Relevant bibliographies by topics / Thriller series

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Thriller series'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Thriller series"

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Martynuska, Małgorzata. "Karin Slaughter’s Crime Novel "Blindsighted" as a Southern Forensic Thriller." Tematy i Konteksty 18, no. 13 (2023): 412–26. http://dx.doi.org/10.15584/tik.2023.26.

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The forensic thriller has emerged as a significant subgenre of crime fiction that depicts the work of medical examiners, coroners, forensic pathologists, and anthropologists who analyze scientific evidence. Forensic investigators do not engage directly in pursuing the criminal; instead, they interpret the physical evidence collected from the victim's body and the crime scene. The popularity of forensic fiction, film, and TV series has created the general assumption that criminalistics has become a routine police procedure. This article presents Karin Slaughter's novel Blindsighted as an exampl
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Cybulski, Marcin. "Czy w ZSRR kręcono thrillery?" Acta Polono-Ruthenica 1, no. XXIII (2018): 51–64. http://dx.doi.org/10.31648/apr.1508.

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This article is an attempt to answer the question whether, in the specific conditions in which the cinematography of the Soviet Union was created and developed, we can talk about the production of thrillers. The notion of the thriller is considered and attention is paid to the problem of the definition of the term itself and the fact that some researchers do not treat the thriller as a genre at all. The thriller, associated by the Soviet decision-makers with Western culture (and thus also American), was perceived as a bourgeois creation, which made it an undesirable genre in the Soviet Union.
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Avanzas Álvarez, Elena. "Form and Diversity in American Crime Fiction:The Southern Forensic Thriller." Polish Journal for American Studies, no. 13 (Autumn 2019) (October 15, 2019): 309–19. http://dx.doi.org/10.7311/pjas.13/2/2019.11.

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The forensic thriller has traditionally been constructed as a mainstream American narrative focused on the stereotypical representation of the country as a metropolis with an incredible amount of resources, and the American capitalist dream. The author Patricia Cornwell (Postmortem, first novel in the Kay Scarpetta series, published in 1990) is considered the founding mother of this crime fiction subgenre native to the US, closely followed by Kathy Reichs (Deja Dead, first novel in the Temperance Brennan series, published in 1997) whose series have been successfully adapted to television in th
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Sinaga, Leny Roslinda. "THE COMMODIFICATION OF ROMANCE THRILLER IN NETFLIX’S YOU SERIES." Rubikon : Journal of Transnational American Studies 12, no. 1 (2025): 106. https://doi.org/10.22146/rubikon.v12i1.98846.

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This study aims to determine how the You series uses the male gaze to commodify romance and thriller elements and manipulate aspects of the genre to draw viewers. Additionally, the analysis of the You series reveals that it questions patriarchal beliefs and gender representation in the media. In reviewing this research, qualitative analysis methods were used, and Laura Mulvey's Male Gaze theory was applied to analyze the data after examining primary and secondary data and finding supporting theories for the data. This research also uses a Transnational perspective to understand how Netflix pro
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Satayaban, Natsuda. "London Spy as a Subversive Spy Thriller." Journal of British Cinema and Television 20, no. 1 (2023): 98–118. http://dx.doi.org/10.3366/jbctv.2023.0658.

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Although the thematisation of the events of 9/11 and 7/7 and the ensuing topics of mass monitoring and social control have garnered considerable popular and academic attention, few critical accounts concentrating on the BBC2 crime mini-series London Spy (2015) exist. The series might seem as if it is just another crime drama capitalising on real-life sensational subjects such as the whistleblowing phenomenon and the suspicious death of the MI6 agent Gareth Williams; however, taking into account the series' hybridised form of spy and detective narratives, thriller and drama, London Spy appears
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Cañas Pelayo, Marcos Rafael. ""Streaming Noir": la evolución del thriller en las series españolas." SERIARTE. Revista científica de series televisivas y arte audiovisual 7 (January 20, 2025): 123–46. https://doi.org/10.21071/seriarte.v7i.17324.

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A lo largo de las últimas décadas, el cine negro español ha ido evolucionando desde un cierto manierismo para emular a los thrillers norteamericanos hasta unos productos más autóctonos que, sin renunciar a la calidad en la factura de los mismos, tratan temas sociales más próximos a la audiencia. Paralelamente y como un efecto colateral de sumo interés, ello ha beneficiado sobremanera a las ficciones televisivas, las cuales han tomado esa fuente de inspiración con la ventaja de disponer de más horas para desarrollar a sus personajes y sus motivaciones que en el celuloide. Por ejemplo, el punto
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Zulponova, Iroda. "THE ROLE OF NARRATIVES IN LITERATURE." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 1, no. 1 (2021): 68–74. https://doi.org/10.5281/zenodo.5543266.

