Relevant bibliographies by topics / Tintin in the Congos

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tintin in the Congos'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Tintin in the Congos"

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Boisacq, M.-J. "Le Congo de Tintin." Literator 16, no. 1 (April 30, 1995): 151–62. http://dx.doi.org/10.4102/lit.v16i1.600.

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As any event, whatever it may be, bears the mark of the period and of the society when and where it was conceived, I believed it would be of interest to situate, in its ideological context, Herge's comic, Tintin au Congo, often criticised by readers in spite of its enthusiastic reception. After having briefly recalled Tintin's adventures in the Congo, I then explain the circumstances of the creation of this album and the ideological climate which determined the contents. I go on to recall how the Belgian Catholic middleclass actually imagined Africa to be. In my final point, 1 try to indicate the reasons for the success of Herge 's work
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Valencia-García, Louie Dean. "Tintin in the Movida Madrileña." European Comic Art 11, no. 2 (September 1, 2018): 12–33. http://dx.doi.org/10.3167/eca.2018.110202.

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This article traces ways in which comic fanzines of the late 1970s and early 1980s transgressed against and conformed to accepted Spanish constructions of gender and sexuality of the day. Research is drawn from close readings of comics found in zines of the period, such as 96 Lágrimas, Ediciones moulinsart and Kaka de Luxe. Young Madrileños literally drew on images and tropes from a variety of sources, from punk musicians to Tintin in the Congo, making them their own. Through fanzines, often sold in Madrid’s Rastro, a Roma marketplace, young people became cultural producers, creating a culture that was postmodern and anti-fascist.
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Maurin Abomo, Marie-Rose. "Tintin au Congo ou La nègrerie en clichés." Textyles, Hors série n° 1 (January 1, 1993): 151–62. http://dx.doi.org/10.4000/textyles.2208.

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Langford, Rachael. "Photography, Belgian colonialism and Hergé’s Tintin au Congo." Journal of Romance Studies 8, no. 1 (March 2008): 77–89. http://dx.doi.org/10.3828/jrs.8.1.77.

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Delisle, Philippe. "Bande dessinée, propagande missionnaire et masculinité." Social Sciences and Missions 33, no. 3-4 (September 24, 2020): 319–46. http://dx.doi.org/10.1163/18748945-03303007.

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Résumé « Chantal au Katanga », dessiné par Robert Rigot et publié en 1950 dans Âmes Vaillantes, fait écho à la propagande missionnaire et en constitue un vecteur. Ce récit présente la particularité de s’ adresser à des jeunes filles. Mais il s’ inscrit largement dans la lignée de Tintin au Congo, en présentant des missionnaires avant tout civilisateurs et masculins. La force des clichés et le fait que les auteurs soient des hommes expliquent sans doute l’ effacement des religieuses.
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Jouin, Soizik, and Hasmig Chahinian. "De Tintin au Congo à Odilon Verjus: le missionnaire, héros de la BD Belge [Tintin from Congo to Odilon Verjus: the Missionary, Hero of the Belgian comics] by Philippe Delisle." Bookbird: A Journal of International Children's Literature 51, no. 4 (2014): 91–92. http://dx.doi.org/10.1353/bkb.2014.0023.

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Özdemir Eroğlu, Berhan. "Kolonyal Söylem Aracı ve Mitler Gömüsü Olarak Bir Çizgi Roman Analizi: Tenten Kongo’da." Üsküdar Üniversitesi Sosyal Bilimler Dergisi 6, no. 10 (2020): 157–83. http://dx.doi.org/10.32739/uskudarsbd.6.10.72.

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Vaclavik, Kiera. "Damaging Goods? Francophone Children's Books in a Postcolonial World." International Research in Children's Literature 2, no. 2 (December 2009): 228–42. http://dx.doi.org/10.3366/e1755619809000714.

