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Journal articles on the topic 'Tolstoï'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Teixeira, Luciana Fernandes. "O cultivo da liberdade na Pedagogia de Tosltói." Revista Educação e Emancipação 10, no. 1 (2017): 58. http://dx.doi.org/10.18764/2358-4319.v10n1p58-75.

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O escritor e educador russo Lev Nikolayevich Tolstoi (1828-1910), ao elaborar concepções e práticas para a instrução popular de seu tempo e criar uma escola rural em Iasnaia Poliana, local de propriedade de sua família, onde também residia, na Rússia, deixou impressionante legado ao campo da educação escolar de todos os tempos. A exposição desse rico ideário educacional e subsequente trabalho pedagógico constitui o principal alvo do presente artigo. Dessa maneira, em contraponto aos tradicionais métodos escolares opressores e especialmente relacionado ao pensamento libertário anarquista, as re

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2

Bojanowska, Edyta M. "Was Tolstoi a Colonial Landlord? The Dilemmas of Private Property and Settler Colonialism on the Bashkir Steppe." Slavic Review 81, no. 2 (2022): 324–48. http://dx.doi.org/10.1017/slr.2022.148.

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Using new archival research, this article establishes key facts about the most understudied aspect of Lev Tolstoi's biography—his Samara estate—assessing its role in the Tolstoi family economy and property structure. Integrating imperial history with the theoretical perspective of settler colonial studies, the article argues that the estate functioned within the context of Russia's settler colonialism in Bashkiria. While this experience contributed to Tolstoi's rejection of private property, it never erased his enthusiasm for Russia's manifest destiny as a settler civilization. Sympathizing wi

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3

Jones, W. Gareth, A. A. Donskov, L. D. Gromova, and T. G. Nikiforova. "L. N. Tolstoi i S. A. Tolstaia, Perepiska s N. N. Strakhovym: The Tolstoys' Correspondence with N. N. Strakhov." Modern Language Review 97, no. 1 (2002): 250. http://dx.doi.org/10.2307/3735700.

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4

Krasnov, Vladislav. "Wrestling with Lev Tolstoi: War, Peace, and Revolution in Aleksandr Solzhenitsyn's NewAvgust Chetyrnadtsatogo." Slavic Review 45, no. 4 (1986): 707–19. http://dx.doi.org/10.2307/2498344.

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The only thing necessary for the triumph of evil is for good men to do nothing.Edmund BurkeSince its first appearance in 1971, Aleksandr Solzhenitsyn'sAvgust Chetyrnadtsatogo(henceforth to be referred to asAugust 1914)has been compared to, and measured by the standards of, Lev Tolstoi'sWar and Peace.One might say that both the subject of the novel and the scope of the historical events described in it, as well as its numerous references to Tolstoi, made such comparisons inevitable. Even though virtually all critics were unanimous that Tolstoi was a predominant presence in Solzhenitsyn's mind w

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Steiner, Lina. "The RussianAufklärer: Tolstoi in Search of Truth, Freedom, and Immortality." Slavic Review 70, no. 4 (2011): 773–94. http://dx.doi.org/10.5612/slavicreview.70.4.0773.

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Lev Tolstoi, in his dunking about life, death, freedom, and immortality, drew significandy on the German philosophical tradition from Leibniz and Moses Mendelssohn to Immanuel Kant, Johann Gottfried Herder, and Friedrich Schleiermacher, as Lina Steiner argues in this article. Herder, who tried to salvage rationalism by getting away from the mechanistic metaphysics of the French Enlightenment and reintroducing the teleological explanation of nature, was a particularly important influence on Tolstoi. Herder's view of life, including both individual life and the life of community, as organic Bild

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6

Newlin, Thomas. "“Swarm Life” and the Biology of War and Peace." Slavic Review 71, no. 2 (2012): 359–84. http://dx.doi.org/10.1017/s0037677900013656.

