Academic literature on the topic 'Tie-dyeing'

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Journal articles on the topic "Tie-dyeing"

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Hao, Jiajing. "Research on the application of tie-dyeing technology in modern textiles." Highlights in Art and Design 1, no. 1 (September 13, 2022): 10–13. http://dx.doi.org/10.54097/hiaad.v1i1.1563.

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With the rapid development of society, people's living standards continue to improve, and the pursuit of spiritual level is also constantly improving. The country's protection and attention to intangible cultural heritage and traditional handicrafts has led to the re-development of some traditional handicrafts. Tie-dyeing technology is a unique dyeing process of China's folk tradition, which is a very ancient printing method, which not only has a long history, but also has strong national characteristics, and first appeared in the folk workshops of the Six Dynasties period. In modern clothing and its accessories, tie-dye technology is also used, and the use of tie-dye technology in textiles can not only awaken people's national memory, but also improve national self-confidence. Therefore, this is also the reason why the author studies the application of tie-dyeing technology in modern textiles, and continues to discuss the application of tie-dyeing technology in modern textiles on the basis of some process literature.
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Bigambo, Pendo, Happiness Wellah, Hadija Ngaga, Safina Kimbokota, and Mbonea Mrango. "Turmeric Dyeing of Cotton Fabrics using Tie-Dyeing Techniques." Tanzania Journal of Science 49, no. 5 (January 31, 2024): 1064–78. http://dx.doi.org/10.4314/tjs.v49i5.11.

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Tie-dyeing is a resist-dyeing technique which for years has been used by SMEs to produce attractive textile fabrics. However, the technique is challenged by the use of synthetic dyes which are not environmentally friendly and the growing consumers’ environmental awareness. Accordingly, researchers and industrialists are forced to explore the alternative natural dyes in response to the above challenges. Among the natural source of dyes available abundantly in Tanzania, but are yet to be fully exploited for applications via tie-dyeing technique are turmeric (Curcuma longa L.) roots commonly used for food coloring. In this study turmeric roots were investigated for their potential as dyes for coloration of cotton fabrics through tie-dyeing technique. Turmeric dyes were extracted through boiling of powdered turmeric roots in water followed by filtering the mixture, and applying it to a pre-mordanted and tied fabric. For analysis purposes, un-tied (plain) cotton fabric was also dyed following the same procedure. The findings of this study suggests that, turmeric dyes can be applied on cotton using tie-dyeing technique and produce golden-yellow color on fabrics. Additionally, pre-mordanting of cotton increased the color depth of dyed materials while improving their fastness properties with respect to washing and both wet and dry rubbing.
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Wen, Jing, Xueqing Lu, Mai Jiang, and Xiaohua Shao. "Creativity of Nanofiber Materials and Application in the Expressive Power of Manual Tie-Dyeing Process." Advances in Materials Science and Engineering 2022 (August 5, 2022): 1–11. http://dx.doi.org/10.1155/2022/9339362.

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Traditional printing and tie-dyeing are an important part of Chinese handicrafts. It consists of three main techniques: batik, tie-dye, and multi-layer dyeing. Among the traditional printing and dyeing techniques, tie-dyeing creates an ever-changing visual artistic effect due to the diversity of its production methods. In modern society with the unprecedented development of technology and information, people’s life rhythm has accelerated, and the opposite “slow fashion” has become popular. More and more people are focusing more on the traditional craft of tie-dyeing. In contemporary fiber art, raw materials have become the soul and foundation of fiber art. This is also the difference between modern fiber art and traditional textile art. Entering the new era, the demand for textiles by people of all countries is also increasing, new functional requirements are put forward for textiles, and functional textiles emerge as the times require. The creative display of nanofibers is a comprehensive grasp of the properties of the fibrous material. It is the creativity and expression generated under the premise of understanding the type, shape, craft, and expression of fiber. It fully reflects the characteristics of the material itself, and it is also the designer’s ideological expression of the texture and shape of the material. It is then materialized into a certain connotation by appropriate technical means. In this paper, manual tie-dyeing is applied to nanofiber materials, making full use of the advantages of modern nanomaterials to promote the development of fabric tie-dyeing technology. In the performance test of the transmittance of nanomaterials to ultraviolet rays, it can be found that the transmittance of nanomaterials through the tie-dyeing process is lower for optical fibers with shorter wavelengths. When the wavelength of ultraviolet light is 313 nm, the transmittance of ZnO to ultraviolet light is 0. When the ultraviolet wavelength is 435 nm, the transmittance of ZnO to ultraviolet light is 45%.
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P, Simeon, and Vijayalakshmi D. "Design and development of wall hanging and plant hangers using tie and dye." Scientific Temper 14, no. 02 (June 6, 2023): 391–97. http://dx.doi.org/10.58414/scientifictemper.2023.14.2.24.

