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Dissertations / Theses on the topic 'Titles of art works'

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1

Penet-Merahi, Camille. "L’écriture dans la pratique des artistes algériens de 1962 à nos jours." Thesis, Université Clermont Auvergne‎ (2017-2020), 2019. http://www.theses.fr/2019CLFAL002/document.

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Cette thèse se propose d’apporter un éclairage nouveau sur la pratique des artistes algériens de 1962 à aujourd’hui en examinant les rapports entre écritures et œuvres, qu’il s’agisse d’imbrication avec des mots dans la création artistique comme les titres, d’autonomie avec des écrits d’artistes ou de pratiques collectives dans le cas d’un travail en commun entre artiste et écrivain. À partir d’un corpus constitué de figures tutélaires de la période post-indépendance telles que Mohammed Khadda, Choukri Mesli ou Denis Martinez, d’artistes des années 1990 comme Adel Abdessemed, Kader Attia ou Ra
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Gavling, Anna. "The art of translation : A study of book titles translated from English into Swedish and from Swedish into English." Thesis, Karlstad University, Faculty of Arts and Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1748.

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<p>The purpose of this paper is to investigate the process of translating a book title from English into Swedish and vice versa. I have investigated the different methods used when translating a title, as well how common each strategy is. By contacting publishing companies and translators in Sweden, I learned of the process of adapting a title from the source language into a foreign market and the target language. Studying 156 titles originally published in English, and 47 titles originally written in Swedish, I was able to see some patterns. I was particularly interested in what strategies ar
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Bauer, Michael C. "An exposition of Titus are good works a basis for assurance? /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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4

Cook, Emilee J. "Older Americans Act of 1965, Title III| A policy analysis." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523330.

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<p> The purpose of this thesis was to conduct a policy analysis of Title III of the Older Americans Act of 1965 (P.L. 106-501 ). The policy was enacted to assist older adults in combating food insecurity and malnutrition. The policy specifies that federal funding be allocated to states, in order for the states to provide both congregate meal programs and home-delivered meal services to older adults. For this reason, a more in-depth analysis of Title III of the Older Americans Act was conducted in this project, in order to better understand the nutritional needs of older adults, and the need fo
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Cranfield-Rose, James (Brady). "Writing about Six Sounds Works /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2327.

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6

Parrott, Deborah, and Reneé C. Lyons. "Spice Up Your Library With Pura Belpre! Using Award-Winning Titles and Crafts to Engage Hispanic Children and Celebrate Diversity." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2375.

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Recent statistical studies suggest the proportion of Hispanic students within our nation’s classrooms is growing at a significant rate, experiencing the highest increase in numbers of any other ethnic group. These students require resources conducive to English language learning which also honor the Hispanic/Latino culture. Yet, out of 3,400 books received by the Cooperative Children’s Book Center (CCBC) in 2011, only 52 were penned or created by Latino authors/ illustrators. This number is expected to decline over the coming years. This insufficiency is an enormous challenge to librarians who
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7

Agapov, Yaroslav. "Landscape representations in Dostoevsky's works, Dostoevsky's use of works of art." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ46961.pdf.

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8

Williams, Stephen Eugene. "Major works: 1990-1992." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382953466.

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9

D'Alconzo, Nicolo. "Works of art in ancient Greek novels." Thesis, Swansea University, 2015. https://cronfa.swan.ac.uk/Record/cronfa42452.

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This thesis is a study on the use of works of art in Greek novels, based on the idea that the novelists understood it as one of the main features of their job. I recognise a coherent pattern whereby works of art are closely connected to protagonists and plot, which started already with first-century novels and continued throughout. Chapter One explores rhetorical theory of ekphrasis in order to provide technical information on it as well as to reassess the notion that descriptions of paintings in novels were entirely dependent on rhetoric. Chapter Two starts the analysis of the feature of work
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10

Tartoni, Nicole M. "ART WORKS the creation of a contemporary art center in Johnstown, Pennsylvania /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1179760479.

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11

Silva, HermÃnia Maria Lima da. "Hypertextic Intertextual Practices in Biblical Works of Art." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18417.

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nÃo hÃ<br>This research was done, in the broader sense, to review Genetteâs (2010) theoretical proposal of hyper-aesthetic intertextual practice and, in the strict sense, to propose a new theoretical and methodological framework for future analyses of such intertextual phenomenon. For this purpose a corpus composed of non-verbal texts was analyzed: thirty pairs of biblical-themed works of art created between the 15th and 21st century, from the Renaissance to Contemporaneity. This research also aimed to detect whether there were more cases of capture or subversion of meaning among the derivativ
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12

Bushman, Karissa Elizabeth. "Anticlericalism in Goya's works." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2051.