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The recent furore over Tintin au Congo in Britain is symptomatic of Western concerns about the perpetuation of negative racial stereotypes within much classic children's literature. This article interrogates such anxiety via discussion of three texts (by Hergé, Michel Tournier and Maryse Condé) produced for a European readership but set and – crucially – read in other parts of the world. Each text demonstrates the difficulty of predicting responses which frequently confound expectations and vary widely according to the situation of the reader. An ostensibly disparaging text can be a source of pride and hilarity, whilst a work produced to fight the cause of an oppressed community can distress and disturb members of that very group. Critical attendance to the reception of canonical texts within colonial and postcolonial settings will, it is argued, provide the most satisfactory response to the calls for censorship which utterly neglect alternative, resistant readings and non-European readers.
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Gyselinck, Sophie. "Signalement van: Kuifje & Tintin kibbelen in Afrika. De Belgische taalstrijd in Congo, Rwanda en Burundi / Evert Kets (2009)." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 69, no. 2 (January 1, 2010): 187. http://dx.doi.org/10.21825/wt.v69i2.12389.

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Delisle, Philippe. "Un Tintin au Congo flamand au service des missions chrétiennes : Le bâton du féticheur, de Renaat Demoen (1949-1950)." Revue d'Histoire de l'Eglise de France 101, no. 1 (January 2015): 121–40. http://dx.doi.org/10.1484/j.rhef.5.107560.

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Dissertations / Theses on the topic "Tintin in the Congos"

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Furberg, Karolina. "Tintin och framställningen av det främmande : En postkolonial analys av intermedialitet i Tintin au Congo och Tintin en Amérique." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194814.

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This essay examines through a postcolonial analysis of the intermedial aspects of comicbooks how stereotypes and depictions of the Other and the alien are formed in Tintin au Congo and Tintin en Amérique. The aim has been to call attention to the importance of the relationship between text and image to create meaning, as well as to gain a deeper insight into how different stereotypes are created and their function. Hergé illustrated the Tintin-books according to something that would come to be known as ”The Clear Line”, a way of drawing that focused on the readbility of the images. In this essay I argue that the simplicity of these readable images were used in his work as comic relief but also to create an awareness of deeper social issues in the world. There is a notable difference between Tintin au Congo and Tintin en Amérique where in the first album Hergé seems to be governed by these stereotypes, fully embracing them without questioning. In the second one however he is consciously and playfully using these images to make the reader aware of the problems with Othering, simultaneously using recognizable symbols that everyone can understand but with a critical gaze that not only reveals these problems but also condemns them. The use of these symbols and stereotypes highlights the importance of the relationship between text and image, as signification and meaning can differ depending on translation and the words used.
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Lundberg, Gabriella, and Josefine Norin. "En hårfin skillnad mellan urval och censur : En analys av censurdebatten 2012 angående Tintin i Kongo." Thesis, Högskolan i Gävle, Media- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27898.

