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Journal articles on the topic 'Titus De rerum natura'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Carrera, Federico. "Milo de Angelis e Lucrezio in tre tempi." Aura, no. 2 (December 30, 2024): 75–81. https://doi.org/10.5281/zenodo.15111466.

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This article investigates the relationship between Lucretius’ poem <em>De rerum natura</em> and the poetry of Milo De Angelis, focusing on the three different translations De Angelis made of Lucretius’s verses: firstly collaborating with other poets for the journal «Niebo» (1978), then proceeding by fragments for his book <em>Sotto la scure silenziosa</em> (2005) and finally facing the poem in full (2022).

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2

Unver, Ayse Oguz, and Sertac Arabacioglu. "HELPING PRE-SERVICE SCIENCE TEACHERS TO UNDERSTAND ATOMISM THROUGH OBSERVATIONS AND EXPERIMENTS." Journal of Baltic Science Education 14, no. 1 (2015): 64–84. http://dx.doi.org/10.33225/jbse/15.14.64.

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Current atom concept teachings haven’t reached required levels from the points of both teaching methods and learning attainments. With this purpose in this research atom concept is conveyed to the classroom milieu through observations and experiments related to the atom concept during historical development process starting with the masterpiece of, the carrier of the atom thoughts of Antiquity to our age, Roman philosopher Lucretius, namely De Rerum Natura. The study has conducted thoughts regarding the atom in ancient and subsequent history under six headings teaching modules that would span

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3

Lapini, Walter. "Titus Lucretius Carus. De rerum natura, edizione critica con introduzione e versione a cura di E. Flores, I (libri I-III)." Elenchos 26, no. 1 (2005): 191–201. http://dx.doi.org/10.1515/elen-2005-260114.

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4

Deufert, Marcus. "Titus Lucretius Carus, De rerum natura. Edizione critica con Introduzione e Versione a cura di Enrico Flores. Volume primo (Libri I–III)." Gnomon 77, no. 3 (2005): 213–24. http://dx.doi.org/10.17104/0017-1417_2005_3_213.

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5

Butterfield, David. "Titus Lucretius Carus, De rerum natura. Edizione critica con Introduzione e Versione a cura di Enrico Flores. Volume terzo (Libri V e VI)." Gnomon 83, no. 7 (2011): 597–608. http://dx.doi.org/10.17104/0017-1417_2011_7_597.

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6

Domingues, Mario Henrique. "A Natureza das Coisas." Belas Infiéis 9, no. 2 (2020): 115–17. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27043.

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O poema épico-didático A Natureza das Coisas (De rerum natura), de Lucrécio (Titus Lucretius Carus ”“ séc. I a.C) é uma das grandes obras literatura universal. Fundindo poesia e filosofia, trata-se da divulgação da doutrina do filósofo grego Epicuro (300 a.C), a um tempo formado nos ensinamentos de Sócrates e reformista do atomismo de filósofos pré-socráticos, principalmente de Demócrito. No âmbito da poesia, Lucrécio influenciou grandes poetas latinos que o sucederam, tais como Virgílio, Horácio e Ovídio. O poema trata principalmente da física epicurista, em que a natureza está reduzida a áto

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7

Hartman, Edwin M. "De Rerum Natura." Ruffin Series of the Society for Business Ethics 4 (2004): 201–20. http://dx.doi.org/10.5840/ruffinx200442.

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Aristotelian naturalism is a good vantage point from which to consider the moral implications of evolution. Sociobiologists err in arguing that evolution is the basis for morality: not all or only moral features and institutions are selected for. Nor does the longevity of an institution argue for its moral status. On the other hand, facts about human capacities can have implications concerning human obligations, as Aristotle suggests. Aristotle’s eudaimonistic approach to ethics suggests that the notion of interests is far subtler than many have realized, and leaves open the possibility that c

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8

ARCELLASCHI, A. "LucrèceDe Rerum Natura." Vita Latina 176 (April 30, 2007): 87–92. http://dx.doi.org/10.2143/vl.176.0.2020791.

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9

Bennett, Jane. "De Rerum Natura." Strategies: Journal of Theory, Culture & Politics 13, no. 1 (2000): 9–22. http://dx.doi.org/10.1080/10402130050007494.

