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Journal articles on the topic 'Tintern Abbey'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Thyberg, Stephen M. "Tintern Abbey." Christianity & Literature 36, no. 4 (1987): 9. http://dx.doi.org/10.1177/014833318703600402.

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2

Thyberg, Stephen M. "Tintern Abbey." Christianity & Literature 50, no. 3 (2001): 560. http://dx.doi.org/10.1177/0148333101050003115.

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3

Christopher, N. Lopez. "Wordsworth: Tintern Abbey." European Journal of Teacher Education 2017, no. 12 (2017): 5. https://doi.org/10.5281/zenodo.1129295.

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William Wordsworth is known for the poems he composed during the Romantic Era. One of the most famous poems presented by him is “Lines Composed A Few Miles from Tintern Abbey.” In this poem, he explores his memory; he also portrayed his current viewing of Tintern Abbey.

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4

Peters, John G. "Wordsworth's Tintern Abbey." Explicator 61, no. 2 (2003): 77–78. http://dx.doi.org/10.1080/00144940309597762.

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5

Brennan, Thomas J. "Wordsworth's TINTERN ABBEY." Explicator 63, no. 1 (2004): 13–15. http://dx.doi.org/10.1080/00144940409597244.

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6

Rand, Thomas. "Wordsworth's Tintern Abbey." Explicator 52, no. 3 (1994): 151–53. http://dx.doi.org/10.1080/00144940.1994.9938753.

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7

Mamoni, Das. "Wordsworth's Tintern Abbey : Conveying Experience Through Nature." ACCST RESEARCH JOURNAL XIX, no. 4, October 2021 (2021): 1–10. https://doi.org/10.5281/zenodo.6340064.

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                          Wordsworth's “Tintern Abbey” takes on an abundance of ideas regarding nature's ability to preserve one's memories as well as past and present perceptions. Wordsworth conveys his experiences with nature to readers through his poem using vibrant imagery, a narrative-like structure and abstract metaphors. A further look into the poem will provide support for the pervasive affect of Wordsworth’s written work to evoke sentiments from readers.“Tintern Abbey,&r

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8

Hall, Peggy C. "Tintern Abbey, Once Again." English Journal 93, no. 2 (2003): 95. http://dx.doi.org/10.2307/3650508.

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9

于, 歌. "Dorothy and Tintern Abbey." World Literature Studies 03, no. 03 (2015): 114–19. http://dx.doi.org/10.12677/wls.2015.33018.

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10

Randel, Fred V. "The Betrayals of "Tintern Abbey"." Studies in Romanticism 32, no. 3 (1993): 379. http://dx.doi.org/10.2307/25601020.

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11

Canuel, Mark. "Historicism, Formalism, and “Tintern Abbey”." European Romantic Review 23, no. 3 (2012): 363–71. http://dx.doi.org/10.1080/10509585.2012.674270.

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12

Smith, Lyle H. "Reading “Something” in “Tintern Abbey”." Christianity & Literature 45, no. 3-4 (1996): 303–17. http://dx.doi.org/10.1177/014833319604500303.

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13

Lo, Yimon. "‘A sense sublime’: The Harmony of Hearing and Re-Hearing in Wordsworth’s ‘Tintern Abbey’." Romanticism 28, no. 1 (2022): 1–11. http://dx.doi.org/10.3366/rom.2022.0532.

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In a close reading of ‘Lines Written a Few Miles Above Tintern Abbey’, my article examines the poem’s musical quality that is central to our understanding of the theme of revisitation and memory. My article posits a significant coherence between readers’ aural involvement with the poem’s formal musicality and the poet-speaker’s own hearing and re-hearing experience within the poem. Situating the performative nature of ‘Tintern Abbey’ in relation to the theory of musical meaning and emotion inaugurated by music psychologist and philosopher, Leonard B. Meyer, my article presents a novel perspect

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14

Bazregarzadeh, Elmira. "Ecocritical Echoes in William Wordsworth’s Tintern Abbey." Brock Review 13, no. 1 (2017): 71–90. http://dx.doi.org/10.26522/br.v13i1.1092.

