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Journal articles on the topic 'Tonight Show'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Williams, J. "The Tonight Show." Minnesota Review 2008, no. 70 (2008): 27–28. http://dx.doi.org/10.1215/00265667-2008-70-27.

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2

Pipke, Marisa. "Tonight Show with Marisa Pipke." Writing across the University of Alberta 1, no. 1 (2020): 1–4. http://dx.doi.org/10.29173/writingacrossuofa10.

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The following paper comes from a class where students were asked to write something related to class content but in a creative, risk-taking way. This assignment called for the students to explore a topic related to writing where some form of change in thinking had occurred. Students were also asked to imagine scenarios in which they could present class content in a fun, accessible way.

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3

Pramukti, Dita Intan, and Asep Purwo Yudi Utomo. "The implication of humor discourse in the Tonight Show television program." Journal of Social Studies (JSS) 15, no. 2 (2020): 145–62. http://dx.doi.org/10.21831/jss.v15i2.31939.

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Humor discourse is a form of language that deviates from the rules of speech and conversation principles. Humor is a form of contradiction or deviation from the constraints of language. One of the humor discourse that presents language use conditions with a particular speech strategy is NET TV Tonight Show. This television program may contain speech offenses at the event. This study aims to describe and explain the implicature of humor discourse in the Tonight Show. In this study, researchers used a qualitative approach with the content analysis method and the pragmatic theory approach. The da

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4

Aprilliani, Rizka, and Muhammad Gafar Yoedtadi. "Pengaruh Brand Image Judul Program terhadap Minat Menonton Program Talkshow Tonight Show Net TV." Prologia 4, no. 1 (2020): 53. http://dx.doi.org/10.24912/pr.v4i1.6428.

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Brand image is the perception and belief held by consumers, such as those in association and embedded in consumers memories. While the notion of interest is the tendency of someone to pay attention to some activities or activities that are liked by individuals. Tonight Shows a program that has an interest in watching the influence of the appearance of the program, and the host of the Tonight Show. This study uses quantitative survey methods for respondents in Taman Royal 2, Tangerang City. The results showed the effect of brand image on the interest in watching the Tonight Show talkshow progra

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Kipya, Maryatul, Diana Rozelin, and Muhammad Beni Saputra. "FLOUTING THE MAXIM IN CONVERSATION AT ELLEN DEGENERES SHOW AND THE TONIGHT SHOW STARRING JIMMY FALLON." Nazharat: Jurnal Kebudayaan 25, no. 2 (2019): 81–97. http://dx.doi.org/10.30631/nazharat.v25i2.18.

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This research analyzes flouting the maxim in conversation at Ellen DeGeneres Show and The Tonight Show Starring Jimmy Fallon, in these talk shows flouting the maxim appears, it causes the speaker and hearer being misunderstanding and not cooperative in the conversation. The aims of this research are to find out the type of flouting the maxim, to know the strategies of flouting the maxim used and to know politeness principle in conversation at Ellen DeGeneres and The Tonight Show Starring Jimmy Fallon.the writer uses the maxim theory by H. Paul Grice (1973) that discusses about types of Floutin

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6

Kessler, Sarah. "Alone Again Tonight: Russian Doll." Film Quarterly 73, no. 2 (2019): 23–30. http://dx.doi.org/10.1525/fq.2019.73.2.23.

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Russian Doll is a show about two people who are “dying all the time” in every sense of the phrase. As co-protagonists Nadia Vulvokov (Natasha Lyonne) and Alan Zaveri (Charlie Barnett) each fight grueling emotional battles, they also literally die, expiring and respawning over and over again like characters in a videogame. When Nadia and Alan meet and discover that they're dying at the same time, they become uneasy partners in trying to game the loop that dominates their lives—or rather their deaths. In foregrounding the interracial, (mostly) platonic, queer-tinged connection that results from

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Rahmayani, Fitri Ana. "Cross Cultural Pragmatics: Compliment Response Strategy Used on the British and Indonesian Talk show." IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature 8, no. 2 (2020): 384–97. http://dx.doi.org/10.24256/ideas.v8i2.1541.

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This research aims at comparing the pattern of compliment response strategy used by two different cultures between British’s and Indonesia’s talk show. The method used is descriptive qualitative research. The data is taken from “Loose Women” (British Talk Show) and “Tonight Show” (Indonesian Talk Show). The data collections are done as follows: first, download the video of “Tonight Show” and “Loose Women”. Second, observed both videos and then compared the video. The last transcribed the compliment response and then choose the pattern of compliment response strategy based on the theory of (R.

