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Journal articles on the topic 'Tiwa'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 March 2023

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1

van Breugel, Seino. "Review of Jose & Kholar (2014): Tiwa-English Dictionary: with English-Tiwa Index." Linguistics of the Tibeto-Burman Area 38, no. 2 (December 31, 2015): 324–27. http://dx.doi.org/10.1075/ltba.38.2.11van.

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2

Dawson, Virginia. "The kinship system of Tiwa." Linguistics of the Tibeto-Burman Area 45, no. 1 (June 2, 2022): 151–69. http://dx.doi.org/10.1075/ltba.21020.daw.

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Abstract This paper provides a systematic description of the kinship system of Tiwa, a Boro-Garo language of northeast India. It complements existing partial descriptions by Ramirez (2014) and Bouchery and Longmailai (2018), including documentation of affinal relationship terminology and kinship-based politeness strategies. A key new finding of this work is that Tiwa has a series of dyadic group kin terms which behave in similar (though not identical) ways to what Bradley (2001) identifies as family group classifiers in several Ngwi languages. To my knowledge, this is the first time such dyadic kin terms have been identified beyond the Ngwi and Ersuic branches, suggesting they may be more widespread throughout the Tibeto-Burman family than previously believed.
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3

Sadock, Jerrold M. "The Southern Tiwa Incorporability Hierarchy." International Journal of American Linguistics 51, no. 4 (October 1985): 568–72. http://dx.doi.org/10.1086/465976.

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4

Allen, Barbara Jane, and Donald G. Frantz. "Goal Advancement in Southern Tiwa." International Journal of American Linguistics 52, no. 4 (October 1986): 388–403. http://dx.doi.org/10.1086/466030.

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5

Fauziah, Aulia, and Endang Waryanti. "Social Interaction in New Student Film Directed by Monty Tiwa." Wacana : Jurnal Bahasa, Seni, dan Pengajaran 5, no. 2 (October 31, 2021): 16–21. http://dx.doi.org/10.29407/jbsp.v5i2.17541.

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This research is motivated by the development of literature as a communication science that can express all ideas or opinions that want to be conveyed to the audience or readers from an author. The Mahasiswa Baru Film was chosen because it has an aspect that is being discussed today, namely about a social interaction. The problem of this research is how is the description of social interaction in the Mahasiswa Baru film directed by Monty Tiwa? This study aims to describe the social interaction in the film Mahasiswa Baru directed by Monty Tiwa. Data collection techniques using documentation in the form of films.The results of this study stated that in the film Mahasiswa Baru directed by Monty Tiwa, there are imitation factors, sympathy factors, identification factors, and suggestion factors that affect a social interaction. The imitation factor is the urge to imitate others experienced by Lastri. The suggestion factor is a psychological influence that is influenced by others and oneself. The identification factor is a factor that when interacting follows a style consciously. The last factor is the sympathy factor, this factor is a factor that feels as a reason for social interaction.
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6

Whiteley, Peter M., and David H. Snow. "Pueblo -tiwa Names: Hybrid Transmission in the Sprachbund." Journal of the Southwest 57, no. 4 (2015): 525–82. http://dx.doi.org/10.1353/jsw.2015.0017.

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7

Frantz, Donald G. "Null Heads and Noun Incorporation in Southern Tiwa." Annual Meeting of the Berkeley Linguistics Society 16, no. 2 (June 20, 1990): 32. http://dx.doi.org/10.3765/bls.v16i2.1676.

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8

Alfathoni, Muhammad Ali Mursid. "MISE EN SCENE DALAM FILM LAMARAN SUTRADARA MONTY TIWA." PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 1, no. 2 (May 10, 2016): 165. http://dx.doi.org/10.22303/proporsi.1.2.2016.165-178.

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Penelitian ini bertujuan untuk mendeskripsi aspek mise en scene dalam film Lamaran. Film Lamaran di produksi tahun 2015 oleh Rapi Films dengan durasi 1 jam 35 menit 56 detik yang di sutradarai oleh Monty Tiwa. Di tengah popularitasnya sebagai seorang pengacara dalam menyelesaikan kasus seorang koruptor membuat Tiar mendapat ancaman pembunuhan dari seorang bos mafia. Akan tetapi, ancaman tersebut tidak membuat semangat Tiar mundur dari profesinya. Untuk menjaga keselamatan Tiar, dua orang agen mendatangkan seorang pemuda tampan yang menjadi mata-mata sekaligus pacar palsu Tiar. Keluarga Tiar protes terhadap Tiar ketika mereka mengetahui kalau Tiar berpacara dengan orang yang bukan keturunan Batak. Dalam film Lamaran terdapat unsur pembentukan film salah satunya unsur sinematik. Di dalam unsur sinematik terdapat aspek mise en scene yang saling berkesinambungan dalam film Lamaran. aspek mise en scene tersebut meliputi aspek setting (latar), aspek kostum dan tata rias, aspek pencahayaan (lighting), dan aspek pergerakan pemain. Untuk mendeskripsikan aspek mise en scene dalam film Lamaran peneliti menggunakan pendekatan deskripsi kualitatif dan semiotika.
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9

Khasanah, Nur, Evi Chamalah, and Meilan Arsanti. "TINDAK TUTUR DIREKTIF DALAM FILM AKU INGIN IBU PULANG KARYA MONTY TIWA SEBAGAI ALTERNATIF BAHAN AJAR TEKS DRAMA KELAS XI SMA." Jurnal Pendidikan Bahasa Indonesia 8, no. 2 (December 31, 2020): 123. http://dx.doi.org/10.30659/j.8.2.123-136.