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As one of the great Nature poems of Wordsworth, Tintern Abbey (1798) sheds light on the way Nature affects Wordsworth’s memory and enables him to reach mental growth through his philosophical interconnection with it. Through an ecocritical study of Tintern Abbey, the present paper aims to take the clash between the Yale School critics, the New Historicists, and the ecocritics into consideration to show how the contradictory views of the afore-mentioned critics led to a Green reading of the poem in the light of Ecocriticism.  Key Words: Biospheric Egalitarianism, Wordsworthian Displacemen

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15

Soderholm, James. "Dorothy Wordsworth's Return to Tintern Abbey." New Literary History 26, no. 2 (1995): 309–22. http://dx.doi.org/10.1353/nlh.1995.0031.

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16

Foster, Mark. ""Tintern Abbey" and Wordsworth's Scene of Writing." Studies in Romanticism 25, no. 1 (1986): 75. http://dx.doi.org/10.2307/25600577.

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17

Datta, Vijay Kumar. "Trauma of Modernity in Wordsworth’s Tintern Abbey." International Journal of English Literature and Social Sciences 3, no. 5 (2018): 796–801. http://dx.doi.org/10.22161/ijels.3.5.16.

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18

황병훈. "Rhetorical Conviction of Wordsworth in “Tintern Abbey”." English & American Cultural Studies 8, no. 3 (2008): 299–318. http://dx.doi.org/10.15839/eacs.8.3.200812.299.

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19

Weele, Michael Vander. "The Contest of Memory in "Tintern Abbey"." Nineteenth-Century Literature 50, no. 1 (1995): 6–26. http://dx.doi.org/10.2307/2933871.

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Modern critics have been suspicious of the "abundant recompense" that "Tintern Abbey" claims for the replacement of youthful joys by mature thought. Many have contrasted unconscious motivation and surface articulation within the poem. But what if Wordsworth was more self-conscious about the efficacy of memory than we give him credit for? I argue that both the language and the structure of the poem show Wordsworth questioning the claims he was making for memory. But were there resources available for him to understand memory differently than we do-as well as to call that understanding into ques

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20

O'Rourke, James. "Major and Minor Narratives in “Tintern Abbey”." European Romantic Review 25, no. 6 (2014): 649–64. http://dx.doi.org/10.1080/10509585.2014.963849.

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21

Lake, C. B. "The Life of Things at Tintern Abbey." Review of English Studies 63, no. 260 (2011): 444–65. http://dx.doi.org/10.1093/res/hgr067.

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22

Haas, Ryan. "Wordsworth and the Monks of Tintern Abbey." Modern Philology 114, no. 1 (2016): 82–105. http://dx.doi.org/10.1086/686616.

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23

Powell, Raymond. "Wordsworth, Dorothy Wordsworth,Tintern Abbey andSamson Agonistes." Neophilologus 79, no. 4 (1995): 689–93. http://dx.doi.org/10.1007/bf01126899.

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24

GRAVIL, RICHARD. "Tintern Abbey and The System of Nature." Romanticism 6, no. 1 (2000): 35–54. http://dx.doi.org/10.3366/rom.2000.6.1.35.

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25

Weele, Michael Vander. "The Contest of Memory in "Tintern Abbey"." Nineteenth-Century Literature 50, no. 1 (1995): 6–26. http://dx.doi.org/10.1525/ncl.1995.50.1.99p0131v.

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26

Acharya, Dhiraj. "Nature and human relationship in Tintern Abbey." Medha: A Multidisciplinary Journal 7, no. 2 (2025): 151–64. https://doi.org/10.3126/medha.v7i2.76044.

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This research deals about the Nature and human connection in “Tintern Abbey” shows the ecological theme. For the analysis of this paper nature and human connection, glorification of nature and ecological cycle have been presented as research questions. It reflects about the importance of nature for the living of human beings. This research is based on library work. It is applied on the qualitative methodology and explanatory method. Human beings and nature are interconnected to each other and there are threats for the human and nature connection. It shows the human memory is affected by nature

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27

Morris, †Richard K., Nicola Coldstream, and Rick Turner. "THE WEST FRONT OF TINTERN ABBEY CHURCH, MONMOUTHSHIRE." Antiquaries Journal 95 (July 23, 2015): 119–50. http://dx.doi.org/10.1017/s0003581515000153.

