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Journal articles on the topic 'Tobin Foundation for Theater Art'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Korobko, Margaryta. "Immanuel Kant and theatre: to the problem statement." UKRAINIAN CULTURAL STUDIES, no. 2 (15) (2024): 17–21. https://doi.org/10.17721/ucs.2024.2(15).04.

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Background. On the occasion of the 300th anniversary of Immanuel Kant, this study is dedicated to exploring his influence on theatrical art, even though Kant himself did not show much interest in theater. The article attempts to examine the theater of his time, its presence in Königsberg, and the impact of Kant's philosophy on the development of theatrical theory. To study the relationship between German theatrical art of the 18th century and the philosophy of Immanuel Kant, as well as to explore the influence of his philosophical ideas on the development of theatrical art in general. Methods.

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2

Akhsanan Nisa', Ilma, and Welly Suryandoko. "Method Of Acting Training At The Art Space Foundation In Tuban District." Journal of Pedagogi 1, no. 4 (2024): 1–8. http://dx.doi.org/10.62872/gc3x5879.

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The training method for an actor is the first step that becomes an important part of the success of a theater performance. The right training for actors is training that can develop their potential, such as the actor training conducted by the Ruang Seni Foundation in Tuban Regency. Actor training conducted by the Ruang Seni Pribumi Foundation is carried out once a year and is attended by high school / junior high school / high school theater communities in Tuban Regency. The research method used is qualitative with a qualitative descriptive approach that uses data collection techniques in the

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Zhang, Xiaomeng, Wenting Liu, Yilun Zhou, and Ziao Liu. "Basic Selection and Analysis of Harbin Ice and Snow World Theater Project." E3S Web of Conferences 248 (2021): 03044. http://dx.doi.org/10.1051/e3sconf/202124803044.

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Harbin Ice and Snow World Project totals 98,000 square meters, consisting of Iceberg Pavilion, Dream Ice and Snow Pavilion, Ice and Snow Show, and Ice and Snow Art Museum.This project mainly introduces the foundation selection and structural design of the Harbin Ice and Snow World Show, verifies the feasibility of the project implementation, and analyzes the rationality of the structural foundation layout through structural design and structural calculation analysis.

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Allawi Salal, Aqil, and Russil Kadim oda. "Actor's skills in pantomime theater performances." Al-Academy, no. 105 (September 15, 2022): 121–32. http://dx.doi.org/10.35560/jcofarts105/121-132.

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The art of pantomime mime is one of the arts that has taken a wide space in theater performances, and because it is one of the spectacle shows that relies on an acting performance that is unique from the traditional acting performance, because of the peculiarity of pantomime art in that it is a silent performance that assumes the clarity of meaning, and for the purpose of clarifying the actor’s work in such kind of performances, the art of pantomime must be We have to know the skills that the actor can possess in order to produce a silent show that has the elements of a successful presentation

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5

Gerdova, T. S. "Theater Art in Oleksandrivsk (Zaporizhzhya): end of the 19th – beginning of the 20th сenturies". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, № 57 (2020): 228–45. http://dx.doi.org/10.34064/khnum1-57.14.

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Introduction. Theoretical background. The territorial formation and economic development of Оlexandrivsk and the district is associated with the activation of social, including artistic, life all aspects in the Russian Empire. The creative potential of small towns, including Olexandrivsk, has become a fertile ground for the development of the principles and means of theatrical and stage creativity. Theater, as the most democratic form of art, is directly connected with changes in public life. The theater significant social role and insufficient knowledge on it in the Olexandrivsk conditions an

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6

Trushevska, А. "Ikigai-theater as a type of purpose: a modern view of the concept of stage art." Culture of Ukraine, no. 84 (June 20, 2024): 35–43. http://dx.doi.org/10.31516/2410-5325.084.03.

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The purpose of the article is to analyze recent publications and research and to consider some contemporary concepts of theater art. We propose a new concept of theater art — “ikigai-theater” based on the human life purpose. The purpose of the article was to fulfill a number of tasks: to define the concept of “ikigai” and consider its main components; to identify the factors that are the foundation for the formation of ikigai-theater; to integrate the concept of “ikigai” into the concept of theater. In our opinion, a concept of ikigai-theater can be a solution to the problem of separation betw

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Gao, Hui. "Analysis of Art Economics of the Spring Willow Society based on SWOT Theory." Highlights in Business, Economics and Management 1 (November 28, 2022): 8–13. http://dx.doi.org/10.54097/hbem.v1i.2310.

