Relevant bibliographies by topics / Tone production

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tone production'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Tone production"

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Wong, Puisan, and Carrie Tsz-Tin Leung. "Suprasegmental Features Are Not Acquired Early: Perception and Production of Monosyllabic Cantonese Lexical Tones in 4- to 6-Year-Old Preschool Children." Journal of Speech, Language, and Hearing Research 61, no. 5 (2018): 1070–85. http://dx.doi.org/10.1044/2018_jslhr-s-17-0288.

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Purpose Previous studies reported that children acquire Cantonese tones before 3 years of age, supporting the assumption in models of phonological development that suprasegmental features are acquired rapidly and early in children. Yet, recent research found a large disparity in the age of Cantonese tone acquisition. This study investigated Cantonese tone development in 4- to 6-year-old children. Method Forty-eight 4- to 6-year-old Cantonese-speaking children and 28 mothers of the children labeled 30 pictures representing familiar words in the 6 tones in a picture-naming task and identified pi
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Wong, Puisan, Richard G. Schwartz, and James J. Jenkins. "Perception and Production of Lexical Tones by 3-Year-Old, Mandarin-Speaking Children." Journal of Speech, Language, and Hearing Research 48, no. 5 (2005): 1065–79. http://dx.doi.org/10.1044/1092-4388(2005/074).

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The present study investigated 3-year-old children's perception and production of Mandarin lexical tones in monosyllabic words. Thirteen 3-year-old, Mandarin-speaking children participated in the study. Tone perception was examined by a picture-pointing task, and tone production was investigated by picture naming. To compare children's productions with the adult forms, 4 mothers of the children were asked to say the same set of words to their children in a picture-reading activity. The children's and mothers' productions were low-pass filtered at 500 Hz and 400 Hz, respectively, to eliminate s
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Svantesson, Jan-Olof, and David House. "Tone production, tone perception and Kammu tonogenesis." Phonology 23, no. 02 (2006): 309–33. http://dx.doi.org/10.1017/s0952675706000923.

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Yao, Yao, Angel Chan, Roxana Fung, et al. "Cantonese tone production in pre-school Urdu–Cantonese bilingual minority children." International Journal of Bilingualism 24, no. 4 (2019): 767–82. http://dx.doi.org/10.1177/1367006919884659.

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Aim: In this study, we examine the production of Cantonese tones by preschool Urdu–Cantonese children living in Hong Kong. Methodology: 21 first language Urdu second language Cantonese children (ages 4–6) and 20 age-matched first language Cantonese children participated in a picture-naming experiment with 86 words (109 syllables in total). Data and Analysis: Acoustic analysis was carried out for perceptually correct and incorrect tone productions of each tone. Comparisons were also made across speaker groups regarding accuracy rates and error patterns. Findings: Overall, first-language Urdu pa
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Zhang, Caicai, Oi-Yee Ho, Jing Shao, Jinghua Ou, and Sam-Po Law. "Dissociation of tone merger and congenital amusia in Hong Kong Cantonese." PLOS ONE 16, no. 7 (2021): e0253982. http://dx.doi.org/10.1371/journal.pone.0253982.

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While the issue of individual variation has been widely studied in second language learning or processing, it is less well understood how perceptual and musical aptitude differences can explain individual variation in native speech processing. In the current study, we make use of tone merger in Hong Kong Cantonese, an ongoing sound change that concerns the merging of tones in perception, production or both in a portion of native speakers, to examine the possible relationship between tone merger and musical and pitch abilities. Although a previous study has reported the occurrence of tone merge
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Köhnlein, Björn. "The complex durational relationship of contour tones and level tones." Diachronica 32, no. 2 (2015): 231–67. http://dx.doi.org/10.1075/dia.32.2.03koh.