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A narrative, story or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report ,  documentary ,  travelogue,etc.) or fictional (fairy tale, fable, legend, thriller, novel, etc.).
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Lee jeong-gook. "A Study of Action Thriller 'Bourne' Series -Centering on directing analysis-." Film Studies ll, no. 45 (2010): 311–41. http://dx.doi.org/10.17947/kfa..45.201009.013.

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Coello Gutiérrez, Emiliano. "El thriller panameño como novela negra (divergente)." Anales de Literatura Hispanoamericana 52 (December 20, 2023): 306–19. http://dx.doi.org/10.5209/alhi.93685.

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Osvaldo Reyes y Ramón Francisco Jurado son los dos grandes escritores de novela negra en Panamá. Sus obras poseen interés porque son diferenciales con respecto a la tradición narrativa panameña, por un lado, y en comparación con el neopoliciaco latinoamericano o centroamericano, por el otro. Divergen incluso del canon de la novela policiaca a la inglesa o a la norteamericana. Se trata de textos cuyos referentes culturales tienen más que ver con el mundo audiovisual (el cine, la televisión, el cómic) que con el universo literario propiamente dicho. Al examinar la producción narrativa de Osvaldo
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Soberon, Lennart. "Reaganite America and Its Mnemonic Menaces." Film Studies 22, no. 1 (2020): 129–49. http://dx.doi.org/10.7227/fs.22.0009.

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During the 1980s the spectre of the Vietnam War haunted the sites of cinema and popular culture in various forms. Whereas a rich body of scholarly research exists on cinematic iterations of the Vietnam war as trauma, the discursive dynamics between memory, ideology and genre in relation to enemy image construction are somewhat underdeveloped. This article utilises genre studies, conflict studies and trauma theory in analysing how the representations of film villains interact with the construction of cultural trauma and national identity. Considering the American action thriller to be an import
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Dissertations / Theses on the topic "Thriller series"

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Janssen, Sabine. "Comme un roman policier: Daniel Pennacs Malaussène-Serie als eine Spielart des Kriminalromans - Like a thriller: Daniel Pennac's Malaussène-Saga as a variation of crime novel." Gerhard-Mercator-Universitaet Duisburg, 2003. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-03242003-102057/.

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The doctoral thesis 'Comme un roman policier: Daniel Pennacs Malaussène-Serie als Spielart des Kriminalromans' delivers a thorough analysis of a popular French series consisting of five novels which are rooted in crime literature. The contemporary French author Daniel Pennac makes a playful use of elements characteristic both of the detective novel als well as the thriller. Aspects of the analysis include the structure of the novels, techniques of narration, depiction of society, methods of detection and use of language. Based on René Girard's scapegoat-theory Pennac creates the tragicomic her
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Bourque-Alvear, Alexandra. "Le film d'enquête portant sur les tueurs en série : l'avènement d'un sous-genre et l'exception de Zodiac." Thèse, 2012. http://hdl.handle.net/1866/8866.

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Ce mémoire a comme objectif premier, l’étude du film d’enquête sur les tueurs en série. Plus spécifiquement, le mémoire examine le cas du film Zodiac réalisé par David Fincher en 2007. En procédant par analyses comparatives portant sur la structure narrative, les thématiques et les mécanismes de réception du film d’enquête, nous avons tenté de mettre en lumière des hypothèses quant à l’insuccès commercial de Zodiac. La première section de l’étude examine la spécificité et les fonctions propres au film d’enquête sur les tueurs en série et parvient ainsi à tirer la conclusion qu’il prévaut de ca
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Books on the topic "Thriller series"

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Bohn, Jeb. Bermuda (Herman Ingram Book One). Jeb Bohn, 2018.

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2

Stewart, Mariah. Hard Truth: Backlist, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED] (Truth Thriller Series). Blackstone Audiobooks, 2006.

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Games Thriller Series. J.E. Taylor, 2024.

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Games Thriller Series. J.E. Taylor, 2024.

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Thriller: The Series. Primedia eLaunch LLC, 2020.

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Stewart, Mariah. Final Truth, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED]. Blackstone Audiobooks, 2006.

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(Narrator), Anna Fields, ed. Dark Truth: Backlist, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED]. Blackstone Audiobooks, 2006.

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Stewart, Mariah. Dark Truth: Backlist, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED]. Blackstone Audiobooks, 2006.

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9

Stewart, Mariah. Cold Truth: Backlist, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED]. Blackstone Audiobooks, 2006.

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10

(Narrator), Anna Fields, ed. Cold Truth: Backlist, Truth Thriller Series (Truth Thriller Series) [UNABRIDGED]. Blackstone Audiobooks, 2006.

