Academic literature on the topic 'Tōhō Strike'

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Books on the topic "Tōhō Strike"

1

Tōhō sōgi (1948-nen) shiryō. Tōkyō: Tōkyō Daigaku Shakai Kagaku Kenkyūjo, 1986.

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Bunka to tōsō: Tōhō sōgi 1946-1948 = The struggle for culture. Tōkyō: Shinʼyōsha, 2007.

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Miyamori, Shigeru. Tōhō sōgi tsuisō: Konakatta no wa gunkan dake. Tōkyō: Kōyō Shuppansha, 2002.

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Bengodan, Sōhyō. Gendai rōdō undō to kenri tōsō. Tōkyō: Rōdō Kyōiku Sentā, 1987.

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5

Okinawa kaikyū tōsō: Zengunrō sutoraiki (1972) to Beigun Kisenbaru enshū jitsuryoku soshi tōsō (1974--77). Nagoya-shi: Gendai Bunka Kenkyūsha, 2001.

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Kawauchi, Kensaku. Tōdai Tōsō no tennōzan: "kakuninsho" o meguru kōbō. [Tokyo]: Kadensha, 2020.

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7

Jokō to rōdō sōgi: 1930-nen Yōmosu sōgi. Tōkyō: Renga Shobō Shinsha, 1989.

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8

1968-nen ni wa nani ga atta no ka: Tōdai tōsō shishi. Tōkyō: Hihyōsha, 2004.

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9

Yoshiharu, Hirota, ed. Nikkō rōdōsha to shufu no seishun: 1954-nen Nikkō Muroran tōsō no kiroku : shisetsu Nikkō Muroran tōsōshi. Tōkyō: Kōyō Shuppansha, 2001.

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10

Matsui, Yūsei. Ansatsu kyōshitsu: Tōkō no jikan. 2016.

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Book chapters on the topic "Tōhō Strike"

1

Coates, Jennifer. "Post-war Stars and the Japanese Studio System." In Making Icons. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888208999.003.0002.

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Chapter 1 describes the structure of the post-war Japanese studio and star systems. The concept of star persona is introduced, blending the work of film theorist Richard Dyer with contemporary Japanese magazine and newspaper accounts of individual stars. The media construction of the personae of popular post-war stars are explored as a means to understand how wartime and pre-war conduct and activities could be sutured into a post-war public persona compliant with the demands of the occupation censors. The Tōhō studio strikes (1946-1948) are explored as historical background for the positioning of film stars as larger than life ‘every persons.’ Case studies include the star personae of Hara Setsuko, Misora Hibari, and Yamaguchi Yoshiko.
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Bakin, Kyokutei. "Yoshizane opens the granaries and stirs up two districts; Takayoshi accepts his lord’s command and executes three bandits." In Eight Dogs, or "Hakkenden", translated by Glynne Walley, 121–32. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755170.003.0011.

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This chapter describes how the army and inhabitants of Takita Castle pressed their attack, crowding the castle's second gate, intending to strike down Iwakuma Donpei and the others. On the following day, Satomi Yoshizane came to the front chambers, where official business was conducted. After concluding his inspection of Sadakane's head, he called forth those who had yielded, Iwakuma Donpei and Tsumatate Togorō, and set Kanamari Hachirō to interrogate them as to the killing of their lord. Meanwhile, at dawn, a messenger from Sugikura Kisonosuke Ujimoto, one Amasaki Jūrō Terutake, arrived at a gallop from Tōjō. He presented the head of Kogorō Nobutoki of the Maro, taken as a trophy by Ujimoto, and spoke of a battle, giving all the details, great and small, of its form and figure.
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