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In the spring of 1863, Lev Tolstoi, newly married and soon to be a father, began to conceive of the work that would eventually become War And Peace. That same spring he also took up beekeeping. While in practical terms his “bee passion” proved relatively short-lived, it was an exceptionally intense engagement with a miniaturized and uniquely observable biological and social universe. In this article, Thomas Newlin explores how Tolstoi's dual enmeshment in “swarm life”—that is, in the biologically fraught realms of marriage and beekeeping—influenced both the unconventional form of War and Peace

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7

Kolstø, Pål. "The Demonized Double: The Image of Lev Tolstoi in Russian Orthodox Polemics." Slavic Review 65, no. 2 (2006): 304–24. http://dx.doi.org/10.2307/4148595.

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As Pål Kolstø explores in this article, attitudes towards Lev Tolstoi's religious teaching differed wildly among Russian Orthodox believers at the turn of the last century. Some felt that his philosophical notions were remarkably congenial to church doctrine, while others saw Tolstoianism as the radical negation of everything the church stood for. An image often conjured up was Tolstoi as the Antichrist. To some, it was precisely the features that made others see Tolstoi as an Orthodox double that led them to this conclusion: The Antichrist will manage to lead the faithful astray precisely bec

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8

Herman, David. "Khadzhi-Murat's Silence." Slavic Review 64, no. 1 (2005): 1–23. http://dx.doi.org/10.2307/3650064.

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Khadzhi-Murat, Tolstoi's last major fiction, stands alone in his oeuvre in flagrant violation of his late ethical and aesthetic standards—an unprecedentedly dark apprehension of the human condition and a reconceptualization of piety. At its heart are silences—literal, near-, figurative, and implicit—in unspoken critique of all nontrivial language, narrative, moralizing, and teaching. Silence first strikes the reader in the hero's refusal to murmur against God as he dies, but retrospectively turns up everywhere, despite the obvious presence of lots of words: in the peculiar plot that has nothin

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Kliger, Ilya, and Nasser Zakariya. "Poetics of Brotherhood: Organic and Mechanistic Narrative in Late Tolstoi." Slavic Review 70, no. 4 (2011): 754–72. http://dx.doi.org/10.5612/slavicreview.70.4.0754.

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In this article, Ilya Kliger and Nasser Zakariya treat Lev Tolstoi's conception of brotherhood from a narratological perspective. In the process, they trace the outlines of late Tolstoian narrative poetics, situating it within a variegated landscape of Tolstoi's own more properly “realist” literary practice, and offering broader suggestions on the workings of narrative in its capacity to model social relations and ethical action. A narratological focus here allows them to elucidate how stories take part in contemporary understandings of social influence, human connectedness, and alienation— no

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10

Fajfrić, Željko. "Tolstoj o advokatima." Glasnik Advokatske komore Vojvodine 77, no. 10 (2005): 321–27. http://dx.doi.org/10.5937/gakv0506321f.

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Unutar velike epohe ruskog realizma Lavu Nikolajeviču Tolstoju pripada izuzetno značajno mesto. To je vreme koje će biti obeleženo pojavom nihilizma, negacijom prošlosti, istorije, tradicije i željom (sasvim bezumnom) da se čovek postavi u pustinju, jednostavno da bude „tabula rasa". Tolstoj nije nikada pripadao ovoj struji iz jednostavnog razloga što je bio genije, ali to ne znači da nije ostavio izvesne tragove moralizatorskog anarhizma i nekoga oblika nihilizma koji se u kritikama često nazivao "zdravorazumskim". O Tolstoju je mnogo pisano. Međutim, malo je toga tačno kada se radi o njemu s

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11

Golubkov, Sergey. "Childhood guide. Review of the monograph by M.A. Perepelkin “Around “Nikita's Childhood”: world - word - meaning”." Semiotic studies 2, no. 4 (2022): 104–9. http://dx.doi.org/10.18287/2782-2966-2022-2-4-104-109.

