Dissertations / Theses: 'Titus'

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Brinkman, Ashley Marie. "Domestic Titus." [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-2734.

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Chaplin, Jane D. "Livy's exemplary history /." Oxford [u.a.] : Oxford Univ. Press, 2000. http://www.loc.gov/catdir/enhancements/fy0610/00025442-d.html.

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Estep, James Riley. "The origin of the epistle to Titus." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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4

Lippertová, Dominika. "William Shakespeare: "Titus Andronicus" - komplexní scénografické řešení." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-178047.

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This thesis is focused on scenographical treatment and conception of Shakespeare's play Titus Andronicus. Beside the historical and theoretical outline of the time of the play's creation, the thesis analyzes selected Czech and foreign productions of this play, with regard to its conceptional and graphic aspect. Furthermore, the thesis focuses on a complex analysis of the scenographic concept itself, and the graphic procedure as well. Thesis also marginally examines the central characters and the treatment of costumes. The goal of this thesis is to approximate the graphic treatment of a specific play and to describe processes of searching for own and personal graphic procedure used. This thesis is not only a historical analysis; it is also a subjective view of the issue given, that is supposed to approximate the specific scenographic adaptation of the play to the reader.

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5

Green, Benjamin Stephen. "A skopos-based analysis of Breytenbach’s Titus Andronicus." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20107.

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Thesis (MPhil)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: Breyten Breytenbach's Afrikaans translation of William Shakespeare's Titus Andronicus is a little known member of the corpus of Afrikaans Shakespeare plays. Published without annotations in South Africa in 1970 and performed in Cape Town in the same year, it has never been performed again and the text has attracted no academic review or led to any subsequent editions. However, situated in 1970 in the heyday of the Apartheid regime, the play's production broke attendance records in Cape Town and was accompanied by substantial public controversy. In this thesis, the author analyses Breytenbach's translation in order to determine whether the translator had an ideological agenda in performing the translation. The analysis is based on a preliminary discussion of culture and ideology in translation, and then uses the Skopostheorie methodology of Hans J. Vermeer (as developed by Christiane Nord) to assess the translation situation and the target text. The target text has been analysed on both a socio-political and microstructural level. The summary outcome of the analysis is that the translator may possibly have tried to promote an anti-Apartheid ideology by translating the play. The outcome is based on several contextual factors such as the socio-political situation in South Africa in which the translated play was published and performed, the translator's stated opposition to the Apartheid system, the choice of Titus Andronicus for translation and production, and to a lesser extent the level of public controversy that accompanied the target text's production in the theatre.
AFRIKAANSE OPSOMMING: Breyten Breytenbach se Afrikaanse vertaling van William Shakespeare se Titus Andronicus is 'n min bekende eksemplaar van die versameling Shakespeare toneelstukke in Afrikaans. Dit is sonder enige annotasies in 1970 in Suid-Afrika uitgegee, en is dieselfde jaar in Kaapstad opgevoer. Sedertdien is dit nooit weer opgevoer nie, en die teks het geen akademiese kritiek ontlok nie. Die teks is ook nooit weer herdruk nie. Maar in 1970, tydens die toppunt van die Apartheidregime, het hierdie toneelstuk se opvoering bywoningsrekords oortref en dit is deur aansienlike openbare omstredenheid gekenmerk. In dié tesis ontleed die skrywer Breytenbach se vertaling om te bepaal of die vertaler 'n ideologiese agenda in die vertaling van die toneelstuk gehad het. Die ontleding word op 'n voorlopige bespreking van kultuur en ideologie in die vertaalproses gegrond, en maak dan gebruik van die Skopostheorie van Hans J. Vermeer (soos verwerk deur Christiane Nord) om die omstandighede ten tyde van die vertaalproses sowel as die doelteks self te ontleed. Die doelteks is op sowel sosiaalpolitiese as mikrostrukturele vlak ontleed. Die samevattende uitkoms van die ontleding is dat die vertaler moontlik 'n anti-Apartheid ideologie probeer bevorder het deur hierdie toneelstuk te vertaal. Hierdie uitkoms is gegrond op verskeie samehangende faktore, soos die sosiaalpolitiese omstandighede in Suid-Afrika waarin die toneelstuk uitgegee en opgevoer is, die vertaler se vermelde teenkanting teen die Apartheidstelsel, die keuse van Titus Andronicus vir vertaling en opvoering, en tot 'n mindere mate die vlak van openbare omstredenheid wat gepaard gegaan het met die doelteks se opvoering in die teater.

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6

Dortmund, Annette Füssel Stephan. "Römisches Buchwesen um die Zeitenwende : war T. Pomponius Atticus (110-32 v. Chr. ) Verleger ? /." Wiesbaden : Harrassowitz, 2001. http://catalogue.bnf.fr/ark:/12148/cb38818516r.

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7

Perry, David C. "Re-thinking Titus implementing a grammatical methodology of interpretation /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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8

Smith, Kevin Gary. "Bible translation and relevance theory : the translation of Titus." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51636.

