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Journal articles on the topic 'Thriller'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Umida, Khaydarova. "EFFECT ON POPULAR PERCEPTIONS OF THE LEGAL SYSTEM IN LEGAL THRILLER OF SCOTT TUROW." Eurasian Journal of Academic Research 1, no. 9 (2022): 542–48. https://doi.org/10.5281/zenodo.5813046.

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The article defines the meaning of a legal Thriller, and also analyzes the differences between a legal Thriller and other types of detective genres based on the works of Scott Turow. The author, analyzing the content and structure of Scott Turow's works (legal thrillers), reveals the complexity of interrelations between an individual and system of justice

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2

Murphy, Caryn. "Sexy Thrills: undressing the erotic thriller." Historical Journal of Film, Radio and Television 29, no. 3 (2009): 413–15. http://dx.doi.org/10.1080/01439680903115929.

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3

RAMIREZ, JAVIER. "SEXY THRILLS: UNDRESSING THE EROTIC THRILLER." Journal of Film and Video 61, no. 4 (2009): 58–60. http://dx.doi.org/10.2307/20688650.

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4

Patil, Dr Satyajit T. "Tracing Geopolitical Thrillers with Special Focus on Frederick Forsyth’s The Fox." International Journal of Language, Literature and Culture 5, no. 4 (2025): 33–35. https://doi.org/10.22161/ijllc.5.4.4.

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A geopolitical thriller is a subgenre of the political thriller that foregrounds international politics, espionage, warfare, and statecraft, often set against the backdrop of real or plausible global crises. The central theme usually revolves around power struggles between nations, the role of intelligence agencies, and the tension between national security and individual morality. These narratives often involve clandestine operations, assassination plots, diplomatic tension, and global conflict. Frederick Forsyth had long been a dominant voice in English fiction, particularly in the genres of

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5

Cybulski, Marcin. "Czy w ZSRR kręcono thrillery?" Acta Polono-Ruthenica 1, no. XXIII (2018): 51–64. http://dx.doi.org/10.31648/apr.1508.

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This article is an attempt to answer the question whether, in the specific conditions in which the cinematography of the Soviet Union was created and developed, we can talk about the production of thrillers. The notion of the thriller is considered and attention is paid to the problem of the definition of the term itself and the fact that some researchers do not treat the thriller as a genre at all. The thriller, associated by the Soviet decision-makers with Western culture (and thus also American), was perceived as a bourgeois creation, which made it an undesirable genre in the Soviet Union.

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6

Platten, David. "Wired to the Word: On Reading Thrillers." French Cultural Studies 21, no. 4 (2010): 267–75. http://dx.doi.org/10.1177/0957155810378573.

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The appearance in 2003 of 21 Georges Simenon novels in the Bibliothèque de la Pléiade reaffirmed a widespread consensus that French-language crime fiction, especially the roman noir with its vigil over the political and social ills of the nation, had secured its position as an important vector of French cultural history. Its sister genre, the thriller, has fared less well. Justly criticised for its expedient style and limited intellectual horizons, the thriller continues to appeal to a mass readership drawn from all sectors of society.This article locates its attractions in the ways in which w

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7

Zhang, Runze. "Research on the Creative Principles of Chinese Thriller Films." Lecture Notes in Education Psychology and Public Media 64, no. 1 (2024): 29–34. http://dx.doi.org/10.54254/2753-7048/64/20240939.

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The Chinese thriller film, as a specific genre, exhibits unique principles and characteristics in its creation, which is also significant in terms of cultural heritage and creative expression. Nevertheless, the current systematic investigation of the research principles and creative connotations of the sample remains inadequate. The objective of this paper is to analyze the research principles of Chinese thriller-horror films and identify the sources and evolution of the narrative materials underlying them. The analysis employs both the literature analysis method and the case study method. The

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8

Kottke, Dagmara. "“And (Don’t) Stay on the Path…” – Transformation of the Fairy Tale into the Psychological Thriller in the Game The Path." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 36, no. 2 (2019): 147. http://dx.doi.org/10.17951/ff.2018.36.2.147-159.