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The article is a review of the monograph by M. Perepelkin Around Nikitas Childhood: world word meaning (Samara, 2021). Having established that the monograph author sees his task in introducing extensive factual material into historical and literary use and reasoned comments on both textual and iconographic documents, the reviewer focuses his attention on those aspects that seem to him the most important. Such aspects include, for example, the intricacies of landowners property relations, one of which was A. Bostrom - the A. Tolstoys stepfather, blanks in A. Tolstayas biography - the writer's m

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Sedakova, Irina, and Marina Valentsova. "Õpetaja mälestuseks." Mäetagused 85 (April 2023): 137–50. http://dx.doi.org/10.7592/mt2023.85.sedakova_valentsova.

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The renowned philologist Nikita Tolstoi promoted revolutionary ideas not only in Russian but also in the worldwide Slavonic studies. He, together with Svetlana Tolstaia, established the Moscow school of ethnolinguistics, the methodology of which is becoming increasingly topical, covering novel themes, and the number of researchers working in this field in different countries grows year by year. The 100th birth anniversary of the academician instigated his disciples to review their mentor’s work in order to evaluate his scientific contribution from the perspective of modernity and to analyse th

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13

Maguire, Muireann. "Aleksei N. Tolstoi and the Enigmatic Engineer: A Case of Vicarious Revisionism." Slavic Review 72, no. 2 (2013): 247–66. http://dx.doi.org/10.5612/slavicreview.72.2.0247.

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In this article, Muireann Maguire examines the cultural construction of the trope of the engineer-inventor in Russia during the 1920s and 1930s, focusing on the changing representation of this archetype in three science fiction novels by Aleksei Tolstoi: Aelita (1922-23), Soiuzpiati (The Gang of Five, 1925), and Giperboloid inzhenera Garina (Engineer Garin's Death Ray, 1925-26). Tolstoi's fiction portrays engineers as misguided and self-centred at best and as amoral, megalomaniacal, and irredeemably un-Soviet at worst. This increasingly negative portrayal of the engineers in these novels, and

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Dergacheva, I. V., and V. V. Dergachev. "On the criterion of the adequacy of artistic fiction in the image of the Patriotic War of 1812 (to the question of the controversy of A.S. Norov and Leo Tolstoy)." Язык и текст 4, no. 2 (2017): 32–39. http://dx.doi.org/10.17759/langt.2017040204.

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The article deals with the polemical discourse of A.S. Norov, who was the hero of the war 1812, which he leads with Leo Tolstoy from the point of view of the direct participant in the battles with Napoleon. Analyzing then description of the events of the Patriotic War of 1812 in the novel of Leo Tolstoy “War and Peace”, A.S. Norov opposes them to a description which was made by the hero Yermolov of the war of 1812. The authors speculate that the polemics of A.S. Norov with the Leo Tolstoys’ point of view to the driving forces in the war of 1812 would not be so acute if it is considered in the

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15

Quesada Soto, Alvaro. "La muerte de Tolstoi en la prensa costarricense." Revista de Filología y Lingüística de la Universidad de Costa Rica 14, no. 2 (2015): 175. http://dx.doi.org/10.15517/rfl.v14i2.19012.

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Un análisis de algunos comentarios sobre la muerte de Tolstoi publicados en periódicos de Costa Rica en 1910 y 1911. Estas publicaciones nos pueden dar una idea acerca de la influencia que el pensamiento y la obra del escritor ruso tenían en varios círculos costarricenses sociales y culturales en el comienzo de este siglo.An analysis of some cornments upon Tolstoi's deatb published in Costa Rican papers in 1910 and 1911. These publications can give us an idea about the influence that the thinking and the works of the Russian writer had in several social and cultural Costa Rican circles at the

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16

Makhlin, V. L. "New approach instead of new finds. A. Zorin's new book on Tolstoy." Voprosy literatury, no. 2 (June 17, 2021): 83–91. http://dx.doi.org/10.31425/0042-8795-2021-2-83-91.

