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Journal articles on the topic 'Toni Morrison'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Majeed, Ibtisam Abdulkhaliq. "Stylistic analysis of Toni Morrison's Beloved." Linguistics and Culture Review 9, no. 1 (2025): 52–59. https://doi.org/10.21744/lingcure.v9n1.2318.

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This paper examines the stylistic analysis of Toni Morrison 's Beloved (2004) using the analytic model developed by Leech and Short (1981) as the major approach. The researcher is aiming to identify the principal stylistic devices used by Morrison in her famous novel Beloved. The unique style of Morrison reflects the way readers respond to the novel. Morrison's language in this novel is not only a tool of communication but it is also a means of information. Morrison focuses on the interconnectivity between language and identity because there is a relationship between the spoken words and how t

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2

Curtis, Tracy, and Jill Matus. "Toni Morrison." African American Review 34, no. 2 (2000): 359. http://dx.doi.org/10.2307/2901264.

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3

Wainwright, Mary Katherine, Wilfred D. Samuels, and Clenora Hudson-Weems. "Toni Morrison." MELUS 17, no. 4 (1991): 146. http://dx.doi.org/10.2307/467276.

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4

Blake, Susan L., and Linden Peach. "Toni Morrison." African American Review 31, no. 3 (1997): 533. http://dx.doi.org/10.2307/3042591.

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5

Manu and Dr. Abha Shukla Kaushik. "Existential Dilemma in Toni Morrison’s Beloved." Creative Launcher 6, no. 3 (2021): 110–17. http://dx.doi.org/10.53032/tcl.2021.6.3.22.

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Toni Morrison verbalizes in novel manners the pain and battle of a traumatized self and local area. In her novels, the traumatic truth of a dark self shows itself in the characters' self-hatred and self-disdain, and in the deficiency of their individual and cultural identity. Her fiction resolves issues of African American history, traumatizing experience and identity, often additionally captivating with inquiries of sex and sex, and, less significantly, class. When writing in a climate where everything except a couple of dark writers battled for acknowledgment, presently the subject of much r

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6

Zhang, Yi. "Literary Cartographic Analysis of Spatial Anxiety in Song of Solomon." International Journal of Education and Humanities 15, no. 2 (2024): 241–44. http://dx.doi.org/10.54097/jzv6rg13.

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Song of Solomon, a novel written by the renowned author Toni Morrison, who won the Nobel Prize in 1993. This novel shows Milkman’s ultimate liberation, from an isolated black community to a utopian black community built by Morrison. It is his journey to find his root and a means to realize his cultural belief. This paper delves into the spatial anxiety in Song of Solomon from the perspective of literary cartography. Literary cartography will make us understand Toni Morrison’s mapping skills to help the protagonist in Song of Solomon away from anxiety of disorientation, finally find identity an

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7

Schneiderman, Leo. "Toni Morrison: Mothers and Daughters." Imagination, Cognition and Personality 14, no. 4 (1995): 273–90. http://dx.doi.org/10.2190/wb6p-hcbn-03yy-lpbr.

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The present article analyzes Morrison's novels with emphasis on the conflicted emotions of fictional African-American mothers in relation to their children. Of special interest is Morrison's depiction of the mother's role in shaping the individuation process of her daughters in a matriarchal, father-absent context. Also examined is Morrison's treatment of intergenerational continuity and the unique role of the grandmother against a background of social change. Such change is interpreted by Morrison as involving conflict between the norms of traditional, rural, folkloric black culture, and the

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8

Kumar, Fayaz Ahmad, and Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction." Global Language Review V, no. IV (2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.

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This paper analyzes the influence of the Black Power movement on the AfricanAmerican literary productions; especially in the fictional works of Toni Morrison. As an African-American author, Toni Morrison presents the idea of 'Africanness' in her novels. Morrison's fiction comments on the fluid bond amongst the African-American community, the Black Power and Black Aesthetics. The works of Morrison focus on various critical points in the history of African-Americans, her fiction recalls not only the memory of Africa but also contemplates the contemporary issues. Morrison situates the power polit

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9

Djabbarova, Sitora Bahodirovna. "ANALYSIS OF THE LIFE AND CREATIVITY OF TONI MORRISON." Journal of Universal Science Research 1, no. 6 (2023): 443–48. https://doi.org/10.5281/zenodo.8028085.