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<p>Celem artykułu jest próba analizy procesu transformacji baśni w thriller psychologiczny w grze komputerowej The Path. Punkt wyjścia do rozważań stanowi teoria strukturalna Vladimira Proppa, który poddał badaniom tradycyjne baśni, wyodrębniając ich elementy wspólne, takie jak funkcje i role postaci. Rosyjski strukturalista w swojej teorii jako kluczowe elementy opowieści uwypukla bohaterów i ich działania, istotne nie tylko z punktu widzenia teoretyków literatury, ale również badaczy podejmujących refleksję nad grami komputerowymi. Studium wykazuje, że funkcje i role bohaterów tradycyj

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9

Martynuska, Małgorzata. "Karin Slaughter’s Crime Novel "Blindsighted" as a Southern Forensic Thriller." Tematy i Konteksty 18, no. 13 (2023): 412–26. http://dx.doi.org/10.15584/tik.2023.26.

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The forensic thriller has emerged as a significant subgenre of crime fiction that depicts the work of medical examiners, coroners, forensic pathologists, and anthropologists who analyze scientific evidence. Forensic investigators do not engage directly in pursuing the criminal; instead, they interpret the physical evidence collected from the victim's body and the crime scene. The popularity of forensic fiction, film, and TV series has created the general assumption that criminalistics has become a routine police procedure. This article presents Karin Slaughter's novel Blindsighted as an exampl

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10

Remize, Michel. "Thriller." Archimag N°346, no. 6 (2021): 1. http://dx.doi.org/10.3917/arma.346.0001.

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11

Boyle, Karen. "Book Review: Sexy Thrills: Undressing the Erotic Thriller." Feminist Review 92, no. 1 (2009): 170–71. http://dx.doi.org/10.1057/fr.2009.9.

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12

Ramirez, Javier. "Sexy Thrills: Undressing the Erotic Thriller (review)." Journal of Film and Video 61, no. 4 (2009): 58–60. http://dx.doi.org/10.1353/jfv.0.0050.

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13

Waine, Anthony. "Anna Seghers’s Transit: A Late Modern Thriller – Without Thrills." Neophilologus 89, no. 3 (2005): 403–18. http://dx.doi.org/10.1007/s11061-004-3094-4.

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14

Buckley, H. M., Vincent Banville, Ann C. Fallon, Sean Martin Blain, and Brian Moore. "Thriller Minutes." Books Ireland, no. 191 (1995): 326. http://dx.doi.org/10.2307/20623184.

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15

Baran, Marcin, Elżbieta Wójcik-Leese, and W. Martin. "Thriller Dream." Chicago Review 46, no. 3/4 (2000): 299. http://dx.doi.org/10.2307/25304649.

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16

Nylenna, Magne. "Psykologisk thriller." Tidsskrift for Den norske legeforening 129, no. 13 (2009): 1376. http://dx.doi.org/10.4045/tidsskr.09.0449.

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17

Clarke, Maxine. "Molecular thriller." Nature 390, no. 6661 (1997): 670. http://dx.doi.org/10.1038/37753.

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18

Fox, Douglas. "Driller thriller." New Scientist 202, no. 2703 (2009): 34–37. http://dx.doi.org/10.1016/s0262-4079(09)60998-2.

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19

Filley, Christopher M. "INTERNATIONAL THRILLER." Neurology Today 3, no. 7 (2003): 17. http://dx.doi.org/10.1097/00132985-200307000-00008.

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20

Leutwyler, Kristin. "Chiller Thriller." Scientific American 270, no. 1 (1994): 24–25. http://dx.doi.org/10.1038/scientificamerican0194-24a.

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21

Romero Santos, Rubén, and Ana Mejón. "‘Asesinato en el Comité Central’ (Vicente Aranda, 1982): el ‘thriller’ político como esperpento1." Tripodos, no. 41 (February 20, 2018): 125–38. https://doi.org/10.51698/tripodos.2017.41.125-138.