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The production of a contour tone requires a longer duration than the production of a level tone. This paper demonstrates that this durational relationship becomes considerably more complex when tones are realized on bimoraic sonorant units that can support both level tones and contour tones. Evidence comes from diachronic processes in which pitch and duration interact. In languages where (intrinsic) durational differences between two groups of bimoraic units lead to tonal contrasts, the longer units commonly receive a contour tone, and the shorter ones a level tone; yet over time, the units wi
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Yang, Chunsheng. "Tone errors in scripted conversations of L2 Mandarin Chinese." Chinese as a Second Language Research 5, no. 1 (2016): 63–86. http://dx.doi.org/10.1515/caslar-2016-0003.

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AbstractThis study examines the acquisition of Mandarin tones by American English speaking second language (L2) learners. Three types of tone sequences, namely, compatible tone sequences, conflicting tone sequences, and other tone sequences, were used. The analysis of tone errors in different tone sequences showed that, while learners seemed to have acquired the Tone 3 and its sandhi, they tended to over-apply the sandhi rule in inappropriate contexts and produced tone errors. More importantly, the low and rising tones, which are generally difficult for L2 learners to produce, were the most fr
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Andruski, Jean E., and Martha Ratliff. "Phonation types in production of phonological tone: the case of Green Mong." Journal of the International Phonetic Association 30, no. 1-2 (2000): 37–61. http://dx.doi.org/10.1017/s0025100300006654.

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This study looks at the relative importance of phonation type in identifying tones in languages with a ‘mixed’ pitch/phonation tone system. Green Mong is a tone language with an inventory of 7 contrastive tones and a tonal system that incorporates both fundamental frequency (FO) and phonation type distinctions. The study examines 3 Green Mong tones, which have similar FO contours and are characterized by the distinctive use of breathy, creaky and modal phonation. Acoustic analyses of 3 male and 3 female speakers' productions indicate that the tones are distinguished by their FO, relative ampli
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Lee, Yong-cheol, and Sunghye Cho. "Focus Prosody Varies by Phrase-Initial Tones in Seoul Korean: Production, Perception, and Automatic Classification." Languages 5, no. 4 (2020): 64. http://dx.doi.org/10.3390/languages5040064.

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Production and perception experiments were conducted to examine whether focus prosody varies by phrase-initial tones in Seoul Korean. We also trained an automatic classifier to locate prosodic focus within a sentence. Overall, focus prosody in Seoul Korean was weak and confusing in production, and poorly identified in perception. However, Seoul Korean’s focus prosody differed between phrase-initial low and high tones. The low tone group induced a smaller pitch increase by focus than the high tone group. The low tone group was also subject to a greater degree of confusion, although both tone gr
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Mok, Peggy P. K., Donghui Zuo, and Peggy W. Y. Wong. "Production and perception of a sound change in progress: Tone merging in Hong Kong Cantonese." Language Variation and Change 25, no. 3 (2013): 341–70. http://dx.doi.org/10.1017/s0954394513000161.

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AbstractCantonese has six lexical tones (T), but some tone pairs appear to be merging: T2 [25] vs. T5 [23], T3 [33] vs. T6 [22], and T4 [21] vs. T6 [22]. Twenty-eight merging participants and thirty control participants in Hong Kong were recruited for a perception experiment. Both accuracy rate and reaction time data were collected. Seventeen merging participants also participated in a production experiment. Predictive discriminant analysis of the fundamental frequency data and judgments by native transcribers were used to assess production accuracy. Results show that the merging participants
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Dissertations / Theses on the topic "Tone production"

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Chow, Tak-yu David. "Lexical tone production in Cantonese alaryngeal speech." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B36209612.

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Thesis (B.Sc)--University of Hong Kong, 1998.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, April 30, 1998." Also available in print.
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Mar, Li-Ya. "covert contrast| The acquisition of Mandarin tone 2 and tone 3 in L2 production and perception." Thesis, The University of Wisconsin - Milwaukee, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10123605.

