Academic literature on the topic 'Title of books'

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Journal articles on the topic "Title of books"

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Piazza, Francesca Di. "[no title]." Art Libraries Journal 17, no. 1 (1992): 6–7. http://dx.doi.org/10.1017/s0307472200007495.

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Working in an art library is a natural extension of my interests since I am an artist creating primarily in book form. I’m attracted to the intimacy of books as art: holding, opening, handling a book is very appealing. My box-books use a lot of found paper, including scraps of discarded books. War and Peace Fragments was made in reaction to the Gulf War and reading Tolstoy. My books are often a mix of personal and political concerns.
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Newton Miller, Laura. "Print Books are Cheaper than E-Books for Academic Libraries." Evidence Based Library and Information Practice 10, no. 3 (2015): 91. http://dx.doi.org/10.18438/b8rs3n.

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A Review of:
 Bailey, T. P., Scott, A. L., & Best, R. D. (2015). Cost differentials between e-books and print in academic libraries. College & Research Libraries, 76(1), 6-18. doi: 10.5860/crl.76.1.2
 
 Abstract
 
 Objective – To determine the difference in cost (if any) between print and e-book titles for an academic library.
 
 Design – Case study.
 
 Setting – Library system of a small, regional university in the southern United States of America. 
 
 Subjects – 264 titles requested by faculty (out of 462 total requests) that were available in both print and electronic format.
 
 Method – Using Baker & Taylor’s Title Source 3 (now Title Source 360), the researchers compared pricing between the print version (paperback preferred) and electronic version (single user only) of titles requested by faculty during the Fall 2012 semester.
 
 Main Results – As a whole, print titles had a mean price of $53.50 and electronic equivalent titles had a mean price of $73.50 (a $19.17 difference). Only 44 of the 264 e-book titles were less expensive than their print equivalents. When broken down by LC classification, e-books were generally more expensive than print across all subjects except for religion and philosophy (BJ-BY) and the social sciences (H-HV). Average prices for both print and electronic were cheaper for university press publications versus non-university press publications. (This was true for both arithmetic and weighted means.) Humanities books were the least expensive (mean cost/print title), but the average e-book cost was slightly higher than the social sciences. Science books were most expensive (average) both in print and electronic.
 
 Conclusion – On average, print books are cheaper than e-books for academic libraries.
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Nord, Christiane. "Paving the way to the text: Forms and Functions of Book Titles in Translation." Russian Journal of Linguistics 23, no. 2 (2019): 328–43. http://dx.doi.org/10.22363/2312-9182-2019-23-2-328-343.

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When we are looking at the books displayed in the window of a bookshop, what first catches the eye is the title. Titles pave the way to the text, even in a literal sense. In any case, they establish a first contact with a potential readership, informing them, for example, about the genre (novel, non-fiction, children’s book) or the content of the book, praising its qualities, and, if all this raises the readers’ interest, appealing to them to buy and later read the book, or even guiding their interpretation of the text. This shows how important it is that a title is apt to fulfil all these functions - an original title in its own culture, a translated title in the target culture. It is a well-known fact that translators do not normally have the last word in the process of deciding on the title of a book they have translated. Nevertheless, if they can offer good arguments for or against certain title formulations, they might at least be heard. At any rate, just pleading for a “faithful” translation of the original title will not do. There may be a lot of arguments - and not only linguistic ones - against a literal translation, with which translators have to be familiar. The following study is based on a corpus including titles of fictional, nonfictional and children’s books in English, German, French and Spanish. After justifying the classification as titles as texts, and even a genre with its own culture-specific conventions, it aims at showing the forms and functions of book titles in order to provide a sound foundation for their translation, discussing some of the problems derived from this functional perspective.
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Goswell, Gregory. "What's in a Name? Book Titles in the Torah and Former Prophets." Pacifica: Australasian Theological Studies 20, no. 3 (2007): 262–77. http://dx.doi.org/10.1177/1030570x0702000302.

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All the biblical books have received names, and these names guide or misguide the reader who seeks to make sense of what is read. Using the four possible functions of a title as posited by Gérard Genette, this article surveys and evaluates from a hermeneutical point of view the alternative names assigned to the nine books that make up the Torah and Former Prophets. The various titles influence reading and suggest ways of understanding the particular book. They are in effect a commentary upon the biblical text. In so far as a title highlights one feature of a book but ignores another (whether it focuses on form or content), no title is neutral nor can it simply be taken for granted. Titles are an element of the paratext of Scripture that fossilise alternative ways in which previous generations of readers have understood the text. They can also help to generate new and improved ways of reading an ancient text.
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Polizzi, Gilles. "Fantômes et contrefaçons dans l’oeuvre de Béroalde de Verville : ouvrages virtuels, fictifs et fictionnels." Renaissance and Reformation 34, no. 3 (2012): 91–110. http://dx.doi.org/10.33137/rr.v34i3.17022.