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V. Makhlin's article deals with the recently published book The Life of Leo Tolstoy: An Experiment in Interpretation [Zhizn Lva Tolstogo: Opyt prochteniya] (Moscow: NLO, 2020) by philologist A. Zorin. Noting that in his attempt to reconstruct the context of L. Tolstoy's life, Zorin does not pursue sensational discoveries, be it facts or rumours, Makhlin argues that the author's main goal was to bridge the gap between three different aspects of Tolstoy's image: that of a man in daily life, an artist engaged in creative work, and a religious proselytiser with his beliefs. According to Makhlin, Z

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17

ROSELINO, LUIS FELIPE DE SALLES. "O tema da morte trágica de Liev Tolstói e seu impacto em Max Weber e György Lukács: sobre a autonomia nas ciências e na arte * Leo Tolstoy´s tragic death and his impacts on Max Weber and György Lukács: on autonomy of arts and science." História e Cultura 3, no. 1 (2014): 150. http://dx.doi.org/10.18223/hiscult.v3i1.1191.

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<p class="Normal1"><strong>Resumo: </strong>O tema da morte trágica, presente nos escritos de Liev Tolstói, auxiliou tanto a Max Weber como a György Lukács a caracterizarem o <em>pathos</em> moderno de pressentimento da morte como uma contemplação do vazio. Weber e Lukács encontraram, através das leituras de Tolstói, uma interessante maneira de questionar a autonomia da arte e da ciência moderna, considerando pela esfera estética, como se mostra sem sentido a recente realidade imanente. Ambos assumiram o tema central das obras de Tolstói segundo uma mesma imagem,

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18

Araújo, Paula Alves Martins de. "Triunfo do realismo: o que é isso?" Verinotio – Revista on-line de Filosofia e Ciências Humanas 26, no. 1 (2020): 64–84. http://dx.doi.org/10.36638/1981-061x.2020.v26.544.

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Ao analisar uma obra literária, Lukács a localiza em seu contexto histórico-social. Em seus estudos sobre Tolstói, por exemplo, ele busca demonstrar como a obra desse escritor supera certas dificuldades impostas em sua época para o “grande realismo”. Para tanto, foram essenciais as reverberações da revolução camponesa russa. Ela permitiu, de acordo com o filósofo, que Tolstói rompesse, até certo ponto, com as limitações de sua própria visão de mundo reacionária e atingisse uma figuração precisa, realista da realidade russa. Isso é o que Lukács chama de “triunfo do realismo”. Ele remonta à comp

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Galloway, David J. "Victim of Circumstance: Rastophchin's Execution of Vereshchagin in Tolstoi's Voina i mir." Carl Beck Papers in Russian and East European Studies, no. 1404 (January 1, 1999): 37. http://dx.doi.org/10.5195/cbp.1999.84.

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The Vereshchagin episode, describing the execution of a young student during the fall of Moscow in 1812, occupies Chapters 24 and 25 of Part 3, Book 3 of Lev Tolstoi's Voina i mir (War and Peace). This dramatic scene, in which Mikhail Vereshchagin is cut down by a dragoon on the order of Count Fedor Rastopchin, has received little critical attention given the breadth of work on the novel as a whole. This is understandable on the grounds that the text does not constitute a large portion of Voina i mir and its characters are far from principal players. Yet investigating the episode reveals how T

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Rosenshield, Gary. "The Realization of the Collective Self: The Rebirth of Religious Autobiography in Dostoevskii's Zapiski iz Mertvogo Doma." Slavic Review 50, no. 2 (1991): 317–27. http://dx.doi.org/10.2307/2500207.

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Fedor Dostoevskii was at least as great and ingenious a renovator of old forms as he was a creator of the revolutionary new form, the polyphonic novel. However fond Dostoevskii may have been of old, often "outdated" modes and genres, he never accepted or used them as he found them; rather he seems to have been attracted to them primarily for the possibilities they offered for literary experimentation. Often overlooked, at least in this regard, is Dostoevskii's great semiautobiographical novel Zapiski iz Mertvogo doma. Perhaps in no other work did Dostoevskii perform as daring a literary experi

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KRETSCHMANN, Angela. "PREFÁCIO AO V.4, N.7 DA REVISTA DIÁLOGOS DO DIREITO: "A MORTE DE IVAN ILITCH"." REVISTA DIÁLOGOS DO DIREITO - ISSN 2316-2112 4, no. 7 (2015): 05. http://dx.doi.org/10.17793/rdd.v4i7.817.