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The Spring Willow Society opened a dialogue between China and theater. Although it lasted only three years before the government ordered it to stop, it laid the foundation for the future development of Chinese performing arts. It played a part in the creation of new plays. However, most scholars take The Spring Willow Society's drama and performing arts as the research object, while a few studies it from the perspective of art economics. This paper attempts to analyze the core competitiveness of the art market of The Spring Willow Society from the perspective of art economics and further broad

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8

Bian, Tong. "On the Practical Value of Musical Theater Art in Music Education in Colleges and Universities." International Journal of Education and Social Development 2, no. 1 (2025): 55–59. https://doi.org/10.54097/2hja7715.

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As a comprehensive art form, musical theater not only enriches people's cultural life and enhances the cultural taste of the society with its unique charm, but also shows far-reaching multiple values in music education in colleges and universities. It is not only a pusher of cultural prosperity, enhancing social cohesion through entertainment and emotional transmission, but also a valuable resource for art education, effectively cultivating students' aesthetic ability, performance skills, innovative thinking and teamwork spirit, and laying a solid foundation for students' comprehensive develop

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9

Ilic, Vlatko. "Theater arts as the subject of comparative aesthetics." Theoria, Beograd 67, no. 1 (2024): 151–60. http://dx.doi.org/10.2298/theo2401151i.

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In this paper we will show how the new theoretical thought about theater, since the beginning of the last century and the establishment of theatrology as the academic discipline and field of research, is being based on the comparative aesthetic perspective - on the distinction between different arts on the one hand and the identification of the transcultural foundation of theater arts on the other. Following the analyses of examples of contemporary theatre and the insights that emerge from them, we will demonstrate how the questions that rise out of theatrical practice and theory resonate with

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10

Kultys, Konrad. "Body and camera in motion — a dialogue between film and contemporary dance theater based on the experience gained in the making of the experimental art documentary Tensity." Dziennikarstwo i Media 15 (June 29, 2021): 51–64. http://dx.doi.org/10.19195/2082-8322.15.5.

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The paper presents the relationship between the worlds of film and dance theater, and the ways in which the medium of the performing body can be translated onto the screen by the director and cinematographer. By analyzing his own experiences and related artistic decisions made during the realization of the experimental documentary Tensity, the author looks at the clash of two different media and the relations that may result from the effort to translate dance theater performance into traditional film medium. Along with the change of medium, the nature of the work also changes and a completely

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PАLIJ, Оxana. "THE STAGE EMBODIMENT OF THE IMAGES OF NATIONAL DRAMA IN THE ACTING PRACTICE OF OLEKSANDR KOROLCHUK ON THE STAGE OF MYKOLA SADOVSKY’S KYIV THEATER (1907–1919)." Bulletin of the Lviv University. Series of Arts Studies 109, no. 21 (2023): 53–71. http://dx.doi.org/10.30970/vas.21.2023.12129.

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The article examines the peculiarities of Oleksandr Korolchuk’s acting Style based on the works of national drama on the Stage of the Kyiv Theater named after Mykola Sadovsky. Therefore, based on the extensive material of the Kyiv press, memories of contemporaries, materials of the Museum of Theater, Music and Film Arts of Ukraine (Vasyl Vasylko Foundation), the actor’s range of roles was considered, the means of Stage expressiveness of Oleksandr Korolchuk were characterized based on the material of national drama. Also, for the firSt time, we introduce the term into scientific circulation and

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Mirzaev, A. M., G. N. Povalyashko, and D. M. Mosienko. "THE PHENOMENON OF SOCIAL MEDIA IN THE DISCURSIVE FIELD CONTEMPORARY CHOREOGRAPHIC ART." Keruen 84, no. 3 (2024): 326–36. http://dx.doi.org/10.53871/2078-8134.2024.3-24.

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The rapid penetration of social media into all spheres of life dictates the need to shift research attention towards the interactions between social media and art. Global conditions of prevalence have made media communications a leading field for obtaining and representing information. The multimedia tools of modern media in the field of art allow for the continuous expansion of its audience. Consequently, there is a constant search for varied mediation technologies between cultural institutions and society. The aim of the study is to examine the phenomenon of social media as a condition for t

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Kurmalasari, Tety, Abdul Rahim Hamdan, and Satria Agust. "The Role of Mantra in Theater Makyong." Asian Culture and History 9, no. 2 (2017): 71. http://dx.doi.org/10.5539/ach.v9n2p71.

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The research is based on the study of literature. The problem of this research was uses of the spell in theater makyong. The study of uses of the spell in theater makyong is assumed so interesting, because until now theater makyong has still been using spell used by the Panjak chairman to chase away the evil and averse evil before the show begins which is well-known as the ceremony of the"discard wet" or "open land". The spell in theater makyong consists of swearing, the evil, and averse evil spells related to ceremonies open land or discard wet, installing fabric spell, advanced series spell,

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14

Gryzunova, Olga V. "Theatrical and Non-Theatrical Thinking in Actual Choreographic Practice." Observatory of Culture 18, no. 4 (2021): 416–23. http://dx.doi.org/10.25281/2072-3156-2021-18-4-416-423.

