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Relevant bibliographies by topics / Time machine (Wells, H. G.)

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Academic literature on the topic 'Time machine (Wells, H. G.)'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Time machine (Wells, H. G.)"

1

Harris, Mason. "The Time Machine by H. G. Wells." ESC: English Studies in Canada 27, no. 1-2 (2001): 230–33. http://dx.doi.org/10.1353/esc.2001.0019.

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2

Shackleton, David. "H. G. WELLS, GEOLOGY, AND THE RUINS OF TIME." Victorian Literature and Culture 45, no. 4 (2017): 839–55. http://dx.doi.org/10.1017/s1060150317000249.

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H. G. Wells's The Time Machine (1895) has hitherto been read in two principal scientific contexts: those of evolutionary biology and thermodynamic physics. Numerous critics have situated the romance in the context of evolutionary biology and contemporary discourses of degeneration (McLean 11–40; Greenslade 32–41). Others have discussed it in the context of thermodynamic physics. For instance, Bruce Clarke has read The Time Machine as “a virtual allegory of classical thermodynamics,” and shows that its combination of physical and social entropy reflects a wider transfer within the period of con

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3

Minaieva, E. V. "Conceptological analysis of artistic space in novel „The Time Machine" by H. G. Wells (translated into Russian)." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 151–60. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-151-160.

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The article discusses the features of modeling artistic space in novel The Time Machine, by H. G. Wells through a complex system of concepts top, bottom, fear, darkness, light. The constant interaction of these concepts leads to increased permeability of their boundaries, to a continuous exchange of conceptual features. The artistic space in the novel by H. G. Wells has a pronounced vertical character. We have identified the universal axis of top-bottom concepts in the artistic space and analyzed it. Movement along the vertical axis of the up and down concepts is carried out throughout the nov

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4

Arteaga Martínez, Alejandro. "Un viaje hacia el pasado mexicano: Diego Cañedo, seguidor de H. G. Wells." Catedral Tomada. Revista de crítica literaria latinoamericana 9, no. 17 (2022): 226–51. http://dx.doi.org/10.5195/ct/2021.480.

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Palamás, Echevete y yo o el lago asfaltado (Palamás, Echevete and I or the asphalted lake), Mexican Diego Cañedo’s second novel (1945), elaborates the time travel to the Mexican past. The sci-fi theme of the novel sustains a social criticism, and imitates H. G. Wells’ The Time Machine plot. In this essay, the sociocritical part of Cañedo’s work is studied, on one hand, because it seems to respond to the social problems of the period 1934-1946; and, on the other hand, because the relations established with Wells’ novel.

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5

Mohmad Aslam Najar. "The Time Machine: A Brief Review." Creative Launcher 4, no. 1 (2019): 38–40. http://dx.doi.org/10.53032/tcl.2019.4.1.06.

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The father of science fiction novel, H. G. Wells (1866-1946) wrote ‘The Time Machine’ in 1895. The Novel highlights the disillusionment and disappointment of modern science. The tale claims of science to improve life seem hollow as inequality and oppression aggrandized with the progress of science. The horror of progress is shown by the morlocks- Eloi division in future. Dreams of socialism and communism turned into nightmares. Time traveller although travelled ahead but he sees regression and capitalist dominated world. Morlocks (working class) feed Eloi (capitalist class). They live subterra

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6

Guinter, Robert H. "The Time Machine." Pediatrics In Review 9, no. 6 (1987): 171–72. http://dx.doi.org/10.1542/pir.9.6.171.

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Just before Christmas, my 12-year-old son was reading The Time Machine by H. G. Wells. According to the story, the driver of this machine could travel to any date in the past or future, and he could return to the present time whenever he wished. We enjoyed talking about the story and about how much fun it would be to own a time machine. Where would we go and what would we see? He decided, among other things, that we should see his grandparents as children, to see whether their way of life really was as different from his as they say it was. Then we should visit some famous persons from the pas

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7

Valentine, Colton. "H. G. Wells and the Fin-de-Siècle Gustatory Paradox." Review of English Studies 71, no. 302 (2020): 937–51. http://dx.doi.org/10.1093/res/hgaa002.

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Abstract Beginning with a little-studied scene linking H. G. Wells’s ‘A Misunderstood Artist’ to Joris-Karl Huysmans’s À Rebours, this essay argues that a shared gustatory paradox runs from Huysmanian decadence, through the theories of Edwin Lankester and Max Nordau and into Wells’s writings. In each case, both a pragmatic and an aesthetic relationship to food can signify degeneration. The argument has three major stakes. The first is to reconstruct a robust intertextual relation between the oeuvres of Huysmans and Wells. The second is to complicate readings that cast two of Wells’s scientific

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8

Fagan, Joshua. "Invitations to New Worlds: The Potential of Hospitality for William Morris and H. G. Wells." Victorians: A Journal of Culture and Literature 144, no. 1 (2023): 168–85. http://dx.doi.org/10.1353/vct.2023.a913514.

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ABSTRACT: The enhanced accessibility of rail and steamship travel for the rising middle-classes transformed Victorian tourism, replacing the privileged classes’ Grand Tour with a new conception of hospitality that defied conventional social mores. The writings of H. G. Wells and William Morris navigate the modern pursuit of intense, revitalizing sensations that create fresh conceptions of society, in the process critiquing modern Britain’s one-sided celebration of industrialization and consumerism. Both authors explore relations between guests and hosts, particularly a host’s duty to reveal th

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9

Berchez, Amanda Naves. "A forma do porvir: literatura vitoriana, a máquina, as classes ou sobre a ficção científica de H. G. Wells en fin de siècle e um estudo sobre The time machine." Literartes 1, no. 17 (2022): 51–77. http://dx.doi.org/10.11606/issn.2316-9826.literartes.2022.184251.

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O principal objetivo deste artigo é demostrar como o romance vitoriano The time machine de H. G. Wells reverbera, pelas óticas da ficção científica e distópica, questões (de ordem, sobretudo, social) intensamente exploradas no gênero romanesco industrial, também nomeado condition-of-England novels, ao exemplo das lutas de classes e da desumanização para com o proletariado no nicho industrial. Para tanto, recuperamos tanto histórica quanto teoricamente todos os referidos gêneros e formas literários.

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10

Roy, Malay. "The Future of Nature Prophesied in the Select Futuristic Science-fictions of H. G. Wells." International Journal of English Literature and Social Sciences 8, no. 3 (2023): 478–81. http://dx.doi.org/10.22161/ijels.83.73.

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Eco-criticism is one of the most recent interdisciplinary fields of study to have risen in the domain of literature which includes ecology, ecosystem and various other environmental issues relating to nature and its myriad aspects. Also, the discussions in the domain have increased significantly. For the last three decades, the environment has been facing a whole range of threats by the human-centric present day society. Also, the environmental consciousness in literature is a matter of vital concern for the scholars and the academic alike, and the subsequent emergence of the green theory, i.e

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