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Bahasa mempunyai peran vital dalam kehidupan manusia. Komunikasi yang dilakukan manusia dilakukan dengan menggunakan bahasa. Film merupakan jenis komunikasi secara tertulis. Dalam film terjadi bentuk komunikasi dan interaksi yang dilakukan tokoh melalui tuturan. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan fungsi tindak tutur direktif dalam film Aku Ingin Ibu Pulang karya Monty Tiwa serta mendeskripsikan implementasi tindak tutur direktif yang terdapat dalam film Aku Ingin Ibu Pulang karya Monty Tiwa sebagai alternatif bahan ajar teks drama kelas XI SMA. Metode yang digunakan pada penelitian ini adalah metode kualitatif. Teknik pengumpulan data ini adalah simak dan catat. Instrumen penelitian ini adalah peneliti sendiri (human instrument) dibantu dengan alat bantu berupa kartu data. Sedangkan teknik analisis data penelitian ini meliputi, (1) pengumpulan data, (2) reduksi data, (3) penyajian data, dan (4) penarikan kesimpulan. Hasil penelitian ini menunjukkan bahwa, 1) tindak tutur direktif tidak dapat dipisahkan dari kelangsungan hidup manusia dan 2) tindak tutur direktif dalam film Aku Ingin Ibu Pulang karya Monty Tiwa dapat diimplementasikan sebagai alternatif bahan ajar pada pembelajaran teks drama kelas XI SMA.
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10

Rosen, Carol. "Rethinking Southern Tiwa: The Geometry of a Triple-Agreement Language." Language 66, no. 4 (December 1990): 669. http://dx.doi.org/10.2307/414726.

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11

Dawson, Virginia. "new kind of epistemic indefinite." ZAS Papers in Linguistics 60 (January 1, 2018): 349–66. http://dx.doi.org/10.21248/zaspil.60.2018.471.

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Tiwa (Tibeto-Burman; India) has two series of epistemic indefinites: one whoseepistemic effects arise via an anti-singleton constraint similar to Spanish alg´un (Alonso-Ovalleand Men´endez-Benito, 2010), and another, wide-scope indefinite whose epistemic effects mustbe derived differently. I propose that for these latter indefinites, ignorance arises not throughdomain constraints, but as a result of their choice functional nature through competition withother indefinites. Tiwa’s wide scope indefinites then constitute a new kind of epistemic indefinite,showing that ignorance implicatures for indefinites can arise through different sorts ofcompetition.Keywords: epistemic indefinites, wide scope indefinites, choice functions, implicature, Tiwa.
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12

Dawson, Virginia. "Lexicalizing disjunction scope." Proceedings of the Linguistic Society of America 4, no. 1 (March 15, 2019): 13. http://dx.doi.org/10.3765/plsa.v4i1.4520.

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Tiwa (Tibeto-Burman; India) has two disjunctive particles, which give rise to different interpretations in sentences with other operators. I argue that this semantic distinction is not one of inclusive vs. exclusive disjunction, but one of scope. I provide an analysis that captures this scopal distinction: one particle lexicalizes a choice function variable (subject to existential closure high in the structure), and the other lexicalizes an alternative-set former which interacts with higher operators. I also show that wide scope disjunction in Tiwa behaves differently from wide scope readings of English "or", and suggest that they warrant different analyses.
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13

Balmain, Colette. "Crypto-cannibalism: Meat, murder and monstrosity in Tiwa Moeithasong’s The Meat Grinder." Horror Studies 5, no. 2 (October 1, 2014): 249–63. http://dx.doi.org/10.1386/host.5.2.249_1.

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14

Heck, Fabian, and Marc Richards. "A probe-goal approach to agreement and non-incorporation restrictions in Southern Tiwa." Natural Language & Linguistic Theory 28, no. 3 (August 2010): 681–721. http://dx.doi.org/10.1007/s11049-010-9108-y.

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15

Putra, I. Gde Agus Dharma, and A. A. Diah Indrayani. "SIWA TATTWA PURANA [RITUAL-RITUAL KEHIDUPAN DAN KEMATIAN]." Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra 10, no. 1 (May 10, 2020): 01. http://dx.doi.org/10.25078/klgw.v10i1.1387.

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Siwa Tattwa Purana berarti cerita kuna tentang hakikat Siwa. Kekunaan cerita tentang hakikat Siwa ini, diawali dengan penggambaran Sang Hyang Jagatpati yang sedang berada di Siwa Loka. Jagadpati adalah nama lain Siwa. Siwa Tattwa Purana menyediakan informasi dan pengetahuan perihal Padma Bhuwana, Ritual Kehidupan sampai dengan Ritual Kematian. Padma Bhuwana adalah peta mistis-geografis sebagai petunjuk arah. Ritual Kehidupan menurut Siwa Tattwa Purana berawal dari penyatuan Smara dan Ratih di Cantik Gedong Mas. Upacara saat di dalam perut adalah Pagedong-gedongan. Setelahnya silanjutkan dengan upacara saat dua belas hari, saat sebulan, tiga bulan, enam bulan, mulai berjalan dan tumbuh gigi, matatah, menikah, lalu Apodgala. Ritual Kematian dapat dilakukan pada orang yang ada jasadnya, dan tidak ada jasadnya. Ritual kematian ini dilakukan mulai dari tingkatan Atiwa-tiwa, Nyekah, Mukur, Ligya sampai dengan Angluwer.
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16

Rahayu, Masnia. "STIGMATIZATION OF FORCED MARRIAGE IN MONTY TIWA’S ADAPTATION OF GITLICIOUS’S MY LECTURER MY HUSBAND." Journal of Research on Language Education 3, no. 1 (January 31, 2022): 20. http://dx.doi.org/10.33365/jorle.v3i1.1893.