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The article attempts to concretize the essence of the two aesthetically polar staging approaches — theatrical and non-theatrical (performative) — in the context of the choreographic art development. The author suggests that the basis for separating these approaches can be some peculiarities in the ways they interpret such fundamental concepts as “actor”, “role”, “spectator”, “drama”, “action”, “conflict”, which, in a choreographic performance, are in certain relationships determined by cultural traditions, and in a non-theatrical production, they are transformed up to their disappearance. A si

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15

Osipova, L. V. "CONTEMPORARY THEATER ARTS IN THE EDUCATIONAL ACTIVITY OF THE TEACHER." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 77 (2021): 34–39. http://dx.doi.org/10.37313/2413-9645-2021-23-77-34-39.

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Contemporary theatrical art is considered in the article in two aspects: as a way to solve the problems of educating students (education by means of theatrical art) and as a means of preparing future teachers to solve educational problems (theatrical pedagogy). At the same time, educational activity is understood from the standpoint of a culturological approach as a purposeful activity of a teacher acting as an intermediary between a child and culture, to include students in modern culture context. The ideas about the peculiarities of contemporary theatrical art that influence the educational

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16

Demeshchenko, Violeta. "Oriental Motives in the Aesthetics of the New Theater of Gordon Craig." Culturology Ideas, no. 14 (2'2018) (2018): 68–78. http://dx.doi.org/10.37627/2311-9489-14-2018-2.68-78.

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The article is an attempt to rethink the creativity of a well-known English director, artist, screenwriter and journalist Gordon Craig who, in his professional work, preferred the traditions of the Eastern Theatre (China, India, and Japan) and their aesthetics. The director also was fond of the ideas of symbolism, which made it possible to use the forms of figurative poetic and associative thinking effectively in theatrical performances being the means of transferring an emotional idea. The article also reveals the creative stages of the prominent English director Gordon Craig emphasising his

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17

Lai, Bùi Như. "Contributions of directors trained by the (former) Soviet Union to Vietnamese drama." Voprosy kul'turologii (Issues of Cultural Studies), no. 10 (October 31, 2024): 920–33. http://dx.doi.org/10.33920/nik-01-2410-07.

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The later directors who were trained in the former Soviet Union or studied in socialist countries such as Bulgaria and Romania had a solid foundation in theatrical theory and in the organization of performances according to the Stanislavsky system, a scientifi c theatrical theory system, an advanced and very valuable artistic method, of world stature. After having professional directors, the Vietnamese drama theater has undergone great changes. The directors have matured, and today's performances are much diff erent from the past. There is no longer a state of arbitrariness on theater, the act

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18

Krypchuk, Mykola. "ASPECTS OF PSYCHOTECHNICS IN THEATER AND IN VARIETY ART (COMPARATIVE ANALYSIS)." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 104–11. http://dx.doi.org/10.25128/2411-3271.19.2.14.

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The article investigates the specifics of the basic elements of psychotechnics in theater and variety art. The nature and variety of the artist’s psychotechnics is clarified and specified. The specific peculiarities and differences of the way of existence of a dramatic actor and a stage artist are determined. Specificity of performance in the variety turn, which uses a laconic arsenal of means of acting expression is characterized. The “foundation” of K. Stanislavsky’s entire system are the basic principles where the process of dramatic transformation of an actor into an image is crucial. The

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19

Kalinina, Larisa Yurievna. "Contests of concept «art-composition» in context of XXI century art education." Samara Journal of Science 5, no. 2 (2016): 162–65. http://dx.doi.org/10.17816/snv20162306.

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The article discusses the concept of art composition, that functioning in practice music teachers, teachers of fine arts and literature, teachers of choreography and theater. However, the theoretical foundation of art-composition and content of the concept has not yet been the subject of a special study. At the same time, comprehension of innovative approach in educating to the art, maintenance of artistic education characterized by an orientation on studying - man with a modern world view, it is necessary. A necessity of enriching of thesaurus of school pedagogics was clear, actual terms, art

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20

Popper, Frank. "Art, Science, Technology: Six Exhibitions 1966–1998." Leonardo 52, no. 2 (2019): 194–95. http://dx.doi.org/10.1162/leon_a_01163.

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From the late 1960s until the end of the twentieth century, the author organized, or helped organize, six exhibitions throughout Europe that saw artists integrate and alter the collective destinies of science, art and technology. The works of art presented at these exhibitions: KunstLichtKunst at the Stedelijk Van Abbe Museum in Eindhoven; the Lumière et Mouvement exhibition at the Musée d’Art Moderne de la Ville de Paris; Cinétisme, Spectacle, Environnement, held at the Mobile theater of the Maison de la Culture in Grenoble; Interventions and Environments in the Streets of Paris and in Its Su

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21

Naumov, Aleksandr V. "From Criticism to Practice: Music in the Early Literary Heritage of V.I. Nemirovich-Danchenko." Observatory of Culture 19, no. 2 (2022): 182–92. http://dx.doi.org/10.25281/2072-3156-2022-19-2-182-192.

