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Journal articles on the topic 'Tibullus Tibullus'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Kennedy, Duncan F. "WHAT’S IN A NAME? DELIA IN TIBULLUS 1.1." Classical Quarterly 67, no. 1 (2017): 193–98. http://dx.doi.org/10.1017/s0009838817000118.

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Delia, the name given to Tibullus’ mistress in five of the poems in the first book of his elegies (1.1, 1.2, 1.3, 1.5, 1.6), has long inspired curiosity. Two approaches have dominated discussion. The biographical approach takes its cue from theApologyof Apuleius (10), which regards Delia as a pseudonym:eadem igitur opera accusent C. Catullum, quod Lesbiam pro Clodia nominarit, et Ticidam similiter, quod quae Metella erat Perillam scripserit, et Propertium, qui Cynthiam dicat, Hostiam dissimulet, et Tibullum, quod ei sit Plania in animo, Delia in uersu.

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2

Trinacty, Christopher V. "Tibullus’ Comedy." Mnemosyne 70, no. 6 (2017): 1051–58. http://dx.doi.org/10.1163/1568525x-12342389.

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3

Lynn, Jennifer, and Parshia Lee-Stecum. "Powerplay in Tibullus." Classical World 94, no. 4 (2001): 412. http://dx.doi.org/10.2307/4352611.

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4

HOUGHTON, L. B. T. "TIBULLUS' ELEGIAC UNDERWORLD." Classical Quarterly 57, no. 1 (2007): 153–65. http://dx.doi.org/10.1017/s0009838807000146.

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5

Block, Elizabeth, F. W. Cornish, J. P. Postgate, J. W. Mackail, and G. P. Goold. "Catullus, Tibullus, Pervigilium Veneris." Classical World 84, no. 3 (1991): 256. http://dx.doi.org/10.2307/4350797.

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6

Damer, Erika Zimmermann. "Recent Work on Tibullus." Classical World 107, no. 4 (2014): 443–50. http://dx.doi.org/10.1353/clw.2014.0028.

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7

Tibullus, Albius, and David Wray. "How to Be Tibullus." Chicago Review 48, no. 4 (2002): 102. http://dx.doi.org/10.2307/25305014.

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8

Günther, H. C. "Verse transpositions in Tibullus." Classical Quarterly 47, no. 2 (1997): 501–9. http://dx.doi.org/10.1093/cq/47.2.501.

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After having been for some while the butt of conservative critics, verse transpositions in Propertius have, mainly thanks to the work of G. P. Goold, again become respectable among scholars. In his edition of Catullus, Tibullus, and Propertius J. J. Scaliger (first edition: Paris 1577,2Antwerp 1582, several times reprinted), the great archeget of the method, had subjected the other great elegist of Propertius’ generation to the same treatment,2 and in fact one of Scaliger's transpositions is supported by external evidence: 1.5.71–6 belong after 6.32; this is confirmed by Ovid's imitation in Tr

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9

Kronenberg, Leah. "Tibullus the Elegiac Vates." Mnemosyne 71, no. 3 (2018): 508–14. http://dx.doi.org/10.1163/1568525x-12342338.

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10

Pascal, C. Bennett. "Tibullus and the Ambarvalia." American Journal of Philology 109, no. 4 (1988): 523. http://dx.doi.org/10.2307/295078.

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11

Michael C. J. Putnam. "Virgil and Tibullus 1.1." Classical Philology 100, no. 2 (2005): 123. http://dx.doi.org/10.2307/3488433.

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12

Putnam, Michael C. J. "Virgil and Tibullus 1.1." Classical Philology 100, no. 2 (2005): 123–41. http://dx.doi.org/10.1086/432842.

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13

Gobara, Mohamed A. "Tibullus And The Pastoral Design." Bulletin of the Center Papyrological Studies 10, no. 1 (1994): 123–38. http://dx.doi.org/10.21608/bcps.1994.72496.

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14

Moore, Timothy J. "Tibullus 1.7: Reconciliation through Conflict." Classical World 82, no. 6 (1989): 423. http://dx.doi.org/10.2307/4350448.

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15

Lyne, R. O. A. M. "Propertius and Tibullus: early exchanges." Classical Quarterly 48, no. 02 (1998): 519–44. http://dx.doi.org/10.1093/cq/48.2.519.

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16

Gilmore, John. "Tibullus and the British Empire." Translator 5, no. 1 (1999): 1–26. http://dx.doi.org/10.1080/13556509.1999.10799031.

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17

McKeown, J. C. "A NEW COMMENTARY ON TIBULLUS." Classical Review 54, no. 2 (2004): 382–84. http://dx.doi.org/10.1093/cr/54.2.382.

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18

Tzounakas, Spyridon. "Titius in Tibullus’ Elegy 1.4." Mnemosyne 74, no. 3 (2021): 523–30. http://dx.doi.org/10.1163/1568525x-bja10075.