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Vårt syfte med undersökningen har varit att analysera censurdebatten kring Tintin i Kongo från 2012. Med utgångspunkt från argumentet att barn måste skyddas från kontroversiell litteratur har vi framför allt varit intresserade av att förstå hur nyanser av debatten skapats genom den argumentation och det språkbruk som debattörerna har använt sig av.   Teoretiska utgångspunkter: Dagordningsteori. Gestaltningsteori. Frågeställningar: På vilka sätt är debatten kring Tintin, censur och barns förmåga att hantera kontroversiell litteratur intressant för vår förståelse av hur vi använder språk för att kommunicera? Vilka uttalar sig i debatten kring censuren av Tintin? Vilka argument används? Vilka är några vanligt förekommande teman i böcker för barn mellan 6-9 år 2017?   Metod: Vårt tillvägagångssätt för att kunna besvara frågorna har varit att använda oss av textanalys. Material: Vi har till vår undersökning valt att analysera artiklar. Urvalet har skett från de två dagstidningarna Dagens Nyheter och Svenska Dagbladet och kvällstidningarna Aftonbladet och Expressen. Resultat: Det gör skillnad vilka ord vi använder och hur. Ord är makt och avslöjar normer i samhället.
Purpose: Our purpose with this study has been to analyze the debate regarding the attempt to ban Tintin in the Congos in 2012. With the starting-point being the argument made that children have to be protected from literature that is considered to be controversial, we’ve been interested in seeing how the nuances of the debate have been shaped by the use of arguments and language by those participating in the debate. Theoretical points of departure: Agenda setting theory, Framing theory Objectives and focus: The study has the following questions In what way is the debate surrounding Tintin in the Congos, censorship and children’s ability to handle literature considered controversial of interest in understanding how we use language to communicate? Who are the ones taking part in the debate regarding the ban of Tintin in the Congos? What are their arguments? What are some common themes presented in books aimed towards children between the ages of 6-9 2017?   Method: To answer our questions, we have analyzed our material through text analysis. Material: We have for our questions analyzed articles. They have been selected both from the newspapers Dagens Nyheter and Svenska Dagbladet as well as from the evening newspapers Aftonbladet and Expressen. Result: Your words matter. It matters how and when we use them. Words are an expression of power and reveals the norms of society.
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Moraes, Fábio Cornagliotti de. "As aventuras de Tintim na África: representando o outro nas HQ s As Aventuras de Tintim: Tintim no Congo (1931-1946)." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/12902.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
This work tries to analyses the 1931 and 1946 editions of the comic book The adventures of Tintin: Tintin in Congo . The purpose is to investigate how the Congolese are represented in this comic book. The author of the comics and many authors that wrote about the comics considers the stories realists . My goal is not to tell how the real world is, but to demonstrate that these comic books are not realists, but are committed to a viewpoint about reality that is based in racism, paternalism and colonialism. I will analyze the images and text in order to understand how the discourse it produces works. This discourse is not only a result of its society, but also something that built the said society, not only because it had a huge base of children readers, but because it was a commercial success. This discourse presents various racists ideas, shown naturally, where Congolese are systematically put down by Tintin, in a association with the Congolese historical experience, where they were put down by government officials, police force, work exploration and an extremely biased legislation. Thus, I will study the representation of this colonized people as an important part of the process of identity construction, either for the colonized and the colonist
Este trabalho procura analisar as edições de 1931 e de 1946 da história em quadrinhos As Aventuras de Tintim: Tintim no Congo . O objetivo é investigar a representação dos congoleses nessas HQs (histórias em quadrinhos). O autor da obra e muitos dos autores sobre sua obra chamam a atenção para como suas HQs são realistas. O objetivo não é mostrar como é o mundo real, mas demonstrar que essas HQs não são realistas, mas sim comprometidas com um ponto de vista da realidade pautado pelo paternalismo, racismo e violência colonial. Serão analisados as imagens e o texto para se entender como o discurso proposto pelo autor opera. Esse discurso não é meramente um fruto de sua sociedade, mas também algo que ajudou a moldar a sociedade, não só por contar com uma grande base de leitores infantis, mas por ser um enorme sucesso comercial. Nesse discurso estão presentes diversas ideias racistas, colocadas de forma quase natural, em que os congoleses são sistematicamente inferiorizados por Tintim, a exemplo da experiência histórica da colonização, em que eram sistematicamente inferiorizados por oficiais do governo, forças policiais, exploração do trabalho e uma legislação segregacionista. Dessa forma, busca-se estudar a representação desse povo colonizado como uma parte importante do processo de construção da identidade do colonizado e do colonizador
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Dias, Adriana de Oliveira [UNESP]. "Nos passos dos congos." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/98562.

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O estudo realizado entre os anos de 2005 e 2008 se refere ao esforço dos integrantes do Terno da Coroa de São Benedito no sentido da resistência cultural, manutenção e perpetuação da manifestação Congada, em Passos-MG. Procura expor em detalhes a construção de uma vida outra, sagrada, simbólica, mítica e mágica trançada do viver objetivo, preservando aquilo que tem de mais profundo e sagrado: as encantarias da festa do Rosário, de São Benedito, do Reinado e da Cavalhada. No mundo real os congadeiros cumprem um ritual de morte e de (re) nascimento, que conta léguas e léguas de histórias do desterro forçado de seus povos. Choram a retirada de seus antepassados do Congo africano, choram pelo passado de escravidão; no mundo imaginário recriam a maravilha da festa de Reis e Rainhas, onde trabalhadores rurais, carpinteiros, pedreiros, serventes e donas-de-casa se transformam em famílias reais, desfilando num cortejo real. A Dissertação busca identificar e relacionar os aspectos de resistência da Congada e como fazem para manter as tradições de uma festividade com quase dois séculos na região, utilizando o suporte dos estudos da Antropologia Contemporânea como formadores de arcabouço teórico para fundamentação da pesquisa.
The study conducted between the years of 2005 and 2008 refers to the efforts of members of Terno da Coroa de São Benedito in the sense of cultural resistance, maintenance and perpetuation of the demonstration Congada, Passos-MG. It exposes in details the construction of another life, sacred, symbolic, mythical and magical woven objective living, preserving what is deeper and sacred: the enchantary of Festa do Rosário, São Benedito, the Reinado and the Cavalhada. In the real world Congadeiros meet a ritual of death and (re) birth, which account miles and miles of stories of forced exile from their people. They cry the withdrawal of their ancestors of the African Congo, crying the past of slavery, in the imaginary world recreate the wonder of the party of Kings and Queens, where rural workers, carpenters, bricklayers , serventes and housewives are transformed into real families, parading a real procession. The Dissertation seeks to identify and relate aspects of the resistance Congada and how they maintain the traditions of a festivity with nearly two centuries in the region, using the support of studies of Contemporary Anthropology as trainers of theoretical framework for reasons of search.
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Dias, Adriana de Oliveira. "Nos passos dos congos /." Franca : [s.n.], 2008. http://hdl.handle.net/11449/98562.