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Asesinato en el Comité Central, de Vicente Aranda (1982), es la segunda adaptación cinematográfica (tras Tatuaje, de Bigas Luna, 1976) del personaje literario Pepe Carvalho, creado por Manuel Vázquez Montalbán. Se trata de un thriller político que en su momento no tuvo ni fortuna crítica ni éxito de taquilla y que, en parte, fue repudiado por su propio director. Sin embargo, el tiempo nos permite proceder a una relectura que valore su clara raíz esperpéntica, que considere el texto como síntoma de hartazgo con el género producido por un contexto histórico y cultural muy particular. ‘Murder in

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22

Cazani Júnior, Luís Enrique. "Estudo dos termos thriller e suspense como indicações de um gênero fílmico." Temática 18, no. 3 (2022): 18–33. http://dx.doi.org/10.22478/ufpb.1807-8931.2022v18n3.62309.

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Procura-se, neste artigo, apresentar o estudo terminológico de thriller e de suspense como indicações de um gênero fílmico na língua inglesa. Como protocolo metodológico, foram seguidas as considerações de Rick Altman (2000) acerca da adjetivação e da subjetivação de palavras relacionadas aos tipos de enunciados na divulgação da obra cinematográfica. Como resultados, thriller já refletia uma identidade no início do século XX como um nome para o público letrado inglês leitor dos periódicos estudados enquanto suspense foi empregado como qualidade e como substantivo. Como expressões derivadas: su

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23

Nikonenko, Olha, and Olena Rigger. "CULINARY THEMATICS IN DETECTIVES." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 193–95. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-193-195.

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The article is devoted to the consideration of genre of crime novels in contemporary German literature general and to those with a culinary theme especially. The using of the term “culinary thriller“ by authors and journalists is critically considered. There is a short overview of the development of the genre of crime novel, there important stages, the structure and characteristics in German literature. Discussed is the popularity of this genre in recent years. The thriller in the modern German literature are thematically qualified. Culinary and gourmet theme is a popular environment in the cr

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24

Zulkhairi, Nur Nabila, Izra Inna Md Idris, and Siti Normala Hamzah. "Analisis kritikal thriller dalam novel Aku Lelakimu (2017) karya Sara Aisha." Jurnal Pengajian Media Malaysia 24, no. 2 (2022): 79–96. http://dx.doi.org/10.22452/jpmm.vol24no2.5.

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A Critical Analysis of Thriller in the novel Aku Lelakimu (2017) by Sara Aisya discusses thriller elements based on the storyline in the novel. Thriller novels are a genre that has a plot with elements of surprise from the beginning of the novel to the resolution. In this writing, the researchers use a qualitative method, namely textual analysis to analyze the five thriller elements found in the novel. By using Tzvetan Todorov's five levels of narrative theory, namely equilibrium, disruption, recognition of disruption, attempt to repair the disruption, and new equilibrium, the researchers in t

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25

Gallagher, Richard. "The Troubles crime thriller and the future of films about Northern Ireland." On the Cultural Circulation of Contemporary European Crime Cinema, no. 22 (March 2, 2022): 42–53. http://dx.doi.org/10.33178/alpha.22.03.

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Troubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced over the period have all been produced and financed by either the United Kingdom, Ireland, France or Germany. Owing to both the financial and critical success of these films, relative to other types of films about Northern Ireland, and the more market-driven approach adopted by policymakers, the crime thriller genre has also become the primary way that audiences engage with

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26

Siti Alifia Ananda Ardiani and Otong Setiawan Djauhari. "Psychological Manipulation in Psychological Thrillers: A Case Study of “The Housemaid” by Freida McFadden." Jejak digital: Jurnal Ilmiah Multidisiplin 1, no. 4 (2025): 1369–75. https://doi.org/10.63822/f216h027.

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Psychological thrillers as a genre have become a powerful vehicle for exploring the dynamics of power, trauma, and manipulation in human relationships. This article discusses psychological manipulation in the psychological thriller genre, focusing on Freida McFadden's novel The Housemaid. The main issue raised is how manipulation is constructed and displayed through the psychological behavior of the characters. The purpose of this study is to uncover the narrative techniques and psychological strategies used by the author in building tension and directing the reader's perception. This study us

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27

Hall, James Allen. "Erotic Crime Thriller." Pleiades: Literature in Context 40, no. 2 (2020): 147–48. http://dx.doi.org/10.1353/plc.2020.0117.