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The forced marriage and the arranged marriages theme currently become popular in literary works on millennial applications. The facility and privilege of the internet were virtual spaces that were not only a provider of reading materials but also a place for literary production itself such as Wattpad. My Lecturer My Husband, one of the famous Wattpad novels published in 2017, was the work of a Korean boyband fan from Indonesia named Gitlicious (pen name) who idolizes a Korean artist named Lay from the Exo group. In 2020, My Lecturer My Husband was adapted by a well-known producer, Monty Tiwa, into a web series that identified forms of female resistance and the negotiation process of men in forced marriage. Thus, this study aims to analyze forced marriage that reconstructs the negative stigma in Monty Tiwa's adaptation of Gitlicious’s My Lecturer My Husband. This study used the adaptation theory proposed by Linda Hutcheon (2006). To dismantle the ideology of the text, this research used the theory of Butler(1990), which was about the diversity of gender and sexuality expressions. From the results of the analysis, it was found that My Lecturer My Husband reflects the shift in the value of forced marriage contextually and commercially. Ideologically, the text adaptation of Monty Tiwa shows a shift in the stigma of forced marriage attached to the role of parents and a shift in the expression of husband and wife in forced marriage.
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17

Debie, Ermias. "Smallholder farmers’ decisions to the combined use of soil conservation practices in Tiwa watershed, Northwest highlands of Ethiopia." Heliyon 7, no. 1 (January 2021): e05958. http://dx.doi.org/10.1016/j.heliyon.2021.e05958.

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18

Borkataky-Varma, Sravana. "The Dead Speak: A Case Study from the Tiwa Tribe Highlighting the Hybrid World of Śākta Tantra in Assam." Religions 8, no. 10 (October 11, 2017): 221. http://dx.doi.org/10.3390/rel8100221.

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19

Ancuta, Katarzyna. "Lost and Found: The Found Footage Phenomenon and Southeast Asian Supernatural Horror Film." Plaridel 12, no. 2 (August 30, 2015): 149–77. http://dx.doi.org/10.52518/2015.12.2-08ancta.

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This article offers a brief historical and theoretical overview of found footage films and their contribution to the horror genre, and focuses in more detail on four Southeast Asian productions of the kind made between 2009-2012: Keramat/Sacred (Servia & Tiwa, 2009), Seru/Resurrection (Asraff, Pillai, Andre & Jin 2011), Haunted Changi (Kern, Woo & Lau, 2010), and Darkest Night (Tan, 2012), all of which can be viewed as an alternative to the mainstream local horror cinema. The paper argues that the two most common strategies used by found footage horror films (including the four films in question) are the techniques that effectively authenticate the horror experience: inducing a heightened perception of realism in the audience and a contradictory to it feeling of perceptive subjectivity.
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20

Alfathoni, Muhammad Ali Mursid, and Dani Manesah. "Identitas Budaya Batak Toba Dalam Struktur Mise En Scene Pada Film Lamaran." PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 5, no. 2 (May 29, 2021): 123. http://dx.doi.org/10.22303/proporsi.5.2.2020.123-137.

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<p align="center"><strong>ABSTRAK</strong></p><p><em>Tujuan penelitian ini adalah untuk mengungkapkan bentuk identitas budaya Batak Toba yang terdapat dalam sturuktur mise en scene pada film Lamaran. Struktur mise en scene merupakan merupakan segala sesuatu yang terlihat di depan kamera yang siap diambil gambarnya. Melalui struktur mise en scene tersebut akan didapat bentuk wujud dari identitas budaya Batak Toba yang ada pada film Lamaran. Film Lamaran merupakan sebuah film dengan genre drama komedi. Film Lamaran disutradarai oleh Monty Tiwa yang diproduksi pada tahun 2015. Penelitian ini menggunakan metode pendekatan secara kualitatif dengan </em><em>t</em><em>eknik mendeskripsikan objek penelitian dan semua data yang digunakan dalam penelitian ini. Hasil penelitian ini menunjukkan bahwa identitas budaya Batak Toba terdapat pada tiga unsur yang ada dalam struktur mise en scene. Unsur tersebut adalah setting</em><em> dengan latar motif ukiran gorga</em><em>, kostum dan tata rias</em><em> tokoh yang mengenakan kain ulos dengan tata rias yang natural</em><em>, dan pemain dan pergerakan</em><em> yang mencerminkan sistem kekerabatan masyarakat Batak Toba</em><em>.</em></p>
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Saputra, Suroto Hadi, and Paluphy Eka Yustini. "Mikrokapsul Ekstrak Bawang Tiwai sebagai Pengawet Pangan." Jurnal Riset Teknologi Industri 9, no. 1 (August 31, 2016): 73–79. http://dx.doi.org/10.26578/jrti.v9i1.1706.

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Applications bawang tiwaiextractin the form ofpastaI have everdone in thefoodpreservativehaving troubleamong othersinsolubleandmixedwell withthe doughingredientsof food. One alternativeto overcome these problemsismicroencapsulated bawang tiwai extract.In this study, bulb bawangtiwaiextractedwithethanol 98%. Researchusinga completely randomized designfactorial3x2was repeated3times. The firstfactorcomposition ofthe coating materialwith 3 levels, the secondfactorwith 2degreetemperature. Analysisof variance and dunken multiplerangetestfurthertestat5% confidence levelusing thesoftwareSPSSversion20. Results oftreatment ofthe coating materialcompositionandtemperatureas well as theinteractionsignificantly affected thephenol content, water content, solubilityin water, particle size andconcentration of ethanol. The results of analysisduncanmultiplerank testof showdifferentlevels ofphenol, water content, solubilityin water, particle size andconcentration of ethanol. The results showedthe highest valuein treatment(s1p1) phenolcontent of1.50%, (s2p1) lowwater content15.27%, (s1p1) watersoluble extracthighestlevel of87.45% (s2p1) 216.77smallestparticlesizeand(s2p1) lowethanollevels15, 17ppmABSTRAKAplikasi ekstrak bawang tiwai dalam bentuk pasta yang pernah dilakukan dalam pengawet pangan mengalami kesulitan antara lain tidak mudah larut dan tercampur secara baik dengan bahan adonan pangan. Salah satu alternatif untuk mengatasi permasalahan tersebut adalah mikroenkapsulasi ekstrak bawang tiwai. Dalam penelitian ini, umbi bawang tiwai diekstrak dengan etanol 98%. Penelitian menggunakan rancangan acak lengkap faktorial 3 x 2 diulang 3 kali. Faktor pertama komposisi bahan penyalut dengan 3 taraf, faktor kedua suhu dengan 2 taraf. Hasil analisis sidik ragam dan uji lanjut dunken multiple range test pada tingkat kepercayaan 5% menggunakan soft ware SPSS versi 20. Analisa parameter pada penelitian ini antara lain kadar fenol, kadar air, kadar sari larut air dan ukuran partikel. Hasil perlakuan komposisi bahan penyalut dan suhu serta interaksi berpengaruh nyata terhadap kadar fenol, kadar air, kelarutan dalam air, ukuran partikel dan kadar etanol. Hasil analisisduncan multiple rank test (DMRT) menunjukkan berbeda nyata terhadap kadar fenol, kadar air, kelarutan dalam air, ukuran partikel dan kadar etanol. Hasil penelitian menunjukkan nilai tertinggi pada perlakuan (s1p1) kadar fenol 1,50 %, (s2p1) kadar air terendah 15,27%, (s1p1) kadar sari larut air tertinggi 87,45%(s2p1) ukuran partikel terkecil 216,77 dan (s2p1) kadar etanol terendah 15, 17 ppm. Kata kunci : bawang tiwa, mikroenkapsulasi, maltodekstrin, na-kaseinat, pengawet pangan.
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22