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Orientador: Eliana Amábile Dancini
Banca: Edmilson Felipe da Silva
Banca: Mário José Filho
Resumo: O estudo realizado entre os anos de 2005 e 2008 se refere ao esforço dos integrantes do Terno da Coroa de São Benedito no sentido da resistência cultural, manutenção e perpetuação da manifestação Congada, em Passos-MG. Procura expor em detalhes a construção de uma vida outra, sagrada, simbólica, mítica e mágica trançada do viver objetivo, preservando aquilo que tem de mais profundo e sagrado: as encantarias da festa do Rosário, de São Benedito, do Reinado e da Cavalhada. No mundo real os congadeiros cumprem um ritual de morte e de (re) nascimento, que conta léguas e léguas de histórias do desterro forçado de seus povos. Choram a retirada de seus antepassados do Congo africano, choram pelo passado de escravidão; no mundo imaginário recriam a maravilha da festa de Reis e Rainhas, onde trabalhadores rurais, carpinteiros, pedreiros, serventes e donas-de-casa se transformam em famílias reais, desfilando num cortejo real. A Dissertação busca identificar e relacionar os aspectos de resistência da Congada e como fazem para manter as tradições de uma festividade com quase dois séculos na região, utilizando o suporte dos estudos da Antropologia Contemporânea como formadores de arcabouço teórico para fundamentação da pesquisa.
Abstract: The study conducted between the years of 2005 and 2008 refers to the efforts of members of Terno da Coroa de São Benedito in the sense of cultural resistance, maintenance and perpetuation of the demonstration Congada, Passos-MG. It exposes in details the construction of another life, sacred, symbolic, mythical and magical woven objective living, preserving what is deeper and sacred: the enchantary of Festa do Rosário, São Benedito, the Reinado and the Cavalhada. In the real world Congadeiros meet a ritual of death and (re) birth, which account miles and miles of stories of forced exile from their people. They cry the withdrawal of their ancestors of the African Congo, crying the past of slavery, in the imaginary world recreate the wonder of the party of Kings and Queens, where rural workers, carpenters, bricklayers , serventes and housewives are transformed into real families, parading a real procession. The Dissertation seeks to identify and relate aspects of the resistance Congada and how they maintain the traditions of a festivity with nearly two centuries in the region, using the support of studies of Contemporary Anthropology as trainers of theoretical framework for reasons of search.
Mestre
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Lundberg, Anton. "Tintin i den återförtrollande världen : En kvalitativ studie om Tintin, hans världar och den religionshistoriska samtiden." Thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194997.

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Tambascia, Christiano Key 1976. "Representando o Congo : uma analise antropologica dos quadrinhos de Tintim." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279289.

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Orientador: Rita de Cassia Lahoz Morelli
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Esta dissertação procura analisar as representações sobre o Congo nos quadrinhos de Tintim, através de uma abordagem que alia a análise estrutural, como concebida por Lévi-Strauss, à contextualização histórica e política de sua produção. Essa análise está centrada, por um lado, nas diversas configurações que a oposição entre Natureza e Cultura assume na construção dessas representações, e, por outro lado, no papel do Terror e do paternalismo no discurso do colonizador belga
Abstract: This text seeks to analyse the representations about Congo within the Tintim comic stories, through an approach that unites the structural analysis, as conceived by Lévi-Strauss, to the historical and polítical context of its production. This analysis is centered, in one hand, in the diverse configurations that the opposition between Nature and Culture assumes in the construction of these representations, and, on the other hand, in the role that the Terror and paternalism play in the discourse of the Belgian colonizer
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Mestre em Antropologia
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Larivière, Marc. "Tintin au théâtre, des aventures en adaptation." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34465.