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<p> A Revista Diálogos do Direito chega a seu sétimo número, agora pleiteando construir um diálogo entre professores, alunos, comunidade acadêmica, interna e externa, com a obra de Leon Tolstói, “A morte de Ivan Ilitch”. Sem dúvida, a edição contou com o entusiasmo com que a obra também foi discutida nos corredores, bar, restaurante, biblioteca, trabalhos, provas, e todo tipo de atividade acadêmica em que se poderia – de uma forma ou de outra – revelar e realizar comparações da vida que se tem, com a vida do personagem Ivan Ilitch, construído por Leon Tolstoi.</p><p> Há, port

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Полтавец, Елена Юрьевна. "AXIAL SYMBOLS IN THE NOVELS BY L.N. TOLSTOY AND I.S. TURGENEV." Вестник Тверского государственного университета. Серия: Филология, no. 3(66) (November 6, 2020): 91–104. http://dx.doi.org/10.26456/vtfilol/2020.3.091.

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В статье рассматривается осевой символизм в романах Л. Н. Толстого и И. С. Тургенева: «Война и мир» и «Рудин». Осевой символизм основан на таких символах, как «дерево», «баррикада», «холм», «плотина», «сабля», «река», «дорога» и на вексиллосимволике. Функции «символа знамени» и других осевых символов в романах схожи. Гипотеза, обусловившая такой подход, состоит в том, что осевой символизм определяет основную идею и структуру образа. Герои Тургенева и Толстого - Рудин и князь Андрей - связаны с возвышенным. The article investigates the axial symbolism in Tolstoy`s and Turgenev`s novels: «War an

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Schwarz, Robert, and Gert Hofmann. "Tolstois Kopf." World Literature Today 66, no. 4 (1992): 709. http://dx.doi.org/10.2307/40148675.

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Tamcke, Martin. "Tolstois »Auferstehung«." Concilium 60, no. 2 (2024): 69–76. http://dx.doi.org/10.5771/0588-9804-2024-2-69.

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Smith, Michael G. "Cosmic Plots in Early Soviet Culture: Flights of Fancy to the Moon and Mars." Canadian–American Slavic Studies 47, no. 2 (2013): 170–99. http://dx.doi.org/10.1163/22102396-04702003.

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This article explores two classics of Soviet science fiction – Konstantin Tsiolkovskii’s Beyond the Earth (1918) and Aleksei Tolstoi’s Aelita (1923) – in their related historical contexts. Both had their origins in the popular nineteenth-century “cosmic romance,” owing to their staple characters, settings, and plots. These were extraordinary adventures into the heavens, modern signposts of how the fantastic was becoming real. Yet both novels also became leading texts in the genre of Stalinist Socialist Realism, stories that made “fairy tales come true.” Tsiolkovskii and Tolstoi both appealed t

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Bojanic, Petar. "Violence and “Counter-Violence”. On Correct Rejection. A Sketch of a Possible Russian Ethics of War Considered through the Understanding of Violence in Tolstoy and in Petar II Petrović Njegoš." RUDN Journal of Philosophy 24, no. 4 (2020): 657–68. http://dx.doi.org/10.22363/2313-2302-2020-24-4-657-668.

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The articles intention is to construct a possible minimal response to violence, that is, to describe what would be justified (necessary or legitimate) противонасилие (counter-violence). This argument is built on reviving several important philosophical texts in Russian of the first half of the twentieth century as well as on going beyond that historical moment. Starting with the reconstruction of Tolstoys criticism of any use of violence, it is then shown that, paradoxically, resistance to Tolstoys or pseudo-Tolstoys teachings ends up incorporating Tolstoys thematization of counter-violence in

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Darabus, Carmen. "The Dance – tension of communication in literature." Current issues of social sciences and history of medicine, no. 2 (August 14, 2023): 109–13. http://dx.doi.org/10.24061/2411-6181.2.2022.365.

