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Journal articles on the topic 'Tiles, Baroque'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Danilov, Petr Grigorievich. "Stove tiles from the Voskresensky excavation on the lower settlement of the city of Tobolsk." Manuscript 18, no. 1 (2025): 217–20. https://doi.org/10.30853/mns20250031.

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The aim of the research is to introduce into scientific circulation the finding of stove tiles from the Voskresensky excavation on the lower settlement of the city of Tobolsk. The article provides a description of the enamel tiles. The scientific novelty of the article lies in the fact that a new collection of polychrome relief enamel tiles of Baroque-type stoves, presented in fragmented form, dating from the first half of the 18th century, is introduced into scientific circulation. As a result of the research, the conclusion about the fairly widespread use of tiles in the urban life of the in

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2

Persova, Svetlana G., and Marina M. Zubareva. "Tiled decoration of the Apanaevskaya mosque in Kazan: research and restoration." Podlinnik, no. 3 (September 2024): 9–26. https://doi.org/10.28995/3034-3224-2024-3-9-26.

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The Apanaevskaya Mosque in Kazan is a cultural heritage site of federal significance, one of the most striking examples of Tatar Muslim architecture. The mosque had a rich interior decoration: baroque stucco ceilings, tiled stoves, tiled panels on the walls. During its existence, the building underwent changes; during the Soviet period, the minaret, mihrab, ceilings and interior decoration were lost. But the historical appearance of the mosque was recreated in the process of comprehensive scientific restoration in the 1990s – 2000s. The authors examine the history of the study of the original

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3

Araújo, Sara. "Filling and retouching techniques in outdoor tiles with saline efflorescence problems. A case study." Ge-conservacion 18, no. 1 (2020): 238–46. http://dx.doi.org/10.37558/gec.v18i1.841.

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This article will be focusing on a retouching conservation and restoration treatment, of two figurative ceramic tiles panels belonging to the Baroque artistic period. The ceramic tiles of blue and white colors dating from the final of the 18th century are inserted in a relevant historical period for the Portuguese tiles art entitled Grande produção Joanina. The purpose of the intervention was the return the readability of the scenes in the panels, without hiding major signs of degradation. This conservation treatment was made within a rehabilitation project of the building that holds them, whi

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Adruh, Anatoliy. "Artistic ceramics and tempered glass in Chernihiv in the second half of the seventeenth and early eighteenth centuries." Siverian chronicle (2022) 5-6 (December 6, 2022): 30–44. https://doi.org/10.5281/zenodo.7406601.

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<strong><em>The purpose</em></strong><em> of the article is to highlight the features of Chernigov art ceramics and glassware of the second half of the </em><em>XVII</em><em> – </em><em>the </em><em>beginning of the </em><em>XVIII</em><em> c</em><em>.</em><em>, their development in relationships with other types of art. <strong>The research</strong> <strong>methodolog</strong>y is based on a systematic approach, on general scientific principles of objectivity and historicism, which allow a comprehensive study of the creativity of ceramists and potters of the specified period<strong>

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5

Куштан, Дмитро. "Комплекси глиняних виробів ХVІІІ століття з Черкас (за матеріалами розкопок 2020 року)". Scientific journal "Archaeological ceramology", № 1-2 (31 січня 2022): 126–36. http://dx.doi.org/10.52213/archaeologicalceramology.vi1-2.66.

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Опубліковано матеріали гончарних комплексів ранньомодерного часу (XVIII століття),виявлені в середмісті Черкас 2020 року, що походять з двох археологічних об’єктів: гончарногогорна (вул. Остафія Дашковича, 7) та сміттєвої ями (узв. Старособорний, 32/1). Під час їхдослідження виявлено значну колекцію глиняного посуду та кахель. In Early Modern time Cherkasy was a small town. It was a center of Cherkasy starostvo of Kyivvoivodeship of the Polish-Lithuanian Commonwealth (Rzeczpospolita) by 1793. Finds dated to the 18thcentury are often found at the excavations here along with the materials

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Martínez-Moya, Joaquín A., and Jaume Gual-Ortí. "Graphic Restitution and Recovery of the Chronos Pavement of the Marquis of Benicarlo’s House." Heritage 7, no. 8 (2024): 4206–26. http://dx.doi.org/10.3390/heritage7080198.

