Relevant bibliographies by topics / Tobolʹsk (Russia) in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tobolʹsk (Russia) in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Tobolʹsk (Russia) in art"

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Vera, Ustyugova, and Mingaleva Mariya. "Silent Witnesses of Art Nouveau in Perm or the Story of One Treasure." Art Style, Art & Culture International Magazine 8, no. 8.1 (2021): 81–106. https://doi.org/10.5281/zenodo.5498393.

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Art Style | Art & Culture International Magazine Abstract Today, Perm hosts its cultural projects, which are heard of in Russia and abroad – the Russian Povera exhibition and the Museum of Contemporary Art with its founder Marat Guelman, Diaghilev Festival, and opera staging by Teodor Currentzis. The beginning of the XX century saw Perm as the capital of the county, ship empire, a strategic hub in the construction of the Trans-Siberian Railway. This essay shows that a popular Art Nouveau style contributed to its aesthetics and visual promotion during modernization in provincial Perm
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Shikhova, V. A. "An inscription on a book from the collection of A. I. Tunkov in the scientific library of the Tobolsk Historical and Architectural Museum-Reserve." Proceedings of SPSTL SB RAS, no. 1 (April 20, 2022): 17–22. http://dx.doi.org/10.20913/2618-7515-2022-1-17-22.

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Expositions in museums, libraries, other institutions of culture and arts as well as publications about book inscriptions are an illustration of the increased interest to this theme. The Scientific Library of the Tobolsk Historical and Architectural Museum- Reserve contains more than three thousand books with inscriptions and autographs of many famous figures of Siberia, Russia and abroad. Even if the addressee’s surname does not belong to the category of famous and celebrated, the donation record does not become less interesting. The publication presents a brief characteristic of the book col
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Yeremenko, Evgeniy D., and Zoya V. Proshkova. "Editor as a phenomenon of Soviet art culture." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 31–38. http://dx.doi.org/10.30725/2619-0303-2021-2-31-38.

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The article is devoted to understanding the image of the Soviet editor in Russian art (using examples of fiction and cinema). The author examines the personal qualities that contributed to the entry of a person into the profession («editorial character») and provides a chronological observation of the «editorial evolution» – in publishing and film production-throughout the Soviet period and the first years of Russia in the 1990s. An important aspect that has been updated since the early 1920s is the active inclusion of women in editorial work. The characteristics of editors of different Soviet
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Ivanova-Unarova, Zinaida I., and Liubov R. Alekseeva. "Ivory Carving in Yakutia." Sibirica 20, no. 2 (2021): 76–101. http://dx.doi.org/10.3167/sib.2021.200205.

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Abstract Within Russia, the major centers of bone carving art are the village of Kholmogory in the Arkhangelsk region, the town of Tobolsk in the Tyumen region (which was considered the center of Siberia in the seventeenth century), Chukotka, and the Republic of Sakha (Yakutia). Geographically, they are connected by their proximity to the northern seas, which explains the main materials used by carvers: walrus tusk and sperm whale tooth. The exception is Sakha (Yakutia), the ancient motherland of mammoths. This article discusses the origin and history of the development of Sakha mammoth tusk c
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Tyaglova, Svetlana, and Viktoriya Kolbasa. "Arousing children’s interest in choir singing in sunday schools." St. Tikhon's University Review. Series IV. Pedagogy. Psychology 65 (June 30, 2022): 120–29. http://dx.doi.org/10.15382/sturiv202265.120-129.

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The article considers the possibilities of solving the problem of spiritual and moral education of the younger generation by means of choral singing in Sunday school. It was choral singing and the church that were originally inseparable in the history of Russian culture. The authors consider the reasons for the lack of interest in singing among children in Sunday schools (a small amount of time for rehearsals, an audience of different ages, etc.), and ways to solve this problem are presented. The article considers the concept of interest and ways of its development in the scientific and method
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Zagvazdin, Evgeniy Petrovich. "New finds of crosses from the churchyard of the Church of the Savior in Tobolsk." Genesis: исторические исследования, no. 12 (December 2023): 209–18. http://dx.doi.org/10.25136/2409-868x.2023.12.69331.