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The conservation and repair of the west front of Tintern Abbey church, undertaken by Cadw between 2005 and 2010, provided an unrivalled opportunity to survey, record and analyse the design, construction and alteration of a much-celebrated example of medieval architecture. This paper considers in detail the moulding profiles and ornament of the west front and offers a developmental history for this part of the abbey church. Comparisons are made with ecclesiastical architecture elsewhere in England and Wales, and with the contemporary programme of work being undertaken at nearby Chepstow Castle.

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28

Sommer, Tim. "‘Far more deeply interfused’: ‘Tintern Abbey’ between Burkean and Kantian Sublimity." Romanticism 28, no. 1 (2022): 12–23. http://dx.doi.org/10.3366/rom.2022.0533.

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This essay traces the presence of eighteenth-century aesthetics in Wordsworth’s ‘Tintern Abbey’. It argues that the poem’s use of the term ‘sublime’ is more than just accidental. Rather than merely rehearsing a contemporary aesthetic commonplace, Wordsworth’s references to the sublime are intertextually linked to two eighteenth-century models of the concept, the one outlined in Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757), the other developed in Immanuel Kant’s Critique of Judgement (1790). Proceeding from a delineation of the Burkean

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29

G.Somasundaram. "An Ecocritical Reading of William Wordsworth's "Tintern Abbey"." Shanlax International Journal of English 7, no. 1 (2019): 126–29. https://doi.org/10.5281/zenodo.3457035.

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Upholding Nature has become a prime concern of every person in the contemporary world. The natural calamities of late, have alarmed everyone that any human action towards destructing Nature will yield total devastation of humanity at large. Subsequently, the study of Nature has formed an integral part of various academic disciplines. The centre given to Nature in literature is conceivable in the literary theory known as ‘eco-criticism’. Wordsworth’s “Tintern Abbey” provides a detailed and penetrating account of the three stages of Wordsworth’s attitude to Na

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30

Andrade de Paula, Thiago. "Uma presença que me perturba com alegria – memória suplementar e desestabilização em William Wordsworth." Cadernos CESPUC de Pesquisa Série Ensaios, no. 30 (July 13, 2017): 150–64. http://dx.doi.org/10.5752/p.2358-3231.2017n30p150-164.

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A poesia de Wordsworth proporciona a sensação de que é possível curar sentimentos ruins por meio do processo de recordação, como acontece nos poemas “I wandered lonely as a cloud” e “Tintern Abbey”. Longe de negar tal função, este trabalho tem por objetivo apresentar, em contrapartida, a existência de uma tendência desestabilizadora, a qual poderá ser percebida a partir dos estudos de Aleida Assmann e Jacques Derrida sobre a recordação romântica, que leva em conta o papel das afecções, do esquecimento e da cronologia em sua constituição. Nesse contexto, ao tentar colocar-se no lugar de algo qu

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31

Andrade de Paula, Thiago. "Uma presença que me perturba com alegria – memória suplementar e desestabilização em William Wordsworth." Cadernos CESPUC de Pesquisa Série Ensaios, no. 30 (July 13, 2017): 150–64. http://dx.doi.org/10.5752/p.2358-3231.n30p150-164.

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A poesia de Wordsworth proporciona a sensação de que é possível curar sentimentos ruins por meio do processo de recordação, como acontece nos poemas “I wandered lonely as a cloud” e “Tintern Abbey”. Longe de negar tal função, este trabalho tem por objetivo apresentar, em contrapartida, a existência de uma tendência desestabilizadora, a qual poderá ser percebida a partir dos estudos de Aleida Assmann e Jacques Derrida sobre a recordação romântica, que leva em conta o papel das afecções, do esquecimento e da cronologia em sua constituição. Nesse contexto, ao tentar colocar-se no lugar de algo qu

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32

McGhee, Michael. "Birds, Frogs and Tintern Abbey: Humanism and Hubris." European Journal for Philosophy of Religion 4, no. 3 (2012): 33–50. http://dx.doi.org/10.24204/ejpr.v4i3.275.