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8

Faiz, Ahmad. "CODE-SWITCHING USED BY SACHA STEVENSON IN TALK SHOWS." SUAR BETANG 12, no. 2 (2018): 209. http://dx.doi.org/10.26499/surbet.v12i2.32.

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This research investigates the use of types and functions of code-switching used by Sacha Stevenson as a guest star in Tonight Show and Sarah Sechan on NET TV. Tonight Show and Sarah Sechan are two popular talk shows on NET TV. In order to find the type and the function of code-switching used, the writer uses descriptive qualitative approach. The data is in the form of conversation. In order to collect the data, the writer compiles videos based on the sequence and the context of the conversation. The result shows that the types of code-switching found in both sources are intra-sentential code-

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9

Goranskij, V. P., та A. V. Kusakin. "Unusual Mode Changes in the δ Scuti Type Variable Star FL Cancri". International Astronomical Union Colloquium 185 (2002): 330–31. http://dx.doi.org/10.1017/s0252921100016389.

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AbstractOn the base of 105 hour photoelectric monitoring, we show that FL Cnc is a multiperiodic δ Set type variable with rapid night-tonight changes of the amplitudes of the periodic components in the Fourier spectra. We observed an event of pulsating frequency doubling on a time scale of a week, which was treated as an azimuthal mode change.

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10

Gentile, John S. "Early examples of the biographical one‐person show genre:Emlyn Williams as Charles Dickensand Hal Holbrook'sMark Twain tonight!" Literature in Performance 6, no. 1 (1985): 42–53. http://dx.doi.org/10.1080/10462938509391594.

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11

Nieuwenhuis, Ivo. "Televisual Satire in the Age of Glocalization." Many Lives of Europe’s Audiovisual Heritage 7, no. 13 (2018): 69. http://dx.doi.org/10.18146/2213-0969.2018.jethc143.

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This article analyses the highly popular Dutch satirical TV-show Zondag met Lubach (ZML) from the perspective of ‘glocalization.’ This places the show both within the global tradition of late-night satire, originating in the United States, and in the local Dutch tradition of satirical TV. A general overview of these traditions is followed by a close reading of one ZML segment, which is then compared to the American show Last Week Tonight with John Oliver. This comparison reveals the dominant influence of the American tradition of performing televisual satire, thus contesting the common assumpt

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Brugman, Britta C., Christian Burgers, Camiel J. Beukeboom, and Elly A. Konijn. "From The Daily Show to Last Week Tonight: A Quantitative Analysis of Discursive Integration in Satirical Television News." Journalism Studies 22, no. 9 (2021): 1181–99. http://dx.doi.org/10.1080/1461670x.2021.1929416.

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13

Jacobsen, Louise Brix. "Vitafiction and virality: Celebrities fictionalizing the self online." Convergence: The International Journal of Research into New Media Technologies 26, no. 4 (2018): 912–26. http://dx.doi.org/10.1177/1354856518818081.

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Celebrities playing fictionalized versions of themselves in commercials, campaigns, and video spots have become an increasingly viral phenomenon. The George Clooney commercials for Nespresso are circulated and promoted on various media platforms, segments from The Tonight Show Starring Jimmy Fallon are released on NBC.com and shared on YouTube, and some videos are explicitly created to go viral and even published on social media sites. In this article, I draw on recent work in fictionality studies and studies of virality to investigate how the celebrity trend of ‘vitafiction’ possesses a viral

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Wardoyo, Cipto. "CONTAGIOUSNESS OF POLITENESS ON YOUTUBE." PARADIGM 2, no. 2 (2019): 139. http://dx.doi.org/10.18860/prdg.v2i2.7752.

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<p align="justify">This study tries to shed a light on whether politeness strategies used in YouTube comment sections’ online discussion are contagious. Particularly, it explores the politeness strategies used in comments and replies from the three most popular videos in 2018 of “The Tonight Show Starring Jimmy Fallon” YouTube channel. By using a qualitative design with computer - mediated discourse analysis approach, this study confirms that politeness strategies used in the comment sections are contagious. It is also revealed that impolite strategies dominate the whole discussions even

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McNutt, Myles. "Classroom Instruments and Carpool Karaoke: Ritual and Collaboration in Late Night’s YouTube Era." Television & New Media 18, no. 7 (2017): 569–88. http://dx.doi.org/10.1177/1527476417718363.