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The aim of investigation: is the role of dance as social coagulation and background for intense feelings, in connection with the new branch of neuroscience. The method of research: is a comparative one, choosing writer from different cultural spaces and epochs: Gustave Flaubert, Henrik Ibsen, Nikos Kazantzakis, Liviu Rebreanu, L. N. Tolstoi. Conclusion: neurosciences analyze the intersection of corporal contact with the control of movements, learning by imitation, emotional expression and the psycho-dynamic of subliminal. The article analyzes the function of emotional communication by dance, w

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Abud Filho, Régis Mikail. "Administração da morte: A aposentadoria de Senhor Bougran, de J.-K. Huysmans e A Morte de Ivan Ilitch, de Lev Tolstoi." Scriptorium 5, no. 1 (2019): 33211. http://dx.doi.org/10.15448/2526-8848-2019.1.33211.

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O presente artigo compara duas narrativas – A aposentadoria de Senhor Bougran, de J.-K. Huysmans e A morte de Ivan Ilitch, de Lev Tostoi – partindo de uma análise do funcionalismo público e da noção de labor na literatura. Busca-se mostrar de que maneira o anúncio da morte afeta as protagonistas a partir de certos lutos e frustrações em suas vidas. De que maneira o discurso literário confrontase com o discurso administrativo e a vida no serviço público se manifesta nessas situações? São analisadas aqui topoi frequentes no realismo e no naturalismo, presente nas obras em questão, como a vegetaç

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Herman, David. "Stricken by Infection: Art and Adultery in Anna Karenina and Kreutzer Sonata." Slavic Review 56, no. 1 (1997): 15–36. http://dx.doi.org/10.2307/2500653.

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Resentment proceeds from powerlessness, said Rousseau. How true! A man is spiteful when he wants to do what is not in his power–he encounters obstacles and grows resentful. (57:136)Lev Tolstoi had originally intended to open Anna Karenina with a scene in Princess Betsy’s salon, later moved to part 2 of the novel, in which the work’s central themes are all touched on in the conversation of the gathered guests. This introductory discussion primarily concerns illicit liaisons, but alongside the talk of adultery, one guest states, “The theme is everything. Once one has a theme, it is easy to embro

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Mecke, Klaus. "Tolstois physikalische Geschichtsdynamik." Physik in unserer Zeit 51, no. 2 (2020): 102. http://dx.doi.org/10.1002/piuz.202070219.

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Urso, Graziela Schneider. "Por que ler os russos?" Tradterm 28 (January 24, 2017): 35–60. http://dx.doi.org/10.11606/issn.2317-9511.v28i0p35-60.

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No Brasil, cada vez mais, há várias traduções de uma mesma obra russa, o que só amplifica as possibilidades de leituras. Como afirma Paz (1971), "Cada tradução é, até certo ponto, uma invenção e, como tal, constitui um texto único." Quanto mais traduções, mais leituras possíveis. No momento, existem pelo menos dez editoras que trazem constantes traduções diretas de textos russos e uma que edita unicamente literatura russa, além de contarmos com um número significativo de tradutoras e tradutores literários do russo, herdeiros diretos ou indiretos do legado de Boris Schnaiderman. Para além de Do

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Pursglove, Michael, W. Gareth Jones, and Patrick Waddington. "Tolstoi and Britain." Modern Language Review 94, no. 1 (1999): 276. http://dx.doi.org/10.2307/3736109.

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Cooke, Brett, and W. Gareth Jones. "Tolstoi and Britain." South Central Review 15, no. 1 (1998): 78. http://dx.doi.org/10.2307/3189905.

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34

McLean, Hugh, and Richard F. Gustafson. "Tolstoi Made Whole." Russian Review 46, no. 3 (1987): 321. http://dx.doi.org/10.2307/130567.

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Navajas, Gonzalo. "Galdós y Tolstoi." SIGLO DIECINUEVE (Literatura hispánica), no. 22 (May 8, 2016): 71–89. http://dx.doi.org/10.37677/sigloxix.v0i22.58.

