Relevant bibliographies by topics / Tiles, Baroque

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tiles, Baroque'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Tiles, Baroque"

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Danilov, Petr Grigorievich. "Stove tiles from the Voskresensky excavation on the lower settlement of the city of Tobolsk." Manuscript 18, no. 1 (2025): 217–20. https://doi.org/10.30853/mns20250031.

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The aim of the research is to introduce into scientific circulation the finding of stove tiles from the Voskresensky excavation on the lower settlement of the city of Tobolsk. The article provides a description of the enamel tiles. The scientific novelty of the article lies in the fact that a new collection of polychrome relief enamel tiles of Baroque-type stoves, presented in fragmented form, dating from the first half of the 18th century, is introduced into scientific circulation. As a result of the research, the conclusion about the fairly widespread use of tiles in the urban life of the in
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Persova, Svetlana G., and Marina M. Zubareva. "Tiled decoration of the Apanaevskaya mosque in Kazan: research and restoration." Podlinnik, no. 3 (September 2024): 9–26. https://doi.org/10.28995/3034-3224-2024-3-9-26.

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The Apanaevskaya Mosque in Kazan is a cultural heritage site of federal significance, one of the most striking examples of Tatar Muslim architecture. The mosque had a rich interior decoration: baroque stucco ceilings, tiled stoves, tiled panels on the walls. During its existence, the building underwent changes; during the Soviet period, the minaret, mihrab, ceilings and interior decoration were lost. But the historical appearance of the mosque was recreated in the process of comprehensive scientific restoration in the 1990s – 2000s. The authors examine the history of the study of the original
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Araújo, Sara. "Filling and retouching techniques in outdoor tiles with saline efflorescence problems. A case study." Ge-conservacion 18, no. 1 (2020): 238–46. http://dx.doi.org/10.37558/gec.v18i1.841.

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This article will be focusing on a retouching conservation and restoration treatment, of two figurative ceramic tiles panels belonging to the Baroque artistic period. The ceramic tiles of blue and white colors dating from the final of the 18th century are inserted in a relevant historical period for the Portuguese tiles art entitled Grande produção Joanina. The purpose of the intervention was the return the readability of the scenes in the panels, without hiding major signs of degradation. This conservation treatment was made within a rehabilitation project of the building that holds them, whi
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Adruh, Anatoliy. "Artistic ceramics and tempered glass in Chernihiv in the second half of the seventeenth and early eighteenth centuries." Siverian chronicle (2022) 5-6 (December 6, 2022): 30–44. https://doi.org/10.5281/zenodo.7406601.

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<strong><em>The purpose</em></strong><em> of the article is to highlight the features of Chernigov art ceramics and glassware of the second half of the </em><em>XVII</em><em> &ndash; </em><em>the </em><em>beginning of the </em><em>XVIII</em><em>&nbsp;c</em><em>.</em><em>, their development in relationships with other types of art. <strong>The research</strong> <strong>methodolog</strong>y is based on a systematic approach, on general scientific principles of objectivity and historicism, which allow a comprehensive study of the creativity of ceramists and potters of the specified period<strong>
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Куштан, Дмитро. "Комплекси глиняних виробів ХVІІІ століття з Черкас (за матеріалами розкопок 2020 року)". Scientific journal "Archaeological ceramology", № 1-2 (31 січня 2022): 126–36. http://dx.doi.org/10.52213/archaeologicalceramology.vi1-2.66.

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Опубліковано матеріали гончарних комплексів ранньомодерного часу (XVIII століття),виявлені в середмісті Черкас 2020 року, що походять з двох археологічних об’єктів: гончарногогорна (вул. Остафія Дашковича, 7) та сміттєвої ями (узв. Старособорний, 32/1). Під час їхдослідження виявлено значну колекцію глиняного посуду та кахель.&#x0D; In Early Modern time Cherkasy was a small town. It was a center of Cherkasy starostvo of Kyivvoivodeship of the Polish-Lithuanian Commonwealth (Rzeczpospolita) by 1793. Finds dated to the 18thcentury are often found at the excavations here along with the materials
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Martínez-Moya, Joaquín A., and Jaume Gual-Ortí. "Graphic Restitution and Recovery of the Chronos Pavement of the Marquis of Benicarlo’s House." Heritage 7, no. 8 (2024): 4206–26. http://dx.doi.org/10.3390/heritage7080198.