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This article proposes to take inventory of and examine, in the abundant vervilienne production, the absent works, non-existent or “disguised.” Reflecting upon the relationship between title and identity, as well as our aptitude to deduce from a title the content and character of a work, the author of this article defines the process of “bibliographical illusion,” used frequently by Verville, who, in his bibliography, multiplies these ghosts. Hence, this article sorts the works while considering, in an approximately chronological order, virtual books (announced, but not published and perhaps not written), fictitious books (those whose title suggests camouflage or forgery), and invented disguises; because the science of the book is fueled by invention. This article concludes with the unexpected restoration of a book as real, from the category of fictitious works. Bibliography is then not only the art of listing titles, but also the art and the science of linking titles with works the art of testing the game of bookish inventions and trickery.
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Goodwin, Cathy. "The e-Duke Scholarly Collection: e-book v. print use." Collection Building 33, no. 4 (2014): 101–5. http://dx.doi.org/10.1108/cb-05-2014-0024.

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Purpose – The aim of this study is to compare print and e-book use for identical titles in the e-Duke Scholarly Collection (e-DSC) from 2011 to 2013 to determine format preference for a discrete collection of titles in humanities and social sciences. Design/methodology/approach – Use statistics for the e-DSC were downloaded from the e-book platform by title and call number to determine use by title and subject. Circulation statistics were culled from the library’s integrated library system for the same titles to compare e-book use to that of the same print title. Findings – Although e-books had a high number of titles with use as a per cent of the collection, examination of substantive use shows a slight preference for print. While 73 per cent of the e-books garnered enough interest to click on them, only 12 per cent had substantive use. Research limitations/implications – The e-DSC changed platforms in December 2013. The new platform does not require users to create an account to download e-book sections and digital rights management limitations have been removed. The same examination of collection use in 2.5 years on the new platform will provide an interesting comparison on the function of platform on e-book use. Originality/value – The comparison of identical print and e-titles is less studied and includes the examination of “substantive use” in comparing print to e-book use.
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Miller, Robin Elizabeth. "Health Sciences Patrons Use Electronic Books More than Print Books." Evidence Based Library and Information Practice 12, no. 3 (2017): 175. http://dx.doi.org/10.18438/b8fd32.

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A Review of:
 Li, J. (2016). Is it cost-effective to purchase print books when the equivalent e-book is available? Journal of Hospital Librarianship, 16(1), 40-48. http://dx.doi.org/10.1080/15323269.2016.1118288
 
 Abstract
 
 Objective – To compare use of books held simultaneously in print and electronic formats.
 
 Design – Case study.
 
 Setting – A health sciences library at a public comprehensive university with a medical college in the southern United States. 
 
 Subjects – Usage data for 60 books held by the library simultaneously in print and electronically. The titles were on standing order in print and considered “core” texts for clinical, instructional, or reference for health sciences faculty, students, and medical residents.
 
 Methods – Researchers collected usage data for 60 print titles from the integrated library system and compared the data to COUNTER reports for electronic versions of the same titles, for the period spanning 2010-2014.
 
 Main Results – Overall, the 60 e-book titles were used more than the print versions, with the electronic versions used a total of 370,695 times while the print versions were used 93 times during the time period being examined.
 
 Conclusion – The use of electronic books outnumbers the use of print books of the same title.
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Adistia, Laras Dewi, Tubagus Mohammad Akhriza, and Singgih Jatmiko. "Sistem Rekomendasi Buku untuk Perpustakaan Perguruan Tinggi Berbasis Association Rule." Jurnal RESTI (Rekayasa Sistem dan Teknologi Informasi) 3, no. 2 (2019): 304–12. http://dx.doi.org/10.29207/resti.v3i2.971.

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One of the services in the university library is an information system to find the availability of library collections and the location of each collection shelf. But not many of these systems provide a mechanism that can recommend visitors not only about the books they want, but also other related books that may be needed. This study uses association rule mining techniques that are applied to library transaction data to identify relationships between books (titles) that attract visitors' attention. Relationships are built on interesting measurements between the titles, namely support and confidence, where support determines the combination of the most frequently borrowed book titles, while confidence produces the possibility that the title of the book will be borrowed along with other books. The pattern of book titles association with high confidence indicates that the titles are very related so it is recommended for visitors to consider borrowing along with the book they are looking for. In addition, the system can also recommend the procurement of new books and rack configurations to improve the visitor's experience when searching for books on the site. In the experiment, the precision of recommendations generated from the system reached 70%. Web applications were developed to help understand the effectiveness of the recommendation system based on association rules.
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Krasina, Elena A., Eugeniy S. Rybinok, and Alia Moctar. "Film Naming: Book Titles and Film Titles." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 2 (2020): 330–40. http://dx.doi.org/10.22363/2313-2299-2020-11-2-330-340.