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The article provides detailed information about the life of Toni Morrison and his work. At the same time, Toni Morrison describes the period of writing of the works and the period-related aspects of the works. Toni Morrison's views on twentieth-century culture, its development, and radical democracy are highlighted. Toni Morrison's views on the developmental stages of critical realism are also cited. Details of what Toni Morrison did during his lifetime are also provided.

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10

Dr. Beena Yadav. "African American Folklore in the Novels of Toni Morrison." Research Ambition an International Multidisciplinary e-Journal 9, no. I (2024): 01–06. https://doi.org/10.53724/ambition/v9n1.02.

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This research paper explores the profound influence of African American folklore in the novels of Toni Morrison. By examining her essential novels such as Beloved, Song of Solomon, and Tar Baby, the study investigates how Morrison weaves elements of folklore, including myth, oral traditions, and cultural rituals, into her narratives. The analysis reveals how Morrison employs folklore to enrich her storytelling, develop complex characters, and address themes of identity, memory, and community. Moreover, the research highlights how Morrison’s integration of folklore serves as a powerful tool for

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11

Sy, Ousseynou. "Writing Fiction through the Camera Lens: Toni Morrison’s Intermedial Poetics." Metacritic Journal for Comparative Studies and Theory 9, no. 2 (2023): 32–50. http://dx.doi.org/10.24193/mjcst.2023.16.03.

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This paper analyzes the intermedial discourse in Morrison’s novel Beloved. It brings to the fore the cinematic tropes with which Morrison’s “politics of affect”, to borrow from Massumi’s syntagm, is interwoven. Drawing on Müller’s concept of intermediality which shows the appropriations of art forms, this paper decodes Morrison’s intermedial poetics. To engage with the trauma of history and the “Archive Fever,” Morrison resorts to a visual medium, cinema, to weave a hybrid literary discourse that lies at the heart of the postcritical turn in cultural, literary and media studies. Filmic techniq

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12

Bennett, Jane Foress. "Introducing Toni Morrison." Agenda, no. 22 (1994): 65. http://dx.doi.org/10.2307/4065739.

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13

Fonseca, Rita. "Morrison, Toni, Love." Revista Crítica de Ciências Sociais, no. 89 (June 1, 2010): 216–18. http://dx.doi.org/10.4000/rccs.3709.

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14

Stewart, Carole Lynn. "Remembering Toni Morrison." Canadian Review of American Studies 49, no. 3 (2019): 247–48. http://dx.doi.org/10.3138/cras.2019.005.

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15

Chakraborty,, Kanika. "The Intersection of Trauma and Racial Memory in Toni Morrison’s “Recitatif”." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 09, no. 03 (2025): 1–9. https://doi.org/10.55041/ijsrem42952.

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Toni Morrison's "Recitatif" rigorously examines the relationship of trauma and racial memory, illustrating the influence of personal and collective trauma on identity formation. Morrison examines the formation and reinforcement of racial dynamics through memory by focusing on Twyla and Roberta, two girls from disparate ethnic backgrounds who share a traumatic childhood experience. The narrative's intentional racial ambiguity prompts readers to examine their own racial prejudices, while the characters' developing relationships underscore how racial memory—rooted in societal frameworks and indiv

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16

Aghakhani Shahrezaee, Mina, and Zahra Jannessari Ladani. "Toni Morrison's Beloved and the Bluest Eye: A Cultural Materialistic Approach." International Letters of Social and Humanistic Sciences 30 (June 2014): 17–23. http://dx.doi.org/10.18052/www.scipress.com/ilshs.30.17.

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This article aims to investigate two novels of Toni Morrison, Beloved and The Bluest Eye, by a cultural materialistic approach. Cultural materialists emphasize on the cultural aspects and elements of literary texts. They study issues such as race, gender, sexuality, social class, and slavery. In other words, they put under investigation the marginalized people of society, like black people, females, and slaves. In this regard, Toni Morrison is a great writer whose writings are replete with cultural issues. As most of the main characters of Toni Morrison's novels are black people, so it can be

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17

Ankita, Bhowmick, and Sudeep Mangang Paonam. "Bodies that Matter: Reading Disability in Toni Morrison's Works." Criterion: An International Journal in English 15, no. 2 (2024): 300–308. https://doi.org/10.5281/zenodo.11104378.