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19

Tzounakas, Spyridon. "Rusticitas Versus Urbanitas in the Literary Programmes of Tibullus and Persius." Mnemosyne 59, no. 1 (2006): 111–28. http://dx.doi.org/10.1163/156852506775455298.

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AbstractTibullus and Persius are characteristic examples of poets who in their programmatic poems take a stance as to the literary juxtaposition of rusticitas and urbanitas and side with the first. Thus, they express their opposition to the mores of urban society and support the rustic way of life, which points to moral probity, simplicity, frugality, an unaffected style, Roman thematology, an indifference towards praise and heroic action. Persius' views could be associated with Propertius' latent attack against Tibullus' rusticitas and can be interpreted as disagreement with Propertius' urban

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20

Huskey, Samuel J. "In Memory of Tibullus: Ovid's Remembrance of Tibullus 1.3 in Amores 3.9 and Tristia 3.3." Arethusa 38, no. 3 (2005): 367–86. http://dx.doi.org/10.1353/are.2005.0016.

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21

El- Nowiemy, Magda. "The Propempticon in Tibullus I. 3." Bulletin of the Center Papyrological Studies 12, no. 1 (1995): 141–52. http://dx.doi.org/10.21608/bcps.1995.69272.

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22

El- Nowieemy, Magda A. "Alexandrian Implications in Tibullus I. I." Bulletin of the Center Papyrological Studies 13, no. 1 (1996): 77–93. http://dx.doi.org/10.21608/bcps.1996.81791.

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23

Putnam, Michael C. J., and Robert Maltby. "Tibullus: Elegies. Text, Introduction, and Commentary." Classical World 97, no. 4 (2004): 458. http://dx.doi.org/10.2307/4352890.

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24

Ball, Robert J. ""Albi", "Ne Doleas": Horace and Tibullus." Classical World 87, no. 5 (1994): 409. http://dx.doi.org/10.2307/4351536.

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25

Possanza, D. Mark. "Cornua and Frontes in [Tibullus] 3.1.13." Classical Quarterly 44, no. 1 (1994): 281–82. http://dx.doi.org/10.1017/s0009838800017407.

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The transmitted text of line 13, ‘inter geminas…frontes’, has long presented an anomaly in the description of the decorated papyrus roll. If, in the context of book production, frons means the flat, round cross section located at either end of the rolled up book (TLL 6.1.1362, 84) and if cornu means an ornamental projection attached to the ends of the umbilicus and extending beyond the plane of the frons, then the transmitted text is a physical impossibility. For it is the frontes that lie between the cornua and not the other way round. In the words of Heyne's paraphrase: ‘geminae frontes inte

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26

Yardley, J. C. "Cerinthus' Pia Cura ([Tibullus] 3.17.1–2)." Classical Quarterly 40, no. 2 (1990): 568–70. http://dx.doi.org/10.1017/s0009838800043238.

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In a recent issue of CQ, N. J. Lowe refers to the ‘slyly Catullan appeal to the language of pietas’ in [Tib.] 3.7 (4.11) 1–2 (‘Estne tibi, Cerinthe, tuae pia cura puellae / quod mea nunc vexat corpora fessa calor’?). In this he follows Matthew Santirocco, who comments on these lines: ‘significantly, the expression for love here is not just cura as before [sc. in 3.16 [4.10] 3], but pia cura. We recall the pietas Catullus proclaimed in his affair with Lesbia (cf. 76.2,5) and perhaps also pius Aeneas and all that pietas meant to the Augustan age, and then we realise that Sulpicia is now concerne

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27

Knox, Peter E. "Milestones in the Career of Tibullus." Classical Quarterly 55, no. 1 (2005): 204–16. http://dx.doi.org/10.1093/cq/bmi015.

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28

Diggle, James. "TIBULLUS 2.1.45–6 AND ‘AMPLIFICATORY PLEONASM’." Classical Quarterly 55, no. 2 (2005): 642–43. http://dx.doi.org/10.1093/cq/bmi065.

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29

Verstraete, Beert C. "The Originality of Tibullus' Marathus Elegies." Journal of Homosexuality 49, no. 3-4 (2005): 299–313. http://dx.doi.org/10.1300/j082v49n03_10.

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30

de Verger, Antonio Ramirez. "A Notes on Tibullus 1.9.21-22." American Journal of Philology 107, no. 1 (1986): 109. http://dx.doi.org/10.2307/294860.

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31

Damer, Erika Zimmermann. "Gender Reversals and Intertextuality in Tibullus." Classical World 107, no. 4 (2014): 493–514. http://dx.doi.org/10.1353/clw.2014.0040.

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32

Murgatroyd, P. "The Genre and Unity of Tibullus 2.6." Phoenix 43, no. 2 (1989): 134. http://dx.doi.org/10.2307/1088212.

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33

Wray. "What Poets Do: Tibullus on "Easy" Hands." Classical Philology 98, no. 3 (2003): 217. http://dx.doi.org/10.2307/1215557.