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The Marquis of Benicarlo’s House is a prime example of 18th-century Baroque civil architecture in the Valencian region. Inside, it preserves ceramic panels from this period of great historical and heritage value. However, prior to its designation as a Cultural Heritage Site, the building lost some of its most architecturally significant elements, such as the flooring in one of the main rooms, which was decorated with rich iconography. Fortunately, the original tiles from this flooring have been located in the collections of the National Museum of Ceramics. This study presents the recovery and
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Maistruk, Nazar, та Liubov Kravchenko. "ІСТОРИЧНІ АСПЕКТИ ПІДГОТОВКИ ФАХІВЦІВ ДЕКОРАТИВНО-УЖИТКОВОГО МИСТЕЦТВА В НАВЧАЛЬНИХ ЗАКЛАДАХ УКРАЇНИ". B U L L E T I N OF OLEKSANDR DOVZHENKO HLUKHIV NATIONAL PEDAGOGICAL UNIVERSITY 54, № 1 (2024): 245–50. http://dx.doi.org/10.31376/2410-0897-2024-1-54-245-250.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century – today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela
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Seemann, Pavel. "Web mapping application of Roman Catholic Church administration in the Czech lands in the early modern period." Geoinformatics FCE CTU 16, no. 1 (2017): 1–16. http://dx.doi.org/10.14311/gi.16.1.1.

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&lt;p class="western"&gt;&lt;span style="color: #00000a;"&gt;&lt;span lang="en-GB"&gt;Reconstruction of historical spatial relationships is still a topical issue in historical geography. In this respect, the Church history has not been well explored. The parish administration in the Czech lands is evolving since the advent of Christianity in 863, and a number of reforms have passed over the centuries. Significant changes in the administration also underwent during recatholisation of the Czech lands in the 17th&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #00000a;"&gt;&lt;span lang="en-GB"&g
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Maistruk, N., and L. Kravchenko. "TRAINING OF DECORATIVE AND APPLIED ARTS SPECIALISTS IN EDUCATIONAL INSTITUTIONS OF UKRAINE: HISTORICAL ASPECT." Ukrainian professional education, no. 8 (November 25, 2020): 121–27. http://dx.doi.org/10.33989/2519-8254.2020.8.239466.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century - today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela
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Zelechow, Bernard. "Neo-Baroque: A sign of the times." History of European Ideas 21, no. 2 (1995): 271–80. http://dx.doi.org/10.1016/0191-6599(94)00128-3.

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Dissertations / Theses on the topic "Tiles, Baroque"

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Carrusca, Susana Andreia do Carmo. "A azulejaria barroca nos conventos da Ordem do Carmo e da Ordem dos Carmelitas Descalços em Portugal." Doctoral thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/15957.

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A dissertação de doutoramento tem por objetivo principal dar a conhecer, nas sua componentes artística, iconográfica, iconológica e doutrinária, a azulejaria realizada nos séculos XVII e XVIII para os conventos masculinos e femininos da Ordem do Carmo e da ordem dos Carmelitas Descalços, no espaço português europeu, o que permitirá preencher uma profunda lacuna da historiografia artística portuguesa quanto à azulejaria barroca das Ordens religiosas, em particular, e da arte portuguesa da Contra-Reforma, em geral. Com base num levantamento exaustivo das representaçõescerâmicas remanescentes e
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MARQUES, MARIA EDUARDA CASTRO MAGALHAES. "THE PORTUGUESE TILES OF THE ORDEM TERCEIRA DE SÃO FRANCISCO IN SALVADOR, BAHIA: A SYMBOLIC REPRESENTATION OF PORTUGUESE BAROQUE POLITICAL CULTURE DURING THE REIGN OF D. JOÃO V." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5987@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A presente dissertação tem por objeto de estudo o acervo azulejar setecentista instalado no claustro e na sala do consistório do edifício dos irmãos franciscanos de Salvador, cujos programas iconográficos representam, respectivamente, cenas da Entrada festiva em Lisboa em homenagem ao casamento de D. José, então Príncipe do Brasil, com a Princesa da Astúrias Dona Maria Ana Vitória de Bourbon, ocorrida em 12 de fevereiro de 1729; e dez vistas do lado oriental da cidade de Lisboa. Embora se trate de um objeto de natureza pi
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Tedim, José Manuel. "Festa régia no tempo de D. João V." Phd thesis, Instituições portuguesas -- -Universidade Portucalense Infante D. Henrique, 1999. http://dited.bn.pt:80/29203.

