Relevant bibliographies by topics / Timpanen

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Timpanen'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Timpanen"

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Heise, Birgit. "Wooden Timpani." Galpin Society Journal 54 (May 2001): 339. http://dx.doi.org/10.2307/842459.

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Darmawan, Anton Budhi. "Miringoplasti transkanal dengan tandur mukoperikondrium tragus. Pengalaman di RSUD Prof. Dr. Margono Soekarjo, Purwokerto." Oto Rhino Laryngologica Indonesiana 43, no. 2 (2014): 171. http://dx.doi.org/10.32637/orli.v43i2.75.

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Latar belakang: Perforasi membran timpani merupakan kasus yang sering dijumpai di klinik THT. Perforasi yang tidak dapat menutup secara spontan memerlukan tindakan operatif. Miringoplasti merupakan suatu prosedur rekonstruktif terbatas, untuk memperbaiki membran timpani. Miringoplasti juga dikenal dengan timpanoplasti tipe 1. Tujuannya ialah untuk memperbaiki membran timpani, memperbaiki pendengaran dan juga untuk mencegah kekambuhan keluarnya cairan. Ada beberapa pendekatan untuk melakukan miringoplasti, salah satunya adalah transkanal. Miringoplasti transkanal biasanya digunakan untuk memper
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Cooper, J. M. "Historical timpani tone." Early Music 39, no. 3 (2011): 428–31. http://dx.doi.org/10.1093/em/car045.

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Rocco, Elisabetta Maria. "Profondo (timpano) rosso." Medico e Bambino Pagine elettroniche 27, no. 1 (2024): 19–20. http://dx.doi.org/10.53126/mebxxviig19.

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ULUS EVECAN, Sergül, and Mehmet AK. "Evaluation of Mastoid and Tympanic Volumes and Hearing Levels in Male Patients with Tympanic Membrane Perforation." Kulak Burun Boğaz ve Baş Boyun Cerrahisi Dergisi 31, no. 4 (2023): 189–93. http://dx.doi.org/10.24179/kbbbbc.2023-96790.

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Joly, Patrick, Leïla Rhaouti, and Antoine Chaigne. "Numerical simulation of timpani." Journal of the Acoustical Society of America 105, no. 2 (1999): 1125. http://dx.doi.org/10.1121/1.425250.

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Roberts, Keith R. "PETER TIMPANO (1948–1987)." Phycologia 27, no. 1 (1988): 177–78. http://dx.doi.org/10.2216/i0031-8884-27-1-177.1.

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Adawiyah, Al Ahda, Adelien Adelien, and Indri Seta Septadina. "Hubungan Antara Tipe Perforasi Membran TimpaniDan Derajat Gangguan Pendengaran Pada pasien Otitis Media Kronik." Biomedical Journal of Indonesia 3, no. 3 (2019): 120–27. http://dx.doi.org/10.32539/bji.v3i3.8602.

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Otitis Media Kronik (OMK) adalahinfeksi kronik di telinga tengah yang disertai dengan perforasi membran timpani dan sekret yang keluar dari telinga tengah terus menerus atau hilang timbul selama lebih dari 2 bulan. Gejala yang sering dialami oleh penderita berupa keluarnya cairan dari telinga (otore), gangguan pendengaran, otalgia (nyeri telinga), dan vertigo. Pada penderita OMK membran timpani dapat menebal akibat peradangan, dapat pula berbercak-bercak putih tebal atau menjadi tebal seluruhnya akibat timbunan kolagen terhialinisasi pada lapisan tengahnya. Tipe-tipe perforasi membran timpani
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Arcoverde, Danilo Leal, Renata Emin-Lima, Alexandra Fernandes Costa, et al. "Evaluation of periotic–timpanic bone complex of Sotalia guianensis (Cetacea: Delphinidae) as tool in identification of geographic variations." Journal of the Marine Biological Association of the United Kingdom 94, no. 6 (2013): 1127–32. http://dx.doi.org/10.1017/s0025315413001689.