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Throughout his career, Francisco de Goya drew, etched, and painted several recurrent themes. One which began early in his career and was revisited by the artist even in the last years of his life while in exile in Bordeaux was anticlericalism. Goya lived during turbulent times in Spanish history, with the role of the Catholic Church changing as governments and kings also changed. His art reflects the many abuses of power the Church and its clerics perpetrated on the Spanish people during this period. Throughout his oeuvre,
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Kristoff, Donna. "Wall works : painting as record and revelation /." Online version of thesis, 1992. http://hdl.handle.net/1850/11746.

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Tolley, Rebecca. "Review of Self-Taught Art: The Culture and Aesthetic of American Vernacular Art." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5710.

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Edwards, Joellen B., Jim L. Wilson, Bruce A. Behringer, et al. "Practice Locations of Graduates of Family Physician Residency and Nurse Practitioner Programs: Considerations Within the Context of Institutional Culture and Curricular Innovation Through Titles VII and VIII." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/6908.

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Background: Studies have described the aggregate results of federal funding for health professions education at the national level, but analysis of the long‐term impact of institutional participation in these programs has been limited. Purpose: To describe and assess federally supported curricular innovations at East Tennessee State University designed to promote family medicine and nurse practitioner graduate interest in rural and underserved populations. Methods: Descriptive analysis of a survey to determine practice locations of nurse practitioner graduates (1992‐2002) and graduates of 3 fa
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Weiss, Katherine. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5597.

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Tolley, Rebecca. "Review of Art Full Text." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5633.

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Tolley, Rebecca. "Review of Art Full Text." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5640.

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Wright, Allan. "Frank Zappa's orchestral works art music or "bogus pomp"? /." Connect to e-thesis, 2007. http://theses.gla.ac.uk/492/.

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Greenwood, Toby. "What Makes Art Good?A Case Study of Children’s Aesthetic Responses to Art Works." Thesis, University of Canterbury. Educational Studies and Human Development, 2011. http://hdl.handle.net/10092/5751.

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This study explores what 10-12-year-old students say they like and value in works of visual art. As the participants talk about their own and other people‟s art works they are formulating and expressing aesthetic responses and beginning to shape their individual aesthetic awareness. Because of the age of the participants, the exploration is framed in terms of “what makes art good”. The research was prompted by the introduction and implementation of the New Zealand Curriculum (2007), which not only positions art as a core area of learning, but also outlines values and key competencies that char
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Stavropoulos, Carol Susann. "A diagnostic profile of art understandings based on verbal responses to works of art /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487779439845133.

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22

Tolley, Rebecca. "Review of Art Museum Image Gallery." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.

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Hagemeier, Nicholas E. "The Art and Science of Thriving." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/7747.

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24

Fowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8908.

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Scenes involving the breaking or outright inversion of culinary and (com)mensal norms are frequent in Greek art of the Archaic and Classical periods. The most discussed group of such images involves the uncivilized act of binge drinking unmixed wine and, as a result, losing control of one’s mind and body. Far less studied from an iconographic perspective are scenes of cannibalism, the most extreme and unsettling of all Greek culinary taboos. This paper seeks to define the iconography and meaning of cannibalism in Greek art through an exploration of the individual and shared compositional featu
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Fowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8911.

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26

Politowicz, Zak. "ANALYSIS AND METAPHOR SEARCH STRATEGY CONCERNING VISUAL WORKS OF ART (LANGUAGE, EDUCATION)." Thesis, The University of Arizona, 1985. http://hdl.handle.net/10150/275390.

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27

Frondorf, Aaron William. "Hoodoo and the law| Mostly printed works." Thesis, Colorado State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590571.

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<p> This paper discusses the relationship of ideas to their media, through the relationship of contents to a book and through the use of aesthetic barriers. The conceptual content of the artworks produced center around epistemological self-betterment and practical mysticism. I discuss in this paper my thought process, the work itself, and the works intended functions. I discuss the idea of the book and my rationale behind working in printmaking.</p>
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Tryon, Denzil Jordan. "Hermeneutics and memory in selected works by Willem Boshoff." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1004453.

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From Introduction: Willem Boshoff was born in Vereeniging, South Africa, in 1951. The son of a carpenter, Boshoff developed an early interest in art. Although never taught formally by his father, he nevertheless acquired a knowledge of the craft of carpentry, a skill which he continues to utilize in much of his art-making today. Boshoff studied at the Johannesburg College of Art, and obtained a Master's Diploma in Technology in Fine Art in 1984. He taught at that institution for twelve years, becoming a full-time art practitioner in 1996. He produced some significant works prior to and during
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29

Packard, Keiko I. "The spirit of asobi as seen in Sôtatsu's works." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894173.