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Thesis (D.Litt.)--Stellenbosch University, 2000.
ENGLISH ABSTRACT: Relevance theory has seriously challenged the theoretical soundness of formal and functional equivalence as Bible translation methods. In Translation and relevance: Cognition and context, Gutt (1991) argued that relevance theory provides translators with the best available framework for understanding and practicing translation. In his effort to provide a comprehensive account of translation, he proposed two new approaches to translation: direct translation and indirect translation. He did not, however, develop direct and indirect translation into well-defined approaches to translation. This study explores the viability of direct and indirect translation as approaches to Bible translation. First, by applying insights drawn from relevance theory, it spells out the theoretical and practical implications of these approaches in an attempt to develop them into well-defined translation methods. The explication of the two new approaches shows how and why relevance theoretic approaches to translation differ from formal and functional equivalence. In addition to describing the general approach of direct and indirect translation, it also demonstrates how each approach handles specific translation issues such as figurative language, implicit information, ambiguity, and gender-biased language. Then, by using them to translate the epistle to Titus, the study tests the practical effectiveness of each new approach. This lengthy application yields many examples of how relevance theory provides translators with valuable guidance for making difficult translation decisions. It emphasises the need for translators to take measures to bridge the contextual gap between the source context and the receptor context, illustrating how this can be done by providing footnotes in a direct translation or by explicating implicit information in an indirect translation. The study closes with a brief assessment of the two new approaches and some suggestions for further research. The conclusions show both the value and the limitations of the results of this study.
AFRIKAANSE OPSOMMING: Relevansieteorie bevraagteken ernstig die teoretiese basis van formele en funksionele ekwivalensie as metodes van Bybelvertaling. Gutt (1991) het in Translation and relevance: Cognition and context geargumenteer dat relevansieteorie vertalers voorsien van die beste beskikbare raamwerk vir die verstaan en beoefening van vertaling. In sy poging om 'n omvattende beskrywing van vertaling daar te stel, het hy twee nuwe benaderings voorgestel: direkte vertaling en indirekte vertaling. Hy het egter nie direkte en indirekte vertaling ontwikkel tot goed gedefinieerde benaderings tot vertaling nie. Hierdie studie ondersoek die lewensvatbaarheid van direkte en indirekte vertaling as benaderings tot Bybelvertaling. Eerstens word aan die hand van insigte ontleen aan relevansieteorie die teoretiese en praktiese implikasies van hierdie benaderings verken met die doel om dit te ontwikkel tot goed gedefineerde metodes van vertaling. Die uiteensetting van hierdie twee nuwe benaderings toon hoe en waarom relevansieteoretiese benaderings tot vertaling verskil van formele en funksionele ekwivalensie. Benewens 'n beskrywing van die algemene benadering van direkte en indirekte vertaling, demonstreer die uiteensetting hoe elke benadering spesifieke aangeleenthede soos beeldspraak, implisiete inligting, dubbelsinnigheid en gender-bevooroordeelde taal, in vertaalpraktyk hanteer. Vervolgens stel die ondersoek die praktiese effektiwiteit van elke nuwe benadering op die proef deur dit te gebruik om die brief aan Titus te vertaal. Hierdie omvangryke toepassing lewer verskeie voorbeelde waar relevansieteorie vertalers van waardevolle riglyne voorsien om moeilike besluite oor vertaling te maak. Dit benadruk die noodsaaklikheid vir vertalers om spesiale maatreels te tref om die kontekstuele gaping te oorbrug tussen die bronkonteks en die reseptorkonteks, en word geillustreer deur in 'n direkte vertaling voetnotas te gebruik en deur in 'n indirekte vertaling implisiete inligting eksplisiet te maak. Die ondersoek word afgesluit met 'n kort evaluering van die twee benaderings en met enkele voorstelle vir verdere navorsing. Die gevolgtrekking toon beide die waarde en die beperkings van die resultate van hierdie ondersoek.

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9

Van, Neste Ray F. "The occasion and purpose of the Epistle to Titus." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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10

MCNEESE, ANGELA. "CRAFTSPERSON FOR ARIZONA REPERTORY THEATRE'S PRODUCTION OF TITUS ANDRONICUS." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/190710.

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11

Howington, J. Scott. "The church's responsibility to her youth Titus 2:4-8 /." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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12

Schulz, Rupert Karl Titus [Verfasser]. "Subjektivität der Narbenbeurteilung nach handchirurgischen Operationen / Rupert Karl Titus Schulz." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2019. http://d-nb.info/1175432954/34.

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13

Arnold, Thomas P. "Women ministering to women according to Titus 2:3-5." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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14

Sáez, Castán Jesús Miguel. "Análisis crítico de La civilización hispano-árabe de Titus Burckhardt." Doctoral thesis, Universidad de Alicante, 2008. http://hdl.handle.net/10045/15035.

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Hindle, Robert Michael. "The Titus novels of Mervyn Peake : a critical and contextual study." Thesis, University of Newcastle Upon Tyne, 1996. http://hdl.handle.net/10443/1576.

