Relevant bibliographies by topics / Tibullus Elegiac poetry

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Academic literature on the topic 'Tibullus Elegiac poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Tibullus Elegiac poetry"

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Myers, K. Sara. "The Poet and the Procuress: TheLenain Latin Love Elegy." Journal of Roman Studies 86 (November 1996): 1–21. http://dx.doi.org/10.2307/300420.

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This paper investigates the figure of thelenain the elegies of Tibullus (I.5; II.6), Propertius (IV.5), and Ovid (AmoresI.8). While each poet treats the character of thelenain importantly different ways, each has in common a deep interest in contrasting his own position as both lover and poet with the activities of thelena, a bawd or procuress. All three poets curse thelena, denouncing primarily her malevolent magical powers, hercarmina, which are directed against them and theircarmina. Thelenanot only preaches an erotic code which in its emphasis on remuneration and the denigration of poetry
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2

Tzounakas, Spyridon. "Rusticitas Versus Urbanitas in the Literary Programmes of Tibullus and Persius." Mnemosyne 59, no. 1 (2006): 111–28. http://dx.doi.org/10.1163/156852506775455298.

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AbstractTibullus and Persius are characteristic examples of poets who in their programmatic poems take a stance as to the literary juxtaposition of rusticitas and urbanitas and side with the first. Thus, they express their opposition to the mores of urban society and support the rustic way of life, which points to moral probity, simplicity, frugality, an unaffected style, Roman thematology, an indifference towards praise and heroic action. Persius' views could be associated with Propertius' latent attack against Tibullus' rusticitas and can be interpreted as disagreement with Propertius' urban
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3

Gibson, R. K. "How to win girlfriends and influence them: amicitia in Roman love elegy." Proceedings of the Cambridge Philological Society 41 (1996): 62–82. http://dx.doi.org/10.1017/s0068673500001930.

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It is often said that amicitia, so prominent in the love poetry of Catullus, plays a negligible role in the elegies of Propertius, Tibullus and Ovid: the elegists avoid the vocabulary of amicitia and prefer to describe the relationships with their beloveds in terms of militia and seruitium amoris. In this paper, however, I shall show that this is mistaken. While the elegists do not use the vocabulary of amicitia systematically, they clearly do continue to appeal to its protocols and moral code – Ovid above all. It will be seen that Catullus and the elegists share the use of the ideology of ami
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Arndt, Aleksandra. "From Tibullus’s Palette of Literary Genres. Prayer and Religious Hymn as Exponents of the Poetic Program of the Elegiac Poet." Symbolae Philologorum Posnaniensium Graecae et Latinae 27, no. 3 (2017): 237. http://dx.doi.org/10.14746/sppgl.2017.xxvii.3.13.

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Burns, Patrick J. "Measuring and Mapping Intergeneric Allusion in Latin Poetry using Tesserae." Journal of Data Mining & Digital Humanities Special Issue on..., Towards a Digital Ecosystem:... (2017). http://dx.doi.org/10.46298/jdmdh.3821.

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Most intertextuality in classical poetry is unmarked, that is, it lacks objective signposts to make readers aware of the presence of references to existing texts. Intergeneric relationships can pose a particular problem as scholarship has long privileged intertextual relationships between works of the same genre. This paper treats the influence of Latin love elegy on Lucan’s epic poem, Bellum Civile, by looking at two features of unmarked intertextuality: frequency and distribution. I use the Tesserae project to generate a dataset of potential intertexts between Lucan’s epic and the elegies of
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Prado, João Batista Toledo. "UM CONCEITO DE EQUIVALÊNCIA NA EXPRESSÃO VERNÁCULA DA POESIA LATINA." Organon 13, no. 27 (2012). http://dx.doi.org/10.22456/2238-8915.30431.

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Taking Joseph Brodsky’s concept of “equivalence” as far as translating foreign poems intoliterary forms plausible to the translator’s mother tongue and culture, this paper offers a possibleapplication of that concept to the latin love elegy lesser constituent unit, the elegiac couplet, and on theprosodic elements peculiar to the metres which it is made up of: the hexametre and the pentametre. Theintention here is to study the poetic nature of the latin love elegy, through the latin linguistic systemcharacteristics which provide the very basis for its metrical poetic system. That posture has dr
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Dissertations / Theses on the topic "Tibullus Elegiac poetry"

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Evans, Philippa A. "Nudus amor formam non amat artificem : representations of gender in elegiac discourse." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017895.