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Book chapters on the topic "Thriller series"

1

Nitsch, Cordula. "Content Analysis in the Research Field of Fictional Entertainment." In Standardisierte Inhaltsanalyse in der Kommunikationswissenschaft – Standardized Content Analysis in Communication Research. Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-36179-2_23.

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AbstractFictional entertainment accounts for a large share of the overall media content and is very popular with the audience. It is highly diverse in form and content, and differs, for example, regarding media type, genre, and target group. Fictional entertainment comprises novels (e.g., thriller, romance), comic books, TV series (e.g., crime series, daily soaps, medical shows, political drama), children’s programs, feature films, cartoons, box office hits, audio plays, etc. Research on fictional entertainment typically concentrates on audiovisual productions, i.e. TV series and movies.
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Echart, Pablo, and Pablo Castrillo. "Homeland: Fear and Distrust as Key Elements of the Post-9/11 Political-Spy Thriller." In Emotions in Contemporary TV Series. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-56885-4_12.

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Haring, Lee. "2. Varieties of Performing." In World Oral Literature Series. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0315.02.

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Chapter 2 benefits from a larger corpus collected over several years by Noël J. Gueunier and his collaborator Madjidhoubi Said. Numerous versions of Africa’s most widespread folktale, the defiant girl who marries a monster in human disguise, reinforce the importance of making a proper marriage. The popularity of the tale, in many versions in a small island, show performers varying it in tone and borrowing elements from other tales. One version is totally politicized. Other adaptations change the wife from victim into a potent folktale heroine. Narrators also tell about the trickster Bwanawasi
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Turnbull, Sue, and Marion McCutcheon. "Secret City." In Transnational TV Crime. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781474496810.003.0005.

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This chapter explores the ways in which the TV crime drama series has increasingly embraced political issues since the new millennium. Based on a series of satirical political novels, Secret City (Foxtel 2016-2019) belongs to a cycle of quality television drama from the Nordic region that deal with pressing national and global political issues, including the Danish series Borgen (DR1 2010-2022) and Thin Ice (TV4 2020), and the Norwegian speculative thriller Occupied (TV2 2015- 2020). Borgen has been one of the most influential TV series on the development of the political thriller and its inco
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Williams, Linda Ruth. "Twin Peaks: David Lynch and the Serial-Thriller Soap." In The Contemporary Television Series. Edinburgh University Press, 2005. http://dx.doi.org/10.3366/edinburgh/9780748619009.003.0004.

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Ruth Williams, Linda. "3. Twin Peaks: David Lynch and the Serial-Thriller Soap." In The Contemporary Television Series. Edinburgh University Press, 2005. http://dx.doi.org/10.1515/9780748679645-007.

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Van den Troost, Kristof. "Detectives and Suspense Thrillers: Remaking Hitchcock in Hong Kong." In Hong Kong Crime Films. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399521765.003.0003.

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Chapter 2 completes the overview of the post-war crime film by looking at films organised around two other central protagonists of crime films: detectives (the detective film) and victims (the suspense thriller). The discussion of the detective film highlights the local versions of films featuring the famous Chinese American film detective, Charlie Chan. It also singles out for attention the action star Tso Tat-wah, someone so known for his detective roles that decades later people still referred to him affectionately as ‘Detective Tso’. The overview of the suspense thriller deals with the rol
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Willmetts, Simon. "Secrecy, Conspiracy, Cinema and the CIA in the 1970s." In In Secrecy's Shadow. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748692996.003.0005.

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This final chapter examines the figuration of the CIA in the wave of paranoid conspiracy films that were made in the 1970s. Still suffering from the reverberations of Watergate and the Vietnam War, in 1975 America faced another season of scandal after the investigative journalist Seymour Hersh published a series of damning revelations of nefarious CIA and FBI activities in the New York Times. This compounded a culture of suspicion that had already set in, especially in Hollywood, by the beginning of the 1970s. The conspiracy thrillers of the 1970s, films like Three Days of the Condor and The P
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Oldham, Joseph. "‘A balance of terror’: Callan (ITV, 1967–72) as an existential thriller for television." In Paranoid Visions. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994150.003.0002.

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This chapter examines Callan (ITV, 1967-72), an early television reworking of the ‘existential’ strand of spy thriller associated with John Le Carré and Len Deighton. It characterises the series as converging of two areas in which ITV had previously played an innovative role, specifically plays which placed a new focus on the realities of working-class life and glamorous, escapist adventure series, using the former to partially subvert the latter and develop a much more pessimistic incarnation of the spy genre. Through close analysis, it examines how Callan was able to utilise its predominatel
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Richard, Thomas. "15. The Platform: The Hybridities of Techno-Thriller and Politics in the Emirates." In Global TV Series and the Political Imagination. University of Exeter Press, 2025. https://doi.org/10.47788/kcll2713.

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