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The article examines the relationship between the literary work of V.I. Nemirovich-Danchenko that preceded the opening of the Moscow Art Theater, and his directorial activity. For him, journalism, fiction and drama formed a unity that had a serious impact on his pedagogical and staging practice. The main issues related to the topic of the work have been repeatedly raised by researchers of theater and literature, but have not yet come to the attention of musicologists, which determines the main parameter of the study’s novelty. In this context, the article aims at pinpointing the actual musical

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Qafarova, Gunay N. "Azerbaijan National Museum of Art: On the history of foundation." Issues of Museology 13, no. 2 (2022): 214–30. http://dx.doi.org/10.21638/spbu27.2022.205.

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The article briefly gives the history of the creation of the Azerbaijan National Museum of Art, one of the largest museums in the country. The museum has a rich collection of Russian, Western European, Eastern and Azerbaijani art. The collection has been formed throughout the existence of the museum, but its foundation was laid back in the Azgosmusey. A certain part of the collection is made up of exhibits transferred to the museum during the USSR period, a cultural policy that relied on the education of the masses, regardless of nationality and region. A descriptive description of the exhibit

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23

Lavrentiev, Alexander Nikolaevich. "Review of the exhibition and catalog: Girlfriends. For the anniversary of Varvara Stepanova. Exhibition catalog. Moscow: Pushkin State Museum of Fine Arts (2024)." Design. Art. Industry, no. 11 (November 13, 2024): 80–86. http://dx.doi.org/10.56900/2312-6116_2024_11_80.

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The exhibition "Girlfriends. To the anniversary of Varvara Stepanova", (curators A.A. Danilova, A.A. Savinov, A.N. Lavrentiev), which opened in July 2024 at the Pushkin State Museum of Fine Arts reveals the contribution of Russian avant-garde artists to the formation of constructivism as an influential global trend in architecture and design, the development of domestic fashion design, graphic design, theater. The exhibition presents the works of A.I. Akhtyrko (students of A.M. Rodchenko in VKhUTEMAS), E.A. Ignatovich (a photojournalist and journalist who worked with V.F. Stepanova), L.S. Popo

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Krom, Anna E. "David Lang’s Postminimalist Musical Theater." Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 432–48. http://dx.doi.org/10.21638/spbu15.2022.302.

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The article explores issues of the American musical theater of the nineteenth century, fruitfully developing on the basis of postminimalism. Among the brightest representatives of this style is the composer David Lang (1957), a member of the group “Bang on a Can”. His theatrical projects of the last two decades demonstrate a new phase in the development of postminimalist theater, the foundation of which was laid by his older contemporaries, Philip Glass, Steve Reich, and John Adams. Using the example of stage works — “The Difficulty of Crossing a Field” (2002), “Prisoner of the State” (2019),

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25

Хоменко, Олена. "Роль уряду П. Скоропадського в питанні розвитку й підтримки театру та кінематографа в Українській Державі 1918 р." Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 47 (18 березня 2024): 51–58. http://dx.doi.org/10.31652/2411-2143-2024-47-51-58.

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The article analyzes the role of Pavlo Skoropadskyi's government in 1918 in the strategic and artistic issue of the development of art, as part of the state-building process in the Ukrainian State of that time, based on archival sources and the scientific work of modern scientists. The research methodology is based on the fundamental principles of historical research: historicism, systematicity, scientificity, objectivity in the selection of facts and documents. The scientific novelty of the article lies in the fact that, for the first time, with the help of archival sources, specific steps in

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Zaks, Lev A. "Macroparadigms of the Artistic Consciousness as a Basis of “Great Border” in Present-day Art." Koinon 1, no. 1-2 (2020): 216–29. http://dx.doi.org/10.15826/koinon.2020.01.1.2.011.

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The article discusses the problem of “great border” between the newest art of the latter part of the 20th century and the early 21st century and traditional art as it has been existed throughout millennia. A zone of major differences between these two types of art reflected in radically new features of language, richness and perception of the latest art, in emergence of new forms of artwork (art-objects, installations, performances, digital art, contemporary dance, post-drama theater) is expressed. At the same time the illustrative evolution of the very traditional art of today which brings it

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Mishurovskaya, Maria. "“The case of photographs” in the archive of the All-Union Society of Cultural Communication with Abroad. On the history of the staging of M. A. Bulgakov’s play “The Days of the Turbins” (1938) in London." Slavic Almanac, no. 1-2 (2022): 248–64. http://dx.doi.org/10.31168/2073-5731.2022.1-2.3.03.