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<p> This dissertation investigates the occurrence of an intermediate stage, termed a covert contrast, in the acquisition of Mandarin Tone 2 (T2) and Tone 3 (T3) by adult speakers of American English. A covert contrast is a statistically reliable distinction produced by language learners that is not perceived by native speakers of the target language (TL). In second language (L2) acquisition, whether a learner is judged as having acquired a TL phonemic contrast has largely depended on whether the contrast was perceived and transcribed by native speakers of the TL. However, categorical perceptio
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Hamilton, James R. "Optimizing tone production on a 300 spot per inch laser printer /." Online version of thesis, 1988. http://hdl.handle.net/1850/10123.

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Schwanhäu[beta]er, Barbara. "Lexical tone perception and production the role of language and musical background /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/31791.

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Thesis (Ph.D.) -- University of Western Sydney, 2007.<br>"A thesis submitted to the University of Western Sydney, College of Arts, MARCS Auditory Laboratories in fulfilment of the requirements for the degree of Doctor of Philosophy." Includes bibliography.
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Yang, Bei. "A model of Mandarin tone categories--a study of perception and production." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/764.

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The current study lays the groundwork for a model of Mandarin tones based on both native speakers' and non-native speakers' perception and production. It demonstrates that there is variability in non-native speakers' tone productions and that there are differences in the perceptual boundaries in native speakers and non-native speakers. There are four experiments in this study. Experiment 1 utilizes native speakers' production data from a published speech database to explore the features of tone production by native speakers. Inter-speaker normalization is used to analyze the data. Experiment 2
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Wilcocks, Gerda Reinette. "Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09132007-163345/.

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Law, Choi-hung Rainbow. "The effect of sentence context on the production of the Cantonese low-rising tone." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B36207962.

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Thesis (B.Sc)--University of Hong Kong, 2001.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, May 4, 2001." Also available in print.
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Zintchenko, Jurlina Jevgenij [Verfasser], Henning [Gutachter] Reetz, and Sven [Gutachter] Grawunder. "The production of lexical tone in Croatian / Jevgenij Zintchenko Jurlina ; Gutachter: Henning Reetz, Sven Grawunder." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2019. http://d-nb.info/1189728931/34.

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Lee, Kit-ching Angela. "Tone production ability in Cantonese-speaking hearing-impaired children with cochlear implants or hearing aids." Click to view the E-thesis via HKU Scholars Hub, 2007. http://lookup.lib.hku.hk/lookup/bib/B42005632.

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Thesis (B.Sc)--University of Hong Kong, 2007.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, June 30, 2007." Includes bibliographical references (p. 26-30). Also available in print.
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Thom, Lisa. "An overview of traditional and modern flutes with regard to material, construction and tone production." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8152.

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Includes abstract.<br>Includes bibliographical references.<br>The first flutes were made in prehistoric times when a caveman decided to hollow out a bone, pierce a small hole in it and blow in it in a particular way to make a sound. Since then different cultures from all over the world have made many different types of flutes. They are shaped differently, held differently and played in various ways, but the one thing they all have in common is that they are all hollow objects that produce a sound when the player blows air across a hole; this airstream oscillates - it either goes entirely into
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Books on the topic "Tone production"

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Tone production on the classical guitar. Musical New Services/Music Sales Ltd, 1990.

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Vandermotten, Christian. La production des espaces économiques. Tome I. 2nd ed. Éditions de l'Universite de Bruxelles, 2003.

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Vandermotten, Christian. La production des espaces économiques: La formation des territoires, Tome II. Editions de l'Université de Bruxelles, 2014.

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Marowitz, Charles. How to stage a play, make a fortune, win a Tony, and become a theatrical icon. Limelight Editions, 2005.

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Vandermotten, Christian. La production des espaces économiques: La formation du système monde, Tome I. Editions de l'Université de Bruxelles, 2014.

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Yang, Bei. Perception and Production of Mandarin Tones by Native Speakers and L2 Learners. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-44645-4.