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The widely published author and Nobel laureate Toni Morrison has explored issues of marginalisation, trauma, and identity in her works, which explore the complexity of the human condition. The representation of bodies, which act as sites of oppression and resistance, is essential to her narrative tapestry. This essay explores how disability is portrayed in Morrison's work, particularly how characters navigate their social and cultural settings. By closely examining a few books, such as The Bluest Eye, Song of Solomon, Jazz, Beloved and Sula, this paper investigates how Morrison questions conve

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18

Na, Zeng. "Deconstrution Of Dichotomies In Toni Morrisonâ€™s Paradise." International Journal for Innovation Education and Research 3, no. 7 (2015): 145–49. http://dx.doi.org/10.31686/ijier.vol3.iss7.404.

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In her 1998 novel Paradise, Morrison plays with her reader’s desire in terms of gender, race and religion where binary oppositions can be easily constructed in the process of reading. However, as this paper seeks to prove, all these dichotomies are ostensible and false. It is not Morrison’s intention to construct a disparate paradise as opposed to all-black patriarchy Ruby with its rigid Christian religion. It is Morrison’s intention to invite the readers into the program of deconstructing the dangers of this utopian desire. As the present paper finds out what Morrison really endeavors to crit

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19

JOVOVIĆ, Tamara. "TONI MORRISON AND THE POSTMODERN SLAVE NARRATIVE." Lingua Montenegrina 18, no. 2 (2016): 199–212. https://doi.org/10.46584/lm.v18i2.524.

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This paper interprets Toni Morrison's novel Beloved as a neo-slave narrative. This postmodern novel has its predecessor in the slave narrative of the 18th and 19the century, and in the postmodern times it proves that it is as well a necessary critical discourse for considering the complicated African-American history and the institution of slavery. Slave narratives are of the highest importance for the preservation of African-American tradition, and as such, they were often neglected and marginalized. In the paper we will also show, through the theoretical framework of the most eminent postmod

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20

Okoso, Yoshiko, and Elizabeth Ann Beaulieu. "The Toni Morrison Encyclopedia." African American Review 38, no. 1 (2004): 168. http://dx.doi.org/10.2307/1512248.

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21

Sarah Ladipo Manyika. "On Meeting Toni Morrison." Transition, no. 124 (2017): 138. http://dx.doi.org/10.2979/transition.124.1.27.

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22

McCoy, Beth A. "Trying Toni Morrison Again." College English 68, no. 1 (2005): 43. http://dx.doi.org/10.2307/30044663.

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23

Davis, Christina. "Interview With Toni Morrison." Présence Africaine 145, no. 1 (1988): 141. http://dx.doi.org/10.3917/presa.145.0141.

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24

Jones, Carolyn M., and Danille Taylor-Guthrie. "Conversations with Toni Morrison." African American Review 31, no. 1 (1997): 161. http://dx.doi.org/10.2307/3042202.

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25

Peterson, Nancy J. "Introduction: Canonizing Toni Morrison." MFS Modern Fiction Studies 39, no. 3-4 (1993): 461–79. http://dx.doi.org/10.1353/mfs.0.0383.

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26

Terry, Jennifer. "Reading Toni Morrison Critically." Literature Compass 2, no. 1 (2005): **. http://dx.doi.org/10.1111/j.1741-4113.2005.00147.x.

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27

Thomas, Helen. "Toni Morrison: A profile." Wasafiri 10, no. 20 (1994): 56–58. http://dx.doi.org/10.1080/02690059408574369.

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28

Page, M. M. "Funny Hawaiian Toni Morrison." TSQ: Transgender Studies Quarterly 2, no. 1 (2015): 185–87. http://dx.doi.org/10.1215/23289252-2849153.

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29

Saitta-Ringger, Deborah. "Periodization as Metaphor: Transcending Time in Toni Morrison’s Sula and “Recitatif”." South Central Review 41, no. 1 (2024): 9–27. http://dx.doi.org/10.1353/scr.2024.a926130.

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Abstract: Toni Morrison spoke and wrote extensively about the primacy of the art of creating fiction, resisting any critical, academic, or social attempts, however well-intentioned, to categorize her texts and wrest their autonomy. Implicit in periodization, one such “lazy labeling” strategy long embraced by critics and pedagogues, is a power dynamic that diminishes the artist, her art, and the reader’s experience of both. This discussion of two related works by Morrison, Sula and “Recitatif,” contextualizes her aesthetic theory by closely examining her defiance of conventional norms for narra

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30

Gordon, CieraJevae. "Some Old Havoc: A Golden Shovel After Eve L. Ewing & Dear Toni Morrison." JCSCORE 11, no. 1 (2025): 44–47. https://doi.org/10.15763/issn.2642-2387.2025.11.1.44-47.