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The article examines the documents deposited in the folder “The All-Union Society of Cultural Communication with abroad. English Department. Correspondence with the VOKS commissioner in England about the staging of Bulgakov’s play The Days of the Turbins at the Phoenix Theater”, which is part of the 5283 foundation “The All-Union Society for Cultural Communication with Abroad (VOKS)” of the State Archive of the Russian Federation. The content of these archival sources is related to the so-called “case of photographs” of the performance “The Days of the Turbins” of the Moscow Art Academic Theat

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Shevchenko, Elena N. "YOUNG DIRECTING ON THE KAZAN STAGE." Челябинский гуманитарий 66, no. 1 (2024): 77–84. http://dx.doi.org/10.47475/1999-5407-2024-66-1-77-84.

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The article is devoted to the young generation of directors working on the Kazan stage. These are those who have entered the profession over the past ten years. Among them there are already established masters such as Ilgiz Zainiev, Aidar Zabbarov, Timur Kulov, Ilsur Kazakbayev, a director from Bashkiria who is actively working in Tatarstan. There are also those who are at the very beginning of their career, but have already attracted attention with interesting productions and projects – Lilia Akhmetzyanova, Bulat Gataullin, Bulat Minkin and others. These young artists are successfully impleme

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Kuryumova, Natalia. "Provincial dances theatre: From a local project to a flagship of contemporary choreography in 35 years." Managing of Culture 4, no. 1 (2025): 37–47. https://doi.org/10.70202/2949-074x-2025-4-1-37-47.

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The article is devoted to the consideration of the phenomenon of the domestic dance theater, which appeared in Russia in the early 1990s, and one of the iconic representatives of which is the Yekaterinburg troupe "Provincial Dances". The goal is an attempt to periodize the 35-year creativity of the troupe and the inextricably linked creativity of the choreographer Tatyana Baganova. The periodization is based on mixed criteria. On the one hand, the connection of each chronological period with certain organizational changes, on the other - their connection with certain artistic and stylistic shi

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Kolisnyk, Liudmyla. "THE INFLUENCE OF NON-TRADITIONAL METHODS AND TECHNOLOGIES ON THE PSYCHO-EMOTIONAL STATE OF OLDER PRESCHOOLERS WITH APHASIA." Psychological and Pedagogical Problems of Modern School, no. 1(5) (May 27, 2021): 161–68. http://dx.doi.org/10.31499/2706-6258.1(5).2021.235979.

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In the article, the author reveals the positive impact of non-traditional methods and technologies on the psycho-emotional state of older preschool children with speech disorders, which is called aphasia. The research is done on the author’s advanced pedagogical experience. The advantages of introducing non-traditional technologies into the educational process are clarified. The author shares the experience of implementing the most effective non-traditional methods and technologies for the correction of speech disorders in aphasia (information and communication technologies, sand-play technolo

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गैरे, गोपालप्रसाद. "नाटककार विजय मल्लको रङ्गमञ्च शिल्प {Dramatist Bijay Malla's art of theater}". NUTA Journal 10, № 1-2 (2023): 137–51. http://dx.doi.org/10.3126/nutaj.v10i1-2.63055.

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प्रस्तुत लेख विजय मल्लका नाटकको रङ्गमञ्चशिल्पको अभ्ययनमा केन्द्रित छ । रङ्गमञ्चशिल्पको वैशिष्ट्य निरूपण नाटकको रङ्गमञ्चीय प्रस्तुतिका रूप र अवस्थाको प्रत्यक्ष अवलोकनबाट हुन्छ तापनि रङ्गमञ्चीय प्रस्तुतिका समस्त रूप र अवस्थाको मूलाधार नाट्यमर्म हो । नाट्यमर्मलाई नै श्रव्यदृश्य परिणति प्रदान गर्ने उद्देश्यले नै आधारशिलाका रूपमा नाट्यपात्रका कार्यव्यापार सम्पत्र भएको स्थान, समय र परिस्थितिको प्रतिनिध्यात्मक वा प्रतीकात्मक ढङ्गमा रङ्गमञ्च तयार गरिन्छ । नाट्यकृतिलाई रङ्गमञ्चीय प्रस्तुतिमा लैजाँदा रङ्गकर्मीहरूले नाट्यालेखको अध्ययनबाट नाट्यपात्रका बाह्यान्तरिक रूप र अवस्थाको मानससाक्षात्कार गर्छन् र त

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Marchenko, Herman V. "THE VAKHTANGOV SCHOOL: CREATION OF TEACHING METHODS." Scientific and analytical journal Burganov House. The space of culture 17, no. 3 (2021): 50–64. http://dx.doi.org/10.36340/2071-6818-2021-17-3-50-64.