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This article uses two recurring late-night talk show segments, “Classroom Instruments” (NBC’s The Tonight Show Starring Jimmy Fallon) and “Carpool Karaoke” (CBS’s The Late Late Show with James Corden), to explore how programming strategies are changing in response to late night’s adoption of YouTube as a distribution platform. Through close analysis of these segments, the series’ YouTube presences, and industry perspective, the article explores how late night’s digital turn has embraced historical qualities of late-night programming that have proven compatible with YouTube as a platform, with

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16

Boyer, Holly. "The Alert Collector: Hip Hop in the United States." Reference & User Services Quarterly 55, no. 3 (2016): 215. http://dx.doi.org/10.5860/rusq.55n3.215.

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Hip hop is a ubiquitous part of American society in 2015—from Kanye West announcing his future presidential bid to discussions of feminism surrounding Nikki Minaj’s anatomy, to Kendrick Lamar’s concert with the National Symphony Orchestra, to Questlove leading the Tonight Show Band, hip hop has exerted its influence on American culture in every way and form.Hip hop’s origin in the early 1970s in the South Bronx of New York City is most often attributed to DJ Kool Herc and his desire to entertain at a party. In the 1980s, hip hop continued to gain popularity and speak about social issues faced

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17

Morse, Amy B., and Polly Wagner. "Learning to Listen: Lessons from a Mathematics Seminar for Parents." Teaching Children Mathematics 4, no. 6 (1998): 360–75. http://dx.doi.org/10.5951/tcm.4.6.0360.

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It is 6:00 on a Thursday evening. Twenty parents leave their children behind to finish dinner, to take baths, and to be read to by someone else. They then head off to school for another in a series of eight three-hour sessions on mathematics. Class does not quite start on time, as usual. Maria is late—the babysitter did not show up on time. Ed's spouse did not get home from work in time, and the children are too young to be left on their own. Lavinia calls from work; she cannot leave in time to get to school tonight, and she is very sorry to miss the class. Despite the slow start, our classroo

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18

Fried, Kristopher, and Shelley Carson. "The influence of performance expectations and personality on audience ratings of humor." HUMOR 31, no. 4 (2018): 645–61. http://dx.doi.org/10.1515/humor-2017-0137.

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Abstract Are our ratings of comics and the humor of their material affected by our perceived expectations? We tested the responses of fifty participants, recruited from comedy club audiences in the United States, who completed a standard personality test and then watched and rated video clips of stand-up comedy performances. The comedians in each clip were unknown to the viewers, and were either introduced with enhanced/exaggerated credentials (such as having experience writing for The Tonight Show or appearing on the Modern Family television series), or were given a more generic introduction,

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19

Schwoerer, Lois G. "Celebrating the Glorious Revolution, 1689–1989." Albion 22, no. 1 (1990): 1–20. http://dx.doi.org/10.2307/4050254.

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1988 and 1989 have been vintage years all over the world for centenary celebrations. People have celebrated the centenary of the Eiffel Tower, the bicentenary of the French Revolution, the bicentenary of Australia, the bicentenary of the American Bill of Rights, the quatercentenary of the defeat of the Spanish Armada, the sexcentenary of the battle of Kosovo (this one may have escaped your notice, but it brought over a million people to a gathering in the city of Pristina in Yugoslavia in June 1989), and, of course, the tercentenary of the English Revolution of 1688–89, with which I am concern

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20

Kukla-Gryz, Anna, and Katarzyna Zagórska. "‘If I can set my own price for tonight’s show I will pay more after watching it!’ – evidence from Pay What You Want experiment." Applied Economics Letters 25, no. 19 (2018): 1398–401. http://dx.doi.org/10.1080/13504851.2017.1422593.

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21

Arnold, Morris S. "Towards an Ideology of the Early English Law of Obligations." Law and History Review 5, no. 2 (1987): 505–21. http://dx.doi.org/10.2307/743895.

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So portentous a title as I have contrived for tonight's lecture ought to come furnished with an appropriately bombastic beginning. In fact, it does not. Instead of concentrating on a beginning, I thought that we might more profitably focus our attention on the beginning, that is, on a time long before the sophisticated legal/administrative system of England's high middle ages had evolved. It will be interesting to get what peeks we can at the jurisprudential assumptions of, say, preconquest Englishmen. As Tom Green has recently demonstrated in his book on the criminal jury, these assumptions c

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22

Llamanzares, Teodoro P. "On Shoulders of Giants: A Message from an Elder Fellow to New Diplomates." Philippine Journal of Otolaryngology-Head and Neck Surgery 31, no. 2 (2018): 6–7. http://dx.doi.org/10.32412/pjohns.v31i2.217.