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1948-, Gatlif Tony, ed. "Latcho drom": Bonne route : un film de Tony Gatlif. K.G. Productions, 1993.

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1930-, Satō Tadao, ed. Tong Asia hapchak tanp'yŏn yŏnghwa chejak saŏp ŭi kyoyuk sŏngkwa wa chŏnmang. Han'guk Yesul Yŏn'guso, 2012.

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Xin neng yuan gong dian xi tong you hua kong zhi. Dian zi gong ye chu ban she, 2012.

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Xiong qi bao qi: Gu dai qing tong zhu zao shu = Techniques of ancient bronze production. Wen wu chu ban she, 2008.

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Book chapters on the topic "Tone production"

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MacLeod, Rebecca B. "Tone Production." In Teaching Strings in Today’s Classroom. Routledge, 2018. http://dx.doi.org/10.4324/9781351254144-7.

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Wang, Yue, Joan A. Sereno, and Allard Jongman. "Multi-Modal Perception of Tone." In Speech Perception, Production and Acquisition. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7606-5_9.

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Ingvalson, Erin M., and Patrick C. M. Wong. "Individual Differences in Lexical Tone Learning." In Speech Perception, Production and Acquisition. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7606-5_4.

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Chang, Claire H. C., and Wen-Jui Kuo. "Neural Processing of Tone Sandhi in Production and Perception: The Case of Mandarin Tone 3 Sandhi." In Speech Perception, Production and Acquisition. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7606-5_7.

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Lee, Chia-Ying, and Ying-Ying Cheng. "Neurophysiological Studies of Mandarin Lexical Tone Acquisition in Early Childhood." In Speech Perception, Production and Acquisition. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7606-5_6.

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Yang, Yongkai, and Ying Chen. "Effects of Entering Tone on Vowel Duration and Formants in Nanjing Dialect." In Studies on Speech Production. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00126-1_14.

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Gao, Jun, and Aijun Li. "Production of Neutral Tone on Disyllabic Words by Two-Year-Old Mandarin-Speaking Children." In Studies on Speech Production. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00126-1_9.

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Pfeifle, Florian, and Malte Münster. "Tone Production of the Wurlitzer and Rhodes E-Pianos." In Current Research in Systematic Musicology. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47292-8_3.

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Ong, Jia Hoong, Shen Hui Tan, Alice H. D. Chan, and Francis C. K. Wong. "The Effect of Musical Experience and Congenital Amusia on Lexical Tone Perception, Production, and Learning: A Review." In Speech Perception, Production and Acquisition. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7606-5_8.

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Giles, T. D., and G. E. Sander. "Production by Systemic Enkephalin of Hemodynamic Effects by Afferent Modulation of Autonomic Nervous System Tone." In Opioid Peptides and Blood Pressure Control. Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73429-8_23.

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Conference papers on the topic "Tone production"

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Ferradans, Sira, Marcelo Bertalmío, Edoardo Provenzi, and Vicent Caselles. "A Multi-Modal Approach to Perceptual Tone Mapping." In 2009 Conference for Visual Media Production (CVMP). IEEE, 2009. http://dx.doi.org/10.1109/cvmp.2009.16.

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Gao, Xihe, Stephen Brooks, and Dirk V. Arnold. "Saliency-based parameter tuning for tone mapping." In CVMP '14: 11th European Conference on Visual Media Production. ACM, 2014. http://dx.doi.org/10.1145/2668904.2668939.

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DiCanio, Christian, and Hosung Nam. "Articulatory parameterization in Trique tone production: Distinguishing co-production from coarticulation." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4800638.

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Acharyya, Prarthana, and Shakuntala Mahanta. "Production and perception of lexical tone in Deori." In TAL2018, Sixth International Symposium on Tonal Aspects of Languages. ISCA, 2018. http://dx.doi.org/10.21437/tal.2018-19.