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10

Forcucci, Luca. "Deep Listening to the Amazon Rainforest through Sonic Architectures." Leonardo Music Journal 30 (December 2020): 24–28. http://dx.doi.org/10.1162/lmj_a_01090.

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De Rerum Natura is an electroacoustic composition by the author, based on field recordings from the Brazilian Amazon rainforest. The piece is part of wider research from the author that explores the act of listening, associated visual mental imagery and dynamic subjective links between the composer's experience of listening to/recording experience of the original material and the audience's perception of the final composition as it is performed. This article focuses on the author's process of developing De Rerum Natura, based on Deep Listening. De Rerum Natura also examines the merging of the

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11

Hirai, Hiro. "Into the Forger’s Library: The Genesis of De natura rerum in Publication History." Early Science and Medicine 24, no. 5-6 (2020): 485–503. http://dx.doi.org/10.1163/15733823-02456p05.

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Abstract One of the most popular writings ascribed to Paracelsus, De natura rerum appeared in 1572. That was when the movement of forgery production reached its climax, in parallel with the multiple editions of his genuine work Archidoxis. This article aims to place the genesis of De natura rerum in the context of publication history. It will first reconstruct a “library” by surveying the works ascribed to Paracelsus which could serve as instruments for the “author/reworker/editor” of De natura rerum. Then it will examine the evolution of this forgery production by focusing on the divergent ed

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12

deAngeli, Edna S., Lucretius, and C. D. N. Costa. "Lucretius: De Rerum Natura V." Classical World 80, no. 6 (1987): 466. http://dx.doi.org/10.2307/4350123.

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13

Edwards, Don Raymond, and John Godwin. "Lucretius: De Rerum Natura IV." Classical World 82, no. 5 (1989): 401. http://dx.doi.org/10.2307/4350439.

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14

Lucretius and Spencer Lenfield. "De Rerum Natura 1.250–64." Colorado Review 42, no. 3 (2015): 166. http://dx.doi.org/10.1353/col.2015.0098.

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15

Harrison, Stephen. "Lucretius and Memmius: De Rerum Natura 1.42." Cadernos de Letras da UFF 28, no. 56 (2018): 21. http://dx.doi.org/10.22409/cadletrasuff.2018n56a581.

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<p>This article presents a new reading for a passage from the first book of De Rerum Natura by Lucretius. Through a reinterpretation of verses 1.42, textual problems are solved. Two objections to this new reading are also discussed.</p><p>---------------------------------------------------------------------------------------</p><p><strong>LUCRÉCIO E MÊMIO: </strong><strong><em>DE RERUM NATURA </em></strong><strong>1.42</strong></p><p>O presente artigo apresenta uma nova leitura para uma passagem do primei

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Soto Posada, Gonzalo. "De Natura Rerum. Isidoro de Sevilla." Escritos 27, no. 58 (2019): 143–97. http://dx.doi.org/10.18566/escr.v27n58.a08.

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17

Hutchinson, G. O. "The Date of De Rerum Natura." Classical Quarterly 51, no. 1 (2001): 150–62. http://dx.doi.org/10.1093/cq/51.1.150.

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18

Schiesaro, Alessandro. "The Palingenesis of De rerum natura." Proceedings of the Cambridge Philological Society 40 (1994): 81–107. http://dx.doi.org/10.1017/s0068673500001851.

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1. If I had to sum up as concisely as I possibly can the subject matter of this paper, I would probably say that it was originally stimulated by the attempt to understand how Lucretius articulated his didactic plot. What is the plot of a poem that presents itself as analysing nothing less than ‘the nature of things’? It is safe to assume as a starting-point that a didactic poem which intends to revolutionize each and every principle of perception and evaluation of reality cannot remain unaffected by the theoretical views it tries to prove, and that the persuasive impact of those theories on th

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19

Arcellaschi, André. "Lucrèce, De Rerum Natura, Livre I." Vita Latina 176, no. 1 (2007): 87–92. http://dx.doi.org/10.3406/vita.2007.1234.

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20

TROUT, DENNIS. "POETS AND READERS IN SEVENTH-CENTURY ROME: POPE HONORIUS, LUCRETIUS, AND THE DOORS OF ST. PETER'S." Traditio 75 (2020): 39–85. http://dx.doi.org/10.1017/tdo.2020.3.