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Magandang Gabi po sa inyong lahat lalo na sa mga bagong specialista (o Diplomate) ng ating samahang PBO-HNS na pinararangalan natin ngayon; Ganuon din sa kanilang mga kabiyak, at mga magulang, mga marangal nating panauhin at syempre sa mga dati kong kasama sa PSO at PBO-HNS. Itong samahang ito ang hindi tumitigil na paunlarin ang mga patakaran ng Society at para ang ENT Diplomate ay maging tunay na specialist at hindi “ispecialista daw.” For the single ones among you, let’s give your parents special citation for having sacrificed not only once during your medical student days but twice-d

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23

Showstack, Randy. "New NOVA TV Show Explores Coevolution of Rocks and Life." Eos 97 (January 13, 2016). http://dx.doi.org/10.1029/2016eo043495.

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24

"Inventing late night: Steve Allen and the original Tonight show." Choice Reviews Online 43, no. 08 (2006): 43–4472. http://dx.doi.org/10.5860/choice.43-4472.

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25

Zulaikha, Zulaikha. "Media konvensional vs media daring: Belajar dari kasus acara Tonight Show – NET TV." Jurnal Kajian Media 4, no. 1 (2020). http://dx.doi.org/10.25139/jkm.v4i1.2572.

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The world in one hand, now is no longer just an advertising tagline. It really has become a reality, when the gadget in our hands is able to present all the information needs of the entire world. Not just information, various entertainment can also be found in gadgets. From movies, music, drama series, talk shows, comedy, and various shows owned by influencers or YouTubers that are entertainment. And special, the audience in gadgets only watch the shows they like. There's no way they would waste their quota to watch a program they don't like. The question is, did television audiences still hav

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26

Wehrle, Annika. "Performative ErMittlung von Meinungen und Positionen auf den Spielwiesen des Globalen. Überlegungen zu Fight Night von Ontroerend Goed und The Border Project." itw : im dialog 2 (January 17, 2017). http://dx.doi.org/10.16905/itwid.2016.11.

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"It has often been said that you can’t have a show without an audience and tonight that is more true than ever. Because tonight we will not only need your eyes and ears but at the center of everything will be your voice." Diese Aufforderung, das szenische Geschehen durch Stimmabgabe mitzulenken, läutet das performative Wortgefecht Fight Night (2013) ein, eine global tourende Koproduktion von Ontroerend Goed und The Border Project. Fünf Kandidat_innen steigen in den Ring und werden vom Publikum nach und nach herausgewählt. Dieses wird aber nicht dazu aufgefordert, die Stimme hörbar zu erheben.

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27

Monti, Manuela. "Mistletoe - From mythology to evidence-based medicine." European Journal of Histochemistry 59, no. 4 (2015). http://dx.doi.org/10.4081/ejh.2015.2577.

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This is the time of the <em>precision medicine</em>, as President Barak Obama addressed the Nation on January 20, 2015 in a State of the Union Address: <em>Tonight, I'm launching a new Precision Medicine Initiative to bring us closer to curing diseases like cancer and diabetes — and to give all of us access to the personalized information we need to keep ourselves and our families healthier</em> (Francis S. Collins and Harold Varmus, A New Initiative on Precision Medicine; N Engl J Med 2015;372:793-795). This new field already show several actors, not only the NIH but a

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28

Medeiros, Ben. "“There’s No Way Abraham Lincoln Could Work at Google”: Fox News and the Politics of Breaking Up Big Tech." Journal of Communication Inquiry, August 11, 2021, 019685992110392. http://dx.doi.org/10.1177/01968599211039211.

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This paper analyzes a corpus of segments from the Tucker Carlson Tonight program concerning “big tech” (focusing specifically on Google) and contextualizes this analysis within the political history of American media and technology regulation. Conservatives have long lamented the so-called liberal bias in media, but have also traditionally supported business deregulation and an antitrust approach narrowly concerned with consumer welfare. The textual analysis of Fox segments first shows that recurring complaints about the bias of Google's employees and executives is connected with its market do

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29

Merchant, Melissa, Katie M. Ellis, and Natalie Latter. "Captions and the Cooking Show." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1260.