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In Some Old Havoc and Dear Toni Morrison, poet and teaching artist CieraJevae honors the legacy of Eve L. Ewing and Toni Morrison—two writers who shape her voice and vision. Some Old Havoc, a Golden Shovel after Ewing, resurrects ancestral memory through rhythm and resistance, while Dear Toni Morrison is a poetic offering to the woman who taught her the power of truth-telling. Both pieces reflect CieraJevae’s commitment to writing that is raw, rooted, and unapologetically Black.

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31

Darshana, V. "Psychological Perspective of Mother-Daughter Relationship in Toni Morrison’s Beloved." International Academic Journal of Humanities 11, no. 1 (2024): 37–40. http://dx.doi.org/10.9756/iajh/v11i1/iajh1105.

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Toni Morrison delves deeply into history, culture, and human psychology in her novels, which go well beyond surface dynamics to examine the mother-daughter bond in great detail. Morrison's writing expertly explores the psychological elements that shape and define the relationship between mothers and daughters while also illuminating the bond between them through the careful weaving together of intricate events. Morrison focuses his examination on the idea of identity. She examines how women negotiate their identities in the face of family expectations, societal norms, and personal aspirations.

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32

Khanom, Roxana. "Exploring Domestic Violence and Child Abuse in Select Novels of Toni Morrison." BL College Journal 5, no. 2 (2023): 81–91. http://dx.doi.org/10.62106/blc2023v5i2eg3.

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Violence against African American females, young and old, is an irresistible concern in the novels of Toni Morrison. Her best fictional pieces, ‘The Bluest Eye’, ‘Beloved’, and ‘God Help the Child’ are the vibrant spotlight of domestic violence and child abuse in variegated natures. Toni Morrison has dealt profusely with all sorts of child maltreatment in her oeuvre. In many of her narratives, Morrison weaves a tangled web of childhood trauma stories, in which all the characters have suffered some kind of abuse like racial discrimination, neglect, witnessing domestic violence, emotional and ps

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33

Abula, Jelena. "PROBLEMATIKA MAJČINSTVA U ROMANU „VOLjENA“ TONI MORISON." Lipar 22, no. 74 (2021): 187–201. http://dx.doi.org/10.46793/lipar74.187a.

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This paper will examine the concept of motherhood in the light of black feminism in Toni Morrison’s novel Beloved. Morrison, one of the most prominent writers of the 20th century, is trying to present the development of the African- American community and the institution of motherhood in a society characterized by meaningless divisions between race, class and gender. Slavery problematizes the concept of motherhood which represents a connection of conflicting views shaped by different attitudes towards race, gender and class. Therefore, Morrison uses the suppressed voices of African-American mo

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34

Koh, TaeJin, and Saera Kwak. "Community and Communitarianism in Toni Morrison: Restoring the Self and Relating with the Other." Societies 11, no. 2 (2021): 57. http://dx.doi.org/10.3390/soc11020057.

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Toni Morrison discusses the rebirth of the entire Black race through self-recovery. However, her novels are not limited to the identity of Black women and people but are linked to a wider community. Morrison might have tried to imagine a community in which Black identity can be socially constituted. In this paper, we discuss the concept of community by examining communitarianism, which is the basis of justice and human rights. Although community is an ambiguous notion in the context of communitarianism, communitarians criticize the abstract conceptualization of human rights by liberal individu

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35

Madhavi, Bolla, and Dr Konda Nageshwara Rao. "A Study of Human Race in Toni Morrison’s Beloved." International Journal of English Literature and Social Sciences 8, no. 2 (2023): 192–93. http://dx.doi.org/10.22161/ijels.82.26.

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Toni Morrison's novel Beloved is a powerful exploration of the complexities of humanity, particularly the impact of slavery on the lives of African Americans. Through her vivid portrayal of the characters and their experiences, Morrison examines the various ways in which humans are capable of both cruelty and compassion. Beloved's presence forces Sethe to confront the past she has tried so hard to forget, and the novel follows her journey towards healing and redemption. Throughout the novel, Morrison portrays the ways in which slavery dehumanized and degraded its victims, robbing them of their

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36

Vega González, Susana. "Toni Morrison's "Love" and the trickster paradigm." Revista Alicantina de Estudios Ingleses, no. 18 (November 15, 2005): 275. http://dx.doi.org/10.14198/raei.2005.18.14.