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The article presents information about the faithful disciple of Evgeny Vakhtangov, Boris Zakhava. For 50 years, Boris Zakhava continuously led the Shchukin Theater Institute. He was, perhaps, the only one of Vakhtangov’s students who, having come to the Studio from the first days of its foundation, remained faithful to the theatrical principles of Evgeny Vakhtangov. Also, the article examines the period of creation of Zakhava’s method of teaching acting at the Shchukin Theater Institute. A significant role in the formation of Zakhava as a theorist and teacher was played by his teacher, Evgeny

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Powers, Holiday. "Those Who Will Join Us." Nka: Journal of Contemporary African Art 2023, no. 53 (2023): 88–98. http://dx.doi.org/10.1215/10757163-10904104.

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“Those Who Will Join Us” reviews Bouchra Khalili’s multimedia installation The Circle (2023) in the context of Sharjah Biennial 15. The Circle was commissioned by Sharjah Art Foundation and won one of the biennial prizes, and suggests larger questions about what it means to be in the world, how we might remake the world, and what the role of art could be within this. The installation, which includes archival images and small televisions around a large two-channel video projection, is an investigation of the Movement of Arab Workers (MTA) and its theater groups, Al Assifa and Al Halaka. These a

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Flores, Tracey T. "“We Are More Than That!”: Latina Girls Writing Themselves from Margins to Center." Research in the Teaching of English 57, no. 4 (2023): 332–54. http://dx.doi.org/10.58680/rte202332471.

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In this article, I center the voices and experiences of Yazmin, Valeria, Guadalupe, and Monet, four escritoras that participated in Somos Escritoras, a creative space for Latina girls (grades 6–12) that invites them to share and perform stories from their lived experiences using art, theater, and writing as tools for reflection and examination of self and world. For two weeks, these escritoras created art and composed personal stories from their lives that addressed the tensions and contradictions at the intersections of age, language, culture, and ethnicity they navigate daily as Latina girls

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Kirillova, Anna Nikolaevna, and Arsenii Anatolevich Belomytsev. "Semantic oscillations of supporting music of the ancient cult as the foundation of metamodernism elements in the works of contemporary opera directors." Культура и искусство, no. 8 (August 2021): 11–19. http://dx.doi.org/10.7256/2454-0625.2021.8.36335.

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In recent decade, modernism as one of the varieties of post-postmodernism, draws interest of the researchers. It is suggested that modern culture has transgressed the situation of postmodernism, gravitating towards conceptual and semantic sustainability. As a language of self-description of the new era, the foundations of metamodernism are reflected in various forms of art. The opera house, overcoming the inertia of conservatism, perceives these trends, refracting them in a characteristic oscillation between the extreme semantic poles, which formed during the period of antiquity. The subject o

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Setyawan, Dedy, and Florentianus Dopo. "Strengthening National Identity Through The Learning of East Culture-Based Art Education." Harmonia: Journal of Arts Research and Education 20, no. 1 (2020): 39–46. http://dx.doi.org/10.15294/harmonia.v20i1.21711.

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Eastern culture-based art education is an effort to strengthen and build national identity through the transfer of knowledge and the transfer of value in the values of diversity and cultural preservation. The purpose of this study is to provide a conceptual picture of strengthening national identity through learning art education based on eastern culture. The method used is qualitative research by examining science theoretically through literature study, documentation, video, and audio study approaches that are analyzed descriptively. The results showed that some of the eastern cultural arts w

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Dogorova, Nadezhda Alexandrovna, and Jun Fan. "Historical evolution and typological features of choreography in China’s dance culture." Pan-Art 5, no. 2 (2025): 293–305. https://doi.org/10.30853/pa20250033.

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Ancient Chinese dance culture and folklore art left behind a rich heritage and unexplored research materials. Along with this, the academic meaning of the term “choreography” in the syncretic stage art of China appeared relatively recently. In the early 20th century in staged choreographic work, as well as in the performing skills of dancers, a number of transformations began, affecting the formation of the academic form of choreography in China. The specificity of the art of Chinese choreography in the first half of the 20th century was not divorced from the guidelines for the implementation

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Donchenko, Nataliia, and Nataliia Sokolenko. "Formation and Development of the Main Principles of M. Chekhov's Theater System in the Context of Changing the Actor's World Perception." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 138–50. https://doi.org/10.31866/2616-759x.3.2.2020.219278.

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The purpose of the work is to analyze the formation and development of the main principles of M. Chekhov’s theatrical system in the context of changing the actor’s worldview of theatrical art. Investigate the theatrical and pedagogical system M. Chekhov as one of the world’s leading theatrical practices, as a synthesis of complex complementary and mutually enriching intercultural processes; to determine the artist’s influence on the reform of the European and American schools of acting art. The research methodology is based on the use of the following sci

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KUZYK, Oleg. "RESEARCH HERITAGE OF CHOREOGRAPHERS OF THE 20-th CENTURY." Bulletin of the Lviv University. Series of Arts Studies 218, no. 24 (2023): 144–50. http://dx.doi.org/10.30970/vas.24.2023.144-150.