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This essay offers several reasons for reconsidering seventh-century Rome's reputation as a literary dark age. It provides close readings of several epigrams inscribed in Roman churches during and soon after the papacy of Honorius I (625–38) as evidence for a revived literary scene in the city during these years. It also argues that the intertextual maneuvers deployed by these epigrams suggest, contrary to current opinion, that Lucretius's De rerum natura had Roman readers in the early seventh century. Lucretius's “popularity” in contemporary Visigothic Spain; the likelihood that Honorius's you

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21

Seelinger, Robert A. "A.2. Stolen fire: Aeschylean imagery and Thoreau’s identification of the Graius homo of Lucretius with Prometheus." Studia Humaniora Tartuensia 14 (December 30, 2013): 1–20. http://dx.doi.org/10.12697/sht.2013.14.a.2.

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In his Journal for April 26, 1856, Thoreau noted that he had quickly looked over the first 200 lines of the De Rerum Natura but was “…struck only with the lines referring to Promethius (sic)—whose vivida vis animi…extra/processit longe flammantia moenia mundi.” (1.72–73) During this time (i.e., late April and into May) Thoreau was reading the Roman agricultural writers Columella and Palladius, and it is unclear what led him to pick up the De Rerum Natura and then discard it so quickly. Perhaps most curious is Thoreau’s comment that lines 72–73 refer to Prometheus. No commentator in the context

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22

Matić, Andrija. "‘We Fall Asleep and Never Wake Again’: Lucretius in James Thomson’s The City of Dreadful Night." Victoriographies 14, no. 1 (2024): 20–37. http://dx.doi.org/10.3366/vic.2024.0516.

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The influence of Lucretius’ De Rerum Natura ( On the Nature of Things) on Victorian poetry was considerable. Various poets from Matthew Arnold to Alfred Tennyson praised or criticised Lucretius’ ideas, especially during the debate on religion and the origin of humanity sparked off by Darwin’s theory of evolution. However, no poet of the Victorian era was impacted by Lucretius’ poetry more than James Thomson (‘B. V.’), whose The City of Dreadful Night (1874) has striking parallels with De Rerum Natura. Even though Thomson acknowledged such similarities, scholars have not analysed the intertextu

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23

Shearin, W. H. "CONCEALED PLEASURE: LUCRETIUS, DE RERUM NATURA 3.237–42." Classical Quarterly 64, no. 1 (2014): 183–96. http://dx.doi.org/10.1017/s0009838813000633.

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As they appear in E.J. Kenney's Cambridge edition, these lines are:iam triplex animi est igitur natura reperta,nec tamen haec sat sunt ad sensum cuncta creandum,nil horum quoniam recipit mens posse crearesensiferos motus et mens quaecumque volutat. 240quarta quoque his igitur quaedam natura necessestadtribuatur …

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24

Brown, Robert D. "Lucretius' Malodorous Mistress (De Rerum Natura 4.1175)." Classical Journal 113, no. 1 (2017): 26–43. http://dx.doi.org/10.1353/tcj.2017.0046.

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25

HENDREN, GEORGE. "WOVEN ALLITERATION IN THE DE RERUM NATURA." Classical Journal 107, no. 4 (2012): 409–22. http://dx.doi.org/10.1353/tcj.2012.0024.

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26

Tatum, W. Jeffrey. "Lucretius, De rerum natura, 1, 199-204." L'antiquité classique 67, no. 1 (1998): 225–30. http://dx.doi.org/10.3406/antiq.1998.1312.

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27

Nethercut, Jason S. "Empedocles' "Roots" in Lucretius' De Rerum Natura." American Journal of Philology 138, no. 1 (2017): 85–105. http://dx.doi.org/10.1353/ajp.2017.0002.

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28

Twisselmann, B. "De Rerum Natura (The Nature of Things)." BMJ 339, no. 04 1 (2009): b4562. http://dx.doi.org/10.1136/bmj.b4562.

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29

Lucrèce, André, and Marie Cosnay. "De Rerum Natura , Livre VI, 96-297." Po&sie 191-192, no. 1-2 (2025): 69–73. https://doi.org/10.3917/poesi.191.0069.

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30

Wardle, D. "Suetonius: the ‘Change’ in, and the ‘Generosity’ of Titus." Antichthon 35 (November 2001): 64–69. http://dx.doi.org/10.1017/s0066477400001258.

