports on the topic "Thriller"

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Lennon, Sharron, Minjeong Kim, Jaeha Lee, and Kim K. P. Johnson. Thrilled or Angry: Consumer Emotions on Black Friday. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1730.

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Kopytov, Alexandr, Nikolai Roussanov, and Mathieu Taschereau-Dumouchel. Cheap Thrills: the Price of Leisure and the Global Decline in Work Hours. National Bureau of Economic Research, 2020. http://dx.doi.org/10.3386/w27744.

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