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The studies of a film text as a polycoded textual phenomena involve the studies of its integral components, such as film story and screenplay, reflecting storyline or plot of a literary text that serves as a precedential text to filming and as an immediate constituent of a film itself. Film title combines the features of a book or story title and functions as a precedential phenomenon as well, but is an integral part of the process of film promotion and release, and in cinematographic sphere it’s of crucial importance. In fact, the original book or story titles used to change especially with time and audience involved, when filming remaking changes to TV series and miniseries, or films are followed by sequels and prequels so that not to make something like Jaws 3 or Indiana Jones 5 . Anyhow, most of film titles fully repeat or at least conserve the title of a literary text, still it’s often amplified to make difference or to emphasize the idea that the screenplay is a new one just the story to be continued, e.g., Jaws-3D: The Revenge. Not very often the changes are marked graphically as of Romeo + Juliet or Romeo & Julie t, so that to hint a new turnoff the plot to the audience. It’s obvious that film titles often use names of main characters either for series or episode titles or to form a film franchise like that of Jurassic Park or Indiana Jones ones. As people started to use different IT gadgets they used to read books less and less, and film stories tend to make a new book form when a book is no longer a precedent to a film. Thus the cycle of “book title → film title” was completed by a part of “film title → book title (or book itself” to reflect the reverse trend, which is known worldwide.
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Parsons, Amy. "Book Review: Text, Lies and Cataloging: Ethical Treatment of Deceptive Works in the Library." Library Resources & Technical Services 63, no. 2 (2019): 177. http://dx.doi.org/10.5860/lrts.63n2.177.

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The first thing that gave this reviewer pause was the title of this book. The 1989 movie Sex, Lies and Videotape and 1981 book The Joy of Cataloging: Essays, Letters, Reviews, and Other Explosions by Sanford Berman have similarly provocative titles.1 The two books, however, are worlds apart in their content. How on earth can cataloging be sexy? The complex theme of deception is found in both the 1989 movie and Brubaker’s 2018 book, thus the similar titles.
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Dissertations / Theses on the topic "Title of books"

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Elmqvist, Söderlund Inga. "Taking possession of astronomy : Frontispieces and illustrated title pages in 17th-century books on astronomy." Doctoral thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38873.

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The thesis is a survey of 291 frontispieces and illustrated title pages in European books on astronomy from the 17th century. It is a quantitative and qualitative survey of how motifs are related to consumption, identification and display. Elements in the motifs related to factual content as opposed to those aimed to raise the perceived value of astronomy are distinguished. The quantitative study shows that astronomical phenomena (90 per cent) and scientific instruments (62 per cent, or as much as 86 per cent if only titles with illustrations occupying an entire page are considered) are the most common motifs to inform the reader of the genre. Besides these, a wide range of depicted features indicate the particularity of each title. Different means for raising the value of astronomy and its attributes are identified. The interplay of “real” or “credible” elements with fictional ones was used to attract attention, create positive associations and promote acquisition and reading. The motifs mainly promote delectation and erudition, although some attract attention through their deliberately enigmatic design and a few through fear. The survey determines prevalent settings (palaces, the theatre, gardens, the wilderness and the heavens), activities (skilful use of instruments, conversations or disputes), references to the ancients and heraldic components. They present both the self-image of astronomers at the time and ideal components that contain connotations of an enhanced reality. This self-image also contributed to the definition of normative values for astronomers in the 17th century. The affinities between painters and astronomers are examined. In addition, an analysis of descriptions of frontispieces is undertaken, which shows that the user of the book was expected to devote considerable time to the frontispiece in order to understand all of its particular features and that the illustrations were suitable for display and learned digression.
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Bengtsson, Sara. "Bokomslagets betydelse : En paratextanalys av fem populära böcker valda avelever i årskurs 5." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-65333.

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The aim of the study is to apply a paratext analysis to investigate what it is in thepackaging of books that can appear attractive to children and what are the distinctiveshared features of popular pupil choices among books. The analysis consists of anexamination of each book and then a comparative section. The analytical categories arethe title and subtitle, author’s name, publisher’s information, cover pictures, the backcover, the spine, the format of the book, endpapers, and the series emblem. Thetheoretical premises are hermeneutics and semiotic interpretations of signs. The studyproceeds from Genette’s concepts of paratext, peritext and epitext. A prominent common feature of the books was series emblems in the form ofmain titles and colours. Another significant conclusion is that the cover often depictssome climactic event in the content of the book. The content and the cover mustharmonize so that the reader will not feel disappointed. The didactic conclusions are thatteachers must have a good understanding of the effect a book cover can have on pupils.Often teachers try to motivate pupils by telling them about the exciting content, but ifthe pupil is not motivated by the paratext, the threshold will be too high. It is of greatrelevance that teachers offer pupils several different books with varying paratexts.
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Gavling, Anna. "The art of translation : A study of book titles translated from English into Swedish and from Swedish into English." Thesis, Karlstad University, Faculty of Arts and Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1748.