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28

Perillo, Lorenzo. "“Smooth Criminals”: Mimicry, Choreography, and Discipline of Cebuano Dancing Inmates." Congress on Research in Dance Conference Proceedings 40, S1 (2008): 197–202. http://dx.doi.org/10.1017/s2049125500000698.

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On July 17, 2007, Byron Garcia, Cebu provincial security consultant, uploaded the Cebu Provincial Detention and Rehabilitation Center inmates' performance of Michael Jackson's iconic, record-breaking music video “Thriller,” which has gained enough popularity to be ranked You-Tube's fourth all-time favorite video. I ask how 1,500 Cebuano prisoners performing “Thriller” hold the global gaze so captive? Also, how do issues of sexual, racial, and cultural desire and anxiety inform “Thriller” in both content and reception? I analyze the filmed “Thriller” dance in Cebu in order to open up its ambiva

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29

Ouellette, Jennifer. "A many-worlds thriller." Physics World 23, no. 06 (2010): 42–43. http://dx.doi.org/10.1088/2058-7058/23/06/37.

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30

Iranzo, Alex. "A forensic sleep thriller." Lancet Neurology 12, no. 7 (2013): 635. http://dx.doi.org/10.1016/s1474-4422(13)70081-4.

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31

Hochhauser, Daniel. "Oncogenes: the suspense thriller." Lancet 349, no. 9051 (1997): 579. http://dx.doi.org/10.1016/s0140-6736(97)80138-9.

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32

McCann, Sean. "The Noir Thriller (review)." Modernism/modernity 9, no. 4 (2002): 704–6. http://dx.doi.org/10.1353/mod.2002.0073.

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33

Miksanek, T. "Tattoo: A Medical Thriller." JAMA: The Journal of the American Medical Association 279, no. 3 (1998): 246. http://dx.doi.org/10.1001/jama.279.3.246.

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34

Ammann, Daniel. "Thriller: Gewalt und Gefahr." Buch&Maus, no. 2 (August 1, 2022): 13–15. https://doi.org/10.5281/zenodo.7778390.

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<em>Auszug aus dem Artikel</em> Unheimliche Spannung, Verfolgungsjagd und Kampf auf Leben und Tod: Thriller halten ihr Publikum mit Action und Schrecken in Atem. Dabei setzen Bücher wie Filme auf effekthascherische dramaturgische Mittel, die auch danebengehen können. [13]

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35

Kokotkiewicz, Martyna. "Extraordinary Protagonists, Average Issues." Folia Scandinavica Posnaniensia 25, no. 1 (2018): 101–11. http://dx.doi.org/10.2478/fsp-2018-0016.

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Abstract Thriller is considered to be a subgenre of criminal fiction, in which the most significant role is played by fast-paced action, suspense, spectacular events. In case of so called international and political thrillers it should also be mentioned that their authors construct their plots around the problems such as global conflicts, international conspiracy, terrorism, the development of nuclear weapon. However, problems commonly mentioned by many authors of other subgenres of criminal fiction, are also present in the novels classified as thrillers. The collapse of well-being society, un

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36

Rohaeni, Rohaeni, Fatma Hetami, and Bambang Purwanto. "Anxiety and Defense Mechanism as A Means of Constructing Psychological Thriller in Hawkins’ “The Girl on The Train”." Rainbow: Journal of Literature, Linguistics and Cultural Studies 8, no. 1 (2019): 73–85. http://dx.doi.org/10.15294/rainbow.v8i1.27917.

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The topic of this study is Anxiety and Defense Mechanism as A Means of Constructing Psychological Thriller in Hawkins’ The Girl on the Train. The objectives of this study are to describe how anxiety and defense mechanism are described in Hawkins’ The Girl on the Train and to explain how anxiety and defense mechanism construct psychological thriller as represented in Hawkins’ The Girl on the Train. The object of the study is a novel entitled The Girl on the Train written by Paula Hawkins. This study is descriptive qualitative study by applying Freudian psychoanalytic theory. The data of the stu

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37

Yadukrishnan, PT. "A rare optimistic medical thriller!" Indian Journal of Medical Ethics 4, no. 3 (2019): 250. http://dx.doi.org/10.20529/ijme.2019.051.

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38

Flam, Faye. "Scene From a Solar Thriller." Science 256, no. 5064 (1992): 1632. http://dx.doi.org/10.1126/science.256.5064.1632.b.