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34

Váradi, Eszter. "Tibullus és Propertius tanítása Magyaroszágon 1945-ig." Antik Tanulmányok 49, no. 1-2 (2005): 209–27. http://dx.doi.org/10.1556/anttan.49.2005.1-2.8.

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35

Eszter, Váradi. "Tibullus és Propertius tanítása Magyarországon 1945-ig." Antik Tanulmányok 49, no. 1-2 (2005): 209–27. http://dx.doi.org/10.1556/092.2005.49.1.8.

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Jelen tanulmány egy oktatástörténeti folyamatot vázol fel, amennyiben a kezdetektől (vagyis a legkorábbi föllelhető dokumentumoktól) 1945-ig vizsgálja Tibullus és Propertius előfordulását a magyarországi tankönyvekben. A dolgozat kitér az európai előzményekre és a magyar oktatáspolitika vonatkozó előírásaira is, mindenekelőtt azonban tartalmi és statisztikai összefoglalást nyújt arról, hogyan jelent meg a két szerző életműve a nyelvkönyvekben, antológiákban, irodalomtörténeti könyvekben és minden egyéb típusú tankönyvben: mely műveiket ismerték és olvasták, illetve hogyan értékelték irodalomtö

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36

Wray, David. "What Poets Do: Tibullus on “Easy” Hands." Classical Philology 98, no. 3 (2003): 217–50. http://dx.doi.org/10.1086/420718.

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37

Reed, Joseph D. "Ovid's Elegy on Tibullus and Its Models." Classical Philology 92, no. 3 (1997): 260–69. http://dx.doi.org/10.1086/449354.

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38

Maltby, Robert. "Tibullus 1.2 - Walter Wimmel: Tibull und Delia, Zweiter Teil: Tibulls Elegie 1, 2. (Hermes Einzelschriften, 47.) Pp. v +130. Wiesbaden: Franz Steiner, 1983. Paper, DM. 44." Classical Review 35, no. 2 (1985): 279–81. http://dx.doi.org/10.1017/s0009840x00108807.

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39

Breen, Carolyn C., and George W. Shea. "Delia and Nemesis: The Elegies of Albius Tibullus." Classical World 93, no. 2 (1999): 217. http://dx.doi.org/10.2307/4352405.

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40

Bassi, Karen. "Desired Silence: Amor and Mors in Tibullus 1.1." Syllecta Classica 5, no. 1 (1994): 53–61. http://dx.doi.org/10.1353/syl.1994.0006.

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41

James, Sharon L. "Powerplay in Tibullus: Reading Elegies Book 1 (review)." American Journal of Philology 123, no. 2 (2002): 308–12. http://dx.doi.org/10.1353/ajp.2002.0022.

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42

Ollivère, Nick. "The Sickness unto Elegy: Kierkegaard’s Despair in Tibullus." Helios 47, no. 1 (2020): 71–95. http://dx.doi.org/10.1353/hel.2020.0002.

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43

Fineberg, Brenda H. "Repetition and the Poetics of Desire in Tibullus 1.4." Classical World 92, no. 5 (1999): 419. http://dx.doi.org/10.2307/4352312.

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44

Cairns, F. "Tibullus - Robert J. Ball: Tibullus the Elegist. A Critical Survey. (Hypomnemata, 77.) Pp. 253. Göttingen: Vandenhoeck & Ruprecht, 1983. Paper, DM 59." Classical Review 37, no. 2 (1987): 180–82. http://dx.doi.org/10.1017/s0009840x00110261.

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45

Leah Kronenberg. "Valgius Rufus and the Poet Macer in Tibullus and Ovid." Illinois Classical Studies 43, no. 1 (2018): 179. http://dx.doi.org/10.5406/illiclasstud.43.1.0179.

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46

Dombrovskiy, Markiyan. "A LOVE STORY AND THE ORDERING OF TIBULLUS BOOK I." Inozenma Philologia, no. 128 (September 12, 2015): 208–16. http://dx.doi.org/10.30970/fpl.2015.128.131.

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47

Dixon, Helen. "The discovery and disappearance of the Fragmentum Cuiacianum of Tibullus." Revue d'Histoire des Textes 1 (January 2006): 37–72. http://dx.doi.org/10.1484/j.rht.5.101263.

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48

Miller, Paul Allen. "Powerplay in Tibullus: Reading "Elegies" Book One. Parshia Lee-Stecum." Classical Philology 95, no. 4 (2000): 494–98. http://dx.doi.org/10.1086/449518.

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49

Papakosta, Panagiota. "The Role of the Lares in the ‘Augustan’ Theology of Tibullus." Acta Antiqua Academiae Scientiarum Hungaricae 52, no. 4 (2012): 349–62. http://dx.doi.org/10.1556/aant.52.2012.4.3.

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50

Sterritt, D. E. Lorraine (Deborah Emma Lorrai. "A Latin Legacy in Louise Labe: Imitation of Tibullus 1.2.89-94." French Forum 30, no. 2 (2005): 15–30. http://dx.doi.org/10.1353/frf.2005.0042.

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