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The Marquis of Benicarlo’s House is a prime example of 18th-century Baroque civil architecture in the Valencian region. Inside, it preserves ceramic panels from this period of great historical and heritage value. However, prior to its designation as a Cultural Heritage Site, the building lost some of its most architecturally significant elements, such as the flooring in one of the main rooms, which was decorated with rich iconography. Fortunately, the original tiles from this flooring have been located in the collections of the National Museum of Ceramics. This study presents the recovery and

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7

Maistruk, Nazar, та Liubov Kravchenko. "ІСТОРИЧНІ АСПЕКТИ ПІДГОТОВКИ ФАХІВЦІВ ДЕКОРАТИВНО-УЖИТКОВОГО МИСТЕЦТВА В НАВЧАЛЬНИХ ЗАКЛАДАХ УКРАЇНИ". B U L L E T I N OF OLEKSANDR DOVZHENKO HLUKHIV NATIONAL PEDAGOGICAL UNIVERSITY 54, № 1 (2024): 245–50. http://dx.doi.org/10.31376/2410-0897-2024-1-54-245-250.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century – today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela

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8

Seemann, Pavel. "Web mapping application of Roman Catholic Church administration in the Czech lands in the early modern period." Geoinformatics FCE CTU 16, no. 1 (2017): 1–16. http://dx.doi.org/10.14311/gi.16.1.1.

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<p class="western"><span style="color: #00000a;"><span lang="en-GB">Reconstruction of historical spatial relationships is still a topical issue in historical geography. In this respect, the Church history has not been well explored. The parish administration in the Czech lands is evolving since the advent of Christianity in 863, and a number of reforms have passed over the centuries. Significant changes in the administration also underwent during recatholisation of the Czech lands in the 17th</span></span><span style="color: #00000a;"><span lang="en-GB"&g

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9

Maistruk, N., and L. Kravchenko. "TRAINING OF DECORATIVE AND APPLIED ARTS SPECIALISTS IN EDUCATIONAL INSTITUTIONS OF UKRAINE: HISTORICAL ASPECT." Ukrainian professional education, no. 8 (November 25, 2020): 121–27. http://dx.doi.org/10.33989/2519-8254.2020.8.239466.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century - today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela

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10

Zelechow, Bernard. "Neo-Baroque: A sign of the times." History of European Ideas 21, no. 2 (1995): 271–80. http://dx.doi.org/10.1016/0191-6599(94)00128-3.

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11

Palamarzha, Anastasia Yu. "Collective Practices in Creating Musical Compositions: from Baroque to the Modern Times." Sphere of culture 6, no. 1 (2025): 91–104. https://doi.org/10.48164/2713-301x_2025_19_91.

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Collective musical works have a special place in the history of music. The article examines examples of joint work of European and Russian composers of the XVIIᵗʰ –XXI1st centuries, shows the features of the interaction of co-authors in different historical eras, and analyzes the types of relations between them. It is proved that regarding collaborated works each composer brought his individuality into the general context. Exemplified by Peter Dranga’s musical experiments, the prospects for using the potential of artificial intelligence in creation are revealed.

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12

Demchenko, Alexander I. "Ancient World. (Depth of Times). Discoveries and Revelations." ICONI, no. 1 (2020): 6–23. http://dx.doi.org/10.33779/2658-4824.2020.1.006-023.

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The object of the proposed cycle of essays is that with a maximal compactness of presentment it presents a cumulative overview of the chief phenomena of world artistic culture, spanned in whole, both from the perspective of an overall historical process and in relation to the various arts (literature, the visual arts, architecture, music, theater and cinema). At the same time, it avoids the customary rubrication according to national schools and division into separate arts forms with the specifi cation of genre inherent to each one of them, which is in accord with the positive tendencies of gl

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13

Slieptsov, Oleh, Valerii Tovbych, Mykola Dyomin, Hanna Kuzmina, and Yulia Haraborska. "ORTHODOX CHURCHES OF KYIV IN ANCIENT RUSSIAN TIMES: SECULAR WITHIN THE BOUNDARIES OF THE CANON." Urban development and spatial planning, no. 87 (October 25, 2024): 148–56. https://doi.org/10.32347/2076-815x.2024.87.148-156.