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This thesis explores the representation of gender, desire, and identity in elegiac discourse. It does so through the lens of post‐structural and psychoanalytic theory, referring to the works of Michel Foucault, Judith Butler, Jessica Benjamin, and Laura Mulvey in their analyses of power, gender performativity, and subjectivity. Within this thesis, these concepts are applied primarily to the works of Tibullus, Propertius, and Sulpicia, ultimately demonstrating that the three love elegists seek, in their poetry, to construct subversive discourses which destabilise the categories by which gender
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Lee-Stecum, Parshia. "Power and process : a reading of Tibullus, Elegies Book One." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362860.

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Purton, Jeremy Stephen. "Visualisation and description in the elegies of Propertius and Tibullus." Thesis, University of Canterbury. Classics, 2011. http://hdl.handle.net/10092/5659.

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Martins, Maria Helena Aguiar. "A elocução do amor em Tibulo." reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/19720.

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MARTINS, Maria Helena Aguiar. A elocução do amor em Tibulo. 2016. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2016.<br>Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2016-09-23T15:52:49Z No. of bitstreams: 1 2016_dis_mhamartins.pdf: 841895 bytes, checksum: 186a2ed60552b4b83f31c9b60604c867 (MD5)<br>Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-09-24T17:33:37Z (GMT) No. of bitstreams: 1 2016_dis_mhamartins.pdf: 841895 bytes, checksum: 186a2ed60552b4b83f31c9b60604c867 (MD5)
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Books on the topic "Tibullus Elegiac poetry"

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Tibullus. Delia and Nemesis: The elegies of Albius Tibullus. University Press of America, 1998.

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2

Catullus, Gaius Valerius. Catullus, Tibullus, Pervigilium Veneris. 2nd ed. Harvard University Press, 1995.

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3

Catullus, Gaius Valerius. Catullus, Tibullus, and Pervigilium Veneris. 2nd ed. Harvard University Press, 1988.

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Catullus, Gaius Valerius. Catullus, Tibullus, and Pervigilium Veneris. 2nd ed. Harvard University Press, 1988.

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5

Lee-Stecum, Parshia. Powerplay in Tibullus: Reading Elegies book one. Cambridge University Press, 1998.

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6

Christian, Günther Hans, ed. Albius Tibullus, Elegien: Mit einer Einleitung zur römischen Liebeselegie und erklärenden Anmerkungen zum Text. Königshausen & Neumann, 2002.

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I, Lazanas Vas. Alvios Tivoullos (Albius Tibullus): Ho megalos Latinos elegeiakos poiētēs kai hoi poiētes tou kyklou tou Tivoullou : Lygdamos (Lygdamus) kai Soulpikia (Sulpicia). Kalentēs, 1989.

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8

Tibullus. Albii Tibulli aliorumque carmina. Teubner, 1998.

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9

Bertoli, Enea. L' elegia 1.3 di Tibullo. Libreria editrice universitaria, 1991.

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Bertoli, Enea. L' elegia 1.3 di Tibullo. Libreria editrice universitaria, 1991.

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Book chapters on the topic "Tibullus Elegiac poetry"

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Rayor, Diane J., and William W. Batstone. "Tibullus." In Latin Lyric and Elegiac Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-12.

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Hadas, Rachel. "Tibullus." In Latin Lyric and Elegiac Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-4.

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Kachuck, Aaron J. "Love Elegy, Propertius, and Soliloquy." In The Solitary Sphere in the Age of Virgil. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197579046.003.0006.

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This chapter argues that soliloquy as problem and opportunity was central to the aims of Latin love elegy, especially to Propertius’ Elegies. Drawing comparisons with the Lydia, Dirae, Tibullus’ elegies, Virgil’s tenth Eclogue, and Propertius’ elegiac predecessors, it studies Propertius’ corpus to demonstrate the relationship between the poet’s insanity and his solitude. It shows how seasonal indications inscribe this solitude in time and space, and how Propertius worked to rewrite love as a secret fiction. Propertius’ elegies, it argues, use solitude to shape the harmonization of elegiac subjectivity and the poets’ other political personae, culminating in the last of his elegies (4.11), which encapsulates the relegation of truth telling, love, and poetry to the solitary sphere, thus embodying new coordinations of public, the private, and the individual. In conclusion, it points to the impact of Propertius’ solitude on Renaissance literature, including the Hypnerotomachia Polyphili and Ben Jonson’s Poetaster.
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Hejduk, Julia Dyson. "Tibullus." In The God of Rome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190607739.003.0004.