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<p>The purpose of this paper is to investigate the process of translating a book title from English into Swedish and vice versa. I have investigated the different methods used when translating a title, as well how common each strategy is. By contacting publishing companies and translators in Sweden, I learned of the process of adapting a title from the source language into a foreign market and the target language. Studying 156 titles originally published in English, and 47 titles originally written in Swedish, I was able to see some patterns. I was particularly interested in what strategies are most commonly used.</p><p>In my study I found nine different strategies of translating a book title form English into Swedish. I have classified them as follows: Keeping the original title, Translating the title literally, Literal translation with modifications, Keeping part of the original title and adding a literal translation, Adding a Swedish tag to the English title, Adding a Swedish tag to the literal translation, Translation with an omission, Creating a new title loosely related to the original title and finally Creating a completely different title. In the study of titles translated from Swedish into English, I found eight different translation strategies; seven of the strategies were the same as in the translation of titles from English into Swedish. The one method that differed is called Translation with an addition. The study of titles originally published in Swedish was much smaller; and yet more variety and creativity was shown in the translations. The conditions for translating from Swedish into English are different since English readers normally have no knowledge of Swedish. Names of characters and places for example, are very likely to sound very odd to an English reader, and therefore more translations are necessary. Swedish readers on the other hand are generally relatively proficient in English since they are exposed to the language naturally in their everyday lives through for example, television. Therefore it was easier to stay close to the original in the translations from English into Swedish.</p>
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Noor, Aslan. "Konsep hak milik atas tanah bagi bangsa Indonesia ditinjau dari ajaran hak asasi manusia." Bandung : Mandar Maju, 2006. http://books.google.com/books?id=Hn-bAAAAMAAJ.

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Thesis (doctoral)--Universitas Negeri Padjadjaran, 2003.<br>Originally presented as the author's thesis (doctoral--Universitas Padjadjaran, Bandung, 2003) under title: Konsepsi hak milik atas tanah bagi bangsa Indonesia ditinjau dari ajaran hak asasi manusia. Includes bibliographical references (p. 357-366).
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Spitzer, Sarah. "The diffusion of new book titles : diffusion process, factors of influence, and managerial implications." Unterwössen Ed. Altavilla, 2009. http://d-nb.info/991496388/04.

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Parrott, Deborah, and Reneé C. Lyons. "Spice Up Your Library With Pura Belpre! Using Award-Winning Titles and Crafts to Engage Hispanic Children and Celebrate Diversity." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2375.

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Recent statistical studies suggest the proportion of Hispanic students within our nation’s classrooms is growing at a significant rate, experiencing the highest increase in numbers of any other ethnic group. These students require resources conducive to English language learning which also honor the Hispanic/Latino culture. Yet, out of 3,400 books received by the Cooperative Children’s Book Center (CCBC) in 2011, only 52 were penned or created by Latino authors/ illustrators. This number is expected to decline over the coming years. This insufficiency is an enormous challenge to librarians who strive to empower the Hispanic student population and promote cultural diversity among all students. Empowering Learners, (p. 53) reminds us that librarians offer materials and services to accommodate the needs of children for whom English is a second language. The library program ideally seeks to reflect the linguistic and cultural pluralism of our country. How can we arise to this need? Librarians succeed in supporting Hispanic students by utilizing Pura Belpré award-winning titles. This accolade is presented annually by the Association of Library Services to Children (a division of the ALA) to a Latino/Latina writer and illustrator whose work “best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth,” embodying the essence of the Latino culture. The promotion of Pura Belpre’ titles, the delivery of associated crafts and activities as well as the use of online resources serve as indispensable tools to assist the librarian in enriching the literary experiences of Hispanic learners and celebrating the Latino heritage with all children. In our session, we share in-depth knowledge of selected titles with correlating crafts and activities. Attendees will leave the session with practical, concrete instructional ideas, ready for immediate use.
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Chung, Haisoo. "Philosophie et littérature chez Sade, du Dialogue à Aline et Valcour Thèse pour l'obtention du titre de Docteur de l'Université de Tours, Université François Rabelais, Tours, spécialité Lettres Modernes, Littérature française, soutenue le 6 juin 1997 /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://books.google.com/books?id=DPpcAAAAMAAJ.