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David E. Cooper proposes that the ‘mystery’ of ‘reality as it “anyway” is, independently of human perspective’ provides measure for the leading of our lives and thus avoids, on the one hand, the hubris of a humanism for which moral life is the product of the human will and has no warrant beyond it, and, on the other, a theism which appears to be at once too remote from and too close to the human world to provide any such warrant. The paper rejects the role this gives to ‘mystery’ and locates ‘warrant’ in a moral perspective that is not the product of will.

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33

Matlak, Richard E. "Classical Argument and Romantic Persuasion in "Tintern Abbey"." Studies in Romanticism 25, no. 1 (1986): 97. http://dx.doi.org/10.2307/25600578.

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34

Rexroth, Grace. "Wordsworth’s Poetic Memoria Technica: What “Tintern Abbey” Remembers." Studies in Romanticism 60, no. 2 (2021): 153–74. http://dx.doi.org/10.1353/srm.2021.0016.

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35

Zeng, Xiaoxin. "Paradoxes in Wordsworth’s Tintern Abbey: Sense, Nature, Reality." BCP Social Sciences & Humanities 20 (October 18, 2022): 287–92. http://dx.doi.org/10.54691/bcpssh.v20i.2331.

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There are always arguments about the unadorned language and the nature in Wordsworth’s poems. Some consider it as a sentimental approach to escape from the reality, while others are on the contrary. This article is going to check how the language was used, and in what aspect Wordsworth chose to depict the nature to find relationship between human and nature, as well as the society. By examining the paradoxes in the poetry, the article will explore how Wordsworth made innovation at his time, which added a new angle to perceive the world.

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36

Kennedy, Deborah. "Wordsworth, Turner, and the Power of Tintern Abbey." Wordsworth Circle 33, no. 2 (2002): 79–84. http://dx.doi.org/10.1086/twc24044961.

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37

DAVIES, DAMIAN WALFORD. "‘SOME UNCERTAIN NOTICE’: THE HERMIT OF ‘TINTERN ABBEY’." Notes and Queries 43, no. 4 (1996): 422–24. http://dx.doi.org/10.1093/nq/43-4-422.

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38

DAVIES, DAMIAN WALFORD. "‘SOME UNCERTAIN NOTICE’: THE HERMIT OF ‘TINTERN ABBEY’." Notes and Queries 43, no. 4 (1996): 422–24. http://dx.doi.org/10.1093/nq/43.4.422.

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39

DAVIES, DAMIAN WALFORD. "WILLIAM GILPIN AND SAMUEL ROGERS AT TINTERN ABBEY." Notes and Queries 44, no. 3 (1997): 320–21. http://dx.doi.org/10.1093/nq/44-3-320.

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40

DAVIES, DAMIAN WALFORD. "WILLIAM GILPIN AND SAMUEL ROGERS AT TINTERN ABBEY." Notes and Queries 44, no. 3 (1997): 320–21. http://dx.doi.org/10.1093/nq/44.3.320.

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41

Courtney, Paul, G. Heron, G. McDonnell, and G. G. Jones. "Excavations in the Outer Precinct of Tintern Abbey." Medieval Archaeology 33, no. 1 (1989): 99–143. http://dx.doi.org/10.1080/00766097.1989.11735522.

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42

Fairer, David. "Revisiting ‘Tintern Abbey’: The Challenge of the Familiar." Romanticism 19, no. 2 (2013): 179–87. http://dx.doi.org/10.3366/rom.2013.0130.

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43

Shoemaker, Jan. "Bill and Gus Go Fishing: Discovering “Tintern Abbey” Along the Banks of the River Why." English Journal 87, no. 3 (1998): 52–53. http://dx.doi.org/10.58680/ej19983554.

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Describes how pairing Wordsworth’s poem (“Lines Composed a Few Miles Above Tintern Abbey”) with a contemporary novel (“The River Why” by David James Duncan) makes the classic poem come alive for students. Argues that, regardless of the poem, Duncan’s novel is ideally suited for classroom study.