Brahma, Aleendra. "Causative constructions in Bodo-Garo." Linguistics of the Tibeto-Burman Area 45, no. 2 (November 4, 2022): 312–37. http://dx.doi.org/10.1075/ltba.21023.bra.

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Abstract The Bodo-Garo group of languages consisting of Kāchārī or Bodo, Lālung (autonym Tiwa), Dīmā-sā, Gārō, Koch, Rābhā, Tipurā (autonym Kokborok), Chutiyā (autonym Deori) and Morān (Grierson 1903) are mainly spoken by about four million people in north-east India.1 BG exhibit systematic processes of formation of causative verbs through prefixation, suffixation and very rarely, infixation. Lexical causative verbs are also employed in these languages whereas periphrastic causatives are found in the form of verb stacking. This study aims at finding out the causative prefixes which co-occur with the root verbs to form their causative counterparts; categorizing the prefixes in terms of their occurrences with certain roots; and, analyzing the environments and linguistic conditioning of the occurrences of the prefixes. This study also discusses several syntactic and semantic features associated with causation.
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23

Akinnaso, F. Niyi. "One Nation, Four Hundred Languages." Language Problems and Language Planning 13, no. 2 (January 1, 1989): 133–46. http://dx.doi.org/10.1075/lplp.13.2.03aki.

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SOMMAIRE Une nation, quatre-cents idiomes: Unité et diversité dans la politique linguistique du Nigéria Cet article traite des politiques linguistiques du Nigéria, de leurs objectifs contradic-toires, de leurs motivations et de leurs orientations idéologiques. Ces conflits s'expliquent en fonction du deVeloppement socio-historique de la nation, de son paysage ethnolinguis-tique complexe et de l'incompatibilité des exigences "nationalistes" et "nationistes," le pays essayant de maintenir un pluralisme linguistique et culturel tout en préconisant l'unification linguistique et l'intégration nationale. On indique que les constatations faites au Nigéria révèlent certaines tendances qui se répètent de facon identique dans d'autres pays du Tiers Monde. À RÒKO YÍ NÍ SÒKÍ OrÍlè èdè kan, irinwo èdè: lrépo ati aìsepò tí 6 wa nínu ìlana èdè lilò ní orílè èdè Naìjíría Aroko yí ni abayorí ìwaadí lorí ìlana tí ìjoba orílè èdè Naìjíría gbe kalè lorí èlò oníruuru èdè tí ó wa ní ìgbèríko rè. A rí ì wípe òtòòtò ní ìpínlèsè awon ìlana naa; won kò sì korí sí ibìkan naa rara. Iwaadí tun fi í han wípé ìkòyìnsíra awon ìlana wonyíí kò saì ní í se pèlu ìtan ìdagbasókè orílè èdè Naìjíría, oníruuru èdè tí ó wa nínu orílè èdè naa, ati ìyanju tí ìjoba ngba lati so orílè èdè naa pò labé èdè kan bí ó ti nse akitiyan láti fúun awon orísirísi èdè tí 6 wa ní ètó ati ìtóju tí ò ye. Ìsòro míran tun wa pèlú: òtò ni èdè tiwa-n-tiwa, òtò ni èdè tí 6 wúlò gidi fun akóso orílè èdè ati èkó kíkó ní ilé ìwé. Ní ìparí, ìwaadí yí fí ye wa wípe ohun tí 6 nselè ní orílè èdè Naìjíríà k6 yatò pupò sí ìrírí awon orílè èdè tí 6 sèsè ndagba s'ókè. RESUMO Unu nacio, kvarcent lingvoj: Unueco kaj diverseco en la lingvopolitiko de Nigerio La artikolo ekzamenas la lingvajn politikojn de Nigerio laǔ iliaj kontraǔaj celoj, ideolo-gial motivigoj kaj orientiĝoj. Gi klarigas iliajn kontraǔdirojn en la kunteksto de la soci-historia evoluo de la nacio, ĝia komplika etnolingva pejzaĝo, la konfliktaj postuloj de "naciismo" kaj "nacio-ismo" kaj la klopodo konservi lingvan kaj kulturan pluralismon dum oni samtempe apogas lingvan unuiĝon kaj nacian integriĝon. La aǔtoro argumentas, ke la konkludoj el Nigerio malkasas certajn tendencojn, kiuj reaperas en aliaj Triamondaj landoj.
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Fowles, Severin M. "The Enshrined Pueblo: Villagescape and Cosmos in the Northern Rio Grande." American Antiquity 74, no. 3 (July 2009): 448–66. http://dx.doi.org/10.1017/s0002731600048708.