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Titus Groan, Gormenghast and Titus Alone, written between 1940 and 1959, constitute the major body of Mervyn Peake's writing. Since the publication of Titus Groan in 1946, Peake has been acclaimed as a writer of undoubted, though highly individual, genius. The maverick eclecticism of his writing, however, has conferred upon his fiction a certain cult popularity, while at the same time discouraging serious academic consideration. Though there have been notable exceptions - and, in recent years, something of an upsurge in scholarly interest in Peake - serious study has largely tended to concentrate on biographical detail. While this study does not preclude such an approach - indeed, as the title suggests, it considers the ways in which the Titus novels articulate and respond to personal, social and cultural contexts - its organising principle is the internal structure of the literary work itself Peake began the novels with no clear idea of the final structure of the project. In fact, though the novels have frequently been called the "Gonnenghast Trilogy", they represent a work which is essentially unfinished. However, such an approach had the effect of creating an organic and therefore fundamentally coherent fiction. This study, in following Peake's organic method of development, therefore provides an interpretation of the novels which is both consistent with the author's approach, and suggestive of an inclusive and unifying framework for Peake's vision. Acknowledging the significance of Peake's organising criteria, the study considers in turn the three basic levels of contexture - world (Gormenghast), society (the inhabitants) and individual (Titus) - so as to establish the nature of the framework in which his fiction operates. The examination of the relationship between physical degeneration and psychological dysfunction, and the effects of this malaise on the emergence of the individual consciousness of the protagonist, reveals Titus as the representati~e of an intransigent world forced to accept radical change - thereby giving the novels a contemporary social and cultural relevance, as well as affirming their indebtedness to fundamental aspects of enduring Western literary traditions.

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Couser, Greg A. "God and Christian existence in 1 and 2 Timothy and Titus." Thesis, University of Aberdeen, 1992. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU044211.

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The present study is a comprehensive examination of the statements about God in 1 Timothy, 2 Timothy, and Titus to redress their neglect and to attempt to resolve questions concerning their nature, their function, and the conception of God which lies behind them. In chaps. 2-4 we make a careful contextual study of the way the author speaks about God. The letters are addressed individually to avoid blurring distinctions between them or neglecting individual emphases. The theo-logical statements are grouped according to common forms or motifs. However, singular statements are also addressed. These letters reveal that the author incorporated OT tradition as mediated via the LXX and wider circles of Hellenistic Judaism, the Jesus tradition, and Pauline Tradition within an overall Pauline soteriological framework. Where statements about God occur, they serve to ground the ethical admonitions; theology interpenetrates ethics. Also, his constant stress upon the nature of God's saving work in Christ counters the heresy which the author understands to be distorting God's saving plan. Thus, the author's focus upon God and Saviour and the way he saves fulfils hortatory and polemical aims. He conceives of God as both transcendent and personal. He sits enthroned over the power structures of the cosmos, yet he is also actively and directly involved in the world toward the execution of his saving purposes. Finally, the examination addresses questions concerning the uniqueness of the author's terminology and its relation to the heterodoxy envisioned. Arguments for the use of traditional concepts selected and molded within the Ephesian community against an Ephesus-based Christian group are presented as a possible basis for the terminology used. Lastly, we suggest that the soteriological focus and the way the author speaks of God's saving work reflect a pointed response to a heresy which was perverting God's saving plan.

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17

Bauer, Michael C. "An exposition of Titus are good works a basis for assurance? /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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Perlwitz, Olaf. "Titus Pomponius Atticus : Untersuchungen zur Person eines einflussreichen Ritters in der ausgehenden römischen Republik /." Stuttgart : F. Steiner, 1992. http://catalogue.bnf.fr/ark:/12148/cb35688283r.

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Pacho, Titus [Verfasser], and Gordon [Akademischer Betreuer] Mitchell. "Service-learning in higher education in Zimbabwe / Titus Pacho ; Betreuer: Gordon Mitchell." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1131254600/34.

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20

Hagenberg, Claus-Detlef. "Der unbekannte Malherbe : Untersuchungen zur Übersetzung des 33. Buches des Titus Livius /." Bonn : Romanistischer Verl, 1994. http://catalogue.bnf.fr/ark:/12148/cb401683626.

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Albicker, Sharonne L. "The language of Plautus his linguistic methods and their reflection of Roman society /." Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054393937.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains viii, 216 p. Includes abstract and vita. Advisors: Kirk Freudenburg, Dept. of Greek and Latin; Brian D. Joseph, Dept. of Linguistics. Includes bibliographical references (p. 208-216).

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Boloko, Titus Machuene. "An evaluation of total quality management in the chemical industry / Titus Machuene Boloko." Thesis, North-West University, 2009. http://hdl.handle.net/10394/4778.

