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1

Duffy, Carol Ann. Thrown voices. London: Turret, 1986.

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2

Carter, Ratcliff, and Beckley Bill 1946-, eds. Thrown rope. New York, N.Y: Princeton Architectural Press, 2006.

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3

Hutchinson, Peter. Thrown rope. New York, NY: Princeton Architectural Press, 2005.

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4

Gianni, Benjamin. Dice thrown. New York, N.Y: Princeton Architectural Press, 1989.

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5

Angela, Rodel, ed. Thrown into nature. Rochester, NY: Open Letter, 2011.

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6

Marinas, Amante P. The art of throwing: The definitive guide to thrown weapons techniques. Tokyo, Japan: Tuttle Pub., 2010.

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7

The boy who was thrown away. New York: DAW Books, 1989.

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8

Lap, Geert. De gedraaide vorm =: The thrown form. Rotterdam: [The Museum, 1988.

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9

Gardner, Dore. Niño Fidencio: A heart thrown open. Santa Fe, N.M: Museum of New Mexico Press, 1992.

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10

The boy who was thrown away. New York: Atheneum, 1987.

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11

Davis, Don. Wheel-thrown ceramics: Altering, trimming, adding, finishing. Asheville, N.C: Lark Books, 1998.

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12

Lansdale, Joe R. All the earth, thrown to the sky. New York: Delacorte Press, 2011.

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13

Thrown-away child: A Neil Hockaday mystery. New York: Pocket Books, 1996.

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14

Thrown among strangers: John Henry Newman in Ireland. Dublin: Veritas, 1990.

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15

Heavy words lightly thrown: The reason behind the rhyme. 2nd ed. New York: Gotham Books, 2005.

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16

Chris, Roberts. Heavy words lightly thrown: The reason behind the rhyme? London: F & M, 2003.

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17

Heavy words lightly thrown: The reason behind the rhyme. London: Granta, 2005.

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18

Heavy words lightly thrown: The reason behind the rhyme. London: Granta Books, 2004.

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19

Carter, D. J. Space, time, motion, and Schrödinger's cat: Thrown amongst the pigeons. 2nd ed. [United Kingdom ?]: John Dawes Publications, 2009.

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20

Carter, D. J. Space, time, motion, and Schrödinger's cat: Thrown amongst the pigeons. 2nd ed. [United Kingdom ?]: John Dawes Publications, 2009.

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21

John, Wirtanen. Thrown to the lions!: 45 years of BC Lions football. Victoria, B.C: Trafford, 2000.

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22

Thrown in at the deep end: A handbook for childbirth educators. St Kilda: Handfield & Bell, 1996.

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23

Thrown among strangers: The making of Mexican culture in Frontier California. Berkeley: University of California Press, 1990.

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24

Čapek, Karel. Nine fairy tales and one more thrown in for good measure. Evanston, Ill: Northwestern University Press, 1996.

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25

Hand shadows and more hand shadows to be thrown upon the wall. Mineola, N.Y: Dover Publications, 1997.

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26

Memoranda relative to the lines thrown up to cover Lisbon in 1810. Uckfield: Naval & Military Press, 2004.

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27

1940-, Mack Charles R., and Mack Ilona S. 1943-, eds. Like a sponge thrown into water: Francis Lieber's European travel journal of 1844-1845. Columbia: University of South Carolina Press for the South Caroliniana Library, 2002.

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28

Čapek, Karel. Nine fairy tales by Karel Čapek: And one more thrown in for good measure. Evanston, Ill: Northwestern University Press, 1990.

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29

Thrown in the Throat. Milkweed Editions, 2020.

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30

Howley, Kerry. Thrown. Penguin Books, Limited, 2016.

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31

Howley, Kerry. Thrown. 2014.

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32

James, Glynn. Thrown Away. CreateSpace Independent Publishing Platform, 2014.

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33

Montgomery, Florence. Thrown Together. Adamant Media Corporation, 2000.

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34

Sary, Candi. Thrown Away. Writer's Showcase Press, 2001.

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35

Thrown Rope. New York, NY: Princeton Archit.Press, 2006. http://dx.doi.org/10.1007/1-56898-644-0.

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36

Bailey, Dilsa Saunders. Dreams Thrown Away. Good Show Publications, 2009.

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37

James, Glynn. Thrown Away 4. CreateSpace Independent Publishing Platform, 2015.

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38

McMurray, Kate. Thrown a Curve. Dreamspinner Press LLC, 2015.

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39

James, Glynn. Thrown Away 2. CreateSpace Independent Publishing Platform, 2015.

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40

Dreams Thrown Away. Outskirts Press, 2009.

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41

Thrown Off Track. CreateSpace Independent Publishing Platform, 2018.

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42

Byers, Mark. Thrown Down Glyphs. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813255.003.0005.

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The ‘modest’ aesthetic imagined by Olson and his contemporaries, critical of abstract or scientific reason, is seen in the fourth chapter to have found expression in a second major formal development. The chapter begins by asking why pictographic or ideographic writing emerged so strongly in American visual art between 1943 and 1951. Turning to the ‘sign which refuses to signify’ (Ad Reinhardt), American artists—including Olson, Pollock, Gottlieb, Lee Krasner, and the photographer Aaron Siskind—are shown to have found a language which reflected their critique of both scientific reason and those political languages (especially Marxism) which had failed to account for historical contingency. The avant-garde is seen to have valued the glyph, pictogram, or ideograph for its ‘uncertainty’; a major theme in Olson’s work of the period.
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43

Griffiths, Sara. Thrown a Curve. Bancroft Press, 2007.

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44

Thrown by a Curve. Headline Publishing Group, 2014.

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45

Brame, Charlotte M. Thrown on the World. HardPress Publishing, 2012.

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46

Thrown for a Loss. Signet, 1985.

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47

Thrown By A Curve. Berkley Publishing Group, 2013.

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48

Jamison, Sugar. Thrown for a curve. 2014.

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49

Jelleyman's Thrown a Wobbly. Glasgow: HarperCollins, 2009.

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50

Poonin, Mr Eufraine Mc, and Mr Onofre M. Poonin. Thrown Away: The Walking Papers. CreateSpace Independent Publishing Platform, 2014.

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