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"The portuguese tiles of the ordem terceira de são francisco in salvador, bahia: a symbolic representation of portuguese baroque political culture during the reign of d. joão v." Tese, MAXWELL, 2004. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=5987:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.

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Yeh, Jou-ching, and 葉柔青. "Development and Comparison of Flute Sonata - from Baroque to Modern times." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/22835688170290344283.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>98<br>Sonata is an important performance genre of instruments, so does flute. Styles of the flute sonata are very different in each period in western music history due to the development of flute. The study aims to explore the characteristics and differences of flute sonata in different periods as well as the development of flute sonata. This study includes three sections: a) history of sonata, including its development and musical form, b) development of flute sonata, c) comparison of musical forms of representative flute sonatas in each period, furthermore, anal
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Mendes, Raul de Moura. "A Devoção às Almas do Purgatório na Arte Azulejar de Coimbra Fé, Piedade e Emoção Estética." Master's thesis, 2013. http://hdl.handle.net/10316/35992.

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Valente, António Francisco Baptista. "Azulejaria de Santarém nos séculos XVII e XVIII: revisitar um património azulejar in situ." Master's thesis, 2022. http://hdl.handle.net/10400.2/11753.

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A azulejaria em Portugal nos séculos XVII e XVIII é marcada pelo despontar da criação de peças figurativas de elevado valor artístico, em paralelo com outros trabalhos mais simples, todavia de grande efeito decorativo. Os azulejos converteram-se numa aplicação muito comum no revestimento de interiores das igrejas e dos conventos. Pretendeu-se com a presente dissertação estudar algumas dessas obras integradas nos Templos da cidade de Santarém e, dessa forma, dar a conhecer o quanto a azulejaria escalabitana é um marco importante na história da arte em Portugal. Os enxaquetados em azul e
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Books on the topic "Tiles, Baroque"

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Janssen-Holldiek, Walter. Renaissance- und Barock-Ofenkacheln aus Funden auf zwei Linteler Althöfen, Gemeinde Hude, 1976-1980: Zugleich eine kleine Kachelofenkunde. Isensee, 1996.

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Maia, Pedro Moacir. Vistas e festas lisboetas em azulejos na Bahia. Instituto do Patrimônio Artístico e Cultural, 2002.

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Rocha, Luzia. Cantate Dominum: Música e espiritualidade no azulejo barroco. Edições Colibri, 2015.

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Carvalho, Rosário Salema de. Azulejo em Braga: O largo tempo do Barroco = Azulejo in Braga : the baroque period. Centro Atlantico.PT, 2016.

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Eusébio, Joaquim. Santo António em azul e branco. Centro de Estudos e de Investigação de Santo António, 2021.

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Portugal) Colóquio Sacræ imagines (1st 2013 Évora. Sacræ imagines: Actas do I Colóquio : Ciclos de iconografia cristã na azulejaria : Universidade de Évora, Colégio do Espírito Santo, 24, 25 e 26 Outubro de 2013. Bens Culturais da Igreja, Secretariado Nacional, 2013.

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Carvalho, Rosário Salema de. A igreja de São Victor: The church of Saint Victor : Braga. Centro Atlantico.PT, 2017.

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Lara, María Dolores Ortiz. Patio de los azulejos: Lectura de un edificio. UDLA Editorial, 2015.

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Calabrese, Omar. Neo-Baroque: A sign of the times. Princeton University Press, 1992.

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Calabrese, Omar. Neo-Baroque: A sign of the times. Princeton University Press, 1992.

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Book chapters on the topic "Tiles, Baroque"

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Lessa, Elisa, and Helena Brandão. "The Sounds of the Baroque Tiles. An Iconographic Itinerary of St. Victor’s Church, Braga, Portugal." In Current Research in Systematic Musicology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78451-5_3.

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Schneider, Albrecht. "Aspects of Sound Structure in Historic Organs of Europe." In Current Research in Systematic Musicology. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57892-2_13.

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AbstractThis article sketches the development of pipe organs in Europe from Roman times to the Baroque era in order to shed light on concepts of sound structure that apparently guided the design and construction of certain types of organs. For a better understanding of empirical measurements presented in Parts 4 and 5 of this study, Part 2 provides some basic organology. In Part 3, the development from the so-called ‘Blockwerk’ to organs comprising several wind chests, manuals, and various types of pipes and stops is outlined. In part 5, relations of sound structure to tunings and temperaments
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Pino-Ojeda, Walescka. "Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín." In Contemporary Latin American Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77010-9_11.