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Globally, there are great efforts made by organisations to improve effectiveness and systems to remain competitive in ever-changing business markets. Total quality management (TOM) has become a philosophy that most companies adopt once they reach a state where it would like to have a system where all efforts are made to satisfy customers or add value to customer experiences. An investigation was done at a South African chemical company to ascertain if important philosophies (continuous improvement, customer focus and winning with people) of TOM, which are found to be related to some of the company values, are taken seriously at all levels of the company. The company received a number of complaints from customers about the quality of service and goods supplied and it is of utmost importance to investigate if the concept of TOM is practiced effectively by this company since the implementation of the TOM programme. The study conducted has shown that the company understands the concept of quality and the impact of quality on customer satisfaction. TOM is useful when it is implemented at all levels in a company and was indeed found to be implemented on all company levels in this company. Management support, employee improvement, employee empowerment, process improvement, training and development, cleanliness and organisation, teamwork as well as customer focus are the TOM practices that were found to be highly rated within the company. Responses showed that management communication should be improved to ensure that everyone in the organisation is fully informed about all developments. From the results, it was concluded that the foundation of effective TOM is being practiced by the company except in a few minor cases and, therefore, more focus should be placed on those cases.
Thesis (M.B.A.)--North-West University, Vaal Triangle Campus, 2010

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Lavoie, Jean-Michel. "Titus de Bostra, lecteur des Écritures : fragments du Commentaire sur l'Évangile de Luc." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23604/23604.pdf.

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Hanak, Christine G. "Invitation to maturity a pre-mentoring program based on Titus 2:3-5 /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p006-1590.

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Ferrer, Santanach Montserrat. "La traducció catalana medieval de les dècades de Titus Livi. Edició del llibre I." Doctoral thesis, Universitat Autònoma de Barcelona, 2010. http://hdl.handle.net/10803/4853.

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Aquesta tesi estudia la traducció catalana de les Dècades de Titus Livi conservada al manuscrit Harley 4893 de la British Library, que data de finals del segle XIV o primers anys del XV. La traducció catalana, feta a partir de la versió francesa realitzada pel benedictí Pierre Bersuire per encàrrec del rei Joan II de França entre 1354 i 1358, s'ha transmès anònima, sense data i incompleta. L'estudi de la traducció comprèn dues parts: l'estudi històric i l'estudi textual. El primer ressegueix la presència de Livi a la Corona d'Aragó, en quin ambient circulava i de quina manera es llegia, i situa la traducció catalana en un entorn i en un moment determinats: la cort de l'infant Joan d'Aragó poc després de 1383. El segon se centra en l'estudi textual, des de la transmissió manuscrita de la versió francesa de Bersuire (i.e. la font de la traducció) fins a l'únic testimoni conservat del Livi català (descripció del manuscrit i anàlisi detallat de les nombroses correccions). La filiació de la traducció catalana amb els testimonis conservats de la versió francesa de Bersuire mostra la gran proximitat entre el text català i un manuscrit francès que havia pertangut al duc Joan de Berry (Ginebra, Bibliothèque Publique, Fr. 77), a qui l'infant Joan d'Aragó havia demanat el text francès el 1383. Els resultats de l'anàlisi textual junt amb la documentació conservada i l'estudi del context històric conclouen, doncs, que la traducció catalana de les Dècades es va fer poc després d'aquesta data a l'entorn de Joan d'Aragó i que l'exemplar francès que es va traduir procedia de la cort del duc de Berry. Tot i que només s'han conservat set llibres de la primera dècada (Bersuire va traduir les dècades primera, tercera i quarta, totes les que es coneixien al segle XIV), la traducció catalana de les Dècades era més completa: va existir una traducció catalana de la tercera dècada, la mateixa que la conservada o una altra. Segueix l'estudi l'edició crítica del llibre I de la traducció catalana de les Dècades, acarada amb el text francès del manuscrit de Ginebra. El llibre I és peculiar: el text conté una immensa quantitat d'errors que provenen de la font francesa i que dificulten la lectura, cosa que no passa amb els altres sis llibres conservats. Aquests errors plantegen uns problemes específics a l'hora de fixar el text i d'establir els criteris d'edició. En apèndix, s'editen fragments dels altres llibres (II-VII) i el glossari sencer, així com el fragment d'una crònica universal catalana de 1425 inèdita (Barcelona, Biblioteca Universitària, ms. 80) que té com a font un passatge de la traducció catalana de les Dècades.
The aim of this thesis is to study the medieval Catalan translation of the Decades by Livy. The translation is extant in MS. Harley 4893 of the British Library, which was copied in the late fourteenth century or the beginning of the fifteenth century. The Catalan translation is anonymous, incomplete and undated. It does not depend on the latin original work, but on the French version made by Pierre Bersuire between 1354 and 1358 at the commission of king John II of France. The study of the Catalan translation is in two main parts: the historic study and the textual study. The first one explains the presence of Livy in the Crown of Aragon _in which circles his work was read and how it was read_ and places the Catalan translation in its historical context: the court of John of Aragon _the futur king Joan I_ soon after 1383. The second part includes the textual study of the Catalan translation: i) the first task was to find the source of the Catalan translation, that is to say, those manuscripts of Bersuire's version closest to the Catalan text by commonality of error; ii) the accurate and systematic corrections made to the Catalan manuscript by a hand other than the scribe's were examined. The comparison between the French witnesses and the Catalan translation revealed that the Catalan text is very close to a manuscript which belonged to duke John of Berry (Geneva, Bibliothèque Publique, Fr. 77), to whom John of Aragon had asked to send him a copy of the French Decades in 1383. The results of the textual analysis and the historical context suggest that the Catalan translation of Livy's Decade was made soon after 1383 in the court of John of Aragon and that the French manuscript used to produce the Catalan translation came from the duke of Berry's court. Although only seven books of the first decade has survived (Bersuire translated all the books known in the fourteenth century, namely decades I, III and IV), the third decade was also translated into Catalan, as part of the same translation or a new one. The thesis contains the critical edition of book I of the Catalan Decades. Book I is littered with a wide range of errors stemming from the French source, and can be difficult to read in some passages, while books II-VII and the glossary are largely devoid of errors. The errors in book I make it difficult to establish the base text and to choose the rules of editing. The French text of Geneva manuscript is edited next to the Catalan text. Samples of books II to VII are given in an appendix, as well as the glossary. The passage of the Crònica universal de 1425 (Barcelona, Biblioteca Universitària, MS 80) which depends on the Catalan Decades is also given in an appendix.