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The article is prepared based on specific historical and ethnographic materials, information of researchers, and encourages a deeper understanding of the history of the formation of Ukrainian folk dance traditions as a part of Ukrainian traditional culture, the aesthetic and spiritual heritage of the customs of Ukrainians with their regional features, as well as an element of folk creativity in combination with other types of artistic creativity – visual arts (costuming and decoration), song, theater, folklore. Ukrainian folk art is a great treasure and occupies one of the leading places in wo

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Zolotukhin, Valeriy. "Speech Melody Research as the Interdisciplinary Foundation of the Petrograd Institute of the Living Word." Arts 13, no. 1 (2024): 31. http://dx.doi.org/10.3390/arts13010031.

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The assumption of similarity between artistic speech melody and music was deeply rooted in Russian Symbolism and based on the culturally established analogy between poetry/lyrical prosody and music. This connection was the basis for a wide range of performative practices focused on performed word such as the experiments of director Vsevolod Meyerhold and composer Mikhail Gnesin in Petrograd theater studios in 1900–1910s, and the collective declamation of Vasilii Serezhnikov and Vsevolod Vsevolodskii-Gerngross. However, after the October revolution, this analogy not only inspired new artistic p

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СИДОРЧУК, И. В. "ЛЕНИНГРАДСКИЙ ТЕАТР ФИЗИЧЕСКОЙ КУЛЬТУРЫ «СПАРТАК» (1932–1940 ГГ.)". ВЕСТНИК СУРГУТСКОГО ГОСУДАРСТВЕННОГО ПЕДАГОГИЧЕСКОГО УНИВЕРСИТЕТА, № 3(96) (25 червня 2025): 236–43. https://doi.org/10.69571/sspu.2025.3.96.024.

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Исследование посвящено Ленинградскому театру физической культуры «Спартак», су- ществовавшему в 1930‑х гг. и пока не становившемуся объектом отдельного научного исследования. На основании материалов фонда театра, хранящихся в Центральном государственном архиве литературы и искусства Санкт- Петербурга и практически не вво- дившихся в научный оборот, реконструированы основные этапы его развития и особенно- сти в контексте истории физической культуры в Советской России в межвоенный период. В результате был сделан вывод, что главной причиной его сложной судьбы и закрытия стал финансовый фактор, ко

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Наталія Семергей. "ЛІТЕРАТУРА ТА МИСТЕЦТВО В УКРАЇНСЬКОМУ НАЦІОНАЛЬНО-КУЛЬТУРНОМУ ВІДРОДЖЕННІ ДРУГОЇ ПОЛОВИНИ ХІХ – ПЕРШОЇ ТРЕТИНИ ХХ СТОЛІТТЯ: НОВІТНЯ ІСТОРІОГРАФІЯ". International Journal of Innovative Technologies in Social Science, № 3(24) (31 березня 2020): 31–34. http://dx.doi.org/10.31435/rsglobal_ijitss/31032020/7015.

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   The article is devoted to the analysis of modern historiography concerning the place and the role of literature and art in the rise of Ukrainian national and cultural revival of the second half of the ХІХth – the first third of the ХХth century. It has been found out that historians consider the works of writers, poets, linguists, artists of Ukrainian theater, music, fine arts as a key factor and simultaneously a manifestation of the rise of Ukrainian national and cultural movement. It has been revealed that consideration of the literary and artistic component of national

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Tahalea, Silviana Amanda, Erlina Novianty, Pongky Purnama, and Ariani Ariani. "Practice on Designing Stages of Work Creation Methods as a Basis for Creating Photographic Works." Altifani Journal: International Journal of Community Engagement 4, no. 2 (2024): 160. http://dx.doi.org/10.32502/altifani.v4i2.7827.

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Photography, as a combination of art and technology, represents the evolution of the field of fine arts in general, which is interdependent. The scientific aspect of the method of creating photographic works lies in its logical explanation, including the narrative structure and intrinsic qualities of the photographic results. This activity uses several methods, such as counseling or outreach methods, by providing material on creating photographic works for beginners and professional photographers and practicing creating photographic works for around 40 participants at the Bulungan Blok M Theat

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Khramykh, Anton. "Letters of Anna and Lubov Dostoevsky in the Archive of the National Library of France." Неизвестный Достоевский 8, no. 4 (2021): 112–29. http://dx.doi.org/10.15393/j10.art.2021.5761.

