Relevant bibliographies by topics / Tīfāšī

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Tīfāšī'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Tīfāšī"

1

Lucena Romero, Miguel Ángel. "La dietética afrodisíaca a través del Manifiesto de los secretos del coito de al-Šayzarī (s. XIII)." Anuario de Estudios Medievales 51, no. 2 (2021): 781–800. http://dx.doi.org/10.3989/aem.2021.51.2.10.

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En este artículo analizamos el uso de los afrodisíacos en una de las obras más completas redactas durante la Edad Media islámica, es decir, El manifiesto de los secretos del coito del damasceno al-Šayzarī (s. XIII). El objetivo principal de este trabajo es conectar la importante labor que desempeña el factor culinario y la higiene sexual en la sociedad islámica con las artes amatorias, recogidas estas en el género erótico árabe e islámico de ‘ilm al-bāh. Este autor deja en nuestras manos un auténtico compendio sobre las artes médico-amatorias, recopilando, ex profeso, una rica erudición de aut
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2

Poché. "UN NOUVEAU REGARD SUR LA MUSIQUE D'AL-ANDALUS: LE MANUSCRIT D'AL-TĪFĀSHĪ." Revista de Musicología 16, no. 1 (1993): 367. http://dx.doi.org/10.2307/20795895.

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3

Kahl, Oliver. "Armin Schopen and Karl W. Strauss,Aḥmad ibn Yūsuf at-Tīfāšīs “Buch der königlichen Steine”: Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts". Journal of Semitic Studies 60, № 2 (2015): 514–16. http://dx.doi.org/10.1093/jss/fgv021.

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4

Lettinck, Paul. "SCIENCE IN ADAB LITERATURE." Arabic Sciences and Philosophy 21, no. 1 (2011): 149–63. http://dx.doi.org/10.1017/s0957423910000159.

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AbstractBooks belonging to adab literature present material about a variety of subjects, considered from various points of view, such as religious, scientific, historical, literary, etc. They contain knowledge and at the same time entertainment for educated people. Here we consider the content of two adab works, insofar as they discuss subjects from the scientific point of view: (an extract of) Faṣl al-Khiṭāb by al-Tīfāshī (d. 1253) and Mabāhij al-fikar wa-manāhij al-ʿibar by al-Waṭwāṭ (d. 1318).Al-Tīfāshī's work discusses astronomical and meteorological subjects. The passages on astronomy giv
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5

Reynolds, Dwight F. "The Musical Modes of al-Andalus." Oriens, May 4, 2023, 1–22. http://dx.doi.org/10.1163/18778372-12340021.

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Abstract The 13th-century Tunisian author Aḥmad at-Tīfāšī describes in his work Mutʿat al-asmāʿ fī ʿilm as-samāʿ a system of melodic modes used in al-Andalus. This essay represents a preliminary attempt to situate at-Tīfāšī’s Andalusi modes within the broader historical development of medieval Arab modal systems and to explore their relationship to the modern modes of North Africa commonly referred to as Andalusi. This is, however, primarily an exploration of terminology or nomenclature rather than of the melodic characteristics of the modes themselves, since the sources examined here give lit
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6

Forster, Regula. "Schopen, Armin / Strauß, Karl W.: Aḥmad ibn Yūsuf at-Tīfāšīs „Buch der königlichen Steine“. Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. 2014." Orientalistische Literaturzeitung 112, № 4-5 (2017). http://dx.doi.org/10.1515/olzg-2017-0127.

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Dissertations / Theses on the topic "Tīfāšī"

1

Daoues, Khalil. "L'écriture de la sexualité dans l'œuvre romanesque d'Andréa de Nerciat et dans les Délices des cœurs d'Ahmad Al Tifachi." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL011.

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Notre étude porte sur l'écriture de la sexualité dans l'œuvre romanesque d'Andréa de Nerciat et dans Les Délices des cœurs d'Ahmad Al Tifachi. Les deux écrivains se rattachent à des traditions éminemment subversives. En dépit des différences génériques et formelles entre leurs ouvrages, Ahmad Al Tifachi et Nerciat dialoguent en effet avec les romanciers, les poètes, les théologiens et les politiciens de leur époque. Par ailleurs, ils associent volontiers l'obscène au comique. L'humour se manifeste à travers l'onomastique, les néologismes, les jeux de mots et les anecdotes. La parodie et la thé
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Books on the topic "Tīfāšī"

1

ʻAbbāsī, al-Maḥjūb. Tīfāwīn n tūzūnīn: Dīwān shiʻr. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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2

Mistāwī, Muḥammad. Tīfāwīn: Amthāl wa-ḥikāyāt Amāzighīyah muʻarrabah. Mistāwī, 1985.

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3

Jaʻfarī, Muḥammad al-ʻArabī. Tīfāwīn n tūddart: Nūr al-ḥayāh : dīwān shiʻr Amāzīghī. Muḥammad al-ʻArabī al-Jaʻfarī, 2011.

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4

Khātamī, Sayyid Riz̤ā. Qūrmāghahʹʼī rū-yi tīfāl: Majmūʻah-i shiʻr. Nashr-i Chashmah, 2010.

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5

Karrū, Abū al-Qāsim Muḥammad. Aḥmad al-Tīfāshī al-Qafṣī: Al-ʻālam al-mawsūʻī fī al-ṭib wa-al-maʻādin wa-al-mūsīqá wa-al-falak wa-al-adab wa-al-ijtimāʻ. Dār al-Maghrib al-ʻArabī, 2004.

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6

Aḥmad ibn Yūsuf at-Tīfāšīs, "Buch der königlichen Steine": Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. Harrassowitz, 2014.

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Book chapters on the topic "Tīfāšī"

1

"Appendix: Ibn Khurdādhbih’s Passage Quoted by al-Tīfāshī". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_109.

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2

"Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_101.

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3

"On Dance, Its Types and Names [Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī][fols. 100a–100b; ZY 112]". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_100.

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4

Sawa, George Dimitri. "The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners [fols. 56–58; al-Sillāmī 167–168]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_024.

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Sawa, George Dimitri. "Melodies That Resemble the Meanings and Suit the Poems [fols. 45–47; al-Sillāmī 149–150]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_017.

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Sawa, George Dimitri. "What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis [fols. 55–56; al-Sillāmī 165–166]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_023.

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7

Sawa, George Dimitri. "Good and Bad, Stated or Implied Song Themes [fols. 58–60; al-Sillāmī 169–170]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_025.

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8

Sawa, George Dimitri. "The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music [fols. 11–12; al-Sillāmī 71–72]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_007.

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9

Sawa, George Dimitri. "Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) [fols. 145–146; al-Sillāmī 267–272]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_047.

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10

Sawa, George Dimitri. "The Process of Composition [fols. 52–54; al-Sillāmī 159–161]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253). BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_021.

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