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26

Irvine, Benjamin Titus [Verfasser]. "An Isotopic Analysis of Dietary Habits in Early Bronze Age Anatolia / Benjamin Titus Irvine." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1130656675/34.

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27

Barker, Helen Margaret. "Writing about rape : law, criticism, and drama, from Shakespeare's Titus to The Lawes Resolutions." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6337/.

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1970s and 1980s feminist writing about rape in relation to early modern legal practice and to its representation in literary works established a paradigm of misogyny and female victimhood that has remained largely unchallenged. Two works in particular have become almost ubiquitous in modern criticism: a 1983 paper by Nazife Bashar, and the 1632 treatise, \(The\) \(Lawes\) \(Resolutions\) \(of\) \(Womens\) \(Rights\). But a scrutiny of source material revealed factual error and misreading of early modern law and commentary in Bashar’s piece. Additionally, \(The\) \(Lawes\) \(Resolutions\) is unreliable in its account of statute law, while its legal credentials are unclear. Mistaken assumptions arising from both sources have been perpetuated and compounded in modern criticism, and established as commonplace. The resulting critical paradigm constrains the scope for further investigation. The thesis attempts to set the undeniably subordinate status of women in a fuller context than that of oppositional gender politics. It reviews early modern statute law, the background to \(The\) \(Lawes\) \(Resolutions\), Bashar’s essay and its influence on subsequent criticism, the cultural context that established women’s secondary status and reinforced their vulnerability to rape, and the part of neoclassicism in the dynamic. Later chapters turn to early modern – particularly Jacobean – drama. The thesis suggests that in a fuller context of complexity and contradiction there is potential for wider and more interesting approaches to rape in literature than ideological assumptions prevalent in criticism over the past thirty years have allowed.

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28

Galletta, Arianna <1986&gt. "Revenge and Sacrifice: an investigation of violence in Shakespeare's Titus Andronicus and Julius Caesar." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/2279.

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My thesis is a comparative study which centres on the issue of violence in Shakespeare’s Titus Andronicus and Julius Caesar, particularly with reference to sacrifice and revenge. It is basically focussed on sacrificial rites and revenge murders as examples of gratuitous violence. Throughout my study I also investigate the element of blood as a purifying means as well as the denominator between sacrifice and revenge. Blood is analysed also in relation to family bonds and to the religious imagery which is often connected with it. The last chapter of my research is devoted to the issue of the dismembering of the body, and to the study of its parts as sources of power.

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29

Walker, Joanne. "A commentary on Plautus' 'Aulularia'." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14536.

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This thesis provides a commentary on Plautus' Aulularia. In the introduction I examine the key themes and issues of Aulularia, in particular the two main textual problems of the names of the slaves and the lost ending, and the two main themes of communication and religion. The introduction also examines the characters of the play, some aspects relating to the Greek model, the main features of Plautine Latin, and the MSS tradition. However, there is not an attempt either to discover exactly what Plautus wrote, or to reconstruct the Greek model. The commentary focuses on the explanation of lines which are difficult or unusual linguistically, metrically, or textually, but also discusses social and historical themes as they arise, which are not examined in the introduction. Thus I have aimed to investigate technical aspects in detail, while keeping in mind a broader perspective, which enables one to discover the themes of the play. These themes have been emphasised in order to create a form useful to both undergraduate and postgraduate students, since the ultimate aim is to publish the commentary. At the end of the commentary there is a conspectus metrorum, which aims to provide a starting-point for an investigation of the metre of the play, rather than a definitive analysis. It is the aim of this commentary and introduction to aid appreciation and understanding of the material that survives to us, while not forgetting that it does not exist in isolation from its Greek model, but recognising that there is value in a study of this play for itself, whether or not Plautus remained close to or deviated much from his Greek model.

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Graham, Brett Martin. "Echoes of Scripture and the Jewish Pseudepigrapha in the Pastoral Epistles: Including a Method of Identifying High-interest Parallels." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18740.