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Suetonius and Cassius Dio give assessments of the emperor Titus which are, at first sight at least, contradictory: for Suetonius he was ‘natura benivolentissimus’, but for Dio . The most recent treatment of Titus’ handling of financial affairs takes issue with earlier commentators who considered Titus extravagant and incompetent and offers a positive conclusion: ‘Titus’ financial acumen must be recognised; the economy did not suffer during his reign … he was well aware of the need to observe the formalities and appear to be generous, and at the same time ensure that he had the funds to be so’.

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31

Colle, Lorenzo. "Capaneo nella Tebaide di Stazio: appunti per un’analisi del personaggio." II, 2022/2 (gennaio-dicembre), no. 2 (February 6, 2023): 1–18. http://dx.doi.org/10.35948/dilef/2023.4317.

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Questo articolo propone un’analisi del personaggio di Capaneo all’interno della Tebaide di Stazio. In particolare saranno discussi i possibili influssi del De rerum natura di Lucrezio; il rapporto tra Capaneo e Meneceo nel decimo libro, anche in relazione al sistema dei personaggi della Tebaide; infine si cercherà di definire l’atteggiamento di Stazio come voce poetica nei confronti del personaggio di Capaneo. &nbsp; This paper proposes an analysis of the character of Capaneus within Statius’ Thebaid. In particular the essay focuses on the possible echoes of Lucretius' De rerum natura; the

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32

Pégolo, Liliana. "El género épico y los Semina Rerum: de Lucrecio a Ovidio." Revista Épicas 16, dez 24 (2024): 7–19. https://doi.org/10.47044/2527-080x.2024.v16.719.

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El presente trabajo tiene como finalidad hacer una revisión del concepto de “género literario y/o discursivo”, particularmente en la Antigüedad grecolatina, con el fin de analizar la excedencia genérica del poema lucreciano De Rerum Natura (s. I a.C.), estimado como un ejemplo de la poesía didáctica en lengua latina. Los pasajes textuales del extenso poema epicúreo demostrarán la búsqueda de nuevas dimensiones épicas por parte de Lucrecio, que se afanó en producir poesía filosófica en latín, buscando hollar terrenos desconocidos para la lengua del Lacio. Asimismo, considerando De Rerum Natura

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33

Pégolo, Liliana. "El género épico y los Semina Rerum: de Lucrecio a Ovidio." Revista Épicas 16, dez 24 (2024): 7–25. https://doi.org/10.47044/2527-080x.2024.v16.7125.

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El presente trabajo tiene como finalidad hacer una revisión del concepto de “género literario y/o discursivo”, particularmente en la Antigüedad grecolatina, con el fin de analizar la excedencia genérica del poema lucreciano De Rerum Natura (s. I a.C.), estimado como un ejemplo de la poesía didáctica en lengua latina. Los pasajes textuales del extenso poema epicúreo demostrarán la búsqueda de nuevas dimensiones épicas por parte de Lucrecio, que se afanó en producir poesía filosófica en latín, buscando hollar terrenos desconocidos para la lengua del Lacio. Asimismo, considerando De Rerum Natura

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34

Pégolo, Liliana. "El género épico y los semina rerum: de Lucrecio a Ovidio." Revista Épicas 16, dez 24 (2024): 7–25. https://doi.org/10.47044/2527-080x.2024.v16.725.

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El presente trabajo tiene como finalidad hacer una revisión del concepto de “género literario y/o discursivo”, particularmente en la Antigüedad grecolatina, con el fin de analizar la excedencia genérica del poema lucreciano De Rerum Natura (s. I a.C.), estimado como un ejemplo de la poesía didáctica en lengua latina. Los pasajes textuales del extenso poema epicúreo demostrarán la búsqueda de nuevas dimensiones épicas por parte de Lucrecio, que se afanó en producir poesía filosófica en latín, buscando hollar terrenos desconocidos para la lengua del Lacio. Asimismo, considerando De Rerum Natura

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35

Cipriani, Mattia. "“In dorso colorem habet inter viridem et ceruleum…”." Reinardus / Yearbook of the International Reynard Society 29 (December 31, 2017): 16–98. http://dx.doi.org/10.1075/rein.00002.cip.