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The key priority of this research work is to learn about the tie and dye Craft specialization, its value and diversity, to develop and promote tie and dye items in the fashion business. Tie and dye are type of resist dyeing, which involves tying the cloth and making manipulations before dyeing them. These manipulations are called resists and prevent the applied colour from coloring the fabric. The uniqueness of tie and dye lies in producing rich visual effects of colors on the fabric through “tying” and “dyeing” the fabric. The art of tie and dye has survived the passage of time and is practiced around the globe even today. In this research two different products like wall hanging and pot holders are created using macramé technique. The cords used are tie and dyed. The products were also checked for its marketability using a survey.
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Jung, Jin Soun. "Textile Designs Using Tie-dyeing." Journal of Basic Design & Art 20, no. 2 (April 30, 2019): 413–22. http://dx.doi.org/10.47294/ksbda.20.2.30.

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Jung, Jin Soun. "Making of Natural Dyeing Scarves by Tie-Dyeing Technique." MATEC Web of Conferences 108 (2017): 03006. http://dx.doi.org/10.1051/matecconf/201710803006.

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7

Bonneau, Marcia C. "Tie-Dyeing - The Art of Chemistry." Journal of Chemical Education 71, no. 4 (April 1994): 286. http://dx.doi.org/10.1021/ed071p286.2.

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8

Nairi, Aicha. "Ancestry and sustainability: industrializing Tie-Dye with natural dyes in the Tunisian textile sector." Journal of Textile Engineering & Fashion Technology 10, no. 4 (July 12, 2024): 159–64. http://dx.doi.org/10.15406/jteft.2024.10.00383.

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Natural dyeing is an ancestral craft that dates back to the earliest civilizations. This art perfectly aligns with the eco-design approach sought by many textile industries. Indeed, the fashion industry is rethinking its ways of manufacturing, consuming, and reducing the use of all substances that lead to water contamination and environmental pollution. The industrialization of ancestral dyeing is a process adopted by several Tunisian textile companies. However, this process is somewhat complex due to the sophisticated techniques involved, with Tie-dye being one of the prominent methods. In this context, this article explores the fusion of this ancient technique with eco-design to reinvent modern textiles. By highlighting the Tie and Dye technique, the study examines how these methods can be integrated into sustainable design practices. The aim is to demonstrate that ancestral know-how can not only preserve cultural heritage but also offer innovative and ecological solutions to contemporary environmental challenges. This article discusses the results of our research on the industrialization of the traditional Tie and Dye effect and the exploration of new horizons in 'textile' eco-design within the Tunisian textile development laboratory, Chimitex, through the use of plant-based dyes.
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Yang, Nan, Xiaoge Zang, and Cong Chen. "Inheritance Patterns under Cultural Ecology Theory for the Sustainable Development of Traditional Handicrafts." Sustainability 14, no. 22 (November 8, 2022): 14719. http://dx.doi.org/10.3390/su142214719.

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Culture is the fourth pillar of sustainable development. The protection of intangible cultural heritage is an important way to safeguard the transmission of intangible heritage across generations. With the help of cultural ecology theory, this paper compares cases of inheritance and development in two different handicrafts: Bai tie-dyeing and Beijing carved lacquer. The results show that under the influence of different cultural ecologies, the family inheritance pattern of Bai tie-dyeing, and the master–apprentice inheritance pattern of Beijing carved lacquer have undergone qualitative changes in modern society. This paper puts forward the distinction between representative inheritance and group inheritance and suggests a protection mechanism accordingly. This paper further suggests that a modern mentoring model should be promoted as the inheritance pattern to further aid handicraft development, and a clear division of economic interests is also appointed to apply with the premiumization development and mass development.
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Guo, R. H., S. X. Jiang, C. W. M. Yuen, M. C. F. Ng, and J. W. Lan. "Metallized textile design through electroless plating and tie-dyeing technique." Journal of the Textile Institute 104, no. 10 (October 2013): 1049–55. http://dx.doi.org/10.1080/00405000.2013.773125.