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The aim of this article is to propose a reading of Toni Morrison's Love (2003) as a trickster novel. The trickster paradigm, characterized by ambiguity, indeterminacy and transgression, pervades Morrison's fiction and dominates her latest novel in a clear continuation of her challenge to unquestioned univocal concepts and world views. Two of its female characters, Junior and Celestial, join the ranks of Morrisonian tricksters like Pilate or Sula. As a writer of trickster fiction, Toni Morrison turns into a figurative trickster herself, playing with language and words and welcoming paradoxes li

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37

Rogers, Theresa. "Reading Gatsby/Performing Jazz: On Narrative Voice, Race, and Resistance." English Education 31, no. 1 (1998): 48–59. http://dx.doi.org/10.58680/ee19981510.

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Describes an experiment in pairing the novels "The Great Gatsby" (F. Scott Fitzgerald) and "Jazz" (Toni Morrison) in a teacher preparation class. Relates that the students (all European American) initially resisted "Jazz" and accepted "Gatsby" as a timeless classic. Includes responses about another Toni Morrison novel, "Beloved."

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38

Sulaiman, Mohammed Hamad. "The Bluest Eye by Toni Morrison, Analyzed Through the Lens of a Cultural Materialism." Journal of Humanities and Education Development 4, no. 6 (2022): 86–90. http://dx.doi.org/10.22161/jhed.4.6.8.

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Morrison's novel The Bluest Eye follows a young black woman as she grapples with the conflicting pressures of the black beauty ideal and the reality of violence in the black community. Morrison shows that even the most well-intentioned people may damage one another in the story when they are bound by poverty and social disgrace. Morrison argues that people's desire to use violence is a misperception. According to them, negative expressions of love lead to distortion, which in turn causes agony.

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39

Hubbard, Mary, and Linden Peach. "Toni Morrison: Contemporary Critical Essays." African American Review 34, no. 1 (2000): 169. http://dx.doi.org/10.2307/2901199.

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40

Drake, Kimberly S., and Missy Dehn Kubitschek. "Toni Morrison: A Critical Companion." African American Review 35, no. 2 (2001): 333. http://dx.doi.org/10.2307/2903273.

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41

Wilentz, Gay, and Nellie Y. McKay. "Critical Essays on Toni Morrison." MELUS 15, no. 3 (1988): 131. http://dx.doi.org/10.2307/467508.

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42

Diagne, Andrée-Marie. "Lire Sula de Toni Morrison." Présence Africaine 159, no. 1 (1999): 187. http://dx.doi.org/10.3917/presa.159.0187.

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43

Mix, Debbie. "Toni Morrison: A Selected Bibliography." MFS Modern Fiction Studies 39, no. 3-4 (1993): 795–817. http://dx.doi.org/10.1353/mfs.0.0673.

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44

Sarinjeive, Devi. "Reading Paradigms, Toni Morrison,Beloved." Journal of Literary Studies 14, no. 3-4 (1998): 281–98. http://dx.doi.org/10.1080/02564719808530204.

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45

Hall, Alice. "Reading Africa in Toni Morrison." Women: A Cultural Review 21, no. 1 (2010): 112–14. http://dx.doi.org/10.1080/09574040903285917.

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46

Crichlow, Warren, and Cameron McCarthy. "Toni Morrison and the Curriculum." Cultural Studies 9, no. 2 (1995): 205–9. http://dx.doi.org/10.1080/09502389500490331.

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47

Dobbs, Cynthia. "Toni Morrison (review)." College Literature 39, no. 4 (2012): 148–49. http://dx.doi.org/10.1353/lit.2012.0041.

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48

Taylor, Jacqueline. "Toni Morrison readssong of Solomon." Literature and Performance 8, no. 1 (1988): 106–7. http://dx.doi.org/10.1080/10462938809365887.

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49

Morey, Ann-Janine. "Margaret Atwood and Toni Morrison." Journal of the American Academy of Religion LX, no. 3 (1992): 493–514. http://dx.doi.org/10.1093/jaarel/lx.3.493.

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50

Roynon, Tessa. "Toni Morrison and Classical Tradition." Literature Compass 4, no. 6 (2007): 1514–37. http://dx.doi.org/10.1111/j.1741-4113.2007.00496.x.

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