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44

Harrison, Stuart A., Richard K. Morris, and David M. Robinson. "A Fourteenth-Century Pulpitum Screen at Tintern Abbey, Monmouthshire." Antiquaries Journal 78 (March 1998): 177–268. http://dx.doi.org/10.1017/s0003581500500067.

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Tintern is one of the best-known monastic sites in the British Isles, even if its architectural history is less well understood than assertions in the general literature might suggest. This study focusses upon a distinct group of ex situ masonry fragments until recently dispersed across the site. As reconstructed on paper, the material represents the remarkable ‘rediscovery’ of a hitherto unattributed fourteenth-century pulpitum screen. The stylistic context for the feature lies largely within the great architectural lodges of south-west England. There are strong grounds for suggesting that it

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45

Harrison, Stuart A., Richard K. Morris, and David M. Robinson. "A Fourteenth-Century Pulpitum Screen at Tintern Abbey, Monmouthshire." Antiquaries Journal 78 (September 1998): 177–268. http://dx.doi.org/10.1017/s0003581500044978.

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Tintern is one of the best-known monastic sites in the British Isles, even if its architectural history is less well understood than assertions in the general literature might suggest. This study focusses upon a distinct group of ex situ masonry fragments until recently dispersed across the site. As reconstructed on paper, the material represents the remarkable ‘rediscovery’ of a hitherto unattributed fourteenth-century pulpitum screen. The stylistic context for the feature lies largely within the great architectural lodges of south-west England. There are strong grounds for suggesting that it

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46

Miall, David S. "Locating Wordsworth: "Tintern Abbey" and the Community with Nature." Romanticism on the Net, no. 20 (2000): 0. http://dx.doi.org/10.7202/005949ar.

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47

Vestri, Talia M. "Wordsworth’s Sibling Logic: “We Are Seven” and “Tintern Abbey”." European Romantic Review 29, no. 5 (2018): 619–37. http://dx.doi.org/10.1080/10509585.2018.1512244.

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48

Lau, Beth. ""Sense and Sensibility" and "Tintern Abbey": Growth and Maturation." Wordsworth Circle 35, no. 2 (2004): 65–68. http://dx.doi.org/10.1086/twc24044967.

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49

Xu, Gillian. "Bidding Farewell: Echoes of William Wordsworth's ‘Tintern Abbey’ in Xu Zhimo's ‘Cambridge’ Poetry." Romanticism 31, no. 2 (2025): 172–83. https://doi.org/10.3366/rom.2025.0687.

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This essay discusses the reception of William Wordsworth in China and focuses on the case of the Chinese poet Xu Zhimo (徐志摩, 1897–1931). Xu gestures toward Wordsworth's ‘Tintern Abbey’ (1798) and The Prelude (1805) in his early poem ‘Cambridge, Farewell!’ (1923), his prose work ‘The Cambridge I Knew’ (1926), and his better-known poem titled ‘Second Farewell to Cambridge’ (1928). In a complex and non-derivative manner, Xu imagines Cambridge as a recurring space of memory and spiritual healing that possesses a shadow of Wordsworth's Tintern amidst fraught times in 1920s China. Whereas Wordsworth

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50

Bhandari, Rupsingh. "Deep Ecological Consciousness and Interconnectedness in William Wordsworth’s Tintern Abbey." Technium Social Sciences Journal 27 (January 8, 2022): 808–14. http://dx.doi.org/10.47577/tssj.v27i1.4910.

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Humans and nature interconnectedness is a dynamic process. The extensive misuse of natural resources has left us in an uncontrolled situation. Ecological disasters are worsening our relationship with nature. Humans’ anthropocentric attitude to dominate nature needed to be relooked from biocentric lenses. Rediscovering our interconnectedness with nature will advance our ecological consciousness to bring equilibrium between humans and nature. This paper intends to examine “Tintern Abbey”, the famous poetry by William Wordsworth to raise awareness of the interconnectedness of humans and nature in

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