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El siglo XIX genera una extensa narrativa en torno al hecho de la guerra y el modo en que la guerra determina el núcleo más intrínseco y definitorio de la comunidad nacional. Los casos de León Tolstoi y Benito Pérez Galdós son ilustrativos de este modo de narración en torno a la guerra y del análisis y cuestionamiento de los principios legitimizadores de la agresión bélica para la obtención de unos fines políticos. A partir del análisis de obras determinantes de ambos autores, desde Guerra y paz a Trafalgar y Bailén en particular, el trabajo muestra que ambos autores destacan los elementos de

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Sokolov, Boris V. "A Prototype of Vadim Roshchin in the “White” Version of Alexey N. Tolstoy's Trilogy The Road to Calvary." RUDN Journal of Studies in Literature and Journalism 26, no. 1 (2021): 16–32. http://dx.doi.org/10.22363/2312-9220-2021-26-1-16-32.

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The article is devoted to the reconstruction of the idea of the white version of the second volume of A.N. Tolstoy's trilogy The Road to Calvary , created by the writer in the emigration in 1921-1923. This idea was fundamentally different from the one embodied by A.N. Tolstoy after his return to the USSR. Materials published in 1918 in the Rostov magazine Donskaya Volna ( Don Wave ) are used for the reconstruction. Those materials help to identify Colonel V.K. Manakin as a supposed prototype of one of the main characters, Vadim Roshchin, in the final chapters of the first volume of the trilogy

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Brioso Sánchez, Máximo, and Manuel Bernal Rodríguez. "Tolstoi y A. Machado: «A un olmo seco»." Philologia Hispalensis 1, no. 6 (1991): 285–93. http://dx.doi.org/10.12795/ph.1991.v06.i01.25.

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Montefameglio, Alessandro. "Un “diferencial de la historia”. Vico, Tolstoi, Deleuze." Cuadernos sobre Vico, no. 37 (2023): 161–80. http://dx.doi.org/10.12795/vico.2023.i37.10.

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El presente artículo examina algunos tópicos histórico-teoréticos que ligan la filosofía de la historia de Giambattista Vico con el pensamiento postmoderno, particularmente el de Gilles Deleuze. Concepto sostenedor de nuestro trabajo es el de diferencial tal como es elaborado por León Tolstoi en Guerra y paz para construir, a partir de su significado matemático, una original teoría de la historia como integración de la multiplicidad de pulsiones humanas. No obstante, Vico, a diferencia de Deleuze, no emplea directamente dicho concepto, lo que resulta teórica e históricamente relevante ya sea p

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Oliveira, Juliane Bassanufa, and Carlos Francisco de Morais. "Anna Karenina no cinema: o primeiro encontro de Anna e Vronski nos filmes de 1935, 1948 e 2012 / Anna Karenina on the cinema: the first encounter of Anna and Vronski in the movies from 1935, 1948 and 2012." Texto Livre: Linguagem e Tecnologia 10, no. 2 (2017): 254–70. http://dx.doi.org/10.17851/1983-3652.10.2.254-270.

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RESUMO: Este estudo surgiu da participação no grupo de pesquisa intitulado Literatura em Diálogo, que tem como objetivo o estudo e a pesquisa sobre as diversas adaptações cinematográficas do romance Anna Karenina, de Leon Tolstói. Neste estudo, em particular, é feita uma análise da primeira cena de encontro entre Anna Karenina e Alexei Vronski, nas adaptações cinematográficas de 1935 (Clarence Brown), 1948 (Julien Duvivier) e 2012 (Joe Wright), e no texto literário de Tolstói (1877). A apropriação do texto literário pelo cinema fez com que os olhares de teóricos de ambas as artes se voltassem

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Grebennikov, Valery, Victoria Kalinovskaya, Ekaterina Sviridova, and Denis Shiryov. "Human rights activities of Leo Tolstoy." OOO "Zhurnal "Voprosy Istorii" 2019, no. 12_3 (2019): 54–58. http://dx.doi.org/10.31166/voprosyistorii201912statyi56.

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Jahn, Gary R., and Liudmila Ivanovna Kuz'mina. "Lev Tolstoi v Peterburge." Slavic and East European Journal 32, no. 4 (1988): 653. http://dx.doi.org/10.2307/308779.