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Despite playing a relatively minor role in Tibullan elegy, Jupiter exhibits a remarkable range of activities and symbolic valences. Book 1 makes the god, like Messalla, primarily a foil and competitor to the values of the elegiac world. As Messalla is introduced fighting on land and sea while the poet languishes before his mistress’s troublesome door, so Jupiter is introduced as the wielder of the rain and thunderbolts that could penetrate that door. Jupiter the dominus, in fact, is the one who brought into being Messalla’s world of war, wounds, and “roads” of death. Priapus’s insistence that Jupiter forbade lovers’ oaths to be binding implicitly casts Jupiter as one with a background in amorous perjury; as with Messalla’s imagined epiphany in the following poem, the god enters the elegiac sphere to succeed where the poet fails. The Nile’s supplantation of “rainy Jupiter” as the all-encompassing husband and father aligns with Tibullus’s covert exclusion of Augustus from his pastoral world. Jupiter’s transformation in book 2 into the victorious god of Rome signals Tibullus’s changing purposes. Like Virgil, Tibullus hints at the inherent instability of the Golden Age ideal, since Jupiter’s expulsion of Saturn signals the end of a utopian era even as Augustus’s victory clears the way for a new one. When Jupiter assigns the Laurentian fields to the proto-Romans, he is lodged between flitting Love and flitting Victory. Whether stability or instability will predominate is something not even the Sibyl can foresee.
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Ziogas, Ioannis. "Love as a State of Exception." In Law and Love in Ovid. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198845140.003.0002.

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In Latin love elegy, the disavowal of law for the sake of love is couched in courtroom rhetoric and is thus both a denial and an appropriation of legal discourse. The elegiac recusatio is a version of the recusatio imperii, Augustus’ strategy for establishing his sovereignty by setting himself outside or above formal procedures. Not unlike the prince, Ovid proclaims a sovereign exception; he controls the production of law by deciding what lies outside it. The chapter studies a number of key passages from Catullus, Tibullus, Propertius, and Ovid to show that the love poets anticipate Augustus’ claims to sacrosanctity and sovereignty. It further examines love elegy’s affinities with the Saturnalian spirit of Roman comedy in order to argue that the elegiac suspension of legal action affords space for the emergence of an alternative jurisprudence of love.
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O’Rourke, Donncha. "Elegies for Ireland." In Classics and Irish Politics, 1916-2016. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0015.

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This chapter investigates the reception of Roman elegy in the work of W. B. Yeats and Michael Longley, a continuum that brings to light both the constant presence and changing shape of classical reception in the century since the 1916 Rising. Ezra Pound’s anti-imperialist reading of Propertius mediates this reception for the Irish poets, but whereas Yeats takes a similarly partisan and anti-imperial line, albeit blended with his personal affairs, Longley’s approach is more ecumenical, albeit interwoven with the Troubles of his native Northern Ireland. As a genre born in civil war, but which views the world through an erotic lens, elegy is found to give Longley the lyrical form for his anti-war appropriation of epic. His versions of Tibullus and Sulpicia also expose cycles of brutality and the imbrication of public and domestic violence. Longley thus offers a more pacific model of the elegiac woman than Yeats’s revolutionary muse.
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Fulkerson, Laurel. "Close Encounters." In Metalepsis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846987.003.0007.

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This chapter explores the metaleptic incursions of deities into various spheres of narrative and acts of narration, focusing on two cases in Latin love elegy. It first sketches some of the key dynamics of divine epiphany in Greco-Roman poetry from Homer on, differentiating epiphanies in which the divinity inspires the poet from those in which characters receive prophetic information. In Latin love elegy, these categories can overlap, since the elegist is both the hero of his own story and simultaneously the omniscient extradiegetic narrator. So in [Tibullus] 3.4, Apollo appears to the poet Lygdamus, but, instead of acting as the god of poetic inspiration, simply informs Lygdamus of the infidelity of his puella Neaera, tells the story of his own love affair with Admetus, and offers advice about love. This epiphany is compared with its primary intertext, the visit of Amor to the exiled poet in Ovid, Ex Ponto 3.3. The chapter argues that elegy, as a genre in which author and narrator usually share a name but fulfil multiple narrative functions, is especially liable to a strong form of metalepsis; and that these two poems in particular use metaleptic divine epiphany to elide the differences between gods and poets, revisit the Augustan-era obsession with who has the authority to say what to whom, and thereby show how the forces of elegy destabilize hierarchies beyond those of gender and class. The chapter suggests in conclusion that both poems may owe something to the lost work of their predecessor Gallus.
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