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This paper investigates the material construction of Pueblo cosmology in the northern Rio Grande during and following the emergence of large aggregated villages at the end of the thirteenth century A.D. My central claim is that villages and the landscapes that surrounded them were mutually constitutive and need to be viewed holistically as components of integrated villagescapes that linked the dwellings of the living to the dwellings of ancestral spirits, and the social order of the village to the spatial order of the cosmos. "Village aggregation," in this sense, emerges as a misnomer given the radical geographic extension of ritual practice and constructed space that went hand-in-hand with residential agglomeration. I begin by synthesizing ethnographic evidence of Tewa and Northern Tiwa sacred geographies, paying close attention to the distribution and interpretation of archaeologically visible shrine features. I then use this ethnographic understanding as a basis for interpreting the archaeological evidence of the extensive complex of shrine features surrounding T'aitöna (Pot Creek Pueblo), one of the northern Rio Grande's earliest large villages.
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25

Sukartha, I. Nyoman. "IDA I DEWA AGUNG ISTRI KANIA: RAJA, FEMINISME, DAN PAHLAWAN DARI KLUNGKUNG." Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 17, no. 1 (April 1, 2016): 38–47. http://dx.doi.org/10.32795/ds.v16i01.72.

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The feminism movement in the field of classical literature in Bali is known to rise after a female au- thor struggling from the Dutch intervention. This female figure was Ida I Dewa Agung Istri Kania. She had compiled several literary works through her criticism and “lango”, either herself or accompanied by her pupils. The forms of her works are kakawin, kidung, geguritan, and tutur. The most popular work is Kakawin Pralambang Bhasa Wewatekan. This Kakawin tells about death body burning cere- mony (Patiwa-tiwa and Baligya). It describes the entrance of Dutch into Bali and the struggle to fight against in Kusamba, Klungkung. There is also a story concerning the memorandum of understanding between Klungkung, Gianyar, Bangli, and Payangan. These stories come along with several other sto- ries behind some factual events made in Kusamba, Sweta Lombok, Tabanan, as well as in Klungkung. It is very interesting that the phenomenal Ida I Dewa Agung Istri Kania is analyzed on the sociology of literature viewpoint. It is supposed to have significance for the younger and future generations, at least in Bali. The Balinese society must be proud of having their own hero, King, who is an author of the classical works. She is a mirror, figure to take as an example of nobleness for the nation, particularly the younger female generations.
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Wuryani, Emy, and Sri Muryani. "MODEL KEPEMIMPINAN UNIVERSITAS KRISTEN SATYA WACANA 1956-1993." Satya Widya 31, no. 2 (December 5, 2015): 69. http://dx.doi.org/10.24246/j.sw.2015.v31.i2.p69-82.

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<p> </p><p>Penelitian ini merupakan jenis penelitian deskriptif analitis tentang gaya atau pola- pola kepemimpinan UKSW Salatiga tahun 1956-1993 berdasarkan sumber-sumber lisan yang dalam ilmu sejarah disebut sejarah lisan. Tujuan penelitian adalah untuk mendeskripsikan secara analitis tentang gaya atau pola kepemimpinan UKSW. Penelitian ini menghasilkan dokumen sejarah lisan tentang pola-pola kepemimpinan UKSW. Melalui sumber-su mber lisan dapat menyingkap hal-hal lain di luar peris tiwa yang terdokumentasikan sebagai sumber sejarah. Proses penelitian menggunakan metode sejarah lisan dengan empat tahapan kerja. Pertama heuristik yakni mencari dan mengumpulkan sumber dari para aktor atau tokoh yang mengalami dan menyaksikan peristiwa. Kedua, verifikasi sumber (kritik sumber, keabsahan sumber, menyingkirkan bahan-bahan yang tidak relevan). Ketiga, interpretasi yakni penyusunan kesaksian yang dapat dipercaya untuk menjadi sebuah kisah atau penyajian yang bermakna. Keempat, historiografi yakni penulisan sejarah sebagai kisah. Penelitian ini menggunakan pendekatan elitis dan periodisasi. Hasil penelitian menunjukkan bahwa dari tahun 1956-</p><p>1993 terdapat berbagai model kepemimpinan yang mewarnai kepemimpinan di UKSW. Model kepemimpinan tersebut adalah kepemimpinan Democratic Leaders (Pemimpin demokratis), Authoritative Leaders (Pemimpin otoritative), sebagian besar ciri Affiliative Leaders (Pemimpin afiliatif), sebagian ciri gaya Coaching Leaders (pemimpin bergaya pelatih), dan Counselling Style Leaders (pemimpin bergaya penasehat). Sementara itu Gaya kepemimpinan Coercive (Pemimpin pemaksa), dan gaya Pacesetting Leaders (pemimpin penentu ketepatan/tim).</p>
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Barton, David G. "C.G. Jung and the indigenous psyche: two encounters." International Journal of Jungian Studies 8, no. 2 (May 3, 2016): 75–84. http://dx.doi.org/10.1080/19409052.2016.1140066.

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ABSTRACTIn The Lament of the Dead, James Hillman quotes Foucault as saying there are two ways to escape ‘the box of contemporary thinking’. One path lies through erudition, the other through the indigenous experience. While the history of Jung's ideas has been thoroughly explored, we understand little about his encounters with indigenous people in the American Southwest. For example, the literature on his visit to Taos Pueblo is riddled with misleading information. Part of the problem begins with Jung's own confusion regarding his contact at Taos with Antonio Mirabal. Not only did Jung wrongly believe that Mirabal was an ‘Indian chief’; he misspelled and mistranslated his Tiwa name, Ochwiay Biano. Although the encounter could be described (at one level) as superficial, Jung refers to it as one of the most important experiences of his life. This paper will explore what Jung seems to have encountered in Taos, and the ways his experience were orchestrated by the unseen presence of others (including Mabel Dodge Lujan, D.H. Lawrence, and Jaime de Angulo). Archival records and news accounts from the 1920s show that although Jung imagined he was meeting face to face with a ‘primitive' who still lived in the world of ‘participation mystique’, Mirabal was a gifted Native American impresario who later visited one American president and turned down an invitation to visit a second. I argue that the complex of colonialism surrounding Jung's relationship with Mirabal has infected subsequent encounters between the Jungian tradition and indigenous people.
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Klaiman, M. H. "The Relationship of Inverse Voice and Head-Marking in Arizona Tewa and Other Tanoan Languages." Studies in Language 17, no. 2 (January 1, 1993): 343–70. http://dx.doi.org/10.1075/sl.17.2.04kla.