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Within Biblical studies, the term ‘echoes of Scripture’ is often used to describe a detailed study of verbal parallels (or potential references) between the New Testament and the Jewish Scriptures (i.e. Christian Old Testament). This present study expands upon this tradition by seeking to identify verbal parallels between the Pastoral Epistles and two different sets of source texts: the Septuagint and the Greek manuscripts of the Jewish Pseudepigrapha. The parallels are detected using a method that is analogous to the syntax analysis phase of a compiler or a natural language processor. As such, the study defines a set of syntax rules for textual references in Ancient Greek literature and then scans these rules to find instances when they are true (or satisfied). Based on the literary theory of allusions, the method relies upon the rarity of the matching words in order to highlight the most likely parallels for further evaluation as potential references. During this search process, the method also generates metadata that can be used to evaluate the relative influence of each set of source texts.

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Saiz, Molina Jose. "Propuesta metodológica para una edición crítica en formato digital de "Shakespeare: Titus Andronicus" como ejemplo." Doctoral thesis, Universitat de València, 2010. http://hdl.handle.net/10803/52129.

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La aplicación de las Nuevas Tecnologías a la edición crítica de textos está permitiendo que la comunidad filológica pueda experimentar con diversas formas de editar, traducir, anotar, analizar, presentar y difundir este tipo de textos en múltiples formatos. La presente tesis propone éste tipo de experimentación técno-literaria en el campo de los estudios dramáticos. Experimentación en la que emplearemos los Complete Works de William Shakespeare y en la que se usará la obra Titus Andronicus para formalizar una nueva propuesta editorial. Propuesta que, obviamente, se enmarca en una tradición editorial previa y que intentará extraer, plantear y exponer diversos aspectos en los estudios shakespearianos. En esta propuesta modular e integradora se intenta hacer converger lo teatral, lo filológico, lo computacional y la retroalimentación que se produce entre estas en un único espacio. Espacio que, actualmente, se puede conceptualizar en forma de Ciberespacio y que en su vertiente teórica empleará el modelo de las Self-regulating Open Hierachic Order, o infraestructuras holónicas, que propone Arthur Koestler en The Act of Creation, The Ghost in the Machine y Janus: A Summing Up.. Concepto que puede resultar muy fructífero para estudiar el fenómeno teatral ya que supera la clásica dicotomía entre los enfoques reduccionista y holístico típico de las disciplinas científicas contemporáneas y que se peculiariza por la identificación de un elemento denominado holon (parte|todo). Por lo que respecta a la variante más filológica del estudio, y al ser Titus Andronicus una de las obras menos estudiadas en nuestro país, hemos analizado la transmisión documental de dicha obra en sus diversos formatos, versiones, lenguajes y/o medios. Recorrido hermenéutico que parte de las primeras ediciones impresas y que concluye con las propuestas multi-mediales, hiper-mediales y/o docuversales en red de principios del siglo XXI. Recorrido que nos sirve para mostrar la evolución multi-dimensional del texto shakespeariano en sus diversas artes y que permite completar una primera aproximación monográfica a ésta obra si se combina con los estudios realizados por Vicente Forés, Antonio Martín y Marta Cerezo. Por lo que respecta a la variante más computacional del mismo, y teniendo en cuenta diversos aspectos teóricos y filológicos, presentamos un prototipo que hemos denominado Holonic Variorum. Implementación práctica en forma de entorno-plataforma editorial, que hemos desarrollado mediante el uso de las actuales tecnologías LAMP, en el que proponemos una nueva forma de editar el texto dramático en estos nuevos entornos digitales. De hecho, en este nuevo Sistema Modular Editorial presentamos una primera aproximación multi-dimensional a dicha obra del siguiente modo: en formato multilingüe, en su variante formal; de manera lineal y tabulares e integrada en otros entornos y/o plataformas digitales del tipo Web 2.0. Por lo que respecta a la parte más formal de la tesis decir que también emplea una estructura de tipo modular para presentar los diversos datos e ítems que se han manejado para confeccionar este estudio. Estructura compuesta por diez módulos clave que que nos permite hablar en unos casos de series fluidas (abiertas o infinitas) y de series exactas (cerradas o finitas) y que, en principio, se emplean para apreciar la aplicación práctica del concepto de holon y para ver cómo se retroalimentan dichos módulos.
This is a breif summary of the author's PhD thesis supervised by Dr. Vicente Forés López and defended on 6 july 2010 at the Universitat de València (Spain). The thesis is written in spanish and is available in its hypertextual version at http://shakespeare.uv.es This dissertation explores the editorial products and processes and their uses within the contexts of shakespearean studies, digital environments and higher education. The opportunities arising from the application of new technologies to these fields and the rapid increase in their development and deployment have led to an in-depth study of their impact, effectiveness and implications. Drawing on modularity and on the holonic theory developed by Arthur Koestler, this research proposes a new approach to dramatic texts by proposing a new type of edition : a Holonic Variorum. New type of ideal edition where editors can show the N_Dimensionality of this type of literary texts. The thesis makes a practical contribution by using this framework to design a new Editorial Modular System (EMS). New environment-platform where we have developed a variety of editorial tools to allow the reader/user to analyse in depth the N_Dimesionality of the play Titus Andronicus in its several languages, formats, versions and arts.