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Les spectacles tirés des « Aventures de Tintin », tels que Tintin et l’Île Noire en 1983 ou Les Bijoux de la Castafiore en 2011, sont des cas particuliers dans le domaine de l’adaptation théâtrale. D’abord, parce que les œuvres canoniques d’Hergé sont ancrées dans la mémoire collective et, à ce titre, agissent comme une matrice visuelle auprès du grand public, matrice qui modèle ses attentes. Ensuite, parce que Moulinsart, la société qui gère l’image de Tintin, maintient depuis plus de vingt ans une politique conservatrice quant aux droits de reproduction et d’adaptation du corpus d’Hergé. La fidélité à l’œuvre source devient donc quelque chose à négocier pour quiconque voudrait transposer Tintin à la scène, difficultés qui s’ajoutent à celles, plus génériques, d’adapter le langage bédéesque au théâtre.
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Labelle, Vanessa. "La représentation du paranormal dans les Aventures de Tintin." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31864.

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Cette thèse étudie, dans une perspective épistémocritique, la représentation du paranormal dans les Aventures de Tintin de Georges Remi, dit Hergé (1907-1983), et plus précisément dans quatre albums où le paranormal fait partie intégrante de l’intrigue : Les 7 boules de cristal et Le temple du soleil (1948 et 1949), Tintin au Tibet (1960) et Vol 714 pour Sydney (1968). Tout en débordant de péripéties captivantes et de gags pour divertir le (jeune) lecteur, ces albums font de nombreuses références à divers phénomènes paranormaux qui fascinaient Hergé : la voyance, l’hypnose, l’envoûtement et les objets volants non identifiés. Il s’agira d’analyser les modalités d’insertion de ces phénomènes paranormaux dans les albums du corpus, en précisant quels savoirs ils véhiculent principalement, en identifiant certaines de leurs sources et en dégageant tant leur fonction que leur effet sur le lecteur implicite. Nous suggérons que, conscient d’être devenu un façonneur de représentations collectives, l’Hergé de la maturité se veut un passeur de savoirs contestables et contestés, mais auxquels il porte foi.
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Lipski, John M. "El lenguaje de los negros congos de Panamá: estudio linguístico." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100112.

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Es indiscutible la influencia africana sobre el español de la región caribeña; y sin embargo la naturaleza de los contactos hispano-africanos de lossiglos pasados es poco entendida. Al examinar los documentos históricos quellegan hasta el siglo presente, se pone de manifiesto la existencia de modalidades distintamente afrohispánicas entre los esclavos y peones de origen africano.
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Books on the topic "Tintin in the Congos"

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Hergé. The adventures of Tintin, reporter for "Le petit vingtième," in the Congo. San Francisco: Last Gasp of San Francisco, 2002.

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Hergé. The adventures of Tintin, reporter for "Le petit vingtiéme" in the Congo. (London): (Sundancer), 1991.

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De Tintin au Congo à Odilon Verjus: Le missionnaire, héros de la BD belge. Paris: Éditions Karthala, 2011.

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Randy, Lofficier, ed. Tintin. Harpenden: Pocket Essentials, 2007.

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Lofficier, Jean-Marc. Tintin. Harpenden: Pocket Essentials, 2007.

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Randy, Lofficier, ed. Tintin. Harpenden: Pocket Essentials, 2011.

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Soto, Carlos Hernandez. Kalunga eh!: Los Congos de Villa Mella. Santo Domingo, República Dominicana: Editorial Letra Gráfica, 2004.

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Simatupang, Landung. Tintin Wulia. Yogyakarta, Indonesia: Cemeti Art House, 2008.

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Tintin & Co. San Francisco: Last Gasp, 2007.

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Tout Tintin: L'intégrale des Aventures de Tintin. Paris: Casterman, 2009.

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Book chapters on the topic "Tintin in the Congos"

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Herber, Rob. "To Harvard: Tintin in America (1946–1947)." In Springer Biographies, 129–64. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25737-8_7.

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Hahn, Hans-Joachim. "Distorted Traces of the Holocaust in Hergé’s Tintin." In Beyond MAUS, 239–60. Wien: Böhlau Verlag, 2021. http://dx.doi.org/10.7767/9783205210672.239.