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Boggs, Teresa. "Adapting Art for Children with Special Needs." Digital Commons @ East Tennessee State University, 2000. https://dc.etsu.edu/etsu-works/1515.

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31

Reid, Joshua S. "Art Appreciation Lecture and Sculpture Walk Tour." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3167.

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Peacock, Judith Ann. "Ecclesiastical vestments as works of art : intertextuality, meaning and design." Thesis, Roehampton University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324165.

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Marinkova, Milena Dobrich. "Haptic Writing as Micropolitical Art in Michael Ondaatje's Narrative Works." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484903.

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This thesis offers a reading of Michael Ondaatje's narrative works that correlates certain aesthetic choices with alternative forms of political allegiance. Starting with a discussion of what constitutes the haptic qualities of these texts, I demonstrate how synaesthesia and indexicality as aesthetic devices and thematic choices forge a more egalitarian and interactive relationship between reader, author and work. Whilst the dissolution of monologic textuality gives way to heteroglossic textural propinquity, Ondaatje's works do not simply celebrate multivalent meaning, but recurrently remind o
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Smith, Philip. "The truth of a madman : the works of Art Spiegelman." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/16364.

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Art Spiegelman is one of the most important figures in the history of American comics. His work Maus (1980 and 1991) is arguably the landmark text in the field of comic book studies. Given the relatively recent reissue of his first collection Breakdowns (2008) and the publication of his interview/essay collection/scrapbook Metamaus (2011), it is likely that his work will continue to be the subject of critical interest. This thesis concerns the collections Breakdowns (1977 and 2008), Maus (1980 and 1991) and In the Shadow of No Towers (2004). It represents the first book-length extended study o
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Fowler, Michael Anthony. "Art and Industry in East Tennessee, Ca 1880-1940: Conserving Appalachian Pasts as Resources for the Future." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etsu-works/8904.

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Letts, Philip Edward. "Musical works : category and identity." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/musical-works-category-and-identity(ac9a8cdf-0fd2-4d20-b00d-ec2a53cec3b3).html.

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The aim of this thesis is to increase our ontological understanding of musical works in two ways. We’ll increase our understanding of their categorial nature and we’ll increase our understanding of what the identity of each musical work consists in. In chapter 1, I introduce the basic question of the thesis: what are musical works? This question is broken down into four separate questions which guide the structure and argument of the thesis. One question asks if musical works exist, the other asks about the ontological category to which musical works belong. In the first half of the thesis, I
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Twell, Mary Tudor. "The Influence of Flamenco on Selected Works of Picasso." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc332484/.

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This thesis investigates, analyzes, and discusses Picasso's imagery in the cultural context of the nineteenth-century Spanish tradition of flamenco. Two published photographs featuring the elderly artist with the gypsy guitarist Manitas de Plata initiated the study, and led me to the conclusion that selected works by Picasso were influenced psychologically, thematically, and formally by his youth which was spent in the Andalusian province of Malaga and later in Barcelona. Picasso's early artistic education occurred at precisely the same time and place as The Golden Age of Flamenco in Spain, a
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Hill, Robert William. "Works of art as commodities : art and patronage : the career of Sir Dudley Carleton 1610-1625." Thesis, Southampton Solent University, 1999. http://ssudl.solent.ac.uk/2450/.

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This thesis examines the way in which Sir Dudley Carleton, ambassador first to Venice and subsequently to The Hague, used paintings, sculptures and other artefacts as the means to secure patrons at the English Court and thereby gain promotion. Carleton had not wanted to go to Venice, and when he arrived there in 1610 he showed no interest in the arts. It was the deaths of the Earl of Salisbury and Prince Henry in 1612 which made him aware of the need to obtain new patrons. By this time he was becoming conscious of the fact that works of art were useful tools in securing patronage, but it was n
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Packard, Keiko I. "The spirit of asobi as seen in Sôtatsu's works." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21904212.

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Boggs, Teresa, and M. Baker. "Creating Together; Art for Children with Special Needs." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/1533.

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Slawson, Deborah L., and Nicholas E. Hagemeier. "Scientific Writing. Mastering the Art of Verbal Communication." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1416.

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Disque, J. Graham. "Gestalt Art Therapy for Children of All Ages." Digital Commons @ East Tennessee State University, 1997. https://dc.etsu.edu/etsu-works/2822.