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Love, Jeff. "Introduction: The “Late” Tolstoi." Slavic Review 70, no. 4 (2011): 747–53. http://dx.doi.org/10.5612/slavicreview.70.4.0747.

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Tavis, Anna. "The Life of Tolstoi." Slavic Review 49, no. 2 (1990): 278–80. http://dx.doi.org/10.2307/2499487.

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GUSTAFSON, RICHARD F. "LIDIIA GINZBURG AND TOLSTOI." Canadian-American Slavic Studies 28, no. 3 (1994): 204–15. http://dx.doi.org/10.1163/221023994x00422.

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Köpf, Gerhard. "Tolstoi, Wodka und Dopaminierer." NeuroTransmitter 27, no. 3 (2016): 56–59. http://dx.doi.org/10.1007/s15016-016-5498-3.

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Kovaleva, Galina N. "P. V. Palievsky as My First Reader." Two centuries of the Russian classics 5, no. 2 (2023): 198–205. http://dx.doi.org/10.22455/2686-7494-2023-5-2-198-205.

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The article is devoted to memories of P. V. Palievsky’s role in the preparation by its author of the unfinished novel by L. N. Tolstoy from Peter the Great’s era for the Complete works of the writer. Comparison of the episode about Prince V. V. Golitsyn from L. N. Tolstoy’s unfinished novel with an episode of the same content from A. N. Tolstoy’s novel “Peter the Great” reveals correspondences and parallels between the two episodes. It gives every reason to conclude that the episode about Prince V. V. Golitsyn from L. N. Tolstoy’s work is a literary source of an episode from A. N. Tolstoy’s no

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Kolstø, Pál. "A Mass for a Heretic? The Controversy over Lev Tolstoi's Burial." Slavic Review 60, no. 1 (2001): 75–95. http://dx.doi.org/10.2307/2697644.

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When Lev Tolstoi emerged as a religious teacher in the 1880s, taking a sharply polemical stance against the Orthodox faith, the leadership of the Russian church groped for ways and means to stem the spread of the pernicious new heresy among the Russian public. The most ambitious but also the most disastrous attempt was made in 1901 when the synod promulgated an official pronouncement (poslanie) against him. This document, which created a worldwide scandal, was undertaken by the church itself and not, as has been widely assumed, at the instigation of the state authorities. In its poslanie the s

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Pino, Claudia Amigo. "Roland Barthes e o combate do bem e do mal." Alea : Estudos Neolatinos 14, no. 2 (2012): 231–44. http://dx.doi.org/10.1590/s1517-106x2012000200006.

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O presente artigo parte da releitura de Barthes de Guerra e paz, de Tolstoi, para entender alguns movimentos de escritura presentes nos manuscritos de seu romance "Vita Nova". Para isso, procuramos encontrar um elemento no livro de Tolstoi que ele pretendia desenvolver em seu romance: o combate do Bem e do Mal, questão desenvolvida no último texto escrito por Barthes antes de morrer.

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Bôas, Glaucia Villas. "Max Weber, leitor de Tolstoi." Estudos Avançados 34, no. 100 (2020): 307–20. http://dx.doi.org/10.1590/s0103-4014.2020.34100.019.

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resumo Este artigo discute a formulação que Max Weber dá ao problema do sentido da ciência e do sentido da vida, com base na conferência Ciência como vocação, que ele proferiu na Universidade de Munique em 1917. Em primeiro lugar, esboço o contexto intelectual em que se dá a “redescoberta” da obra de Weber, na Alemanha, nas décadas de 1970 e 1980; em segundo lugar, comento a recepção da conferência por especialistas; e, em seguida, retomo o sentido que Weber atribui à ciência e ao progresso. Finalmente, exploro uma dimensão literária da reflexão weberiana: tendo em vista que Weber considerou o

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William Nickell. "New Directions in Tolstoi Scholarship." Kritika: Explorations in Russian and Eurasian History 9, no. 3 (2008): 555–66. http://dx.doi.org/10.1353/kri.0.0029.

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