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39

Flam, Faye. "Scene From a Solar Thriller." Science 256, no. 5064 (1992): 1632. http://dx.doi.org/10.1126/science.256.5064.1632-b.

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40

Armesto, Juan. "Giallo: thriller a la italiana." Ventana Indiscreta, no. 018 (October 3, 2017): 32. http://dx.doi.org/10.26439/vent.indiscreta2017.n018.1597.

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41

Tim Potter. "Slick thriller with a message." Socialist Lawyer, no. 60 (2012): 37. http://dx.doi.org/10.13169/socialistlawyer.60.0037.

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42

Thomson, Helen. "A different kind of thriller." New Scientist 229, no. 3062 (2016): 31. http://dx.doi.org/10.1016/s0262-4079(16)60035-0.

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43

Flam, F. "Scene From a Solar Thriller." Science 256, no. 5064 (1992): 1632. http://dx.doi.org/10.1126/science.256.5064.1632-a.

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44

Kuijsten, Sylvia. "ICC spil in Amerikaanse thriller." Advocatenblad 97, no. 10 (2017): 50. http://dx.doi.org/10.5553/ab/0165-13312017097010019.

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45

Zambrzycka, Marta. "Powieść Andrija Semiankiwa Tańce z kośćmi – ukraiński thriller medyczny." Studia Ukrainica Posnaniensia 12, no. 1 (2024): 117–32. http://dx.doi.org/10.14746/sup.2024.12.1.8.

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The topic of the article is the specificity of a medical thriller based on the novel Danc-ing with Bones (Танці з кістками) (2022) by Andriy Semyankiv. The study points out the specific features of a medical thriller and their reflection in Semyankiv’s literary work. This novel has its own specificity due to the local political and economic contexts of Ukraine. It fully reflects the features of the genre, while at the same time not being a literary cliché. The author also tries to analyse the peculiarities of the phenomena of fear and anxiety, which are the basis of the content of this medical

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46

Burton, Alan. "‘Jumping on the Bondwagon’: The Spy Cycle in British Cinema in the 1960s." Journal of British Cinema and Television 15, no. 3 (2018): 328–56. http://dx.doi.org/10.3366/jbctv.2018.0426.

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The article examines the significant cycle of spy thrillers in British cinema in the 1960s. It argues that the success of the early James Bond pictures, which commenced with Dr. No in 1962, initiated a popular cycle of spy films that lasted through the decade. The interest in fictional intrigue generated by the new-style espionage stories of Len Deighton and John le Carré further fuelled the cycle, and there appeared a number of adaptations of these authors’ novels. The article pays particular attention to the critical reception of the cycle and the two styles of Bond-inspired spy thriller and

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47

King, Stewart. "Victims in the Basque and Irish Thriller: The Cases of Bernardo Atxaga and Stuart Neville." Crime Fiction Studies 5, no. 2 (2024): 183–96. http://dx.doi.org/10.3366/cfs.2024.0123.

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This article is concerned with how Basque writer Bernardo Atxaga and Irish author Stuart Neville rework the conventions of the thriller to reflect on the legacies of decades of ethnic and sectarian violence in the Basque Country and Northern Ireland respectively. Whereas previous scholarship on The Lone Man and The Twelve has largely ignored the thriller’s thrilling effects in favour of so-called higher-level themes, such as masculinity and political disillusionment, this article argues that the two authors decentre the protagonists and, instead, refocus attention on the figures of the victims

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48

Wierzbicki, James. "Soundtrack ‘Design’ in Hitchcock's Thriller Sextet." New Soundtrack 1, no. 2 (2011): 157–75. http://dx.doi.org/10.3366/sound.2011.0017.

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49

Miasnikov, Viktor. "The Techno-Thriller—Here and Now." Russian Studies in Literature 39, no. 4 (2003): 43–65. http://dx.doi.org/10.2753/rsl1061-1975390443.

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50

Колесник, Олена. "CITY AS A CHARACTER OF THRILLER." Doxa, no. 2(32) (December 21, 2019): 233–39. http://dx.doi.org/10.18524/2410-2601.2019.2(32).188628.

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