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Zhai, Jiefu, Joan Llach, and Zhe Wang. "A New Tone Mapping Workflow for High Dynamic Range Content." In 2009 Conference for Visual Media Production (CVMP). IEEE, 2009. http://dx.doi.org/10.1109/cvmp.2009.25.

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Granados, Miguel, Tunç Ozan Aydın, J. Rafael Tena, Jean-François Lalonde, and Christian Theobalt. "HDR image noise estimation for denoising tone mapped images." In CVMP 2015: 12th International Conference on Visual Media Production. ACM, 2015. http://dx.doi.org/10.1145/2824840.2824847.

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Lalhminghlui, Wendy, and Priyankoo Sarmah. "Production and Perception of Rising Tone Sandhi in Mizo." In TAL2018, Sixth International Symposium on Tonal Aspects of Languages. ISCA, 2018. http://dx.doi.org/10.21437/tal.2018-23.

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Tu, Jung-Yueh, Yuwen Hsiung, Jih-Ho Cha, Min-Da Wu, and Yao-Ting Sung. "Tone production of Mandarin disyllabic words by Korean learners." In Speech Prosody 2016. ISCA, 2016. http://dx.doi.org/10.21437/speechprosody.2016-77.

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Ma, Joan Ka-Yin. "Lexical tone production by Cantonese speakers with parkinson's disease." In Interspeech 2009. ISCA, 2009. http://dx.doi.org/10.21437/interspeech.2009-511.

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Peng, Yide. "Tone Application Principles and Use Skills in Computer Music Production." In 2017 4th International Conference on Education, Management and Computing Technology (ICEMCT 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icemct-17.2017.238.

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Reports on the topic "Tone production"

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Amzeri, Achmad, B. S. DARYONO, and M. SYAFII. GENOTYPE BY ENVIRONMENT AND STABILITY ANALYSES OF DRYLAND MAIZE HYBRIDS. SABRAO Journal of Breeding and Genetics, 2020. http://dx.doi.org/10.21107/amzeri.2020.2.

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The phenotypic analysis of new candidate varieties at multiple locations could provide information on the stability of their genotypes. We evaluated the stability of 11 maize hybrid candidates in five districts in East Java Province, Indonesia. Maize hybrids with high yield potential and early maturity traits derived from a diallel cross were planted in a randomized complete block design with two checks (Srikandi Kuning and BISI-2) as a single factor with four replicates. The observed traits were grain yield per hectare and harvest age. The effects of environment, genotype, and genotype × envi
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Reiter, Patrick, Hannes Poier, Christian Holter, et al. Business Models of Solar Thermal and Hybrid Technologies. IEA SHC Task 55, 2019. http://dx.doi.org/10.18777/ieashc-task55-2019-0002.

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District Heating required annually 600 TWh in the European Union and represents more than 10% of the EUs heat demand. Fossil fuels are the major source for heat production. Approximately 5000 district heating grids in the EU are operated by burning fossil fuels valued at € 18 billion (600 TWh) and emitting more than 150 million tons of CO2 emissions every year.
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Tobin, S. J., T. Kammash, and J. T. Hogan. A quantitative study of the carbon impurity production mechanisms from an inertial limiter in Tore Supra as determined by visible spectroscopy. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/161539.

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Legena, Henry, Brittney McKenzie, Aria Goodridge, et al. Experimental Evidence on the Use of Biomethane from Rum Distillery Waste and Sargassum Seaweed as an Alternative Fuel for Transportation in Barbados. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003288.

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This paper presents an alternative to the current use of gasoline and diesel for transportation in Barbados. By relying on experimental evidence, it shows that biomethane emanating from the combination of Sargassum seaweed that is found on the seashores of the country with wastewater from rum distillery production can be used to produce an alternative transportation fuel. If implemented successfully, this alternative combustion method can avoid as much as 1 million metric tons of CO2 emissions every year in the country. These findings have important implications for policymakers. First, they c
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