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The article analyzes the aspect of the combination of canonical and secular in the ancient Russian churches of Kyiv. The influence of local artistic traditions has been proven by comparing the examples of secular motifs in Byzantine churches and the Hagia Sophia. Orthodoxy in its Byzantine version was brought to the territory with strong pre-Christian beliefs, and despite the fact that the temples conformed to all Christian canons in their appearance, the participation of local masters in the construction contributed to the departure from rigid clichés and the creation of their own regional ex

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14

Początek, Michał. "Dark times, enlightened people. Doctors of the Polish kings from the Wettin dynasty: August II, August III and Frederick August III." Acta Medicorum Polonorum 12, no. 1 (2022): 39–56. http://dx.doi.org/10.20883/amp.2022/1.

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Artykuł ma charakter przeglądowy, a zarazem posiada niektóre cechy eseju. Przedstawia kilkunastu lekarzy nadwornych polskich władców epoki saskiej: Fryderyka Augusta I (1670-1733), elektora saskiego w latach 1697-1733 (z przerwą od 1706 do 1709 r.) zasiadającego na tronie Rzeczypospolitej jako August II, Fryderyka Augusta II (1696-1763) panującego w Polsce w okresie 1733-1763 jako August III oraz księcia elektora Fryderyka Augusta III (1750-1827), który z woli Napoleona został królem Saksonii, a w latach 1807-1815 sprawującym władzę w Księstwie Warszawskim. Sześćdziesiąt lat panowania Wettynów

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15

Sagovsky, Nicholas. "Michael Czerny and Christian Barone, Siblings All, Sign of the Times: The Social Teaching of Pope Francis." Theology 126, no. 4 (2023): 309–10. http://dx.doi.org/10.1177/0040571x231182872s.

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16

Peggie, Andrew. "Man & Music vol 3 (The Early Baroque Era) edited by Curtis Price. London: Macmillan, 1993. £35, 399 pp. - Man & Music vol 4 (The Late Baroque Era) edited by George J. Buelow. London: Macmillan, 1993. £35, 521 pp. - Man & Music vol 8 (Modern Times) edited by Robert P. Morgan. London: Macmillan, 1993. £35, 464 pp." British Journal of Music Education 11, no. 3 (1994): 258–59. http://dx.doi.org/10.1017/s026505170000228x.

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17

Cloutier, David. "Book Review: Siblings All, Sign of the Times: The Social Teaching of Pope Francis, by Cardinal Michael Czerny, SJ, and Christian Barone." Theological Studies 84, no. 3 (2023): 540–41. http://dx.doi.org/10.1177/00405639231191376j.

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18

Bogucka, Maria. "Marian Biskup (ed.), Historia Torunia (The History of the City of Toruń). Vol. II, part I, U schylku średniowiecza i w poczạtkach odrodzenia 1454-1548 (At the End of the Middle Ages and the Beginning of the Renaissance). Toruń: 1992260pp. 1 map. 47 illustrations. Vol. II, part II, W czasach renesansu, reformacji i wczesnego baroku 1548-1660 (In the Times of Renaissance, Reformation and Early Baroque 1548-1660), elab. by Stefan Cackowski, Boguslaw Dyhaś, Kazimierz Maliszewski, Zbigniew Naworski, Stanislaw Salmonowicz. Toruń: 1994. 319pp. 1 map, 102 illustrations. No price given." Urban History 22, № 3 (1995): 404–5. http://dx.doi.org/10.1017/s0963926800016746.

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19

Kristiansen, Ole. "Turnerende putti og et barnløst hertugpar." Kuml 70, no. 70 (2022). http://dx.doi.org/10.7146/kuml.v70i70.134639.