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The subject of the study in the presented article is two crosses from the graves of the Spassky cemetery of Tobolsk. They were discovered during the rescue archaeological excavations in 2022. The range of analogies of the considered finds, as well as their territorial distribution, is considered. A number of issues related to their dating based on typologically identical finds, as well as the chronology of the existence of the churchyard at this church, are touched upon. One of the illustrative specimens in the collection was a rare type of white bronze alloy cross with a crucifixion of Christ
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Tikhomirov, Boris. "Petersburg — Tobolsk — Omsk — Semipalatinsk (оn Dostoevsky’s Path to Penal Servitude and Exile)". Неизвестный Достоевский 9, № 4 (2022): 7–29. http://dx.doi.org/10.15393/j10.art.2022.6485.

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Using epistolary and memoir evidence, as well as relying on the data of the “Postal Road Worker of the Russian Empire” of 1852, the article reconstructs the route used to bring Dostoevsky and two of his fellow Petrashevites, Sergei Durov and Ivan Yastrzhembsky from St. Petersburg to Tobolsk in December 1849 — January 1850. Along the way, they spent eleven days in a local transit prison and the all-Siberian Order on exiles determined the place where they would serve their penal servitude sentence. In the course of the presentation, the author of the article critically analyzes the unreliable ve
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Выхрыстюк, Маргарита Степановна. "Жизнь и деятельность поляков в Тобольске в 60-е годы XIX века в архивных документах". Tomsk Journal of Linguistics and Anthropology, № 2(48) (23 травня 2025): 120–30. https://doi.org/10.23951/2307-6119-2025-2-120-130.

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История больших и малых диаспор, проживающих на территории России, является частью ее истории. В статье исследуются вопросы жизни и деятельности ссыльных поляков, прибывших на поселение в Западную Сибирь в 60-е годы XIX в. Уделяется особое внимание характеристике особенностей проживания поляков, прибывших на поселение в город Тобольск, столицу Сибири. Актуальность изучения материала обусловлена определением роли ссыльных поляков в процессе хозяйственной и общественно-культурной деятельности города. Новизной исследования является привлечение к решению этого вопроса исторических документов конца
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Maskevich, Ekaterina D., and Boris N. Tikhomirov. "The Petrashevites After the Semyonovsky Parade Ground Events, Commandant Nabokov and Emperor Nicholas I (New Details in the Biography of Mikhail and Fedor Dostoevsky)." Неизвестный Достоевский 7, no. 2 (2020): 38–68. http://dx.doi.org/10.15393/j10.art.2020.4641.

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The publication is based on the documents discovered by the authors in the Russian State Historical Archive, which are preserved in the Repository of the Commandant’s Office of the St. Petersburg Fortress, in the case “Regarding the prisoners under investigation for malicious intent in 1849”. Most of the documents date back to the period between December 22, 1849 (the staging of the mock execution of the Petrashevites on the Semyonovsky parade ground) and January 9, 1850 (arrival of Dostoevsky, Durov and Yastrzhembsky in Tobolsk). The latest document is dated February 4, 1850. The article cont
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Davydova, Olga. "“Dreaming of Russia”." Experiment 25, no. 1 (2019): 189–206. http://dx.doi.org/10.1163/2211730x-12341338.

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Abstract The National-Romantic trend in Russian Art Nouveau is characterized by a lyrical approach to the past, including imagery from folklore. This tendency is also identifiable within the global development of Art Nouveau, each country expressing its national identity in highly characteristic forms in design and architecture. Art Nouveau coincided with the zenith of Symbolism and, therefore, transmitted both its universal ideas and the unique creative psychology of the individual artist, who often based personal quest upon local traditions and innate cultural memory. This article analyzes t
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Dissertations / Theses on the topic "Tobolʹsk (Russia) in art"

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Winskell, Samantha Kate. "Dada and Russia : Zurich and Berlin, 1915-1922." Thesis, Courtauld Institute of Art (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294791.

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Sapwell, Mark Andrew. "Art of accumulation : the role of rock art palimpsests in Fennoscandia 4500-1200 BC." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648511.

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Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.

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This thesis explores representations of medieval Russia in cultural and artistic works of the late nineteenth and early twentieth centuries, with an eye to the shifting perceptions of Russia’s cultural heritage demonstrated through these works. The thesis explores the history of medievalism as a field of study and interrogates the reasons that medievalism as a paradigm has not been applied to the field of Russian studies to date. The first chapter is an investigation of architectural monuments incorporating Old Russian motifs, following the trajectory of the “Russian Style” in church architect
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Bang, Rosaria E. "Russian Art Education: A Study on Post-Soviet Perspectives." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07282006-130035/.

