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1

Tomasello, Luis. Luis Tomasello: Una mano enamorada. Brescia (Italy): Grafo, 1995.

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2

Tomasello, Luis. Luis Tomasello en el Museo Nacional de Bellas Artes Neuquén. Buenos Aires: Museo Nacional de Bellas Artes, 2003.

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3

Centro Cultural Recoleta (Buenos Aires, Argentina), ed. Tomasello: 30 de abril al 31 de mayo de 2009, Sala Cronopios, Centro Cultural Recoleta, Buenos Aires, Argentina. Buenos Aires: Centro Cultural Recoleta, 2009.

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4

Berry, Ian. Fred Tomaselli. Aspen, Colo: Aspen Art Museum, 2009.

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5

Tiburi, Marcia. Maria Tomaselli. Edited by Tomaselli Maria 1941-. São Paulo, Brazil?: Tiburi & Chui Produções Artísticas, 2009.

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6

Fred Tomaselli: The Times. Munich: Prestel, 2014.

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7

Ammerer, Gerhard. Das Tomaselli und die Salzburger Kaffeehaustradition seit 1700. Wien: Christian Brandstätter Verlag, 2006.

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8

Pettit, Philip. Reply to Michael Tomasello’s Commentary. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190904913.003.0012.

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Michael Tomasello’s commentary suggests that the genealogy traced in The Birth of Ethics does not pay sufficient attention to the cooperative infrastructure on which language realises and does not give it sufficient importance in explaining the emergence of ethics. The challenge he raises is more plausibly read in a moderate way, as a claim that the narrative should have given a greater place to the role of our naturally cooperative, jointly engaged dispositions. The facts adduced by Tomasello in documenting our cooperative nature may be admitted, and are implicitly recognized in the book, but in explaining how ethics might have emerged in their absence, the account throws light on the essential nature of ethics. The challenge might be read in a more radical way as a claim that language is not needed at all in explaining the emergence of ethics. But in that form it is not very plausible, as the narrative at which Tomasello gestures would not explain the appearance of distinctively ethical concepts.
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9

Hoekstra, Kinch. Editor’s Introduction: The View from Erewhon. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190904913.003.0001.

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Kinch Hoekstra’s introduction to Philip Pettit’s The Birth of Ethics adumbrates the themes of the work with reference to earlier attempts to provide naturalistic accounts of or challenges to morality. For Pettit, moral properties are really in the world, and yet are the product of patterns of human interaction and conventions to promote interests; his theory is thus both a kind of moral realism and a kind of moral conventionalism. Self-interest and language play central roles in Pettit’s hypothetical account of the genealogy of ethics, and a sketch is accordingly provided of the disagreement between Pettit and Michael Tomasello, which focuses on those roles.
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10

1956-, Tomaselli Fred, Berry Ian 1971-, Jacobson Heidi Zuckerman, Aspen Art Museum (Aspen, Colo.), Frances Young Tang Teaching Museum and Art Gallery., and Brooklyn Museum, eds. Fred Tomaselli. New York: DelMonico Books-Prestel, 2009.

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11

1956-, Tomaselli Fred, Berry Ian 1971-, Jacobson Heidi Zuckerman, Aspen Art Museum (Aspen, Colo.), Frances Young Tang Teaching Museum and Art Gallery., and Brooklyn Museum, eds. Fred Tomaselli. New York: DelMonico Books-Prestel, 2009.

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12

Fred Tomaselli. New York: DelMonico Books-Prestel, 2009.

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13

Tomaselli, Fred, and Gregory Volk. Fred Tomaselli. James Cohan Gallery, 2000.

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14

Baz, Avner. Acquiring “Knowledge”—An Alternative Model. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198801887.003.0007.

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The chapter argues that empirical studies of first-language acquisition lend support to the Wittgensteinian-Merleau-Pontian conception of language as against the prevailing conception that underwrites the method of cases in either its armchair or experimental version. It offers a non-representationalist model, inspired by the work of Michael Tomasello, for the acquisition of “knowledge,” with the aim of showing that we could fully account for the acquisition of this and other philosophically troublesome words without positing independently existing “items” to which these words refer. The chapter also aims at bringing out and underscoring the striking fact that, whereas many in contemporary analytic philosophy regard and present themselves as open and attentive to empirical science, they have often relied on a conception of language that has been supported by no empirical evidence.
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15

(Editor), Rick Moody, and Michael Rush (Editor), eds. Fred Tomaselli: Ten Year Survey. Palm Beach Institute of Contemporary Art, 2002.

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16

Fred Tomaselli (Smart Art Press). Smart Art Press, 1995.

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17

Lethem, Jonathan, and Fred Tomaselli. Fred Tomaselli: Monsters Of Paradise. James Cohan Gallery, 2005.

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18

Fred Tomaselli: Early Work or How I Became a Painter. Grand Central Press, 2015.

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19

Susan Hefuna Bharti Kher Fred Tomaselli Zwischen Den Welten Between The Worlds. Kehrer Verlag, 2011.

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20

Smith, Harry Everett. The heavenly tree grows downward: Selected works by Harry Smith, Philip Taaffe, Fred Tomaselli. James Cohan Gallery, 2002.

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21

Kooperation, Sozialität und Kultur: Michael Tomasellos Arbeiten in der soziologischen Diskussion. 3. Sonderband der »ZTS«. Juventa Verlag GmbH, 2016.

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22

Tomasello, Michael. Commentary on Philip Pettit’s The Birth of Ethics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190904913.003.0011.

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Philip Pettit begins his account of the evolution of morality with early human individuals reporting their experiences to others linguistically, and he maintains that language is a crucial and necessary part of the process throughout. The key is that there were social pressures on early humans to be honest in their reporting in order to maintain a good reputation. But informing others of things truthfully and helpfully is a cooperative social action that may be effected non-linguistically, for example, by pointing to relevant referential situations. And the reputation one creates by engaging in such behavior is not as a skillful language user but as a cooperative one: telling the truth only matters if it either helps or hinders the recipient in her behavioral decision-making. And so, Tomasello’s claim is that what is actually doing the work in Pettit's account is not language per se, but rather the cooperative intentions and social actions that underlie certain kinds of speech acts. This suggests the possibility of an account of the evolution of morality based not on language but on cooperation more generally.
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23

Paula, Marincola, Schaffner Ingrid, and Beaver College Art Gallery, eds. Patterns of excess: Carole Caroompas, Jim Isermann, Larry Mantello, Virgil Marti, Stuart Netsky, Lari Pittman, Christian Schumann, Jessica Stockholder, Lily van der Stokker, Fred Tomaselli : Beaver College Art Gallery, November 7-December 20, 1996. Glenside, PA: The Gallery, 1997.

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