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Malassigné, Vincent. "Les titres représentatifs : essai sur la représentation juridique des biens par des titres en droit privé." Thesis, Paris 2, 2014. http://www.theses.fr/2014PA020062.

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Il est fréquent d’affirmer qu’un titre représenterait un bien : une lettre de change représenterait une créance de somme d’argent, un connaissement représenterait une marchandise, une inscription en compte représenterait une valeur mobilière, un « depositary receipt» représenterait une action étrangère … Il s’agirait donc de « titres représentatifs ». Mais que recouvre cette formule ? Traduit-elle l’existence d’un véritable mécanisme de représentation des biens par des titres en droit privé ou s’agit-il d’un abus de langage ? Dans un premier temps, l’étude des titres représentatifs permet d’établir l’existence de la représentation juridique des biens par des titres en droit privé, qui constitue alors le pendant de la représentation des personnes. Il apparaît toutefois que ce mécanisme n’est pas unitaire et c’est pourquoi il convient de distinguer deux techniques de représentation juridique des biens par des titres : la représentation parfaite d’un bien par un titre et la représentation imparfaite d’un ensemble de biens réunis au sein d’un patrimoine d’affectation par des titres. Dans un second temps, l’analyse de la mise en oeuvre de la représentation juridique des biens par des titres en droit privé, réalisée en vue d’éprouver la pertinence de la théorie dégagée, montre qu’il n’est pas toujours possible de créer librement tout type de titres représentatifs concernant des biens de toute nature. La liberté ne joue que pour les titres représentatifs parfaits de certains biens. L’étude de la mise en oeuvre de ce mécanisme souligne par ailleurs que la création d’un titre représentatif induit des difficultés auxquelles il convient de pallier en édictant un certain nombre de règles<br>It is common to assert that a document represents property: a bill of exchange is said to represent a receivable, a bill of lading to represent goods, a book-entry account to represent a security or a depositary receipt to represent shares, etc. These are therefore “documents of title”. However, what does this mean? Is it a genuine mechanism to represent property by documents in private law or is it a misnomer? First, a study of such documents will establish the existence of legal representation of property by certificates in private law, equivalent to the representation of persons. However, it would seem not to bea unitary mechanism and a distinction must therefore be made between two techniques of legal representation of property by documents: the direct representation of property by a document and the indirect representation of a set of properties assembled in a fiduciary trust by certificates. Next, an analysis of implementation of the legal representation of property by certificates in private law, conducted to test the relevance of the theory, shows that it is not always possible to create any type of such documents freely for any kind of property. Such freedom applies only to documents that are directly representative of certain property. A study of the implementation of this mechanism also emphasizes that the creation of a document of title leads to difficulties that may be overcome by enacting some rules
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Vauterin, Thomas. "Codes littéraires et codes sociaux dans la titrologie du roman québécois au XXe siècle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq26369.pdf.

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Latham, Jamie Marc. "The clergy and print in eighteenth-century England, c. 1714-1750." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/275032.

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In much of the historiography surrounding print culture and the book trade, the worldliness of print remains a point of common emphasis. Indeed, many influential studies either assume or actively present the history of print as part of a broader ‘secularization thesis’. Recently, however, historians have challenged these narratives, recognizing the central role of religious print as a driver of growth within the book trade and discussion within the nascent ‘public sphere’. Yet the scholarship into ‘religion and the book’ remains fragmentary, focused on individual genres or persons, with no unified monograph or standard reference work yet to emerge. This dissertation addresses some of the barriers to synopsis by investigating the long-term print output of the largest social and professional group engaged in evangelizing Christianity to the public: the clergy of the Church of England. By focusing on the clergy, this dissertation evades the usual narrow focus on genre. In the past, book-historical and bibliographic studies have relied heavily on a priori classification schemes to study the market for print. While sufficient in the context of relatively well-defined genre categories, such as printed sermons, the validity of these classification schemes breaks down at the wider level, for example, under the conceptual burden of defining the highly fluid and wide-ranging category of ‘religious works’. This dissertation begins to remedy such problems by modelling the print output of a large population of authors who had the strongest stake in evangelizing Christianity to the public through print. It utilizes the latest techniques in the field of digital humanities and bibliometrics to create a representative sample of the print output of the Anglican clergy over the ‘long’ eighteenth-century (here 1660-1800). Based on statistical trends, the thesis identifies a crucial period in the history of clerical print culture, the first four decades of the Hanoverian regime. The period is explored in detail through three subsequent case studies. By combining both traditional and digital methods, therefore, the dissertation explores clerical publishing as a phenomenon subject to evolution and change at both the macro and micro level. The first chapter provides an overarching statistical study of clerical publishing between 1660 and 1800. By combining data from two bibliographical datasets, The English Short-Title Catalogue (ESTC), and the prosopographical resource, The Clergy of the Church of England Database (CCED), I extract and analyse a dataset of clerical works consisting of almost 35,000 bibliographic records. The remaining chapters approach the thesis topic through primary research-based case studies using both print and manuscript sources. The case studies were selected from the period identified in the preceding statistical analysis as a crucial transitional moment in the history of clerical publishing culture, c.1714 to 1750. These case studies form chapters 2, 3, and 4, each of which explore a different aspect of a network of authors who worked under the direction of the bishop of London, Edmund Gibson (1723-1748), during the era of Whig hegemony under Sir Robert Walpole. Finally, an appendix outlines the methodology used in chapter 1 to extract the sample of clerical printed works from the ESTC. Overall, the thesis demonstrates the profound influence of the clergy on the development of English print in the hand-press period. It thus forms both a historiographic intervention against the secularization thesis still implicit in discussions of print culture and the book trade, as well as providing a cautionary critique of the revisionism which has shaped recent investigations into the Church of England.
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Books on the topic "Title of books"