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Thesis (M.A.E.)--Georgia State University, 2006.<br>Title from title screen. Melody Milbrandt, committee chair; Mariama Ross, Teresa Bramlette Reeves, committee members. Electronic text (186 p. : col. ill.) : digital, PDF file. Deescription based on contents viewed May 10, 2007. Includes bibliographical references (p. 93-110).
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Vasilyeva, Oxana. "Independent art, politics and social change: A case study of Russia and Serbia." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/417683.

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This PhD research examines independent art with a focus on the Russian Federation and the Republic of Serbia. Its aim is to analyse the state of independent art in Russia and Serbia in the twenty-first century. I argue that both countries pursue their political interests by supporting or forbidding certain art. Art that supports values opposite to the official political agenda is labelled as bad, blasphemous or untalented, and is often censored. Both states intervene in the cultural field through censorship and limiting free artistic expression. Against the background of a difficult political
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Diederich, Jill. "Trash to Treasure : Art between Contemporary and Conventional Ecological Practices in Arkhangelsk, Russia." Thesis, Uppsala universitet, Institutionen för kulturantropologi och etnologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-365195.

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Recycling and solid waste management are a serious problem in the Russian North. The necessary infrastructure, as well as the awareness of the citizens is missing to resolve this problem efficiently. Artists and environmental activists have therefore looked for a way to make people aware of the need for recycling and initiate social change in this regard. The medium that has been chosen by activists and artists alike is art. By involving people in creating an art object or by presenting art to them, the activists and artists hope to initiate awareness concerning our consumption patterns and, l
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Nadezda, Chamina <1977&gt. "La fortuna della scenografia italiana nella Russia Neoclassica. Il teatro di Pietro Gonzaga a Mosca." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3167/1/Chamina_Nadezda_La_fortuna_della_scenografia_italiana_nella_Russia_neoclassica_Il_teatro_di_Pietro_Gonzaga_a_Mosca.pdf.

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La tesi ha come oggetto lo studio dei legami culturali posti in essere tra la Russia e l’Italia nel Settecento effettuato a partire dall’analisi del teatro di Arkhangelskoe (nei pressi di Mosca), ideato da Pietro Gonzaga. Ciò ha consentito di inquadrare l’atmosfera culturale del periodo neoclassico a partire da un’angolazione insolita: il monumento in questione, a dispetto della scarsa considerazione di cui gode all’interno degli studi di storia dell’arte, racchiude diverse ed interessanti problematiche artistiche. Queste ultime sono state tenute in debito conto nel processo dell’organizzazion
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Nadezda, Chamina <1977&gt. "La fortuna della scenografia italiana nella Russia Neoclassica. Il teatro di Pietro Gonzaga a Mosca." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3167/.

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La tesi ha come oggetto lo studio dei legami culturali posti in essere tra la Russia e l’Italia nel Settecento effettuato a partire dall’analisi del teatro di Arkhangelskoe (nei pressi di Mosca), ideato da Pietro Gonzaga. Ciò ha consentito di inquadrare l’atmosfera culturale del periodo neoclassico a partire da un’angolazione insolita: il monumento in questione, a dispetto della scarsa considerazione di cui gode all’interno degli studi di storia dell’arte, racchiude diverse ed interessanti problematiche artistiche. Queste ultime sono state tenute in debito conto nel processo dell’organizzazion
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Roy, Nina Tamara. "Harvest of memories : national identity and primitivism in French and Russian art, 1888-1909." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37827.

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This dissertation analyses the convergence of primitivism and nationalism in late-nineteenth and early-twentieth century French and Russian art. The discourse of primitivism has yielded a number of critical studies focusing on the artistic appropriation of aesthetics derived from "tribal" arts, Asian arts, medieval icons, outsider art, and peasant arts and crafts. Within that scholarship, modern European art that appropriates the aesthetics of folk arts and themes of the peasantry is frequently considered to be representative of national identity and myth. The artistic elucidation of the peasa
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Winstead, Caitlin Leigh. "ART, LIFE, AND COMMUNITY IN RUSSIA ABROAD: AN EXAMINATION OF THE EMIGRE MAGAZINE TEATR’ I ZHIZN’." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami150163074847434.

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Books on the topic "Tobolʹsk (Russia) in art"

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Cherëmushkin, German. Grad Sibiri Tobolʹsk v proizvedenii͡a︡kh khudozhnika Germana Cheremushkina. Izd-vo "Galart", 1994.

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Akimova, Lidii͡a. German Cheremushkin: Novʹ Sibiri : tobolʹskie motivy. Sov. khudozhnik, 1992.