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Morphometric characteristics of the periotic–timpanic bone complex in the middle ear of cetaceans, are effective characteristics in evaluating systematics. However, they have not been used for studies of geographic variation regarding dolphins of the genus Sotalia. This study aimed to compare the periotic–timpanic of Sotalia guianensis from four distinct locations, considered here as different operational taxonomic units, Amapá/Pará (AM/PA), Maranhão/Piauí (MA/PI), Ceará (CE), and Rio de Janeiro (RJ), using 21 morphometric measurements. Multivariate analysis showed significant distinction main
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Petrella, Nick. "How to Select Timpani Literature." Music Educators Journal 80, no. 3 (1993): 37–39. http://dx.doi.org/10.2307/3398673.

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Dissertations / Theses on the topic "Timpanen"

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Costello, Christopher Paul. "The timpani /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09MU.M/09mumc841.pdf.

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Moon, Jeong-Hyun. "Concertino for Flute, Timpani and String Orchestra." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279127/.

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Concertino for Flute, Timpani, and String Orchestra is a three movement piece that blends Western European forms with Korean idioms. The following essay addresses pitch materials, melodic structure, rhythm, form, instrumentation, vertical structures, and developmental procedures used in the work.
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Arvay, Brandon M. "A Comprehensive Method for Tuning and Pedaling Timpani." UKnowledge, 2015. http://uknowledge.uky.edu/music_etds/43.

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Method books are an integral part of the percussion pedagogy. Because of the vast number of instruments a modern percussionist is expected to play, they often look for progressive, concise, and effective resources that can make learning such a variety of instruments more efficient. Instructional books currently exist for many areas of percussion performance, including snare drum, mallet percussion, timpani, World music, accessories, and marching percussion. Included in these books are information and procedures on music reading, rhythm studies, listening skills, part preparation, and technical
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Marcus, Naomi Joy. "Four Works for Solo Timpani: An Analysis and Performance Guide." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1457612668.

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Cunha, Vagner Bonella. "Mahavidyas : Balé para dois pianos, flauta, piccolo, timpani e orquestra de Cordas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/17776.

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Este trabalho apresenta o memorial de composição, a partitura e a gravação do balé Mahavidyas para dois pianos, flauta, piccolo, timpani e orquestra de cordas. O balé é integrado por sete ciclos de peças livremente inspiradas em imagens das Mahavydias, deusas do hinduísmo. Cada um dos ciclos, agrupado em dois atos, contém três movimentos. O primeiro ato é composto pela abertura e pelos quatro primeiros ciclos; o segundo, por abertura, três ciclos e coda. O Memorial inclui breve descrição das referências estéticas que estimularam as atitudes composicionais, fundamentadas no pensamento de H. J.
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Meyers, Nicholaus. "The Importance of Timpani in Today's Percussion Education and as a Solo Instrument." Diss., North Dakota State University, 2014. https://hdl.handle.net/10365/27411.

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This study investigated the attitudes and beliefs of college educators and professional percussionists about the importance of timpani instruction for percussion majors at the undergraduate level. The results of a survey, in addition to other sources, were analyzed and showed a need for more education in properly preparing percussion students in the area of timpani. The particular areas discussed further within this study consist of: timpani in terms of the different types of timpani and their place in percussion education; timpani set up; grips and strokes; the stool, mallet choice, and ear t
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Whyte, Christpher Stuart. "The Stone Tears of Ixtaccihuatl: into the serial timpani music of Meyer Kupferman." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12671.

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Thesis (D.M.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>With a prolific compositional output, composer Meyer Kupferman (1926-2003) wrote in almost every classical and contemporary genre. A self-taught composer, he shunned typical formal training and pursued his own
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Barroero, Trevor, and Trevor Barroero. "The Art of Performance: On Stage and Behind the Curtain." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/624910.

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Through successful personal training, verified assessments, and professional applications, a musician can establish a personal career as a performing artist. This study seeks not only to explore the ways in which musicians can better their own musicianship, but to how they can inspire and empower others through philanthropic applications of their art. A musician’s laboratory exists both in the practice room and on the concert stage. Therefore, for twelve months, the author sought out the most diverse research and performance opportunities, including performances as a featured soloist in
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Orero, García Miguel Ángel. "Eight Pieces for Four Timpani de Elliott Carter: Procedimientos en la documentación y difusión en medios digitales basados en la experiencia de concierto." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/162114.