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No Title Exists. Crowood, 1990.

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Dexter, Gary. Title deeds: How 50 books got their name. Old Street, 2010.

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Raymond, Chandler. No Title Exists. Zmora, 1987.

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Bernard, André. Now all we need is a title: Famous book titles and how they got that way. W.W. Norton, 1995.

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Now all we need is a title: Famous book titles and how they got that way. W.W. Norton, 1995.

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Barr, Elinor. Northwestern Ontario books: A bibliography : alphabetical by title 1980s. Ontario Library Services--Nipigon, 1987.

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illustrator, Devaney Adam, ed. Cute kitty. Paradise Press Inc, 2007.

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My pets. Igloo Books Ltd, 2008.

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ill, Obata Takeshi 1969, Miyaki Tetsuichiro tr, and Lutz Julie, eds. Bakuman: Title and character design. VIZ Media, 2012.

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Tullet, Hervé. Help! We need a title! Candlewick Press, 2014.

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Book chapters on the topic "Title of books"

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Moon, Grr. "testcover Many." In Test book title three. CrossRef, 2004. http://dx.doi.org/10.5555/testchapter01102014.

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Ref, Cross. "Book Chapter Submission Validation Test." In Book Title Submission Validation Test. The Test Institution, 2019. http://dx.doi.org/10.5555/bookchaptervalidation/test002.

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"Books Reviewed: Title." In The Canadian Historical Review Index, 19. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442672215-005.

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Baskin, Ellen. "Film Title Index." In Enser’s Filmed Books And Plays. Routledge, 2018. http://dx.doi.org/10.4324/9781315197388-1.

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Sholapurkar, Amar. "Preparing the title." In Publish and Flourish: A Practical Guide for Effective Scientific Writing. Jaypee Brothers Medical Publishers (P) Ltd., 2011. http://dx.doi.org/10.5005/jp/books/11313_6.

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Baskin, Ellen. "Change of Original Title Index." In Enser’s Filmed Books And Plays. Routledge, 2018. http://dx.doi.org/10.4324/9781315197388-3.

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"Short-Title Forms for Erasmus’ Works." In Erasmus and His Books. University of Toronto Press, 2018. http://dx.doi.org/10.3138/9781487516185-005.

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Capaccioni, Andrea. "Origins and Developments of the Open Access Books." In Digital Libraries [Working Title]. IntechOpen, 2020. http://dx.doi.org/10.5772/intechopen.95357.

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The open access books (OAB) are a product of the research that in recent years has gained its place in scientific publishing and open access (OA). Both have gone from initial diffidence (for different reasons) to a growing interest. In the first part of the article, we present the most recent data relating to this kind of publication while in the second one the OAB phenomenon is examined within a more general evolution of the OA. In this way there seems to be a link between the open access monographs and the diffusion of models increasingly distant from the original mission of the OA.
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"Title Listing of Sixteenth Century Books." In The Seventeenth Century Hebrew Book (2 vols.). BRILL, 2011. http://dx.doi.org/10.1163/9789004189560_008.

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Saikia, Anku, and Rup Deka. "Title of a Research Paper." In Medical Writing: A Guide for Medicos, Educators and Researchers. Jaypee Brothers Medical Publishers (P) Ltd., 2018. http://dx.doi.org/10.5005/jp/books/14183_3.

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Conference papers on the topic "Title of books"

1

Linoski, Alexis. "Acquiring E-books – Does (Should) Workflow Play a Role?" In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317166.