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Like other contemporary encyclopaedists of his time, Thomas of Cantimpré (1200 ca.–1270/72) used a vast number of sources in his Liber de natura rerum (completed between 1241 and 1260 ca.), which he meticulously selected to copy, cut and ‘paste’ in order to create a solid, well-argued, coherent and ‘Dominican’ discourse on nature. Among these auctoritates, the friar also uses a mysterious and anonymous libellum, which he qualifies as “liber rerum,” in his work. Consequently, the paper explains this auctoritas through a careful consideration of all the objective aspects that can be acquired fro

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36

Possanza, D. Mark. "A Note on Lucretius "De Rerum Natura" 5.613." Phoenix 55, no. 1/2 (2001): 137. http://dx.doi.org/10.2307/1089028.

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37

Gellar-Goad, T. H. M. "Lucretius' Personified Natura Rerum, Satire, and Ennius' Saturae." Phoenix 72, no. 1-2 (2018): 143–60. http://dx.doi.org/10.1353/phx.2018.0028.

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38

Holmes, Brooke. "Daedala Lingua: Crafted Speech in De Rerum Natura." American Journal of Philology 126, no. 4 (2005): 527–85. http://dx.doi.org/10.1353/ajp.2006.0008.

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39

DESCHAMPS, Lucienne. "Réflexions sur Lucrèce,De rerum natura, 3, 614." Vita Latina 167 (December 1, 2002): 37–40. http://dx.doi.org/10.2143/vl.167.0.583292.

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40

SANDERS, KIRK R. "MENS AND EMOTION: DE RERUM NATURA 3.136–46." Classical Quarterly 58, no. 1 (2008): 362–66. http://dx.doi.org/10.1017/s0009838808000396.

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41

Buglass, Abigail. "A NOTE ON LUCRETIUS, DE RERUM NATURA 3.361." Classical Quarterly 64, no. 1 (2014): 413–17. http://dx.doi.org/10.1017/s0009838813000852.

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A conjecture made by Lambinus in 1565 proposes replacement of difficilest (present in the three authoritative manuscripts O, Q and V) at 3.361 with desiperest. Although commonly printed until the end of the nineteenth century (including in Lachmann's famous edition and Heinze's edition of Book 3, but excluding Wakefield's and Munro's), in the twentieth century the conjecture fell out of favour, both in editions of the entire De rerum natura (DRN) and of Book 3; the manuscript reading of difficilest has been kept by editors since 1900: Duff, Bailey, Martin, Kenney, Müller, Smith and Brown. But

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42

Nethercut, Jason S. "The Alexandrian Footnote in Lucretius’ De Rerum Natura." Mnemosyne 71, no. 1 (2018): 75–99. http://dx.doi.org/10.1163/1568525x-12342211.

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AbstractThis paper contributes evidence to support the widely accepted view that Lucretius may justly be regarded by the reader as a Callimachean poet by synthesizing and analyzing Lucretius’ use of the so-called ‘Alexandrian footnote’ in theDRN. Although most scholars have come to agree with Kenney that Lucretius embraces many of the same poetic ideals as his contemporaries, there are still some who remain skeptical of Kenney’s thesis, and, while Kenney adduces the most prominent parts of theDRNthat show signs of Alexandrianism, in fact he only scratches the surface of the extent to which Luc

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43

Macdougall, Robert C. "Lucretius’ De Rerum Natura: A media ecological template." Explorations in Media Ecology 14, no. 1 (2015): 21–37. http://dx.doi.org/10.1386/eme.14.1-2.21_1.

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44

Novak, Maria da Glória. "Morte: principio e fim no De Rerum Natura." Classica - Revista Brasileira de Estudos Clássicos 7 (December 5, 1995): 117–26. http://dx.doi.org/10.24277/classica.v7i0.665.

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Nada vem do nada, e nada se torna em nada, visto que os princípios dos seres são eternos e imutáveis. Em compensação, tudo o que nasce está destinado a morrer – e também assim o homem e o seu mundo e todos os mundos que houver. O espaço é infinito, a matéria está eternamente em equilíbrio, e tudo muda ao seu tempo. A natureza, de uns seres, constrói outros, e a morte e, assim, fisicamente reconstrução. Para o homem, no entanto, e para sua alma, será a morte o aniquilamento, o fim? Diz o epicurismo que a morte nada é para nós. Será verdade que ele nos aconselha a procurar esse nada?