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The article introduces into scientific circulation two letters written by the widow and daughter of F. M. Dostoevsky in 1912 and 1924 and addressed to the famous French director Jacques Copeau. These documents were discovered as a result of archival searches in the J. Copeau foundation in the National Library of France. The two letters are connected by their subject — the debut production of the play “The Brothers Karamazov” by Copeau at the Paris Theater of Arts in 1911. Reviews of the production published in the European and Russian press contain range of opinions: from enthusiastic to sharp

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Maslennikova, Anzhela. "Opera and Choral Performance in Mykhailo Krechko’s Work." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 131–42. http://dx.doi.org/10.31318/2522-4190.2021.130.231220.

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The article considers some aspects of opera and choral performance on the example of analysis of the theatrical period of creativity of one of the prominent figures of Ukrainian choral culture, founder of the choir of the State Children’s Musical Theater — People’s Artist of Ukraine, Professor Mykhailo Krechko (1925–1996). M. Krechko as the first chief choirmaster of the theater built his individual principles of work and theatrical traditions inherent in such a unique opera choir. SCMT is the second in the world and the only professional opera and ballet theater in Ukraine for children and yo

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Cusack, Carole M. "The Contemporary Context of Gurdjieff’s Movements." Religion and the Arts 21, no. 1-2 (2017): 96–122. http://dx.doi.org/10.1163/15685292-02101004.

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The “sacred dances” or “Movements” were first revealed by George Ivanovitch Gurdjieff (c. 1866–1949) in 1919 in Tiflis (Tblisi), the site of the first foundation of his Institute for the Harmonious Development of Man. The proximate cause of this new teaching technique has been hypothesized to be Jeanne de Salzmann (1889–1990), an instructor of the Eurhythmics method of music education developed by Émile Jaques-Dalcroze (1865–1950). Jeanne and her husband Alexandre met at Jaques-Dalcroze’s Institute at Hellerau in 1913, and became pupils of Gurdjieff in 1919. It was to her Dalcroze class that G

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Perepelytsia, Oleksandr O. "Innovations of Genre-Related Form in Karmella Tsepkolenko’s Piano Music." ICONI, no. 3 (2020): 46–55. http://dx.doi.org/10.33779/2658-4824.2020.3.046-055.

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The article is devoted to the innovations in the piano compositions of Karmella Tsepkolenko. The presentation of the present theme demonstrates the complex-dialogical character of the interrelations between the composer and artistic space in contemporary music, which requires a broad contextual approach upon analysis and study of the latter. By the example of Tsepkolenko’s children’s pieces and concert piano pieces, disclosure is made of the main parameters of innovations, such as artistic stimulation, the emotional-energetic context of the composition, the scenary development of the musical m

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Fedenko, Alevtyna. "The importance of M. Kropyvnytskyi’s children’s theater for the formation of a professional musical children’s theater in Ukraine." Aspects of Historical Musicology 19, no. 19 (2020): 332–45. http://dx.doi.org/10.34064/khnum2-19.19.

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Introduction and statement of the problem. Before the revolution of 1917, artists, writers, musicians and teachers created a rich literary fund that could be the basis for professional musical children’s theater in Ukraine. That is why there is a need to study the children’s musical and dramatic heritage of the past, which is an inexhaustible treasury of cultural and educational ideas that can be creatively developed and successfully applied in modern conditions. The process of creative development of the genre of children’s musical performance is today one of the most pressing problems of pro

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Wen, Qi, and Jiajun Zhong. "The Living Inheritance and Moving Progress of Contemporary Cantonese Opera from the Perspective of Communication." Communications in Humanities Research 17, no. 1 (2023): 52–58. http://dx.doi.org/10.54254/2753-7064/17/20230817.

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Between July 3 and July 28, 2023, Television Broadcasts Limited released the Hong Kong drama Unchained Medley, which used a small village in the countryside and Cantonese Opera as the backdrop for the drama. It tells a tragic and touching story of human-ghost love between pop musician Ivan Zhang and the female ghost Wan Lau Fong (Cantonese transliteration is used). Artistic elements in Unchained Medley - Cantonese Opera is an ancient form of traditional Chinese theater, a local performing art that employs Cantonese as the language of performance, singing, acting, reciting and traditional folk

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Mykula, Erika, and Nataliia Levkovych. "The evolution of the imaginative and plastic concept of creativity by V. Prykhodko in the context of socio-cultural transformations of the second half of the 1980s to the 2000s." Bulletin of Lviv National Academy of Arts, no. 51 (October 10, 2023): 63–73. http://dx.doi.org/10.37131/2524-0943-2023-51-7.

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The exploration of Vyacheslav Prykhodko's creative legacy within the context of regional and national artistic processes from the second half of the 20th to the early 21st century prompts the identification of leading artistic tendencies and the analysis of the master's creative issues. This study aims to uncover aspects of the dialogue with tradition that reveal the distinctiveness and representativeness of the artist's oeuvre. In the period of 1980-2000, V. Prykhodko's creative work witnessed the formation of an authorial imaginative and plastic concept characterized by the elevation of ordi

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