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The term 'inverse' has traditionally referred to voice systems characterized by alternations of verbal voice marking, alternations that depend on the relative ontologicai salience of the two core arguments of a transitive animate verb, the logical subject and logical object. In typical inverse languages, speech-act participant (SAP) arguments (1,2 person) ontologically outrank non-SAP arguments (3d person), a fact that is grammatically encoded by 1:3 and 2:3 predications assigning one verbal voice ('direct') while 3:1 and 3:2 predications assign the other voice ('inverse'). 3:3 predications are potentially ambiguous, a problem addressed in some inverse systems by 3d person arguments with relatively low ontologicai salience being assigned a special case, the obviative (4th person). The present work addresses the question whether inverseness may be evinced through formal means other than alternations in verbal voice marking. It is argued that this occurs in a Tanoan (Kiowa-Tanoan) language, Arizona Tewa (AT). In AT transitive animate predications, an opposition in paradigms of person-marking verbal prefixes occurs such that one pronominal paradigm is assigned in case of a direct predication (logical subject ontologically outranks logical object), while the other paradigm is assigned in case of an inverse predication (logical object ontologically outranks logical subject). In effect, then, AT has separate direct and inverse pronominal paradigms; these encode the voice alternations, rather than oppositions of verbal voice marking per se. It is argued that an inverse analysis is both appropriate for AT and, in addition, applicable to at least some other Tanoan languages, such as Picurís and Southern Tiwa.
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Hoban, Nong, Agustinus Bhara, and Damianus Rikardo Sumbi Wasa. "Tracking the Historical Track of Java Woe (Java Tribe) in Bei Wali Village, Bajawa District, Nagafa Regency, Flores NNT." Edumaspul: Jurnal Pendidikan 6, no. 2 (October 1, 2022): 2372–79. http://dx.doi.org/10.33487/edumaspul.v6i2.4657.

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The problem raised in this paper is as follows: how is the origin of Woe Jawa (Javanese) in Beiwali Village, Bajawa District, Ngada Regency, NTT. The purpose of writing is to describe the history of Woe Jawa (Javanese) in Beiwali Village, Bajawa District, Ngada Regency, NTT. The research method used is qualitative research. Data collection techniques are interviews, observation, and documentation. Data analysis techniques are as follows: data reduction, data presentation, and drawing conclusions. The results show that the historical traces of Woe Jawa (Javanese) in Beiwali Village, Bajawa District, Ngada Regency, NTT are told on a long journey from their ancestral land, woe Jawa (Javanese) came from the Back Indies (Yunan). At that time it was estimated that the ancestors of Woe Jawa (Javanese) were pressured by other tribes so that they looked for a better life. On the way, they broke through the wilderness and crossed the ocean and stopped at several places before entering the island of Flores, the land of Ngada, among others: Sumatra, Java in the land of Java, the ancestors of the Javanese woe lived a long time and had children and grandchildren and then migrated to Sumbawa. then they go to Wio (Sumba) in Sumba they live sedentary for a while then they go to tiwa lina (calm and shady beach) Aimere beach (wae mokel) Flores Island, when the wae mokel river overflows the ancestors of woe Jawa (Javanese) moved to the east settled in Bo Jawa Meze (location of Aimere) and then they moved to Tana Dua (fertile land). The fertile land in question is the land of Ngada.
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González-Hernández, Andrés, Ana Beatriz Morales-Cepeda, Martín Flores, Julio C. Caicedo, William Aperador, and César Amaya. "Electrochemical Properties of TiWN/TiWC Multilayer Coatings Deposited by RF-Magnetron Sputtering on AISI 1060." Coatings 11, no. 7 (July 1, 2021): 797. http://dx.doi.org/10.3390/coatings11070797.

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Nitride and carbide ternary coatings improve the wear and corrosion resistance of carbon steel substrates. In this work, Ti-W-N and Ti-W-C coatings were deposited on AISI 1060 steel substrates using reactive radio frequency (RF) magnetron sputtering. The coatings were designed as monolayers, bilayers, and multilayers of 40 periods. The coatings were obtained with simultaneous sputtering of Ti and W targets. The microstructure, composition, and electrochemical properties were investigated by techniques such as X-ray diffraction (XRD), X-ray photoelectron spectroscopy (XPS), scanning electron microscopy (SEM), atomic force microscopy (AFM), electrochemical impedance spectroscopy (EIS), and potentiodynamic polarization. XRD results shower a mix of binary TiN and W2N structures in the Ti-W-N layer, a ternary phase in Ti-W-C layers, in addition of a quaternary phase of Ti-W-CN in the multilayers. The analysis of the XPS demonstrated that the atomic concentration of Ti was more significant than W in the Ti-W-N and Ti-W-C layers. The lowest corrosion rate (0.19 mm/year−1) and highest impedance (~10 kΩ·cm2) out of all coatings were found in n = 40 bilayers. In the simulation of equivalent electrical circuits, it was found that the Ti-W-N coating presented three processes of impedance (Pore resistance + Coating + Inductance). However, the multilayer (n = 40) system presented a major dielectric constant through the electrolyte adsorption; therefore, this caused an increase in the capacitance of the coating.
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31

Sutton, Ariana. "Tiwai." Scope: Contemporary Research Topics (Kaupapa Kai Tahu), no. 6 (2021): 12–13. http://dx.doi.org/10.34074/scop.2006003.

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32

Frenger, Paul. "Tina." ACM SIGPLAN Notices 40, no. 2 (February 2005): 5–10. http://dx.doi.org/10.1145/1052659.1052661.