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45

Deschamps, Lucienne. "Réflexions sur Lucrèce, De rerum natura, 3, 614." Vita Latina 167, no. 1 (2002): 37–40. http://dx.doi.org/10.3406/vita.2002.1122.

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46

Trinacty, Christopher V. "MEMMIUS, CICERO AND LUCRETIUS: A NOTE ON CIC. FAM. 13.1." Classical Quarterly 70, no. 1 (2020): 440–43. http://dx.doi.org/10.1017/s0009838820000221.

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A recent piece in this journal by Morgan and Taylor made the case that C. Memmius is not to be seen as an active prosecutor of Epicureanism but rather as an Epicurean himself, who merely has disagreed with the grimly orthodox Epicurean sect in Athens. As such, Memmius’ building intentions for Epicurus’ home could have been to create an honorary monument or possibly even construct a grander locus for pilgrimage and the practice of Epicureanism. This note adds to their findings by considering allusions to De Rerum Natura found in Fam. 13.1 and the implications of Cicero speaking to Memmius in Lu

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47

Traver Vera, Ángel Jacinto. "EL MANUSCRITO 287 DE LA BIBLIOTECA MENÉNDEZ PELAYO Y SU COPISTA." Littera Aperta. International Journal of Literary and Cultural Studies 5 (December 30, 2017): 39–54. http://dx.doi.org/10.21071/ltap.v5i5.13321.

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Este artículo estudia el manuscrito 287 de la Biblioteca Menéndez Pelayo (Santander), que contiene una traducción española del De rerum natura de Lucrecio fechada en 1791. Aunque ha sido considerada la primera en verso castellano y obra del Abate Marchena, el artículo aporta nuevos datos que prueban que fue realizada, en realidad, por el sacerdote Matías Sánchez, cuyo manuscrito autógrafo se custodia hoy en la Biblioteca del Palacio Real (Madrid) con la signatura II 646. El manuscrito 287 es posiblemente una copia, ejecutada por el archivero de la Academia Greco-Latina Ramón Mª. Estabiel. Las

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48

Weber, Dorothea. "Homerus sceptra potitus (Lucr. 3,1037–1038). De rerum natura als Hinführung zur Homerlektüre?" Philologus 166, no. 1 (2022): 22–44. http://dx.doi.org/10.1515/phil-2022-0102.

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Abstract De rerum natura displays a particular closeness to the Homeric epics on various levels: in language, in arguments, and in the selection of examples. This closeness clearly goes beyond similarities arising from the affinity as determined by genre. Further, a couple of passages are veritable translations from the Iliad resp. the Odyssey. There, the attitude towards the pretext becomes especially clear. It ranges from acknowledgement to rejection and in some instances is brought about through the use of allegory. This attitude of criticism and affinity at the same time can be observed in

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Moura, Alessandro Rolim de. "A estética da doença em Lucrécio." Romanitas, Revista de Estudos Grecolatinos 24, no. 1 (2024): 248–57. https://doi.org/10.29327/2345891.24.1-13.

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Resenha de KAZANTZIDIS, George. Lucretius on disease: the poetics of morbidity in ‘De rerum natura'. Berlin; Boston: Walter de Gruyter, 2021, viii + 211 pp. (Trends in Classics – Supplementary Volumes, 117). $130,00 (hardcover), $21,99 (paperback). ISBN 978-3-11-072265-9.

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Ballestra-Puech, Sylvie. "À quoi rêvent les chevaux ? Échos lucrétiens dans les réflexions sur la continuité du vivant de la première Modernité." Revue de Synthèse 143, no. 1-2 (2022): 73–104. http://dx.doi.org/10.1163/19552343-14000064.

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Résumé Le De rerum natura chante une matière sans frontières afin de permettre à l’homme d’accepter sereinement sa condition mortelle. Le refus lucrétien de l’anthropocentrisme dans l’approche du vivant trouve un large écho dans la pensée de la première modernité. Une lecture attentive des citations du De rerum natura dans l’ “Apologie de Raymond Sebond” montre comment Montaigne s’est approprié les naturae foedera lucrétiens pour penser une relation respectueuse entre l’homme et la nature, fondée sur la notion d’obligation mutuelle. La théorie lucrétienne de la perception et de l’origine du la

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