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Gosudarstvennai︠a︡ publichnai︠a︡ istoricheskai︠a︡ biblioteka (Russia) та Ti︠u︡menskiĭ regionalʹnyĭ obshchestvennyĭ blagotvoritelʹnyĭ fond "Vozrozhdenie Tobolʹska", ред. Tobolʹsk--stolʹnyĭ grad Sibiri: Katalog knizhnoĭ vystavki. Vozrozhdenie Tobolʹska, 2009.

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Ti︠u︡menskiĭ gosudarstvennyĭ universitet. Laboratorii︠a︡ istorii i kulʹtury Sibiri, ред. Kondinskiĭ Svi︠a︡to-Troit︠s︡kiĭ monastyrʹ v XVIII v.: Kopii arkhivnykh dokumentov [ėlektronnyĭ resurs] : Katalog. Mandr i K, 2007.

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Petrova, E. S. (Elena Serafimovna), translator, ed. Islamic Art in Russia. Slavia, 2021.

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Marina, Bowater, and Stasov V. V. 1824-1906, eds. The decorative art of Russia. Portland House, 1990.

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Beavington, Atkinson J., ed. An art tour to Russia. Waterstone, 1986.

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Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), ed. Holy Russia. Palace Editions, 2011.

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Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia). Fairytales in Russia. Edited by Gusev V. A, Petrova E. A, and MacInnes Kenneth. Palace editions, 2001.

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Hamilton, George Heard. The art and architecture of Russia. 3rd ed. Penguin, 1990.

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Book chapters on the topic "Tobolʹsk (Russia) in art"

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Maximova, Marina. "Collecting contemporary art in Russia." In Global Art Markets. Routledge, 2024. http://dx.doi.org/10.4324/9781003400868-16.

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Karenina, Anna. "Tolstoy: art and conscience." In The Novel in Russia. Routledge, 2021. http://dx.doi.org/10.4324/9781003091899-9.

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Byers, Mary Hannah. "From ‘State of the Art’ to ‘State Art’: The Rise of Socialist Realism at the Tretyakov Gallery." In Reinterpreting Revolutionary Russia. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230624924_11.

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Franklin, Simon. "Perceptions and Descriptions of Art in Pre-Mongol Rus'*." In Byzantium - Rus - Russia. Routledge, 2024. http://dx.doi.org/10.4324/9781003556268-17.

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Kangas, Reeta E. "The State of the Art: Surveying Digital Russian Art History." In The Palgrave Handbook of Digital Russia Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_31.

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AbstractWith the growing interest in digital humanities, the methodology of digital art history is in some respects lagging behind the trend. Given the prospects of the new digital image analysis, computer vision, and visualization methods, a number of questions have arisen as to how exactly the new digital methods can and should be applied to art history. Furthermore, when trying to apply these digital methods to the analysis of Russian art, one encounters a whole new set of questions and challenges. In this chapter, I examine current and potential applications of digital methods to the analy
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Lebanidze, Bidzina. "State of the art." In Russia, EU and the Post-Soviet Democratic Failure. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-26446-8_2.

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Karg, Josephine. "The Wanderers and Realism in Tsarist Russia." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch12.

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Reid, Susan E. "De-Stalinisation in the Moscow Art Profession." In Regime and Society in Twentieth-Century Russia. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27185-6_10.

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Christensen, Karin Hyldal. "The functional aesthetics of liturgical art." In The Making of the New Martyrs of Russia. Routledge, 2017. http://dx.doi.org/10.4324/9781315226514-5.

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Smola, Klavdia. "Hybrid Political Humor: The New Dissent Art in Putin’s Russia." In Satire and Protest in Putin’s Russia. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76279-7_9.

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Conference papers on the topic "Tobolʹsk (Russia) in art"

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Chizhikova, E. "SYSTEM OF ENGINEERING TRAINING DEVELOPMENT IN TOBOLSK INDUSTRIAL INSTITUTE (RUSSIA)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.4/s13.091.

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Moreva, A. V., and A. V. Khasanova. "LINGUISTIC FEATURES OF THE TRAVEL NOTES OF THE FIRST HALF OF THE 18TH CENTURY, TRANSLATION PROBLEMS AND MEANS OF HISTORICAL STYLIZATION." In NEMECKIJ JaZYK V TOMSKOM GOSUDARSTVENNOM UNIVERSITETE: 120 LET ISTORII USPEHA. Publishing House of Tomsk State University, 2021. http://dx.doi.org/10.17223/978590744247/7.