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[ES] En los últimos años, es habitual encontrarnos con investigaciones artísticas que, en el ámbito de la interpretación musical, tienen como última consecuencia recoger el resultado performativo en soporte digital. Sin embargo, una gran parte lo hace situando tal registro audiovisual como algo subsecuente, un fin ulterior sin conexión directa con la materia estudiada o los resultados obtenidos. Los trabajos de investigación que orientan así su enfoque, devuelven un resultado audiovisual desvinculado de los parámetros que han sido objeto del estudio, eludiendo las enormes capacidades semántica
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Spence, Jacob F. "L'Éternité : cantata for SATB soloists and choir, flute, cor anglais, bass clarinet, alto saxophone, timpani, eight percussionists, piano, harpsichord, celesta, harp, guitar and string orchestra." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/27450.

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Books on the topic "Timpanen"

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Hashimoto, Fernando. Os timpanos no repertório brasileiro solo e orquestral. Letra Capital, 2020.

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Buchta, Harald. Pauken und Paukenspiel im Europa des 17.-19. Jahrhunderts. H. Buchta, 1996.

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Presser, William. Four grounds for oboe or soprano saxophone, horn, and timpani. Tenuto, 1991.

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Stubbs, Amy. The art of timpani mallet-making. A. Stubbs Percussion, 2012.

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Cotton, Maggie. Percussion work book. M. Cotton, 1993.

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Michael, Quinn, ed. The timpani and percussion instruments in 19th-century Italy. [s.n.], 2011.

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Starer, Robert. Angel voices: For brass, timpani and organ. Robert King Music, 1990.

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Pinkham, Daniel. Pedals: Organ pedals and 4 pedal timpani. C.F. Peters, 1990.

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McQuattie, Sheila. Festival overture: For brass quartet and timpani. Saga music publishing, 1994.

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Akins, Thomas. Behind the copper fence: A lifetime on timpani. Thomas Akins Pub., in association with IBJ Book Pub., 2012.

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Book chapters on the topic "Timpanen"

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Bucur, Voichita. "Materials for Membranophones—Timpani, Drums, Tambourine." In Handbook of Materials for Percussion Musical Instruments. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98650-6_5.

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"timpani, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/5728577906.

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Hartenberger, Russell. "Timpani traditions and beyond." In The Cambridge Companion to Percussion. Cambridge University Press, 2016. http://dx.doi.org/10.1017/cbo9781316145074.002.

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"29 Timpani and Percussion." In Inside Conducting. Boydell and Brewer, 2013. http://dx.doi.org/10.1515/9781580468305-032.

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Garza Jr., Jose Manuel. "The Duality of Drums." In Modeling Musical Analysis. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780197678473.003.0021.

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Abstract The increased use of timpani in chamber and soloistic works in the latter half of the twentieth century caused composers to consider not only its rhythmic capabilities but its melodic possibilities. This essay explores the ways in which these characteristics manifest in Eric Rodis’s concerto for timpani, Colossus. To show the interaction between these aspects, it traces the development of two motives, representative of melody and rhythm, respectively. By the end of the piece, these motives undergo transformations in both the soloist’s and accompanists’ parts, symbolizing the timpani c
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Praetorius, Michael. "Advice Concerning the Form and Arrangement of the Latin and German Hymns and Concerted Compositions in my Polyhymniæ and Other Works." In Syntagma Musicum III. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195145632.003.0033.

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Abstract To the first style belong the Latin and German songs in the Polyhymniæ Tubiciniæ and Tympanistriæ; one may employ trumpets and timpani in these compositions in churches that can justify their use.
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Siwe, Thomas. "The Solo Percussionist—Center Stage." In Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0012.

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The virtuoso percussionist, though not unique to the twentieth century, began to appear on both professional and student recitals during the latter decades of the century. This chapter examines the solo literature written for the principal percussion instruments—timpani, xylophone, marimba, vibraphone—and multiple percussion, the latter term describing an array of dissimilar instruments that is novel to the twentieth century. The chapter portrays the evolution of composer Elliott Carter’s timpani solos and his use of metric modulation. Virtuoso artists, such as Vida Chenoweth, Keiko Abe, and o
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Steinberg, Michael. "Franz Joseph Haydn." In Choral Masterworks. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195126440.003.0014.

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Abstract Haydn composed this Mass in 1802 and it was first performed in the Mountain Church at Eisenstadt, Hungary (now Austria), on 8 September that year. Soprano, alto, tenor, and bass solos, four-part mixed chorus. Flute, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, organ, and strings.
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Favier, Olivier, and Françoise Decroisette. "AGIT-POP ? Les corps encombrants de Daniele Timpano." In L'Histoire derrière le rideau. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.78831.