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Aebischer, Pascale. "Representing personal violence and suffering in Shakespeare's Titus Andronicus, Romeo and Juliet, Hamlet, and Othello." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322602.

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Saylor, Beverly Z. (Beverly Zella). "The Titus Canyon Formation : evidence for Early Oligocene extension in the Death Valley Area, CA." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/31027.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Earth, Atmospheric, and Planetary Sciences, 1991.
Title as it appears in the M.I.T. Graduate List, Sept. 1991: Analysis of the Titus Canyon Formation, evidence for Early Oligocene extension in the Death Valley Area, California.
Includes bibliographical references (leaves 48-50).
by Beverly Z. Saylor.
M.S.

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34

Tenorth, Valentin Titus [Verfasser], and Florian [Akademischer Betreuer] Goertz. "Characterizing Dark Matter at low and high momentum transfers / Valentin Titus Tenorth ; Betreuer: Florian Goertz." Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1227805330/34.

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35

Tenorth, Valentin [Verfasser], and Florian [Akademischer Betreuer] Goertz. "Characterizing Dark Matter at low and high momentum transfers / Valentin Titus Tenorth ; Betreuer: Florian Goertz." Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1227805330/34.

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36

Eberle, Katrin. "Plautus' "Aulularia" in Frankreich die Rezeption der Figur des Geizigen von Pierre de Larivey bis Albert Camus." Tübingen Narr, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2778039&prov=M&dok_var=1&dok_ext=htm.

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Dunsch, Boris. "Plautus' 'Mercator' : a commentary." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/7089.

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This thesis comprises an introduction, a lemmatic commentary, and indices. The introductory chapter, apart from a brief discussion of a more general nature, investigates the play and the relation it bears to Philemon's Emporos, its lost Greek model, especially with regard to the actdivisions of the Greek play and the pacing of the action in Plautus' adaptation. The commentary is provided to address problems posed by the Latin text, notably those of exegesis, textual criticism, metre, grammar, humour, imagery, staging, and the relationship to the Graeco-Roman comic tradition. An attempt is also made to distinguish between elements which may reflect the Greek comic tradition and those which suggest Plautine origin. In recent work about Plautus and Philemon it has been argued that the plot of the Emporos underwent far-reaching changes at the hands of Plautus, but the author of this thesis argues for the essential unity of the Mercator and for Plautus' conservative treatment of the plot of the Greek original, at the same time allowing for the fact that Plautus may have Romanised, exaggerated, and extended Philemon's play at certain points. By its structure, metrical arrangement, pacing, juxtaposition of contrasting types, parallel arrangement of core scenes, and the recurrence of key imagery, themes and motifs, the Mercator proves to be a carefully conceived, effectively balanced, and well-composed play.

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38

Jacob, Titus [Verfasser]. "Recovery-orientiertes Arbeiten im klinischen Kontext – stärkt das „Weddinger Modell“ die Selbstwirksamkeitserwartung und Resilienz? / Titus Jacob." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1228859698/34.

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39

Gottschling, Sebastian [Verfasser], Alexey [Gutachter] Surov, Andreas Gutachter] Bach, and Karl-Titus [Gutachter] [Hoffmann. "DWI und histologische Parameter von Meningeomen / Sebastian Gottschling ; Gutachter: Alexey Surov, Andreas Bach, Karl-Titus Hoffmann." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2018. http://nbn-resolving.de/urn:nbn:de:gbv:3:4-1981185920-142284.

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McGrath, Alyssa F. "Aaron, Othello, and Caliban: Shakespeare's Presentation of Ethnic Minorities in Titus Andronicus, Othello, and The Tempest." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1367332575.

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41

Swanson, Darrell A. "A model of discipleship based on the book of Titus for church leaders in southern Tanzania." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Gottschling, Sebastian [Verfasser], Alexey [Gutachter] Surov, Andreas [Gutachter] Bach, and Karl-Titus [Gutachter] Hoffmann. "DWI und histologische Parameter von Meningeomen / Sebastian Gottschling ; Gutachter: Alexey Surov, Andreas Bach, Karl-Titus Hoffmann." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2018. http://d-nb.info/1210728257/34.

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43

Meyers, Jeff. "An exegetical analysis of "bath of regeneration and renewing of the Holy Spirit" in Titus 3:5." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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44

Titus, Fabian [Verfasser]. "Verbrennungskontrollierte Erwärmung des Brennraums zur Emissionsreduktion während des Kaltstarts - Untersuchungen zu Emissionen und zur Flammenausbreitung / Fabian Titus." Karlsruhe : KIT Scientific Publishing, 2019. http://www.ksp.kit.edu.

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45

Nampala, Titus Pendukeni. "Technician level needs and skills development guidelines for the South African nuclear energy industry / Titus P. Mampala." Thesis, North-West University, 2012. http://hdl.handle.net/10394/9805.