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Fukada, Tetsuo, Takeshi Mori, Yoshihiko Toyoda, Makiko Hasegawa, Keisuke Namba, and Kazunao Ogata. "Electromigration resistance of TiWN/Cu/TiWN interconnections." Applied Surface Science 91, no. 1-4 (October 1995): 227–33. http://dx.doi.org/10.1016/0169-4332(95)00123-9.

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34

Gretchikhin, Leonid. "Formation of p-, n-conductivity in semiconductors." Vojnotehnički glasnik 66, no. 2 (2018): 304–21. http://dx.doi.org/10.5937/vojtehg66-15935.

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35

Habeck, Robert. "Tina Dico." Kursbuch 57, no. 205 (2021): 134–35. http://dx.doi.org/10.5771/0023-5652-2021-205-134.

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36

Sundholm, John. "Reseption tila." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 10, no. 2-3 (September 1, 1997): 112–13. http://dx.doi.org/10.23994/lk.116447.

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Valade, Tita, and Murielle Joye. "Tita Valade." Diplômées 278, no. 1 (2021): 149–60. http://dx.doi.org/10.3406/femdi.2021.10687.

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38

Bruno, Pierre. "Grama tica." Essaim 16, no. 1 (2006): 55. http://dx.doi.org/10.3917/ess.016.0055.

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39

Dopson, Laurence. "Mackay, Tina." Nursing Standard 26, no. 13 (November 30, 2011): 33. http://dx.doi.org/10.7748/ns2011.11.26.13.33.p7061.

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40

HOOKS, MARGARET. "TINA MADOTTI." Art Book 1, no. 1 (January 1994): 26. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00098.x.

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Walsh, Aylwyn, and Myrto Tsilimpounidi. "Dear TINA." Qualitative Inquiry 23, no. 2 (July 8, 2016): 137–48. http://dx.doi.org/10.1177/1077800416643984.

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Speaking from within a time of economic crisis, It’s a Beautiful Thing, the Destruction of Wor(l)ds investigates how scholarly activities reflect activist identities and the affect of experiencing social change in the Greek crisis. In Dear TINA, we write through and about workplaces: correctional institutions and higher education, and their effects on our ways of knowing. These two performance lectures by Ministry of Untold Stories offer a working through of ontological uncertainty, precarity, and risk. We propose that if scholarship is to offer resistance to “there is no alternative,” then there must be a methodological revolution.
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Edwards, Susan H. "Tina Modotti." History of Photography 21, no. 2 (June 1997): 173. http://dx.doi.org/10.1080/03087298.1997.10443738.

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Alcántara González, Javier, Natalia Jimenez, Rosa María Martín Díaz, and Pedro Jaén Olasolo. "Tiña facial." Medicina Clínica 139, no. 10 (October 2012): 466. http://dx.doi.org/10.1016/j.medcli.2010.12.017.

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Rodríguez Díaz, José Luis. "Tiña pedis." FMC - Formación Médica Continuada en Atención Primaria 18, no. 8 (October 2011): 499–500. http://dx.doi.org/10.1016/s1134-2072(11)70197-9.

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Conde-Salazar, L., and F. Heras. "Tiña favosa." Actas Dermo-Sifiliográficas 99, no. 6 (August 2008): 489–90. http://dx.doi.org/10.1016/s0001-7310(08)74724-0.

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Urbina, Francisco, Emilio Sudy, and Moema Barrios. "Tiña incógnita." Piel 17, no. 1 (January 2002): 12–17. http://dx.doi.org/10.1016/s0213-9251(02)72525-2.

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47

Fortes Álvarez, José Luis, and María Dolores Pulido La Torre. "Tiña capitis." FMC - Formación Médica Continuada en Atención Primaria 15, no. 6 (June 2008): 390. http://dx.doi.org/10.1016/s1134-2072(08)70854-5.

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Hernández, Isabel Moreno, and Jaume Sanahuja i Juncadella. "Tiña incógnita." FMC - Formación Médica Continuada en Atención Primaria 17, no. 1 (January 2010): 33–34. http://dx.doi.org/10.1016/s1134-2072(10)70011-6.

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49

Nascimento, Janaína P., Megan M. Bela, Bruno B. Meller, Alessandro L. Banducci, Luciana V. Rizzo, Angel Liduvino Vara-Vela, Henrique M. J. Barbosa, et al. "Aerosols from anthropogenic and biogenic sources and their interactions – modeling aerosol formation, optical properties, and impacts over the central Amazon basin." Atmospheric Chemistry and Physics 21, no. 9 (May 5, 2021): 6755–79. http://dx.doi.org/10.5194/acp-21-6755-2021.

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Abstract. The Green Ocean Amazon experiment – GoAmazon 2014–2015 – explored the interactions between natural biogenic forest emissions from central Amazonia and urban air pollution from Manaus. Previous GoAmazon 2014–2015 studies showed that nitrogen oxide (NOx = NO + NO2) and sulfur oxide (SOx) emissions from Manaus strongly interact with biogenic volatile organic compounds (BVOCs), affecting secondary organic aerosol (SOA) formation. In previous studies, ground-based and aircraft measurements provided evidence of SOA formation and strong changes in aerosol composition and properties. Aerosol optical properties also evolve, and their impacts on the Amazonian ecosystem can be significant. As particles age, some processes, such as SOA production, black carbon (BC) deposition, particle growth and the BC lensing effect change the aerosol optical properties, affecting the solar radiation flux at the surface. This study analyzes data and models SOA formation using the Weather Research and Forecasting with Chemistry (WRF-Chem) model to assess the spatial variability in aerosol optical properties as the Manaus plumes interact with the natural atmosphere. The following aerosol optical properties are investigated: single scattering albedo (SSA), asymmetry parameter (gaer), absorption Ångström exponent (AAE) and scattering Ångström exponent (SAE). These simulations were validated using ground-based measurements at three experimental sites, namely the Amazon Tall Tower Observatory – ATTO (T0a), downtown Manaus (T1), Tiwa Hotel (T2) and Manacapuru (T3), as well as the U.S. Department of Energy (DOE) Gulfstream 1 (G-1) aircraft flights. WRF-Chem simulations were performed over 7 d during March 2014. Results show a mean biogenic SOA (BSOA) mass enrichment of 512 % at the T1 site, 450 % in regions downwind of Manaus, such as the T3 site, and 850 % in areas north of the T3 site in simulations with anthropogenic emissions. The SOA formation is rather fast, with about 80 % of the SOA mass produced in 3–4 h. Comparing the plume from simulations with and without anthropogenic emissions, SSA shows a downwind reduction of approximately 10 %, 11 % and 6 % at the T1, T2 and T3 sites, respectively. Other regions, such as those further downwind of the T3 site, are also affected. The gaer values increased from 0.62 to 0.74 at the T1 site and from 0.67 to 0.72 at the T3 site when anthropogenic emissions are active. During the Manaus plume-aging process, a plume tracking analysis shows an increase in SSA from 0.91 close to Manaus to 0.98 160 km downwind of Manaus as a result of SOA production and BC deposition.
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Akanmu, Dayo. "Àkànlò-èdè Tuntun Nínú Àwọn Orin Ọ ̀ dọ ́ Ìwòyí." Yoruba Studies Review 6, no. 1 (December 21, 2021): 1–19. http://dx.doi.org/10.32473/ysr.v6i1.130096.