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Cansız, Harun, and Sinem Kara Peker. "Otorinolaringolojide Kök Hücre Uygulamaları." In Kulak Burun Boğaz ve Baş Boyun Cerrahisinde Farklı Ufuklar. İstanbul Üniversitesi–Cerrahpaşa Yayınevi, 2023. http://dx.doi.org/10.5152/2803.

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Baş ve boyun bölgesinde doku rekonstrüksiyonu için genellikle yapay materyaller, flepler veya greftler tercih edilmektedir. Ancak greftler, donör sahada morbiditeye sebep olabilmesi ve lo- kalizasyon tercihine gore sınırlı kullanım alanına sahiptir. Bu sınırlandırmaların önüne geçmek için hücre transplantasyonunu kullanarak dokuların onarılmasını hedefleyen rejeneratif tıp ku- lak burun boğaz pratiğine yeni bir pencere açmıştır. Kök hücre uygulamaları otolaringolojide dış kulak yolu, aurikula, iç kulak, timpanik membran, larenks, burun, paranazal sinüs alanlarında kullanım alanına sahiptir.
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Conference papers on the topic "Timpanen"

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Василаки, Е. А., А. Ю. Мельникова, Т. В. Свиридова, О. Л. Мещерякова, Г. П. Шуваева, and О. С. Корнеева. "STUDYING THE INFLUENCE OF STARTER CROPS ON THE CONTENT OF ANTI-NUTRIENTS IN AMARANTH SILO." In Биотехнология в растениеводстве, животноводстве и сельскохозяйственной микробиологии. Crossref, 2021. http://dx.doi.org/10.48397/arriab.2021.21.xxi.082.

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Производство качественного корма является важной задачей сельскохозяйственной биотехнологии, так как в растительном сырье, используемом в кормопроизводстве, наряду с ценными биологически активными компонентами накапливаются антипитательные вещества, которые негативно влияют на организм животных. Высокое содержание нитратов в кормах может приводить к развитию тканевой гипоксии, стерильности, тимпании и нарушению усвоения организмом витаминов A, D, E. Предотвращению тимпании могут способствовать танины за счет снижения пенообразования в рубце жвачных животных. Однако при чрезмерном их содержании
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Amalina, N., D. Hasspariah, N. Bakti, et al. "Proactive Approach of Reservoir Quality Identification from Inferred Improved Parameters through Timpan-1 Discovery." In EAGE Workshop on Advanced Petroleum Systems Assessments - In pursuit of Differentiated Barrels. European Association of Geoscientists & Engineers, 2024. http://dx.doi.org/10.3997/2214-4609.202473018.

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Sakina, M., N. Kelsall, S. Singh, et al. "Integrated Logging While Drilling and Wireline Borehole Seismic for Safe Exploration Drilling in the Andaman Sea, Deepwater Indonesia." In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23740-ea.

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Abstract A vertical exploration well, Timpan-1, was drilled in the offshore Andaman Field, deepwater Indonesia, using a unique integration of logging while drilling (LWD) and wireline borehole seismic/vertical seismic profiling (VSP) to reduce risk and increase safety while exploring the carbonate reservoir. The seismic while drilling (SWD) technology was used on the 12 ¼-in. hole section for geostopping decisions to set the 9 5/8-in. casing at the correct depth immediately above the carbonate reservoir. Once the casing reached the bottom and the drilling operation continued to well total dept
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Azwar, Cinto, Reny Kusumawatie, Ahmed Osman, et al. "First Application of a Novel Self-Healing and CO2-Resistant Cement on a Deepwater Cementing Operation." In Gas & Oil Technology Showcase and Conference. SPE, 2023. http://dx.doi.org/10.2118/214110-ms.

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Abstract Harbour Energy began offshore exploration in the Andaman Sea in North Sumatra, Indonesia with the Timpan-1 well. During the planning phase, reservoir sections of the well were identified that contained circa 5-15% of CO2 levels as per the offset well data, which are corrosive environments and can cause cement sheath degradation. This paper presents the decision process used in selecting a suitable system for the CO2-rich environment and the first-time application of pumping novel self-healing and CO2-resistant cementing system with its capability to self-heal upon contact with CO2. Co
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Reports on the topic "Timpanen"

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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ
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