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"Titles." In The Baroque Libretto. University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442687219-207.

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"PLEASING TIMES AND THEIR “PLEASING NEW STYLE”." In Ottoman Baroque. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctv550cqx.7.

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"CHAPTER 2. PLEASING TIMES AND THEIR "PLEASING NEW STYLE"." In Ottoman Baroque. Princeton University Press, 2019. http://dx.doi.org/10.1515/9780691190549-005.

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Caldwell, John. "Baroque and Classical Music." In Editing Early Music. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198165446.003.0004.

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Abstract In editing the music of comparatively recent times the difficulties are considerably lessened, but the temptation will perhaps be to assume too readily that the solution to various problems lies on the surface. The topics will be dealt with in this chapter in much the same way as in those preceding; but while to a large extent the treatment will be (as previously) self-sufficient, a reading of those chapters will help in understanding the back ground to some of the problems discussed. Occasionally, specific reference will be made to the discussion of minor matters which do not require
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Lloyd, David. "Rome’s Wreck : Joyce’s Baroque." In Counterpoetics of Modernity. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474489805.003.0008.

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Joyce’s poetry and its critical practice are viewed in relation to Mannerism and the Baroque, not as anachronistic art-historical practices, but as stylistic modes that emerge in times of rapid and violent political or economic transition. Joyce’s deployment of elemental figures—stone, water or river, ash—and his allegorical mode that registers the effects of a contemporary intensification of reification constitute a mannerist mode of colonial baroque. Joyce’s Irish colonial baroque constitutes a counterpoetic with its own broken and dispersed lines of transmission. The ruination that afflicts
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Reiter, Walter S. "A Brief History of Baroque Romanticism." In The Baroque Violin & Viola, vol. II. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0020.

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This lesson looks at how the way of playing the solo works of Bach evolved through the nineteenth and twentieth centuries. The author expresses respect for the great artists who perform in a more traditional way but notes that times are changing, with today’s students having more available stylistic options. Both the title and title page of Bach’s book are discussed in detail and the question of symbolism here and elsewhere in the work is explored. A history of the book and the Bach revival from Mendelssohn to modern times follows. Robert Schumann, Felix Mendelssohn, Johannes Brahms, and Fritz
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Berressem, Hanjo. "Philosophical Times and Spaces." In Gilles Deleuze's Luminous Philosophy. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450713.003.0004.

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In luminist and cinematic registers, the chapter first explicates Deleuze’s complementary chronologics of Aion and Chronos. While durational Aion is the time of luminist glow, flickering Chronos is the time of strobe light: wave and particle. Shifting from time to space, the chapter then addresses Deleuze’s topologics. After introducing the notion of fractal space in terms of Deleuze’s notion of becoming-imperceptible, it delineates, via Leibniz’ images of the baroque house and the camera obscura, Deleuze’s transformation of the spatial dualism of light surface and dark depth into the luminous
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Conference papers on the topic "Tiles, Baroque"

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Nicolini, Elvira, Antonella Mamì, and Eleonora Caleca. "Favignana bio-calcarenite: technological culture, knowledge and recovery." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14854.

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Favignana Island, the biggest one among Egadi islands, is well known for its deposits of calcarenite, which has been extracted and used since ancient times. The landscape of the Island is shaped by the widespread presence of quarries that mark the seaside as well. Furthermore, the constant presence of dry-stone walls, made of calcarenite, and of the characteristic architecture of buildings, represents a hallmark for the rest of Egadi islands as well, making it clear how important the presence of this material has been for the architectural and technological culture of these places.Calcarenite
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Chovniuk, Yurii, Anna Moskvitina, Mariia Shyshyna, Serhii Rybachov, and Olha Mykhailyk. "Optimization of heat transfer processes in enclosing structures of architectural monuments located outside urban agglomeration." In 23rd International Scientific Conference Engineering for Rural Development. Latvia University of Life Sciences and Technologies, Faculty of Engineering and Information Technologies, 2024. http://dx.doi.org/10.22616/erdev.2024.23.tf113.

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Numerous architectural monuments throughout Ukraine were once proud and were the center of historical events. With a glorious and rich history, but forgotten by people because they are located outside the city limits and are not included in well-known tourist routes. Historic buildings are examples of neoclassicism, baroque, neo-gothic and many other styles. During Soviet times, they were turned into barracks, chemical storage facilities, food and weapon warehouses, and now they are empty and collapsing. A correct and calculated approach to reconstruction, restoration and monitoring of their f
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