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The methods in which e-books can be purchased vary greatly compared to print books. In the past, a print book was purchased either as an individual title (firm order) or through an approval plan. Once the books were received, there was little deviation in how the items were processed – purchase orders were created, books were processed, invoices were input and paid. However, with e-books, the work is more complex and there are a many ways to purchase e-books – firm order, Demand (or Patron) Driven Acquisiton (DDA), Evidence Based Acquisition (EBA), yearly front-file purchases, back-file purchases, or subscription to e-book packages. Each of the methods involves a workflow that goes from easy to somewhat complex. This begs the question of whether the acquisitions workflow can or should influence how e-books are purchased.
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Kohn, Karen. "Tip of the Iceberg, Part 1: Choosing What Shows." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317159.

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In the summer of 2019, Temple University’s main library relocated to a new building, in which most of the 1.3 million-item main stacks collection resides in an automated storage and retrieval system (ASRS), and a small portion in open stacks. The open stacks, or browsing collection, includes highly circulating items, new books, and materials with a particular need for browsing. Highly-circulating items were identified by dividing the total number of loans by the number of years the library had owned the book. Materials with a particular need for browsing, generally those with significant visual components such as art and music scores, were also selected by formula, though a lower number of loans was required in order for the book to be added to the browsing title list. The Collections Analysis Librarian merged the lists of highly circulating items and highly visual items and presented the preliminary title list to Subject Specialists. These librarians then suggested categories of books that they felt should be browseable, such as maps and language dictionaries. Identifying new books was more complicated than expected, as the list needed to exclude certain categories of purchases, such as replacements or continuations, that did not belong in the open stacks. All items destined for browsing were marked with bright green stickers near the call number, which served as an effective way for the staff who packed the books to separate them from those going to the ASRS.
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Biradar, Ganeshprasad R., Raagini JM, Aravind Varier, and Manisha Sudhir. "Classification of Book Genres using Book Cover and Title." In 2019 IEEE International Conference on Intelligent Systems and Green Technology (ICISGT). IEEE, 2019. http://dx.doi.org/10.1109/icisgt44072.2019.00031.

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McKillop, Suzanne, Jie Wen, Robert Keating, and Timothy M. Adams. "Technical Basis for Conversion of Non-Mandatory Appendix F of Section III of the ASME Boiler and Pressure Vessel Code to a Mandatory Appendix: Part II — Associated Code Book Updates." In ASME 2017 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/pvp2017-65400.

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In 1974, the Level D Service Limits for Section III, Division 1, Class 1 components were published in Non-Mandatory Appendix F titled “Rules for Evaluation of Service Loading with Level D Service Limits”. Over the past 40 years, the scope of the Appendix F has been expanded to be applicable to certain Class 1, Class 2 and Class 3 components and supports in Division 1 as well as in Division 3 and Division 5. With each addition, the organization and implementation of the rules in Appendix F became more cumbersome for the user and consistency between the Appendix and the Code Books1 was not maintained. At the same time, the use of these rules has evolved to the point where the non-Mandatory Appendix is essential the default for Level D Service Limits. Starting in the 2017 Code edition, the component design rules will reference Mandatory Appendix XXVII when Design by Analysis is used to determine Level D Service Limits. In particular, the component design rules, or rules specific to design of components and not Design by Analysis, were removed from Appendix XXVII and placed in the appropriate Code Book. This approach resulted in noteworthy updates to the support rules in Subsection NF, the core support rules in Subsection NG, the valve rules in NB-3500, and the piping rules in NB/NC/ND-3600. The detailed approach used to incorporate the component design rules into each Code Book are presented in this paper.
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Lei, Liang, Jinshan Tang, and Ziming Wang. "Book title recognition for smart library with deep learning." In Mobile Multimedia/Image Processing, Security, and Applications 2018, edited by Sos S. Agaian and Sabah A. Jassim. SPIE, 2018. http://dx.doi.org/10.1117/12.2312245.

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Tabassum, Nuzhat, Sujan Chowdhury, Muhammad Kamal Hossen, and Salah Uddin Mondal. "An approach to recognize book title from multi-cell bookshelf images." In 2017 IEEE International Conference on Imaging, Vision & Pattern Recognition (icIVPR). IEEE, 2017. http://dx.doi.org/10.1109/icivpr.2017.7890886.

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Ozsarfati, Eran, Egemen Sahin, Can Jozef Saul, and Alper Yilmaz. "Book Genre Classification Based on Titles with Comparative Machine Learning Algorithms." In 2019 IEEE 4th International Conference on Computer and Communication Systems (ICCCS). IEEE, 2019. http://dx.doi.org/10.1109/ccoms.2019.8821643.

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Fetisova, Svetlana A. "Multilingual Translating IT Book And Article Titles In the Era Of Globalization." In II International Scientific and Practical Conference "Individual and Society in the Modern Geopolitical Environment" Conference. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.12.04.31.