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Books on the topic "Tie-dyeing"

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O'Reilly, Susie. Batik and tie-dye. New York: Thomson Learning, 1993.

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Gleser, Virginia. Harmony Enterprises presents tie dye, back by popular demand. Modesto, CA: Harmony Enterprises, 1995.

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Gleser, Virginia. Tie-dye: The how-to book. Summertown, Tenn: Book Pub., 1999.

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4

Kondō, Aiko. Shiki no shiborizome. Tōkyō: Ōtsuki Shoten, 1988.

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Kreider, Kathryn. Tie-dye!: Easy instructions for 20 fantastic projects. Chicago: Contemporary Books, 1989.

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Nokubo, Masayoshi, Kitamura Tetsurō, and Kahē Takeda. 有松・鳴海絞/. Tōkyō: Genryūsha, 2006.

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7

Oduoye, Oye. Making adire: A traditional textile art. Ilorin, Nigeria: ODU Agric Fields, 1989.

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8

Nkeonye, Peter Obinna. Introductory textiles: Fibres, yarns, fabrics, dyeing, printing, tie dyeing, batik, finishing, making-up, laundry, dry-cleaning. Samaru, Zaria, Nigeria: S. Asekome, 1993.

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9

Andō, Hiroko. Nihon no shiborizome no rekishi kara gijutsu made subete ga wakaru, shiborizome taizen: The complete Japanese tie-dyeing. Tōkyō: Seibundō Shinkōsha, 2013.

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Sakakibara, Asako. Nihon dentō shibori no waza. Kyōto-shi: Shikōsha, 1999.

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Book chapters on the topic "Tie-dyeing"

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Morimoto, Yuki, and Kenji Ono. "Computer-Generated Tie-Dyeing Using a 3D Diffusion Graph." In Advances in Visual Computing, 707–18. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-17289-2_68.

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"tie dyeing." In The Fairchild Books Dictionary of Textiles. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365072.16555.

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Perini, Anerose, and Luis Henrique Alves Candido. "Tie-dye textile processing technique with natural pigments applied to organic cotton." In A LOOK AT DEVELOPMENT. Seven Editora, 2023. http://dx.doi.org/10.56238/alookdevelopv1-055.

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The article starts from the discussion about the change in consumer culture and popularity of handmade, which occurred in 2020 during the pandemic. The study focuses on the resurgence of manual techniques and the use of tie-dye textile processing as a fashion trend. The general objective is to describe the tie-dye technique, explored in the context of natural dyeing, and to develop natural pigments for artisanal textile processing. The article is divided into two parts: the first presents a bibliographic research on sustainable processes, dyeing and organic fiber of cotton, while the second part describes an exploratory research on the processes of textile processing using the tie-dye technique with natural plant extracts.
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Conference papers on the topic "Tie-dyeing"

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Morimoto, Yuki, and Kenji Ono. "Computer-generated tie-dyeing pattern." In ACM SIGGRAPH ASIA 2009 Posters. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1666778.1666814.

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Su, Jianxia, Zhao Li, and Xiaodong Sun. "The Computer Aided Methods for Tie Dyeing Pattern." In 2015 International Industrial Informatics and Computer Engineering Conference. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/iiicec-15.2015.141.

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Zhu, Chendi, and Jianxia Su. "Tie Dyeing Patten Simulation Design Based on Processing Language." In 2015 3rd International Conference on Mechatronics and Industrial Informatics. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icmii-15.2015.149.

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Tang, Ning, Jianxia Su, and Hongyi Chen. "Fractal Tie Dyeing Pattern Design based on Visual Basic Language." In 2015 International Conference on Electromechanical Control Technology and Transportation. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icectt-15.2015.54.

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Hu, Yanli. "The Creation Manifestation of Tie-dyeing Craft in Modern Fashion Design." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.128.

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Nishibori, Kento, and Kenji Nishibori. "Automation of tying task on tie-dyeing of traditional craft by robots." In 2013 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2013. http://dx.doi.org/10.1109/icra.2013.6631059.

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Lin, Xiaohua. "A Research on Tie-dyeing technique and It's Application to Puppet Products." In 2015 4th International Conference on Sustainable Energy and Environmental Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icseee-15.2016.143.

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