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Meier, Lori T., Huili Hong, Millie P. Robinson, and Edward J. Dwyer. "Encouraging Awareness of Environment through Art and Print." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3326.

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Cunningham, Victoria, Marcia Dosser, and Edward J. Dwyer. "Enhancing Reading Achievement Through Readers’ Theater and Art." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/3332.

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Lin, Pei Shiuan, and 林佩萱. "The tendency of the Net Art : Anaysed the title of Western Art works." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/62200312745651458703.

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碩士<br>臺北市立教育大學<br>視覺藝術學系視覺藝術教學碩士學位班<br>98<br>Network generation has come so Network also influences Art. However, when the viewers surf the net art creations, the linked website actually often shows the message that “homepage has been detached.”Although the exhibitions of art creations of other types are also limited by time, their related literature records still can be researched in the periodicals, the newspapers, and the magazines, or it can be preserved by the way of videos or taking pictures. Hence, the viewers are able to know the exhibition situations and the related appreciations by
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Lin, Ming­Huang, and 林明皇. "Metaphor—The Art Works of Ming­Huang LinMetaphor—The Art Works of Ming­Huang LinMetaphor—The Art Works of Ming­Huang LinMetaphor—The Art Works of Ming­Huang LinMetaphor—The Art Works of Ming­Huang LinMetaphor—The Art Works of M." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/j565u3.

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碩士<br>大葉大學<br>設計暨藝術學院碩士在職專班<br>98<br>The main purpose of this creation lies in the exploration of each kind of change in modern western world drawing art and learning the wonderful skills in the drawing. And then seeking the suitable self-drawing language to present the oneself between “the tradition” “the modern age” “'real” and ”unreal”. This creation attempt to internalize and make uniform in the modern art tidal current , and to construct the self-drawing world in “real” and “hypothesized”. The author of this creation use “the principles of the nature” and “the heart of the creation”; howe
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Kuo, Ching-Yi, and 郭靜宜. "RYDER, HIS LIFE, WORKS AND ART." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/98399392212907618294.

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碩士<br>高雄師範大學<br>美術學系<br>100<br>Albert Pinkham Ryder who lived in United States all his life is a typical and native artist of United States in the middle and the end of 19th century. He had not followed the trend to learn arts in Europe, and also had never been affected by the academy’s tradition of America. However, his creativity and the concept of painting had never been limited; on the contrary, those differences made his works have the notably unique character. In Ryder’s art life from 1870s, the subject of landscape was a theme that ran through his life of creation. No matter the pastora
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Liu, Chia-Heng, and 劉家亨. "Private Dreams: Art and Healing-Liu,Chia Heng’s Art Works." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/wt3yk7.

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碩士<br>國立新竹教育大學<br>藝術教育與創作碩士班<br>104<br>I see dream as a fable that give me positive meanings. It becomes an alternative life and growing experiences, beside the reality. In this article, I will appropriate the concept of Carl Gustav Jung, combining with my thought and vision creations. In chapter 1, “Introduction”, I will describe what I’ve found from dreams, it has the power to heal the soul and could be the cure of a tired mind. In this chapter, I’m trying to understand how Jung use the dream to accomplish the balance of soul. In my graduate study, I looked into and integrated my dream
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chen, Yao chun, and 姚浚振. "Constraint -Art Works by chun-chen Yao." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/12621280425970412787.

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碩士<br>國立新竹教育大學<br>人資處造形藝術碩士專班<br>100<br>Abstract The meaning and purpose of the existence of life are issues which have puzzled me for a long time, and therefore, made me interested in figuring out the answers. What exactly are we chasing after while we are so busy living our lives? What do we get at the end of our lives? Some people are so busy spending their entire time just in order to feed their families. On the other hand, some people spend their entire lives justin order to pursue their endless pleasures and even lust, a vicious cycle which binds them to the constraints of lust.
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Huang-Yen, Lin, and 林煌彥. "《Blend.Expand》– Art Works by Lin Huang-Yen." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/74107074700713790810.

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碩士<br>華梵大學<br>美術學系碩士班<br>101<br>Abstract The main idea of this discourse is focused on "self". It is by using one's portfolio to discuss that person's creative forms of painting. We will also discuss the related possibilities between self-creation and daily living. It is author's explanation and deliberation for art during 2010 and 2012. It is also author's creating process, and portfolio discussion. He is trying to practice self-creating by using related theories and cogitation researching. To the author, painting is way for expressing emotions, responding daily life, and showing genuinene
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