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Bryer, Evan, Theppatorn Rhujittawiwat, Samyu Comandur, et al. "Analysis of Clustering Algorithms to Clean and Normalize Early Modern European Book Titles." In ICSIM 2021: 2021 The 4th International Conference on Software Engineering and Information Management. ACM, 2021. http://dx.doi.org/10.1145/3451471.3451489.

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Tsafoulia, Loukia, and Severino Alfonso. "Transient Spaces: Building Community in Crisis Contexts." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.1.

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Transiency no longer appears as a condition of exception, but rather as the predominant mode of existence in many parts of the world. The increased tension across and beyond national borders and territorial divisions has drawn the attention of designers across the globe and densified our reflections on questions of identity, equality, politics and economic exchange, expanding the reach of design from the realm of physical forms, into modes of interaction in social spaces. Planners and architects are being challenged to create infrastructural systems and new spatial structures of unparalleled resilience and elasticity. The paper presents part our research on the refugee crisis in the context of Greece, intertwined with the process and the experience gained as part of an advanced design studio Loukia Tsafoulia developed and taught during spring 2017 at the City College of New York. After its conclusion, the studio triggered an international call for contributions and it is currently under development for a book publication titled Transient Spaces, that explores conditions of impermanence and aims to stimulate conversations on issues of belonging and displacement.
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Reports on the topic "Title of books"

1

HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against this backdrop that M.A. Muqtedar Khan has written a book of breathtaking range and ethical beauty. The author explores the history and sociology of the Muslim world, both classic and contemporary. He does so, however, not merely to chronicle the phases of its development, but to explore just why the message of compassion, mercy, and ethical beauty so prominent in the Quran and Sunna of the Prophet came over time to be displaced by a narrow legalism that emphasized jurisprudence, punishment, and social control. In the modern era, Western Orientalists and Islamists alike have pushed the juridification and interpretive reification of Islamic ethical traditions even further. Each group has asserted that the essence of Islam lies in jurisprudence (fiqh), and both have tended to imagine this legal heritage on the model of Western positive law, according to which law is authorized, codified, and enforced by a leviathan state. “Reification of Shariah and equating of Islam and Shariah has a rather emaciating effect on Islam,” Khan rightly argues. It leads its proponents to overlook “the depth and heights of Islamic faith, mysticism, philosophy or even emotions such as divine love (Muhabba)” (13). As the sociologist of Islamic law, Sami Zubaida, has similarly observed, in all these developments one sees evidence, not of a traditionalist reassertion of Muslim values, but a “triumph of Western models” of religion and state (Zubaida 2003:135). To counteract these impoverishing trends, Khan presents a far-reaching analysis that “seeks to move away from the now failed vision of Islamic states without demanding radical secularization” (2). He does so by positioning himself squarely within the ethical and mystical legacy of the Qur’an and traditions of the Prophet. As the book’s title makes clear, the key to this effort of religious recovery is “the cosmology of Ihsan and the worldview of Al-Tasawwuf, the science of Islamic mysticism” (1-2). For Islamist activists whose models of Islam have more to do with contemporary identity politics than a deep reading of Islamic traditions, Khan’s foregrounding of Ihsan may seem unfamiliar or baffling. But one of the many achievements of this book is the skill with which it plumbs the depth of scripture, classical commentaries, and tasawwuf practices to recover and confirm the ethic that lies at their heart. “The Quran promises that God is with those who do beautiful things,” the author reminds us (Khan 2019:1). The concept of Ihsan appears 191 times in 175 verses in the Quran (110). The concept is given its richest elaboration, Khan explains, in the famous hadith of the Angel Gabriel. This tradition recounts that when Gabriel appeared before the Prophet he asked, “What is Ihsan?” Both Gabriel’s question and the Prophet’s response make clear that Ihsan is an ideal at the center of the Qur’an and Sunna of the Prophet, and that it enjoins “perfection, goodness, to better, to do beautiful things and to do righteous deeds” (3). It is this cosmological ethic that Khan argues must be restored and implemented “to develop a political philosophy … that emphasizes love over law” (2). In its expansive exploration of Islamic ethics and civilization, Khan’s Islam and Good Governance will remind some readers of the late Shahab Ahmed’s remarkable book, What is Islam? The Importance of Being Islamic (Ahmed 2016). Both are works of impressive range and spiritual depth. But whereas Ahmed stood in the humanities wing of Islamic studies, Khan is an intellectual polymath who moves easily across the Islamic sciences, social theory, and comparative politics. He brings the full weight of his effort to conclusion with policy recommendations for how “to combine Sufism with political theory” (6), and to do so in a way that recommends specific “Islamic principles that encourage good governance, and politics in pursuit of goodness” (8).
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