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Chakravarty, Urjani. "Mediation of Multimodal Word Literature and Indirect Translation: Analysing The Adventures of Tintin." In The English Paradigm in India, 233–41. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_17.

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"Ideology: The Construction of Race and History in Tintin in the Congo." In Critical Approaches to Comics, 239–52. Routledge, 2012. http://dx.doi.org/10.4324/9780203839454-28.

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Ferrari, Silvio. "De l’art du ridicule: de la casquette de Charles Bovary aux coiffures de Hergé dans Tintin Au Congo." In « La grâce de montrer son âme dans le vêtement » Scrivere di tessuti, abiti, accessori. Studi in onore di Liana Nissim, 203–12. Ledizioni, 2015. http://dx.doi.org/10.4000/books.ledizioni.6527.

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Baetens, Jan, and Hugo Frey. "Modernizing Tintin." In The Comics of Hergé. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496807267.003.0007.

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This essay considers how Apostolidès’ contention that Tintin must be understood as a “superchild myth” implies that Tintin requires constant updating and revision, two things that are unlikely at best, given Hergé’s dictum that no one else could write comics for the boy reporter.
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De Graef, Katrien. "Tintin in Mesopotamia:." In Perspectives on the History of Ancient Near Eastern Studies, 252–65. Penn State University Press, 2020. http://dx.doi.org/10.5325/j.ctv1hcg0d9.16.

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Sindani, Kiangu. "7. L’imagerie de la colonie congolaise dans la Belgique de l’entre-deux-guerres, à travers « Tintin au Congo » de George Rémi “Hergé”." In Images, mémoires et savoirs, 501. Editions Karthala, 2009. http://dx.doi.org/10.3917/kart.nday.2009.01.0501.

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"Les auteurs." In De Socrate à Tintin, 7. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.121413.

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Boudet, Jean-Patrice. "Introduction." In De Socrate à Tintin, 9–19. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.121416.

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Conference papers on the topic "Tintin in the Congos"

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Chua, Huey Eng, Sourav S. Bhowmick, and Lisa Tucker-Kellogg. "TINTIN." In BCB '17: 8th ACM International Conference on Bioinformatics, Computational Biology, and Health Informatics. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3107411.3107470.

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Pyreddy, Pallavi, and W. Bruce Croft. "TINTIN." In the second ACM international conference. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/263690.263816.

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van Rooij, Joris, Vincenzo Gulisano, and Marina Papatriantafilou. "TinTiN." In DEBS '20: The 14th ACM International Conference on Distributed and Event-based Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401025.3401769.

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Maximini, G. "Gestion chirurgicale des défauts osseux verticaux postérieurs." In 66ème Congrès de la SFCO. Les Ulis, France: EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206601010.

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L’augmentation de la dimension osseuse verticale est un challenge thérapeutique chirurgical. C’est dans ce domaine que lon compte le plus grand nombre déchecs. La réussite dépend de la prise en compte de deux élément clefs : tout dabord de labsolu nécessité dobtenir un allongement suffisant des lambeaux permettant de suturer sans tension aucune et de contrecarrer ainsi leffet ischémique de la rétraction cicatricielle verticale. Au maxillaire description et vidéo de lincision vestibulaire d’une hauteur égale à la hauteur du déficit osseux. A la mandibule description et vidéo de lincision crestale avec décollement du lambeau lingual jusquau mylohyoidien et désinsertion du périoste de la ligne oblique interne. Description de la technique de Tinti et Benfenati pour lallongement du lambeau lingual. Description et vidéo de lincision vestibulaire mandibulaire avec dissection en épaisseur partielle jusquà la crête puis incision du périoste et décollement en épaisseur totale. Le deuxième élément clef est le choix d’une technique qui privilégie la vascularisation : différentes techniques (greffe on onlay, ROG, split horizontal) seront décrites avec des séquences vidéo et analyse des avantages et des inconvénients. En résumé : deux maitres mots : gestion des tissus mous et vascularisation.
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Salsabila, Alika, and Myrna Laksman-Huntley. "Strategies of Translating French Pronominal Verbs in Tintin Into Indonesian." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.075.

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Bestgen, Yves. "Tintin at SemEval-2019 Task 4: Detecting Hyperpartisan News Article with only Simple Tokens." In Proceedings of the 13th International Workshop on Semantic Evaluation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/s19-2186.

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