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While the television cooking genre has evolved in numerous ways to withstand competition and become a constant feature in television programming (Collins and College), it has been argued that audience demand for televisual cooking has always been high because of the daily importance of cooking (Hamada, “Multimedia Integration”). Early cooking shows were characterised by an instructional discourse, before quickly embracing an entertainment focus; modern cooking shows take on a more competitive, out of the kitchen focus (Collins and College). The genre has continued to evolve, with celebrity che

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30

Seale, Kirsten. "Location, Location." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2668.

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   Last year, the ABC’s Media Watch (17 Oct. 2005) noted the continuing outrage in the tabloid media over “the dirtiest house in NSW”. The program took issue with Sydney newspaper The Daily Telegraph, and the descriptor “exclusive” attached to their article on a property in beachside Bondi (9 Oct. 2005). In fact, as Media Watch pointed out, Channel Seven’s current affairs flagship Today Tonight had already made repeat visits to the residence. A Current Affair, Channel Nine’s rival show, as well as Bondi’s local newspaper also offered coverage. However, I am interested not in

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31

Rodan, Debbie. "Bringing Sexy Back: To What Extent Do Online Television Audiences Contest Fat-Shaming?" M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.967.

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The latest reality program about weight loss makeover, Australian Channel Seven’s Bringing Sexy Back maintained the dominant frame of fat as bad, shameful and unsexy. Similar to other programs’ point of view, only slim bodies could claim to be healthy and sexy. Conversely the Fat Acceptance movement presents fat as beautiful, sexy, and healthy. But what did online audiences in 2014 think about Bringing Sexy Back? In this article online-viewer-generated comments are analysed to find out: a) whether audiences challenged and contested the dominant framing; and b) what phrases did they use to do t

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32

Graham, Emily B., Fan Yang, Sheryl Bell, and Kirsten S. Hofmockel. "High Genetic Potential for Proteolytic Decomposition in Northern Peatland Ecosystems." Applied and Environmental Microbiology 85, no. 10 (2019). http://dx.doi.org/10.1128/aem.02851-18.

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ABSTRACTNitrogen (N) is a scarce nutrient commonly limiting primary productivity. Microbial decomposition of complex carbon (C) into small organic molecules (e.g., free amino acids) has been suggested to supplement biologically fixed N in northern peatlands. We evaluated the microbial (fungal, bacterial, and archaeal) genetic potential for organic N depolymerization in peatlands at Marcell Experimental Forest (MEF) in northern Minnesota. We used guided gene assembly to examine the abundance and diversity of protease genes and further compared them to those of N fixation (nifH) genes in shotgun

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33

Kaden, Hamish. "The Interminable Son." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1756.

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Today, tomorrow, the dead, the unborn, the sick and dying. And me, can you see me? The thirty-five-year-old man, cross-legged in the large white tent where we speak of the dead? Another face in the hundred other faces. The walls are thick with thankas, pastel pinks and icy hells, skulls cups and lotus flowers. Mothers are rocking babies, fathers creak like old bones. We all inch forward to hear the large monk in yellow robes who says how forty-nine days after death we seek material form, see a range of lights, a chimera of colours. We drift to where our parents are making love and take form in

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34

Vares, Tiina. "Viagra and 'Getting it up'." M/C Journal 6, no. 5 (2003). http://dx.doi.org/10.5204/mcj.2265.

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Viagra, Pfizer's diamond blue shaped pill for erectile difficulties, has spawned thousands of jokes - just check out the internet and you'll be amazed by the variety (from vaguely amusing to downright nasty). Greeting and birthday cards have also latched onto Viagramania ("Potent"). The idea of an erection on demand and/or an erection which won't let you down or, in fact, go down, has captured our popular imagination. Size is still an issue but the erect penis now seems to be the primary focus of humour. A decade ago penile size and erection jokes were popular but with the advent of Viagra in

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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   Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d

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37

Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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38

Howley, Kevin. "Always Famous." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2452.

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Introduction A snapshot, not unlike countless photographs likely to be found in any number of family albums, shows two figures sitting on a park bench: an elderly and amiable looking man grins beneath the rim of a golf cap; a young boy of twelve smiles wide for the camera — a rather banal scene, captured on film. And yet, this seemingly innocent and unexceptional photograph was the site of a remarkable and wide ranging discourse — encompassing American conservatism, celebrity politics, and the end of the Cold War — as the image circulated around the globe during the weeklong state funeral of R

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39

Holmes, Susan. "'The Only Place Where ''Success'' Comes before ''Work'' Is in the Dictionary...?'." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2421.