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The article analyses the authors’ translation experience concerning travel notes by Messerschmidt, the first German explorer of Siberia. The travel notes (Tobolsk – Tara – Tomsk, 1721) were for the first time translated into Russian. The authors proceed from language features of the text, many of which can be attributed to the period or the genre. Among translation problems, the authors emphasize complicated cases and unclear (obsolete) terms. In addition, an overlook of the used means of historical stylization is given. All observations are exemplified by numerous fragments of the original an
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Gnezdova, Julia, and Elena Matveeva. "Features of the Art Market in Russia." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.97.

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Medkova, Elena Styanova. "Art Education Of Russia And The Competition Movement." In EEIA 2019 - International Conference "Education Environment for the Information Age". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.09.02.63.

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Morozova, Anna. "SPANISH ART EXHIBITIONS IN RUSSIA: THE SOCIOCULTURAL CONTEXT." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s14.030.

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Bartseva, Aleksandra, Georgy Boos, Anatoly Chernyak, Alena Kuznetsova, and Evgeniy Rozovskiy. "MUSEUM LIGHTING IN RUSSIA: STATE OF THE ART." In Proceedings of the 29th Quadrennial Session of the CIE. International Commission on Illumination, CIE, 2019. http://dx.doi.org/10.25039/x46.2019.po118.

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Ryabov, A. V. "State policy and the artistic culture of Russia in 1918." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-08.

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Flyagin, V. A. "State of the art of gyrotron investigation in Russia." In 18th International Conference on Infrared and Millimeter Waves. SPIE, 2017. http://dx.doi.org/10.1117/12.2298730.

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Федотова, Е. О., and Е. Ю. Лекус. "THE MODERN ART MARKET IN RUSSIA: SUBJECTS OF INTERACTION." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.13.

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Актуальность темы исследования определяется малой изученностью проблем правового регулирования арт-рынка в России. Кроме того, неурегулированные законодательно вопросы, касающиеся арт-сферы, создают серьезные препятствия в развитии взаимодействия всех участников арт-рынка, а также усложняют творческий труд художников. Возникает необходимость исследовать причины и особенности проблем правового регулирования арт-рынка в России с помощью анализа основных его сегментов, а также определить основные проблемы на рынке искусств и возможные пути их решения. The relevance of the research topic is determ
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Balega, Yu Yu, E. Yu Kilpio, and B. M. Shustov. "State-of-Art Challenges and Prospects of Astronomy in Russia." In Groud-Based Astronomy in Russia. 21st Century. Специальная астрофизическая обсерватория РАН, 2020. http://dx.doi.org/10.26119/978-5-6045062-0-2_2020_xv.

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Reports on the topic "Tobolʹsk (Russia) in art"

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Buichik, A. G. TRADITIONAL APPLIED ART OF RUSSIA IN THE 21-ST CENTURY: OPPORTUNITIES AND PROSPECTS. Modern Science: Actual Problems of Theory and Practice №3, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-4.

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Kim, Alexander. Osteological studies of Archaeological Materials from Bohai Sites in Russia. A State of the Art. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.03.

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Sittenauer, Peter M. Lessons In Operational Art: An Analysis of the Allied Expeditionary Forces in North Russia, 1918-1919. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada612155.

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Yatsymirska, Mariya. Мова війни і «контрнаступальна» лексика у стислих медійних текстах. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11742.

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The article examines the language of the russian-ukrainian war of the 21st century based on the materials of compressed media texts; the role of political narratives and psychological-emotional markers in the creation of new lexemes is clarified; the verbal expression of forecasts of ukrainian and foreign analysts regarding the course of hostilities on the territory of Ukraine is shown. Compressed media texts reflect the main meanings of the language of the russian-ukrainian war in relation to the surrounding world. First of all, the media vocabulary was supplemented with neologisms – aggressi
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2da Bienal Interamericana de Video Arte del Centro Cultural del BID. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0006115.

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Después de su presentación en Washington, D.C., la bienal comenzó el circuito itinerante en junio de 2005, en el Istituto Italo-Latino Americano (IILA) en Roma. Luego viajará a varios países que forman parte de un circuito de más de 13 países incluyendo Rusia, terminando en el XXII Festival de Cine de Santafé de Bogotá, Colombia www.bogocine.com/xxii/. Las instituciones del circuito incluyen: Espacio Fundación Telefónica, Buenos Aires, Argentina; Fundação Cultural de Curitiba, Curitiba, Brasil; 15 Videobrasil Internacional Electronic Art Festival, São Paulo, Brasil; Cine a la Calle, Cinemateca
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