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Jousting putti and a childless count and countessTiles from Borggade, AarhusFinds of tiles from an insulating and levelling clay layer between a potter’s workshop in Borggade from the mid-16th century and a later 17th-century building give a good insight into the changes in tile fashion from Late Gothic in the early 16th century to the Early Baroque in the first decades of the 17th century. A few polychrome, Late Gothic sherds may have ended up here by chance. A quantity of small, misfired sherds could not be put into a broader context.With the aid of finds from other localities, two previousl

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20

"Neo-baroque: a sign of the times." Choice Reviews Online 30, no. 05 (1993): 30–2460. http://dx.doi.org/10.5860/choice.30-2460.

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21

"Art and archaeology of Rome: from ancient times to the Baroque." Choice Reviews Online 38, no. 05 (2001): 38–2532. http://dx.doi.org/10.5860/choice.38-2532.

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22

Nadirova, M., and H. Aliyeva. "EVOLUTION OF MUSICAL INSTRUMENTS: FROM ANCIENT TIMES TO MODERN INNOVATIONS." Norwegian Journal of development of the International Science 135 (June 26, 2024). https://doi.org/10.5281/zenodo.12578468.

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<strong>Abstract</strong> The article "The Evolution of Musical Instruments: From Ancient Times to Modern Innovations" explores the fascinating journey of musical instruments across human history. Beginning with ancient civilizations such as Mesopotamia, Egypt, and China, early instruments like flutes, harps, and drums laid the foundation for musical expression and cultural identity. The development of instruments in ancient Greece and Rome introduced new forms such as lyres and early wind instruments, reflecting advancements in craftsmanship and musical theory. During the medieval and Renaiss

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23

Евдокимова, А. А. "Сочинения для скрипки и органа Й. Славенски: связь времен и стилей". АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, № 3(70) (3 жовтня 2023). https://doi.org/10.26086/nk.2023.70.3.002.

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Творчество выдающегося сербского композитора Йосипа Славенски, одного из основоположников симфонической музыки Сербии, в европейских странах широко известно. В России его произведения не звучат и не привлекают внимание исследователей. Данная статья вводит в научный обиход сочинения Славенски для скрипки и органа, имеющие названия «Sonata religiosa» и «Adagio religioso». Они отразили интерес композитора к мистически понимаемой идее возникновения Вселенной и человека. В статье параллельно с анализом данных произведений высказано предположение о связи их с образами первой главы книги Бытия. Резул

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24

Jana, Vojtíšková, and Polehla Petr. "Marian Plague Columns in Jaroměř and Polička: A Comparative Study on Baroque Sculptural Decorations of the Bohemian Urban Public Space in the First Half of the Eighteenth Century." City and History 10/2021, no. 1 (2021). https://doi.org/10.33542/CAH2021-1-04.

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Based on fragmentally preserved sources as well as existing literature related to the topic (especially regional historiography, art history and historic preservation), the present study sets Marian plague columns into a broader context. Through the comparison of two minor East-Bohemian towns of a comparable population, it follows the factors playing a signifi cant role in the creation of complex Baroque sculptural compositions. At the same time, it aims to identify the functions that the sculptures were to fulfi l through their position in the public space. In this sense the study is inspired

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25

"Siblings All, Signs of the Times: The Social Teaching of Pope Francis by Cardinal Michael Czerny, SJ and Christian Barone (review)." Review for Religious: New Series 3, no. 1 (2023): 79–80. https://doi.org/10.1353/rfr.2023.a958138.

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26

"The social history of art: v.1: From prehistoric times to the Middle Ages; v.2: Renaissance, mannerism, Baroque; v.3: Rococo, classicism and Romanticism; v.4: Naturalism, impressionism, the film age." Choice Reviews Online 37, no. 10 (2000): 37–5454. http://dx.doi.org/10.5860/choice.37-5454.

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27

Luigi Alini. "Architecture between heteronomy and self-generation." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 21–32. http://dx.doi.org/10.36253/techne-10977.

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Introduction «I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vittorio Garatti). Vittorio Garatti (Milan, April 6, 1927) is certainly one of the last witnesses of one “heroic” season of Italian architecture. In 1957 he graduated in architecture from the Polytechnic of Milan with a thesis proposing the redesign of a portion of the historic centre of Milan: the area between “piazza della Scala”, “via Broletto”, “via Filodrammatici” and the gardens of the former Olivetti building

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