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Reality TV has emerged as a visible site for contemporary debates over modern fame. In fact, while issues of ‘taste’ and cultural value have long since shaped conceptions of celebrity (Turner, Bonner, Marshall 178), the issue of fame has played a central role in the negative cultural criticisms of Reality TV. Reality programming is often invoked as short-hand to illustrate the moral ills of contemporary fame – as if it has somehow swept away the certainties of ‘the past’ where discourses of public recognition, visibility and reward are concerned. In exploring Reality TV as a site of contempora

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Hope, Cathy, and Bethaney Turner. "The Right Stuff? The Original Double Jay as Site for Youth Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.898.

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On 19 January 1975, Australia’s first youth station 2JJ (Double Jay) launched itself onto the nation’s airwaves with a NASA-style countdown and You Only Like Me ‘Cause I’m Good in Bed by Australian band Skyhooks. Refused airtime by the commercial stations because of its explicit sexual content, this song was a clear signifier of the new station’s intent—to occupy a more radical territory on Australian radio. Indeed, Double Jay’s musical entrée into the highly restrictive local broadcasting environment of the time has gone on to symbolise both the station’s role in its early days as an enfant t

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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi

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Mercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1361.

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Music from Another Time – One Perth Night in 2009The following extract is taken from fieldwork notes from research into the enduring Northern Soul dance scene in Perth, Western Australia.It’s 9.30 and I’m walking towards the Hyde Park Hotel on a warm May night. I stop to talk to Jenny, from London, who tells me about her 1970s trip to India and teenage visits to soul clubs in Soho. I enter a cavernous low-ceilinged hall, which used to be a jazz venue and will be a Dan Murphy’s bottle shop before the year ends. South West Soul organiser Tommy, wearing 34-inch baggy trousers, gives me a Northern

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Esposito, Paola. "Thread: Somatic Lives of a Thing." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1062.

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IntroductionOn a sunny afternoon in early spring 2014, five researchers were strolling through the streets of Old Aberdeen. They had known each other for only a few days since an event had brought them together. The event was Performance Reflexivity, Intentionality and Collaboration: A Sourcing Within Worksession, convened by anthropologist Caroline Gatt and performer Gey Pin Ang, as part of the ERC Advanced Grant project “Knowing from the Inside,” at the department of Anthropology, University of Aberdeen. This workshop aimed to explore aspects of creative decision-making in performance to ass

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Dawkins, Roger. "How We Speak When We Say Things about Ourselves in Social Media: A Semiotic Analysis of Content Curation." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.999.

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Curating content is a key part of a social media user’s profile—and recent reports reveal an upward trend in the curating of video, image, and text based content (Meeker). Through “engagement”—in other words, posting content, liking, sharing, or commenting on another’s content—that content becomes part of the user’s profile and contributes to their “activity.” A user’s understanding of another user in the network depends on curation, on what another user posts and their engagement with the content. It is worth while studying content curation in terms of meaning, which involves clarifying how a

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Burns, Alex. "'This Machine Is Obsolete'." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1805.

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'He did what the cipher could not, he rescued himself.' -- Alfred Bester, The Stars My Destination (23) On many levels, the new Nine Inch Nails album The Fragile is a gritty meditation about different types of End: the eternal relationship cycle of 'fragility, tension, ordeal, fragmentation' (adapted, with apologies to Wilhelm Reich); fin-de-siècle anxiety; post-millennium foreboding; a spectre of the alien discontinuity that heralds an on-rushing future vastly different from the one envisaged by Enlightenment Project architects. In retrospect, it's easy for this perspective to be dismissed as

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McNicol, Emma Jane Brosnan. "Gendered Violence as Revelation in John le Carré’s The Night Manager." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1665.

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Susanne Bier and David Farr’s 2016 television adaptation of John le Carré’s novel The Night Manager (“Manager”) indexes the resilience of traditional Christian misogyny in contemporary British-American media. In the first episode of the series, Sophie (Aure Atika)’s partner Freddie Hamid (David Avery) brutally beats her. In the subsequent scene, despite her scars, Sophie has a sex scene with the eponymous night manager Pine (Tom Hiddlestone). Sophie’s eye socket and the left side of her face bear fresh bruises and wounds throughout the sex scene. And in the sixth and final episode, Pine and Je

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Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer

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