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The increasing demand for electrical energy to bring about development and social change has brought about renewed interest in the use of nuclear power as one of the sources of electrical energy. The nuclear power industry has had a few decades of low activity due to previous accidents which turned the public perception against the use of nuclear as an electrical power source. The low activity has resulted in the shortage of nuclear skills as the skill previously available is now aged and about to reach retirement. The South African Government has recently announced its commitment to having nuclear in the energy mix. This will require construction of new nuclear power plants. This research arises from the need to understand whether the required human capital will be available, looking specifically at technician level in the nuclear energy industry. The main research goal of the study was to find what training and development initiatives are currently being used in industry and what needs to be in place to ensure that the industry is ready for the nuclear new-build. The researcher than proposes training and development initiatives that should be put in place to meet the demand that will be created by the nuclear new-build.
Thesis (MSc (Engineering Sciences in Nuclear Engineering))--North-West University, Potchefstroom Campus, 2013.

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Franz, Cornelius Titus [Verfasser], Kay [Akademischer Betreuer] Saalwächter, Wolfgang [Akademischer Betreuer] Paul, and Friedrich [Akademischer Betreuer] Kremer. "Molekulare Dynamik von Polymeren in eingeschränkter Geometrie / Cornelius Titus Franz. Betreuer: Kay Saalwächter ; Wolfgang Paul ; Friedrich Kremer." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2014. http://d-nb.info/105398880X/34.

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Franz, Cornelius Titus Verfasser], Kay [Akademischer Betreuer] Saalwächter, Wolfgang [Akademischer Betreuer] Paul, and Friedrich [Akademischer Betreuer] [Kremer. "Molekulare Dynamik von Polymeren in eingeschränkter Geometrie / Cornelius Titus Franz. Betreuer: Kay Saalwächter ; Wolfgang Paul ; Friedrich Kremer." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2014. http://nbn-resolving.de/urn:nbn:de:gbv:3:4-12397.

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Gamblin, Hillary. "Reading between the Bloodied Lines and Bodies: Dissecting Shakespeare’s Titus Andronicus and Vesalius’s De Humani Corporis Fabrica." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/5249.

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Titus Andronicus is infamously Shakespeare’s first, and bloodiest, tragedy, but only a few scholars link this violence with the Renaissance culture of anatomy and dissection. Although scholars mention the anatomical language in Titus Andronicus, their analyses stop short of more fully developing the rich relationship between dissection and Shakespeare’s play. To remedy this oversight, this paper explores the debt that Titus Andronicus owes to contemporary anatomy and dissection culture by comparing Titus Andronicus (est. 1590) with Andreas Vesalius’s revolutionary anatomy textbook, De Humani Corporis Fabrica (1543). Specifically, this paper will identify four major intents of the Fabrica: 1) to display, 2) to instruct, 3) to interpret, and 4) to aestheticize the interior of the human body, and illustrate how these four traits figure in the representation of Lavinia’s body in the play. By mirroring the Fabrica’s four intents in both anatomy text and play, as well as examining the Fabrica’s images and text itself, this analysis reveals a pertinent difference. While in many ways Titus Andronicus celebrates the De Humani Corporis Fabrica, the play applies a heavy dose of skepticism to Vesalius’s underlying epistemological assumption that the body is knowable.

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Dutsch, Dorota. "Boundless nature : the construction of female speech in Plautus." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36765.

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The existence of specific lexical features marking the speech of female characters in Roman Comedy is signalled in scholiastic literature, and has been confirmed by modern quantitative research. This thesis, focusing on the comedies of Plautus, investigates the question of why the playwrights made specific linguistic choices for female personae.
Greek and Roman literary theory stipulated that the speech of women in drama had to be constructed so as to reveal the speakers' feminine nature. Philosophical doctrines that construed gender as a polar opposition evince a fundamental distinction, defining male as 'bond' and female as 'boundless'. The association of female with boundlessness, it is argued, also determines woman's position with respect to speech. A study of Greek New Comedy reveals that the reflections on female nature and expression found there depict woman as adverse to limits, a concept which Plautus seems to have subsequently adapted from his sources.
Donatus's scholia to Terence characterize female speech as disorderly and disrespectful of the norms of verbal interaction. Concrete linguistic patterns are rationalized as symptoms of 'softness' and querulousness, both representing the female propensity to violate interpersonal limits. The text of Plautus, examined for meta-textual asides on female speech, confirms the scholiast's observations. An inquiry into the Plautine perception of blanditia reveals that female mannerisms are interpreted as tokens of a contagious moral disorder, and that they earmark the feebleness of female (and effeminate) personae. The otherness of female complaints, emphasized during the performance of palliata by both verbal and para-verbal means, is intimately associated in the text of the comedies with the chaos within women's minds. Female speech patterns in Plautus thus illustrate the concept of infirmitas sexus.

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Mechley, Braden. "Reading (with) the animals : Lucretius' creatures and his poetic program /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11465.

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Dissertations / Theses on the topic 'Titus'

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