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Books on the topic 'Tintern Abbey'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Tintern Abbey. Cardiff: Cadw, Welsh Historic Monuments, 1986.

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2

Little, Bryan. Thoughts on Tintern. Abergavenny: Regional Publications, 1990.

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3

John, Taylor. Tintern Abbey and its founders. Cwmbran: Gwent County Council Libraries, 1994.

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4

Wordsworth, William. The pedlar ; Tintern Abbey ; The two-part prelude. Cambridge: Cambridge University Press, 1985.

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5

L, Baillie M. G., Ireland Stationery Office, and Ireland. Dept. of the Environment, Heritage and Local Government, eds. Tintern Abbey, Co. Wexford: Cistercians and Colcloughs : excavations 1982-2007. Dublin: Stationery Office, 2010.

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6

Stephen, Hebron, and Woof Pamela, eds. Towards Tintern Abbey: A bicentenary celebration of "Lyrical ballads", 1798. Grasmere: Wordsworth Trust, 1998.

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7

Tintern Abbey (CADW Guidebooks). 4th ed. Cadw Welsh Historic Monuments, 2002.

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8

Tintern Abbey (CADW Guidebooks). 3rd ed. Cadw Welsh Historic Monuments, 1996.

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9

Robinson, David M., and Cadw: Welsh Historic Monuments. Tintern Abbey (Foreign Language Guides). Cadw Welsh Historic Monuments, 1991.

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10

Gardner, Henry. The Ghost of Tintern Abbey. Hyperion Books, 1989.

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11

Robinson, David M., and Cadw: Welsh Historic Monuments. Tintern Abbey (Foreign Language Guides). Cadw Welsh Historic Monuments, 1991.

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12

Nicolas McDowall (Editor, Illustrator, Photographer) and Frances McDowall (Editor), eds. Lines Composed a Few Miles Above Tintern Abbey. Old Stile Press, 2002.

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13

Bollm, H. William Wordsworth's Tintern Abbey, Immortality Ode, Resolution and Independence. Chelsea House Pub (L), 1988.

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14

1958-, Whelan Kevin, ed. Tintern Abbey, County Wexford: Cistercians and Colcloughs : eight centuries of occupation. Saltmills, County Wexford [Ireland]: Friends of Tintern, 1993.

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15

Gravil, Richard. Coleridge and Wordsworth: Collaboration and Criticism from Salisbury Plain to Aids to Reflection. Edited by Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0003.

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This article examines the collaboration and ‘symbiosis’ of English poets Samuel Taylor Coleridge and William Wordsworth. It explains that this celebrated friendship involved intimate and creative gift exchange both in world view and in the craft of verse, and that two instances of this gift were Frost at Midnight and Tintern Abbey, two of the greatest poems of 1798. The article contends that the long-term outcome of this friendship was a weakening of each poet's confidence in his own voice.

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16

O'Neill, Michael. Shakespearean Poetry and the Romantics. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0023.

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The response of the major Romantic poets to Shakespeare is multifaceted. But recognition of Shakespearean vitality and suggestiveness is pervasive. The chapter begins with a brief discussion of Blake’s colour-print ‘Pity’ and an account of pre-Romantic responses to Shakespeare (notably in the criticism of Henry Mackenzie and Samuel Johnson, and the poetry of Thomas Gray). It then explores, in turn, the responses of Wordsworth, Coleridge, Byron, Shelley, and Keats to Shakespeare, discussing how the Romantics use Shakespearean resonances in their poetry: Wordsworth, for example, echoing a number of plays to suggestive effect in the concluding movement of Tintern Abbey; Coleridge alluding to Twelfth Night at the close of ‘The Nightingale’; Keats drawing on various texts in shaping the mingling of romance and anti-romance in The Eve of St. Agnes. The essay seeks to intimate the range and depth of Romantic poetry’s orchestration of the Shakespearean bequest.

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