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Àkaǹlò èdè Yorùbá tuntun je ̣ ́ ìpèdè tí Àkànmú (2016) pè ní ìsọ ìgbàlódé tí ìtumò wọn loorìn díè tí ó sì ṣàjèjì sí àwọn tí ó máa ń ṣe àmúlò àkànlò èdè ti ̣ - wa-n-tiwa tí ó ti wà te ̣ ́ lè . Ọ̣ ̀pòḷọpo ̣ ̀ ̀ iṣe ̣ ̣ ́ ìwádìí ní ó ti wà lórí ìṣàmúlò àkànlò èdè Yorùbá tuntun nínú orin, fíìmù àgbéléwò, ìpolówó ọjà, ìròyìn, o ̣ ̀ nà ìbániso ̣ ̀ ro ̣ ̀ nínú eré boòlù àfẹse ̣ ̣ ̀ gbá láàrin àwọn èrò ìwòran ní gbàgede ìwòran àti ìgbòkègbodò ọko ̣ ̀ ṣùgbó n kò fi bee ̣ ̀ sí iṣé tí ó jinle ̣ ̣ ̀ lórí ìjẹyọ àkànlò èdè Yorùbá tuntun nínú orin tàka-súfèé òde òní èyí tó wo ̣ ́ po ̣ ̀ láàrin àwọn o ̣ ̀ do ̣ ́ . Akitiyan láti dí àlàfo yìí ní ó bí àpile ̣ ̀ kọ yìí. Tío ̣ ́ rì èdè ojoojúmó (̣ Standard Language Theory) tí Mukarovsky ṣe agbáterù re ̣ ̀ ni a fi ṣe àtúpalè àwọn àkànlò èdè Yorùbá ̣ tuntun tí á yè wò nínú bébà yìí nítorí pé ó lè ṣàlàyé ohun tí ó je ̣ ̣ ́ kí àkànlò èdè Yorùbá tuntun yapa si èdè ojoojúmo ̣ ́ àti ohun tí ó ń fa ìyàtò gír ̣ íkì láàrin èdè ojoojúmó àti èdè ewì. A ṣe àṣàyàn o ̣ ̣ ̀ kọrin tàka-súfèé me ̣ ́ ta wonyi: Olátúnjí Ọládo ̣ ̀ tun À ̀làdé (Dotman), Azeez Fáṣọlá (Naira Marley) àti Oritse Fe ̣ ́ mi Má- je ̣ ̀ e ̣ ́ mite ̣ ́ Èkélè (Oritsa Fémi) nítorí pé àkànlò èdè Yorùbá tuntun farahàn púpo ̣ ̀ nínú orin wọn. Nínú ìtúpalè wa ni ó ti hàn pé àwọn o ̣ ̣ ̀ kọrin tàka-súfèé òde-òní fe ̣ ́ ràn láti máa ṣe àmúlò àkànlò èdè Yorùbá tuntun bí i ‘oúnjẹ ọmọ’ (fún obìnrin tí ó ní ọyàn ńlá èyí tí ó bù kún ẹwà a rè ), ‘je ̣ ̣ ̀ wà’ (s ̣ ̀ ewo ̣ ̀ n), ‘ojúẹle ̣ ́ gba’ (oluko, ará oko èèyàn tàbí ẹni tí ojú re ̣ ̀ dúdú), ‘gbé bo ̣ ́ dì ẹ’ (lo ọpọlọ tàbí ọgbo ̣ ́ n orí ẹ) àti ‘yàúyàhúù’ (àwọn tí ó ń fi e ̣ ̀ rọ ayélujára lu jìbìtì) ge ̣ ́ ge ̣ ́ bí o ̣ ̀ nà ìbániso ̣ ̀ ro ̣ ̀ àti ìdánilárayá. A ṣe àmúlò àfiwé ẹle ̣ ́ lo ̣ ̀ o ̣ ́ fún ìṣe ̣ ̀ dá àwọn àkànlò èdè Yorùbá tuntun tí ó jẹ yọ. Àfiwé ẹle ̣ ́ lò ọ ̣ ́ yìí náà ni ó bí ìsọdorúkọ, fìrósínròójẹ àti àwọn èròjà ìṣe ̣ ̀ dá o ̣ ̀ ro ̣ ̀ mìíràn tí a lò nínú àpile ̣ ̀ kọ yìí. Ó hàn gbangba pé àkànlò èdè Yorùbá tuntun rẹwà jù lọ fún ìbáraẹniso ̣ ̀ ro ̣ ̀ , ṣíṣe àlàyé o ̣ ̀ ro ̣ ̀ , àpèjúwe àti ìdárayá nínú orin tàka-súfèé
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